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Color name
HEX #3F940F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F940F it is the complementary color #C06BF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F940F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F940F shade: #44940A, #55A61D, #66B830, #77CA43 and #88DC56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F940F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F940F shade: #3F940F, #2E8200, #1D7000, #0C5E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F940F shade: #3F950F, #63950F, #87950F, #957E0F and #955A0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F940F shade: #3F950F, #1B950F, #0F9527, #0F954B and #0F956F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F940F shade matches the following richer shades: #3F950F and #3BA201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F940F shade: #3F950F, #43871C, #467A29, #4A6D36 and #4E6043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F940F shade: #87950F, #63950F, #40950F, #1C950F and #0F9525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F940F shade: #1F4907, #2F6F0B, #3F950F, #4FBA12 and #5FE016

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F940F shade: #3F940F, #0F957E and #950F75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F940F shade: #3F940F, #0F4095 and #950F40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F940F shade: #3F940F, #0F957E, #630F95 and #950F25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F940F shade: #3F940F, #0F8395, #630F95 and #95210F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 90 / 42

HEX #3F940F

RGB 63 148 15

HSL 98.35, 0.82%, 0.32%

LAB 54.31, -47.28, 54.3

 

Complementary color

CMYK 20 / 55 / 0 / 6

HEX #C06BF0

RGB 192 107 240

HSL 278.35, 0.82%, 0.68%

LAB 59.9, 55.86, -53.72

 

CMYK 54 / 0 / 93 / 42

HEX #44940A

RGB 68 148 10

HSL 94.78, 0.87%, 0.31%

LAB 54.48, -45.99, 55.42

 

CMYK 49 / 0 / 83 / 35

HEX #55A61D

RGB 85 166 29

HSL 95.47, 0.7%, 0.38%

LAB 61.04, -47.05, 57.19

 

CMYK 45 / 0 / 74 / 28

HEX #66B830

RGB 102 184 48

HSL 96.18, 0.59%, 0.45%

LAB 67.52, -47.71, 57.59

 

CMYK 41 / 0 / 67 / 21

HEX #77CA43

RGB 119 202 67

HSL 96.89, 0.56%, 0.53%

LAB 73.91, -48.1, 57.22

 

CMYK 38 / 0 / 61 / 14

HEX #88DC56

RGB 136 220 86

HSL 97.61, 0.66%, 0.6%

LAB 80.23, -48.31, 56.45

 

CMYK 57 / 0 / 90 / 42

HEX #3F940F

RGB 63 148 15

HSL 98.35, 0.82%, 0.32%

LAB 54.31, -47.28, 54.3

 

CMYK 65 / 0 / 100 / 49

HEX #2E8200

RGB 46 130 0

HSL 98.77, 1%, 0.25%

LAB 47.68, -45.68, 51.38

 

CMYK 74 / 0 / 100 / 56

HEX #1D7000

RGB 29 112 0

HSL 104.46, 1%, 0.22%

LAB 40.98, -43.23, 45.86

 

CMYK 87 / 0 / 100 / 63

HEX #0C5E00

RGB 12 94 0

HSL 112.34, 1%, 0.18%

LAB 34.16, -40.06, 40.29

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 58 / 0 / 90 / 42

HEX #3F950F

RGB 63 149 15

HSL 98.51, 0.82%, 0.32%

LAB 54.64, -47.65, 54.59

 

CMYK 34 / 0 / 90 / 42

HEX #63950F

RGB 99 149 15

HSL 82.39, 0.82%, 0.32%

LAB 56.27, -35.55, 56.61

 

CMYK 9 / 0 / 90 / 42

HEX #87950F

RGB 135 149 15

HSL 66.27, 0.82%, 0.32%

LAB 58.68, -20.45, 59.58

 

CMYK 0 / 15 / 90 / 42

HEX #957E0F

RGB 149 126 15

HSL 49.7, 0.82%, 0.32%

LAB 53.33, -1.71, 55.81

 

CMYK 0 / 40 / 90 / 42

HEX #955A0F

RGB 149 90 15

HSL 33.58, 0.82%, 0.32%

LAB 43.85, 18.88, 48.29

 

CMYK 58 / 0 / 90 / 42

HEX #3F950F

RGB 63 149 15

HSL 98.51, 0.82%, 0.32%

LAB 54.64, -47.65, 54.59

 

CMYK 82 / 0 / 90 / 42

HEX #1B950F

RGB 27 149 15

HSL 114.63, 0.82%, 0.32%

LAB 53.77, -55, 53.5

 

CMYK 90 / 0 / 74 / 42

HEX #0F9527

RGB 15 149 39

HSL 130.75, 0.82%, 0.32%

LAB 53.75, -54.73, 46.24

 

CMYK 90 / 0 / 50 / 42

HEX #0F954B

RGB 15 149 75

HSL 146.87, 0.82%, 0.32%

LAB 54.14, -50, 29.86

 

CMYK 90 / 0 / 26 / 42

HEX #0F956F

RGB 15 149 111

HSL 162.99, 0.82%, 0.32%

LAB 54.81, -42.32, 10.91

 

CMYK 58 / 0 / 90 / 42

HEX #3F950F

RGB 63 149 15

HSL 98.51, 0.82%, 0.32%

LAB 54.64, -47.65, 54.59

 

CMYK 64 / 0 / 99 / 36

HEX #3BA201

RGB 59 162 1

HSL 98.39, 0.99%, 0.32%

LAB 58.76, -53.69, 60.17

 

CMYK 58 / 0 / 90 / 42

HEX #3F950F

RGB 63 149 15

HSL 98.51, 0.82%, 0.32%

LAB 54.64, -47.65, 54.59

 

CMYK 50 / 0 / 79 / 47

HEX #43871C

RGB 67 135 28

HSL 98.13, 0.66%, 0.32%

LAB 50.22, -40.39, 47.14

 

CMYK 43 / 0 / 66 / 52

HEX #467A29

RGB 70 122 41

HSL 98.52, 0.5%, 0.32%

LAB 46.15, -32.76, 37.78

 

CMYK 32 / 0 / 50 / 57

HEX #4A6D36

RGB 74 109 54

HSL 98.18, 0.34%, 0.32%

LAB 42.25, -23.51, 26.67

 

CMYK 19 / 0 / 30 / 62

HEX #4E6043

RGB 78 96 67

HSL 97.24, 0.18%, 0.32%

LAB 38.53, -12.9, 14.38

 

CMYK 9 / 0 / 90 / 42

HEX #87950F

RGB 135 149 15

HSL 66.27, 0.82%, 0.32%

LAB 58.68, -20.45, 59.58

 

CMYK 34 / 0 / 90 / 42

HEX #63950F

RGB 99 149 15

HSL 82.39, 0.82%, 0.32%

LAB 56.27, -35.55, 56.61

 

CMYK 57 / 0 / 90 / 42

HEX #40950F

RGB 64 149 15

HSL 98.06, 0.82%, 0.32%

LAB 54.68, -47.38, 54.63

 

CMYK 81 / 0 / 90 / 42

HEX #1C950F

RGB 28 149 15

HSL 114.18, 0.82%, 0.32%

LAB 53.79, -54.87, 53.51

 

CMYK 90 / 0 / 75 / 42

HEX #0F9525

RGB 15 149 37

HSL 129.85, 0.82%, 0.32%

LAB 53.74, -54.9, 46.99

 

CMYK 58 / 0 / 90 / 71

HEX #1F4907

RGB 31 73 7

HSL 98.18, 0.83%, 0.16%

LAB 26.94, -27.31, 31.83

 

CMYK 58 / 0 / 90 / 56

HEX #2F6F0B

RGB 47 111 11

HSL 98.4, 0.82%, 0.24%

LAB 41.21, -37.85, 43.61

 

CMYK 58 / 0 / 90 / 42

HEX #3F950F

RGB 63 149 15

HSL 98.51, 0.82%, 0.32%

LAB 54.64, -47.65, 54.59

 

CMYK 58 / 0 / 90 / 27

HEX #4FBA12

RGB 79 186 18

HSL 98.21, 0.82%, 0.4%

LAB 67.14, -56.63, 64.87

 

CMYK 58 / 0 / 90 / 12

HEX #5FE016

RGB 95 224 22

HSL 98.32, 0.82%, 0.48%

LAB 79.5, -65.56, 74.82

 

CMYK 57 / 0 / 90 / 42

HEX #3F940F

RGB 63 148 15

HSL 98.35, 0.82%, 0.32%

LAB 54.31, -47.28, 54.3

 

CMYK 90 / 0 / 15 / 42

HEX #0F957E

RGB 15 149 126

HSL 169.7, 0.82%, 0.32%

LAB 55.18, -38.35, 2.88

 

CMYK 0 / 90 / 21 / 42

HEX #950F75

RGB 149 15 117

HSL 314.33, 0.82%, 0.32%

LAB 34.02, 59.2, -22.6

 

CMYK 57 / 0 / 90 / 42

HEX #3F940F

RGB 63 148 15

HSL 98.35, 0.82%, 0.32%

LAB 54.31, -47.28, 54.3

 

CMYK 90 / 57 / 0 / 42

HEX #0F4095

RGB 15 64 149

HSL 218.06, 0.82%, 0.32%

LAB 29.26, 18.96, -50.93

 

CMYK 0 / 90 / 57 / 42

HEX #950F40

RGB 149 15 64

HSL 338.06, 0.82%, 0.32%

LAB 32.04, 53.76, 8.84

 

CMYK 57 / 0 / 90 / 42

HEX #3F940F

RGB 63 148 15

HSL 98.35, 0.82%, 0.32%

LAB 54.31, -47.28, 54.3

 

CMYK 90 / 0 / 15 / 42

HEX #0F957E

RGB 15 149 126

HSL 169.7, 0.82%, 0.32%

LAB 55.18, -38.35, 2.88

 

CMYK 34 / 90 / 0 / 42

HEX #630F95

RGB 99 15 149

HSL 277.61, 0.82%, 0.32%

LAB 27.2, 55.54, -54

 

CMYK 0 / 90 / 75 / 42

HEX #950F25

RGB 149 15 37

HSL 350.15, 0.82%, 0.32%

LAB 31.5, 52.22, 25.85

 

CMYK 57 / 0 / 90 / 42

HEX #3F940F

RGB 63 148 15

HSL 98.35, 0.82%, 0.32%

LAB 54.31, -47.28, 54.3

 

CMYK 90 / 12 / 0 / 42

HEX #0F8395

RGB 15 131 149

HSL 188.06, 0.82%, 0.32%

LAB 50.1, -22.52, -18

 

CMYK 34 / 90 / 0 / 42

HEX #630F95

RGB 99 15 149

HSL 277.61, 0.82%, 0.32%

LAB 27.2, 55.54, -54

 

CMYK 0 / 78 / 90 / 42

HEX #95210F

RGB 149 33 15

HSL 8.06, 0.82%, 0.32%

LAB 32.94, 46.81, 39.69

 

Description

Color code: HEX #3F940F | qconv.com Color code: HEX #3F940F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 148 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 148 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 90 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 90% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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