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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F99D4 it is the complementary color #C0662B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F99D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F99D4 shade: #4499CF, #55ABE2, #66BDF5, #77CFFF and #88E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F99D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F99D4 shade: #3F99D4, #2E87C1, #1D75AE, #0C639B and #005188

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F99D4 shade: #4099D4, #4071D4, #4049D4, #5E40D4 and #8640D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F99D4 shade: #4099D4, #4071D4, #4049D4 and #4040D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F99D4 shade matches the following richer shades: #4099D4, #2D9DE7 and #1AA1FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F99D4 shade: #4099D4, #5395C1, #6691AE, #798D9B and #8C8988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F99D4 shade: #40D4BD, #40C2D4, #409BD4, #4074D4 and #404CD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F99D4 shade: #246D9D, #2B84BF, #4099D4, #61ABDB and #83BDE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F99D4 shade: #3F99D4, #9640D4 and #D4D140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F99D4 shade: #3F99D4, #D4409B and #9BD440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F99D4 shade: #3F99D4, #9640D4, #D47840 and #7DD440

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F99D4 shade: #3F99D4, #C240D4, #D47840 and #51D440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 28 / 0 / 17

HEX #3F99D4

RGB 63 153 212

HSL 203.76, 0.63%, 0.54%

LAB 60.42, -7.66, -37.9

 

Complementary color

CMYK 0 / 47 / 78 / 25

HEX #C0662B

RGB 192 102 43

HSL 23.76, 0.63%, 0.46%

LAB 52.82, 31.74, 47.53

 

CMYK 67 / 26 / 0 / 19

HEX #4499CF

RGB 68 153 207

HSL 203.31, 0.59%, 0.54%

LAB 60.35, -8.59, -35.21

 

CMYK 62 / 24 / 0 / 11

HEX #55ABE2

RGB 85 171 226

HSL 203.4, 0.71%, 0.61%

LAB 66.94, -9.52, -35.44

 

CMYK 58 / 23 / 0 / 4

HEX #66BDF5

RGB 102 189 245

HSL 203.5, 0.88%, 0.68%

LAB 73.42, -10.26, -35.66

 

CMYK 53 / 19 / 0 / 0

HEX #77CFFF

RGB 119 207 255

HSL 201.18, 1%, 0.73%

LAB 79.48, -13.47, -31.61

 

CMYK 47 / 12 / 0 / 0

HEX #88E1FF

RGB 136 225 255

HSL 195.13, 1%, 0.77%

LAB 85.15, -19.02, -22.88

 

CMYK 70 / 28 / 0 / 17

HEX #3F99D4

RGB 63 153 212

HSL 203.76, 0.63%, 0.54%

LAB 60.42, -7.66, -37.9

 

CMYK 76 / 30 / 0 / 24

HEX #2E87C1

RGB 46 135 193

HSL 203.67, 0.62%, 0.47%

LAB 53.77, -6.26, -37.65

 

CMYK 83 / 33 / 0 / 32

HEX #1D75AE

RGB 29 117 174

HSL 203.59, 0.71%, 0.4%

LAB 47.03, -4.45, -37.35

 

CMYK 92 / 36 / 0 / 39

HEX #0C639B

RGB 12 99 155

HSL 203.5, 0.86%, 0.33%

LAB 40.19, -2.08, -36.98

 

CMYK 100 / 40 / 0 / 47

HEX #005188

RGB 0 81 136

HSL 204.26, 1%, 0.27%

LAB 33.27, 1, -36.5

 

CMYK 70 / 28 / 0 / 17

HEX #4099D4

RGB 64 153 212

HSL 203.92, 0.63%, 0.54%

LAB 60.45, -7.51, -37.86

 

CMYK 70 / 47 / 0 / 17

HEX #4071D4

RGB 64 113 212

HSL 220.14, 0.63%, 0.54%

LAB 49.07, 16.43, -55.9

 

CMYK 70 / 66 / 0 / 17

HEX #4049D4

RGB 64 73 212

HSL 236.35, 0.63%, 0.54%

LAB 38.91, 41.55, -72.39

 

CMYK 56 / 70 / 0 / 17

HEX #5E40D4

RGB 94 64 212

HSL 252.16, 0.63%, 0.54%

LAB 39.24, 50.78, -71.77

 

CMYK 37 / 70 / 0 / 17

HEX #8640D4

RGB 134 64 212

HSL 268.38, 0.63%, 0.54%

LAB 43.49, 57.61, -64.66

 

CMYK 70 / 28 / 0 / 17

HEX #4099D4

RGB 64 153 212

HSL 203.92, 0.63%, 0.54%

LAB 60.45, -7.51, -37.86

 

CMYK 70 / 47 / 0 / 17

HEX #4071D4

RGB 64 113 212

HSL 220.14, 0.63%, 0.54%

LAB 49.07, 16.43, -55.9

 

CMYK 70 / 66 / 0 / 17

HEX #4049D4

RGB 64 73 212

HSL 236.35, 0.63%, 0.54%

LAB 38.91, 41.55, -72.39

 

CMYK 70 / 70 / 0 / 17

HEX #4040D4

RGB 64 64 212

HSL 240, 0.63%, 0.54%

LAB 36.95, 46.88, -75.62

 

CMYK 70 / 28 / 0 / 17

HEX #4099D4

RGB 64 153 212

HSL 203.92, 0.63%, 0.54%

LAB 60.45, -7.51, -37.86

 

CMYK 81 / 32 / 0 / 9

HEX #2D9DE7

RGB 45 157 231

HSL 203.87, 0.79%, 0.54%

LAB 62.03, -5.4, -45.95

 

CMYK 90 / 36 / 0 / 2

HEX #1AA1FA

RGB 26 161 250

HSL 203.84, 0.96%, 0.54%

LAB 63.85, -2.12, -53.54

 

CMYK 70 / 28 / 0 / 17

HEX #4099D4

RGB 64 153 212

HSL 203.92, 0.63%, 0.54%

LAB 60.45, -7.51, -37.86

 

CMYK 57 / 23 / 0 / 24

HEX #5395C1

RGB 83 149 193

HSL 204, 0.47%, 0.54%

LAB 59.14, -8.13, -29.18

 

CMYK 41 / 17 / 0 / 32

HEX #6691AE

RGB 102 145 174

HSL 204.17, 0.31%, 0.54%

LAB 58.16, -6.98, -19.84

 

CMYK 22 / 9 / 0 / 39

HEX #798D9B

RGB 121 141 155

HSL 204.71, 0.15%, 0.54%

LAB 57.54, -3.94, -9.81

 

CMYK 0 / 2 / 3 / 45

HEX #8C8988

RGB 140 137 136

HSL 15, 0.02%, 0.54%

LAB 57.31, 0.92, 0.92

 

CMYK 70 / 0 / 11 / 17

HEX #40D4BD

RGB 64 212 189

HSL 170.68, 0.63%, 0.54%

LAB 77.19, -43.84, 0.13

 

CMYK 70 / 8 / 0 / 17

HEX #40C2D4

RGB 64 194 212

HSL 187.3, 0.63%, 0.54%

LAB 72.51, -29.07, -19.27

 

CMYK 70 / 27 / 0 / 17

HEX #409BD4

RGB 64 155 212

HSL 203.11, 0.63%, 0.54%

LAB 61.03, -8.64, -36.94

 

CMYK 70 / 45 / 0 / 17

HEX #4074D4

RGB 64 116 212

HSL 218.92, 0.63%, 0.54%

LAB 49.9, 14.55, -54.58

 

CMYK 70 / 64 / 0 / 17

HEX #404CD4

RGB 64 76 212

HSL 235.14, 0.63%, 0.54%

LAB 39.6, 39.73, -71.27

 

CMYK 77 / 31 / 0 / 38

HEX #246D9D

RGB 36 109 157

HSL 203.8, 0.63%, 0.38%

LAB 43.87, -5.27, -32.34

 

CMYK 77 / 31 / 0 / 25

HEX #2B84BF

RGB 43 132 191

HSL 203.92, 0.63%, 0.46%

LAB 52.71, -5.59, -38.19

 

CMYK 70 / 28 / 0 / 17

HEX #4099D4

RGB 64 153 212

HSL 203.92, 0.63%, 0.54%

LAB 60.45, -7.51, -37.86

 

CMYK 56 / 22 / 0 / 14

HEX #61ABDB

RGB 97 171 219

HSL 203.61, 0.63%, 0.62%

LAB 67.11, -9.4, -31.28

 

CMYK 42 / 17 / 0 / 11

HEX #83BDE3

RGB 131 189 227

HSL 203.75, 0.63%, 0.7%

LAB 74.04, -9.02, -24.86

 

CMYK 70 / 28 / 0 / 17

HEX #3F99D4

RGB 63 153 212

HSL 203.76, 0.63%, 0.54%

LAB 60.42, -7.66, -37.9

 

CMYK 29 / 70 / 0 / 17

HEX #9640D4

RGB 150 64 212

HSL 274.86, 0.63%, 0.54%

LAB 45.5, 60.7, -61.3

 

CMYK 0 / 1 / 70 / 17

HEX #D4D140

RGB 212 209 64

HSL 58.78, 0.63%, 0.54%

LAB 81.82, -15.67, 68.33

 

CMYK 70 / 28 / 0 / 17

HEX #3F99D4

RGB 63 153 212

HSL 203.76, 0.63%, 0.54%

LAB 60.42, -7.66, -37.9

 

CMYK 0 / 70 / 27 / 17

HEX #D4409B

RGB 212 64 155

HSL 323.11, 0.63%, 0.54%

LAB 51.87, 65.49, -17.37

 

CMYK 27 / 0 / 70 / 17

HEX #9BD440

RGB 155 212 64

HSL 83.11, 0.63%, 0.54%

LAB 78.71, -39.93, 63.92

 

CMYK 70 / 28 / 0 / 17

HEX #3F99D4

RGB 63 153 212

HSL 203.76, 0.63%, 0.54%

LAB 60.42, -7.66, -37.9

 

CMYK 29 / 70 / 0 / 17

HEX #9640D4

RGB 150 64 212

HSL 274.86, 0.63%, 0.54%

LAB 45.5, 60.7, -61.3

 

CMYK 0 / 43 / 70 / 17

HEX #D47840

RGB 212 120 64

HSL 22.7, 0.63%, 0.54%

LAB 59.71, 31.35, 45.45

 

CMYK 41 / 0 / 70 / 17

HEX #7DD440

RGB 125 212 64

HSL 95.27, 0.63%, 0.54%

LAB 77.17, -50.44, 61.86

 

CMYK 70 / 28 / 0 / 17

HEX #3F99D4

RGB 63 153 212

HSL 203.76, 0.63%, 0.54%

LAB 60.42, -7.66, -37.9

 

CMYK 8 / 70 / 0 / 17

HEX #C240D4

RGB 194 64 212

HSL 292.7, 0.63%, 0.54%

LAB 51.71, 69.78, -50.99

 

CMYK 0 / 43 / 70 / 17

HEX #D47840

RGB 212 120 64

HSL 22.7, 0.63%, 0.54%

LAB 59.71, 31.35, 45.45

 

CMYK 62 / 0 / 70 / 17

HEX #51D440

RGB 81 212 64

HSL 113.11, 0.63%, 0.54%

LAB 75.58, -62.59, 59.72

 

Description

Color code: HEX #3F99D4 | qconv.com Color code: HEX #3F99D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 153 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 153 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 28 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 28% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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