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Color name
HEX #3F9ACA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F9ACA it is the complementary color #C06535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F9ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F9ACA shade: #449AC5, #55ACD8, #66BEEB, #77D0FE and #88E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F9ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F9ACA shade: #3F9ACA, #2E88B7, #1D76A4, #0C6491 and #00527E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F9ACA shade: #3F9ACA, #3F75CA, #3F4FCA, #543FCA and #7A3FCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F9ACA shade: #3F9ACA, #3F75CA, #3F4FCA and #3F3FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F9ACA shade matches the following richer shades: #3F9ACA, #2BA0DE and #17A6F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F9ACA shade: #3F9ACA, #5394B7, #668EA3, #7A888F and #8E827B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F9ACA shade: #3FCAAE, #3FC1CA, #3F9CCA, #3F77CA and #3F51CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F9ACA shade: #276B8F, #3084B0, #3F9ACA, #5FABD3 and #80BCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F9ACA shade: #3F9ACA, #893FCA and #CAC13F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F9ACA shade: #3F9ACA, #CA3F9C and #9CCA3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F9ACA shade: #3F9ACA, #893FCA, #CA6D3F and #80CA3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F9ACA shade: #3F9ACA, #B33FCA, #CA6D3F and #56CA3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

Complementary color

CMYK 0 / 47 / 72 / 25

HEX #C06535

RGB 192 101 53

HSL 20.72, 0.57%, 0.48%

LAB 52.7, 32.71, 42.54

 

CMYK 65 / 22 / 0 / 23

HEX #449AC5

RGB 68 154 197

HSL 200, 0.53%, 0.52%

LAB 60.22, -12.44, -29.8

 

CMYK 61 / 20 / 0 / 15

HEX #55ACD8

RGB 85 172 216

HSL 200.15, 0.63%, 0.59%

LAB 66.82, -13.2, -30.12

 

CMYK 57 / 19 / 0 / 8

HEX #66BEEB

RGB 102 190 235

HSL 200.3, 0.77%, 0.66%

LAB 73.32, -13.8, -30.42

 

CMYK 53 / 18 / 0 / 0

HEX #77D0FE

RGB 119 208 254

HSL 200.44, 0.99%, 0.73%

LAB 79.72, -14.27, -30.71

 

CMYK 47 / 11 / 0 / 0

HEX #88E2FF

RGB 136 226 255

HSL 194.62, 1%, 0.77%

LAB 85.43, -19.52, -22.46

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 75 / 26 / 0 / 28

HEX #2E88B7

RGB 46 136 183

HSL 200.58, 0.6%, 0.45%

LAB 53.61, -10.39, -32.2

 

CMYK 82 / 28 / 0 / 36

HEX #1D76A4

RGB 29 118 164

HSL 200.44, 0.7%, 0.38%

LAB 46.84, -8.8, -31.81

 

CMYK 92 / 31 / 0 / 43

HEX #0C6491

RGB 12 100 145

HSL 200.3, 0.85%, 0.31%

LAB 39.98, -6.66, -31.33

 

CMYK 100 / 35 / 0 / 51

HEX #00527E

RGB 0 82 126

HSL 200.95, 1%, 0.25%

LAB 33.01, -3.84, -30.76

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 69 / 42 / 0 / 21

HEX #3F75CA

RGB 63 117 202

HSL 216.69, 0.57%, 0.52%

LAB 49.55, 10.18, -49.44

 

CMYK 69 / 61 / 0 / 21

HEX #3F4FCA

RGB 63 79 202

HSL 233.09, 0.57%, 0.52%

LAB 39.43, 34.27, -65.77

 

CMYK 58 / 69 / 0 / 21

HEX #543FCA

RGB 84 63 202

HSL 249.06, 0.57%, 0.52%

LAB 37.31, 46.85, -69.19

 

CMYK 40 / 69 / 0 / 21

HEX #7A3FCA

RGB 122 63 202

HSL 265.47, 0.57%, 0.52%

LAB 41.15, 53.35, -62.76

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 69 / 42 / 0 / 21

HEX #3F75CA

RGB 63 117 202

HSL 216.69, 0.57%, 0.52%

LAB 49.55, 10.18, -49.44

 

CMYK 69 / 61 / 0 / 21

HEX #3F4FCA

RGB 63 79 202

HSL 233.09, 0.57%, 0.52%

LAB 39.43, 34.27, -65.77

 

CMYK 69 / 69 / 0 / 21

HEX #3F3FCA

RGB 63 63 202

HSL 240, 0.57%, 0.52%

LAB 35.74, 44.06, -71.81

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 81 / 28 / 0 / 13

HEX #2BA0DE

RGB 43 160 222

HSL 200.78, 0.73%, 0.52%

LAB 62.45, -10.46, -40.32

 

CMYK 90 / 31 / 0 / 5

HEX #17A6F2

RGB 23 166 242

HSL 200.82, 0.89%, 0.52%

LAB 64.86, -8.02, -47.56

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 55 / 19 / 0 / 28

HEX #5394B7

RGB 83 148 183

HSL 201, 0.41%, 0.52%

LAB 58.45, -10.67, -24.6

 

CMYK 37 / 13 / 0 / 36

HEX #668EA3

RGB 102 142 163

HSL 200.66, 0.25%, 0.52%

LAB 56.89, -8.31, -15.49

 

CMYK 15 / 5 / 0 / 44

HEX #7A888F

RGB 122 136 143

HSL 200, 0.09%, 0.52%

LAB 55.82, -3.54, -5.48

 

CMYK 0 / 8 / 13 / 44

HEX #8E827B

RGB 142 130 123

HSL 22.11, 0.08%, 0.52%

LAB 55.22, 3.28, 5.42

 

CMYK 69 / 0 / 14 / 21

HEX #3FCAAE

RGB 63 202 174

HSL 167.91, 0.57%, 0.52%

LAB 73.77, -43.49, 3.24

 

CMYK 69 / 4 / 0 / 21

HEX #3FC1CA

RGB 63 193 202

HSL 183.88, 0.57%, 0.52%

LAB 71.87, -31.7, -14.8

 

CMYK 69 / 23 / 0 / 21

HEX #3F9CCA

RGB 63 156 202

HSL 199.86, 0.57%, 0.52%

LAB 60.87, -12.69, -31.62

 

CMYK 69 / 41 / 0 / 21

HEX #3F77CA

RGB 63 119 202

HSL 215.83, 0.57%, 0.52%

LAB 50.11, 8.95, -48.54

 

CMYK 69 / 60 / 0 / 21

HEX #3F51CA

RGB 63 81 202

HSL 232.23, 0.57%, 0.52%

LAB 39.93, 33.01, -64.97

 

CMYK 73 / 25 / 0 / 44

HEX #276B8F

RGB 39 107 143

HSL 200.77, 0.57%, 0.36%

LAB 42.66, -8.79, -25.9

 

CMYK 73 / 25 / 0 / 31

HEX #3084B0

RGB 48 132 176

HSL 200.63, 0.57%, 0.44%

LAB 52.14, -10.29, -30.47

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 55 / 19 / 0 / 17

HEX #5FABD3

RGB 95 171 211

HSL 200.69, 0.57%, 0.6%

LAB 66.72, -12.23, -27.48

 

CMYK 42 / 15 / 0 / 14

HEX #80BCDC

RGB 128 188 220

HSL 200.87, 0.57%, 0.68%

LAB 73.37, -11.12, -22.11

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 32 / 69 / 0 / 21

HEX #893FCA

RGB 137 63 202

HSL 271.94, 0.57%, 0.52%

LAB 42.97, 56.29, -59.72

 

CMYK 0 / 4 / 69 / 21

HEX #CAC13F

RGB 202 193 63

HSL 56.12, 0.57%, 0.52%

LAB 76.71, -11.89, 63.37

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 0 / 69 / 23 / 21

HEX #CA3F9C

RGB 202 63 156

HSL 319.86, 0.57%, 0.52%

LAB 50.11, 63.36, -20.81

 

CMYK 23 / 0 / 69 / 21

HEX #9CCA3F

RGB 156 202 63

HSL 79.86, 0.57%, 0.52%

LAB 75.86, -35.12, 61.43

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 32 / 69 / 0 / 21

HEX #893FCA

RGB 137 63 202

HSL 271.94, 0.57%, 0.52%

LAB 42.97, 56.29, -59.72

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3F

RGB 202 109 63

HSL 19.86, 0.57%, 0.52%

LAB 55.94, 33.06, 41.37

 

CMYK 37 / 0 / 69 / 21

HEX #80CA3F

RGB 128 202 63

HSL 91.94, 0.57%, 0.52%

LAB 74.31, -45.39, 59.34

 

CMYK 69 / 24 / 0 / 21

HEX #3F9ACA

RGB 63 154 202

HSL 200.72, 0.57%, 0.52%

LAB 60.28, -11.59, -32.53

 

CMYK 11 / 69 / 0 / 21

HEX #B33FCA

RGB 179 63 202

HSL 290.07, 0.57%, 0.52%

LAB 48.76, 65.13, -50.09

 

CMYK 0 / 46 / 69 / 21

HEX #CA6D3F

RGB 202 109 63

HSL 19.86, 0.57%, 0.52%

LAB 55.94, 33.06, 41.37

 

CMYK 57 / 0 / 69 / 21

HEX #56CA3F

RGB 86 202 63

HSL 110.07, 0.57%, 0.52%

LAB 72.61, -57.98, 57.04

 

Description

Color code: HEX #3F9ACA | qconv.com Color code: HEX #3F9ACA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 154 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 154 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 24 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 24% 0% 21% C M Y K

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Provide designers and agencies with accurate color values.

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