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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F8F59 it is the complementary color #C070A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F8F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F8F59 shade: #448F54, #55A167, #66B37A, #77C58D and #88D7A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F8F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F8F59 shade: #3F8F59, #2E7D46, #1D6B33, #0C5920 and #00470D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F8F59 shade: #3E8E58, #3E8E43, #4F8E3E, #658E3E and #7A8E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F8F59 shade: #3E8E58, #3E8E6E, #3E8E83, #3E838E and #3E6E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F8F59 shade matches the following richer shades: #3E8E58, #2E9E52, #1DAF4D and #0DBF47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F8F59 shade: #3E8E58, #4F7D5E, #5F6D64, #705C69 and #804C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F8F59 shade: #4F8E3E, #3E8E42, #3E8E57, #3E8E6D and #3E8E82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F8F59 shade: #255434, #327146, #3E8E58, #4BAA6A and #64BB80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F8F59 shade: #3F8F59, #3E658E and #8E3E45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F8F59 shade: #3F8F59, #573E8E and #8E573E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F8F59 shade: #3F8F59, #3E658E, #8E3E75 and #8E673E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F8F59 shade: #3F8F59, #3E4D8E, #8E3E75 and #8E7F3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 38 / 44

HEX #3F8F59

RGB 63 143 89

HSL 139.5, 0.39%, 0.4%

LAB 53.41, -37.18, 21.53

 

Complementary color

CMYK 0 / 42 / 14 / 25

HEX #C070A6

RGB 192 112 166

HSL 319.5, 0.39%, 0.6%

LAB 57.61, 39.11, -15.36

 

CMYK 52 / 0 / 41 / 44

HEX #448F54

RGB 68 143 84

HSL 132.8, 0.36%, 0.41%

LAB 53.51, -36.76, 24.45

 

CMYK 47 / 0 / 36 / 37

HEX #55A167

RGB 85 161 103

HSL 134.21, 0.31%, 0.48%

LAB 60.25, -36.62, 23.11

 

CMYK 43 / 0 / 32 / 30

HEX #66B37A

RGB 102 179 122

HSL 135.58, 0.34%, 0.55%

LAB 66.88, -36.39, 21.86

 

CMYK 40 / 0 / 28 / 23

HEX #77C58D

RGB 119 197 141

HSL 136.92, 0.4%, 0.62%

LAB 73.4, -36.14, 20.71

 

CMYK 37 / 0 / 26 / 16

HEX #88D7A0

RGB 136 215 160

HSL 138.23, 0.5%, 0.69%

LAB 79.83, -35.87, 19.64

 

CMYK 56 / 0 / 38 / 44

HEX #3F8F59

RGB 63 143 89

HSL 139.5, 0.39%, 0.4%

LAB 53.41, -37.18, 21.53

 

CMYK 63 / 0 / 44 / 51

HEX #2E7D46

RGB 46 125 70

HSL 138.23, 0.46%, 0.34%

LAB 46.57, -37.1, 23.01

 

CMYK 73 / 0 / 52 / 58

HEX #1D6B33

RGB 29 107 51

HSL 136.92, 0.57%, 0.27%

LAB 39.61, -36.67, 24.62

 

CMYK 87 / 0 / 64 / 65

HEX #0C5920

RGB 12 89 32

HSL 135.58, 0.76%, 0.2%

LAB 32.54, -35.53, 26.31

 

CMYK 100 / 0 / 82 / 72

HEX #00470D

RGB 0 71 13

HSL 130.99, 1%, 0.14%

LAB 25.37, -33.15, 27.65

 

CMYK 56 / 0 / 38 / 44

HEX #3E8E58

RGB 62 142 88

HSL 139.5, 0.39%, 0.4%

LAB 53.03, -37.18, 21.58

 

CMYK 56 / 0 / 53 / 44

HEX #3E8E43

RGB 62 142 67

HSL 123.75, 0.39%, 0.4%

LAB 52.7, -40.7, 32.47

 

CMYK 44 / 0 / 56 / 44

HEX #4F8E3E

RGB 79 142 62

HSL 107.25, 0.39%, 0.4%

LAB 53.34, -36.28, 35.94

 

CMYK 29 / 0 / 56 / 44

HEX #658E3E

RGB 101 142 62

HSL 90.75, 0.39%, 0.4%

LAB 54.51, -28.38, 37.62

 

CMYK 14 / 0 / 56 / 44

HEX #7A8E3E

RGB 122 142 62

HSL 75, 0.39%, 0.4%

LAB 55.92, -19.87, 39.61

 

CMYK 56 / 0 / 38 / 44

HEX #3E8E58

RGB 62 142 88

HSL 139.5, 0.39%, 0.4%

LAB 53.03, -37.18, 21.58

 

CMYK 56 / 0 / 23 / 44

HEX #3E8E6E

RGB 62 142 110

HSL 156, 0.39%, 0.4%

LAB 53.49, -32.51, 9.76

 

CMYK 56 / 0 / 8 / 44

HEX #3E8E83

RGB 62 142 131

HSL 171.75, 0.39%, 0.4%

LAB 54.04, -27.21, -1.54

 

CMYK 56 / 8 / 0 / 44

HEX #3E838E

RGB 62 131 142

HSL 188.25, 0.39%, 0.4%

LAB 50.93, -18.38, -12.55

 

CMYK 56 / 23 / 0 / 44

HEX #3E6E8E

RGB 62 110 142

HSL 204, 0.39%, 0.4%

LAB 44.42, -6.52, -22.5

 

CMYK 56 / 0 / 38 / 44

HEX #3E8E58

RGB 62 142 88

HSL 139.5, 0.39%, 0.4%

LAB 53.03, -37.18, 21.58

 

CMYK 71 / 0 / 48 / 38

HEX #2E9E52

RGB 46 158 82

HSL 139.29, 0.55%, 0.4%

LAB 57.7, -48.2, 30.78

 

CMYK 83 / 0 / 56 / 31

HEX #1DAF4D

RGB 29 175 77

HSL 139.73, 0.72%, 0.4%

LAB 62.89, -57.37, 39.63

 

CMYK 93 / 0 / 63 / 25

HEX #0DBF47

RGB 13 191 71

HSL 139.55, 0.87%, 0.4%

LAB 67.87, -64.46, 48.17

 

CMYK 56 / 0 / 38 / 44

HEX #3E8E58

RGB 62 142 88

HSL 139.5, 0.39%, 0.4%

LAB 53.03, -37.18, 21.58

 

CMYK 37 / 0 / 25 / 51

HEX #4F7D5E

RGB 79 125 94

HSL 139.57, 0.23%, 0.4%

LAB 48.43, -22.93, 12.02

 

CMYK 13 / 0 / 8 / 57

HEX #5F6D64

RGB 95 109 100

HSL 141.43, 0.07%, 0.4%

LAB 44.65, -7.22, 3.24

 

CMYK 0 / 18 / 6 / 56

HEX #705C69

RGB 112 92 105

HSL 321, 0.1%, 0.4%

LAB 41.4, 10.57, -4.36

 

CMYK 0 / 41 / 13 / 50

HEX #804C6F

RGB 128 76 111

HSL 319.62, 0.25%, 0.4%

LAB 39.42, 27.39, -10.83

 

CMYK 44 / 0 / 56 / 44

HEX #4F8E3E

RGB 79 142 62

HSL 107.25, 0.39%, 0.4%

LAB 53.34, -36.28, 35.94

 

CMYK 56 / 0 / 54 / 44

HEX #3E8E42

RGB 62 142 66

HSL 123, 0.39%, 0.4%

LAB 52.69, -40.84, 32.97

 

CMYK 56 / 0 / 39 / 44

HEX #3E8E57

RGB 62 142 87

HSL 138.75, 0.39%, 0.4%

LAB 53.01, -37.37, 22.11

 

CMYK 56 / 0 / 23 / 44

HEX #3E8E6D

RGB 62 142 109

HSL 155.25, 0.39%, 0.4%

LAB 53.46, -32.74, 10.3

 

CMYK 56 / 0 / 8 / 44

HEX #3E8E82

RGB 62 142 130

HSL 171, 0.39%, 0.4%

LAB 54.01, -27.48, -1

 

CMYK 56 / 0 / 38 / 67

HEX #255434

RGB 37 84 52

HSL 139.15, 0.39%, 0.24%

LAB 31.77, -24.3, 13.95

 

CMYK 56 / 0 / 38 / 56

HEX #327146

RGB 50 113 70

HSL 139.05, 0.39%, 0.32%

LAB 42.66, -30.78, 17.89

 

CMYK 56 / 0 / 38 / 44

HEX #3E8E58

RGB 62 142 88

HSL 139.5, 0.39%, 0.4%

LAB 53.03, -37.18, 21.58

 

CMYK 56 / 0 / 38 / 33

HEX #4BAA6A

RGB 75 170 106

HSL 139.58, 0.39%, 0.48%

LAB 62.75, -42.64, 24.75

 

CMYK 47 / 0 / 32 / 27

HEX #64BB80

RGB 100 187 128

HSL 139.31, 0.39%, 0.56%

LAB 69.33, -39.45, 21.96

 

CMYK 56 / 0 / 38 / 44

HEX #3F8F59

RGB 63 143 89

HSL 139.5, 0.39%, 0.4%

LAB 53.41, -37.18, 21.53

 

CMYK 56 / 29 / 0 / 44

HEX #3E658E

RGB 62 101 142

HSL 210.75, 0.39%, 0.4%

LAB 41.66, -1.09, -26.78

 

CMYK 0 / 56 / 51 / 44

HEX #8E3E45

RGB 142 62 69

HSL 354.75, 0.39%, 0.4%

LAB 37.16, 34.61, 12.49

 

CMYK 56 / 0 / 38 / 44

HEX #3F8F59

RGB 63 143 89

HSL 139.5, 0.39%, 0.4%

LAB 53.41, -37.18, 21.53

 

CMYK 39 / 56 / 0 / 44

HEX #573E8E

RGB 87 62 142

HSL 258.75, 0.39%, 0.4%

LAB 32.75, 30.04, -40.76

 

CMYK 0 / 39 / 56 / 44

HEX #8E573E

RGB 142 87 62

HSL 18.75, 0.39%, 0.4%

LAB 42.63, 20.04, 24

 

CMYK 56 / 0 / 38 / 44

HEX #3F8F59

RGB 63 143 89

HSL 139.5, 0.39%, 0.4%

LAB 53.41, -37.18, 21.53

 

CMYK 56 / 29 / 0 / 44

HEX #3E658E

RGB 62 101 142

HSL 210.75, 0.39%, 0.4%

LAB 41.66, -1.09, -26.78

 

CMYK 0 / 56 / 18 / 44

HEX #8E3E75

RGB 142 62 117

HSL 318.75, 0.39%, 0.4%

LAB 38.69, 40.85, -15.48

 

CMYK 0 / 27 / 56 / 44

HEX #8E673E

RGB 142 103 62

HSL 30.75, 0.39%, 0.4%

LAB 46.71, 10.72, 29.09

 

CMYK 56 / 0 / 38 / 44

HEX #3F8F59

RGB 63 143 89

HSL 139.5, 0.39%, 0.4%

LAB 53.41, -37.18, 21.53

 

CMYK 56 / 46 / 0 / 44

HEX #3E4D8E

RGB 62 77 142

HSL 228.75, 0.39%, 0.4%

LAB 34.57, 14.26, -37.98

 

CMYK 0 / 56 / 18 / 44

HEX #8E3E75

RGB 142 62 117

HSL 318.75, 0.39%, 0.4%

LAB 38.69, 40.85, -15.48

 

CMYK 0 / 11 / 56 / 44

HEX #8E7F3E

RGB 142 127 62

HSL 48.75, 0.39%, 0.4%

LAB 53.25, -3.03, 36.94

 

Description

Color code: HEX #3F8F59 | qconv.com Color code: HEX #3F8F59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 143 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 143 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 38 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 38% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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