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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F8EB3 it is the complementary color #C0714C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F8EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F8EB3 shade: #448EAE, #55A0C1, #66B2D4, #77C4E7 and #88D6FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F8EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F8EB3 shade: #3F8EB3, #2E7CA0, #1D6A8D, #0C587A and #004667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F8EB3 shade: #3E8DB1, #3E6EB1, #3E4FB1, #4D3EB1 and #6C3EB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F8EB3 shade: #3E8DB1, #3E6EB1, #3E4FB1 and #3E3EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F8EB3 shade matches the following richer shades: #3E8DB1, #2B94C5, #189BD8 and #04A2EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F8EB3 shade: #3E8DB1, #52869E, #657F8B, #787877 and #8C7164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F8EB3 shade: #3EB198, #3EACB1, #3E8DB1, #3E6EB1 and #3E50B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F8EB3 shade: #295C74, #347493, #3E8DB1, #56A0C3 and #74B1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F8EB3 shade: #3F8EB3, #7A3EB1 and #B1A83E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F8EB3 shade: #3F8EB3, #B13E8D and #8DB13E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F8EB3 shade: #3F8EB3, #7A3EB1, #B1633E and #76B13E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F8EB3 shade: #3F8EB3, #9C3EB1, #B1633E and #53B13E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 21 / 0 / 30

HEX #3F8EB3

RGB 63 142 179

HSL 199.14, 0.48%, 0.47%

LAB 55.74, -12.54, -26.56

 

Complementary color

CMYK 0 / 41 / 60 / 25

HEX #C0714C

RGB 192 113 76

HSL 19.14, 0.48%, 0.53%

LAB 55.62, 27.69, 33.69

 

CMYK 61 / 18 / 0 / 32

HEX #448EAE

RGB 68 142 174

HSL 198.11, 0.44%, 0.47%

LAB 55.72, -13.24, -23.73

 

CMYK 56 / 17 / 0 / 24

HEX #55A0C1

RGB 85 160 193

HSL 198.33, 0.47%, 0.55%

LAB 62.44, -13.78, -24.09

 

CMYK 52 / 16 / 0 / 17

HEX #66B2D4

RGB 102 178 212

HSL 198.55, 0.56%, 0.62%

LAB 69.05, -14.19, -24.43

 

CMYK 48 / 15 / 0 / 9

HEX #77C4E7

RGB 119 196 231

HSL 198.75, 0.7%, 0.69%

LAB 75.56, -14.5, -24.76

 

CMYK 46 / 14 / 0 / 2

HEX #88D6FA

RGB 136 214 250

HSL 198.95, 0.92%, 0.76%

LAB 81.96, -14.75, -25.09

 

CMYK 65 / 21 / 0 / 30

HEX #3F8EB3

RGB 63 142 179

HSL 199.14, 0.48%, 0.47%

LAB 55.74, -12.54, -26.56

 

CMYK 71 / 23 / 0 / 37

HEX #2E7CA0

RGB 46 124 160

HSL 198.95, 0.55%, 0.4%

LAB 48.93, -11.59, -26.19

 

CMYK 79 / 25 / 0 / 45

HEX #1D6A8D

RGB 29 106 141

HSL 198.75, 0.66%, 0.33%

LAB 41.99, -10.28, -25.76

 

CMYK 90 / 28 / 0 / 52

HEX #0C587A

RGB 12 88 122

HSL 198.55, 0.82%, 0.26%

LAB 34.93, -8.41, -25.25

 

CMYK 100 / 32 / 0 / 60

HEX #004667

RGB 0 70 103

HSL 199.22, 1%, 0.2%

LAB 27.74, -5.8, -24.62

 

CMYK 65 / 20 / 0 / 31

HEX #3E8DB1

RGB 62 141 177

HSL 198.78, 0.48%, 0.47%

LAB 55.33, -12.81, -26.06

 

CMYK 65 / 38 / 0 / 31

HEX #3E6EB1

RGB 62 110 177

HSL 214.96, 0.48%, 0.47%

LAB 46.11, 5.44, -40.49

 

CMYK 65 / 55 / 0 / 31

HEX #3E4FB1

RGB 62 79 177

HSL 231.13, 0.48%, 0.47%

LAB 37.46, 25.29, -54.34

 

CMYK 56 / 65 / 0 / 31

HEX #4D3EB1

RGB 77 62 177

HSL 247.83, 0.48%, 0.47%

LAB 34.39, 38.54, -59.29

 

CMYK 39 / 65 / 0 / 31

HEX #6C3EB1

RGB 108 62 177

HSL 264, 0.48%, 0.47%

LAB 37.5, 44.59, -54.11

 

CMYK 65 / 20 / 0 / 31

HEX #3E8DB1

RGB 62 141 177

HSL 198.78, 0.48%, 0.47%

LAB 55.33, -12.81, -26.06

 

CMYK 65 / 38 / 0 / 31

HEX #3E6EB1

RGB 62 110 177

HSL 214.96, 0.48%, 0.47%

LAB 46.11, 5.44, -40.49

 

CMYK 65 / 55 / 0 / 31

HEX #3E4FB1

RGB 62 79 177

HSL 231.13, 0.48%, 0.47%

LAB 37.46, 25.29, -54.34

 

CMYK 65 / 65 / 0 / 31

HEX #3E3EB1

RGB 62 62 177

HSL 240, 0.48%, 0.47%

LAB 33.23, 36.14, -61.24

 

CMYK 65 / 20 / 0 / 31

HEX #3E8DB1

RGB 62 141 177

HSL 198.78, 0.48%, 0.47%

LAB 55.33, -12.81, -26.06

 

CMYK 78 / 25 / 0 / 23

HEX #2B94C5

RGB 43 148 197

HSL 199.09, 0.64%, 0.47%

LAB 57.77, -12.57, -33.66

 

CMYK 89 / 28 / 0 / 15

HEX #189BD8

RGB 24 155 216

HSL 199.06, 0.8%, 0.47%

LAB 60.42, -11.23, -40.19

 

CMYK 98 / 31 / 0 / 7

HEX #04A2EC

RGB 4 162 236

HSL 199.14, 0.97%, 0.47%

LAB 63.28, -8.59, -46.77

 

CMYK 65 / 20 / 0 / 31

HEX #3E8DB1

RGB 62 141 177

HSL 198.78, 0.48%, 0.47%

LAB 55.33, -12.81, -26.06

 

CMYK 48 / 15 / 0 / 38

HEX #52869E

RGB 82 134 158

HSL 198.95, 0.32%, 0.47%

LAB 53.29, -10.6, -18.19

 

CMYK 27 / 9 / 0 / 45

HEX #657F8B

RGB 101 127 139

HSL 198.95, 0.16%, 0.47%

LAB 51.62, -6.39, -9.56

 

CMYK 0 / 0 / 1 / 53

HEX #787877

RGB 120 120 119

HSL 60, 0%, 0.47%

LAB 50.4, -0.2, 0.54

 

CMYK 0 / 19 / 29 / 45

HEX #8C7164

RGB 140 113 100

HSL 19.5, 0.17%, 0.47%

LAB 49.86, 8.56, 11.22

 

CMYK 65 / 0 / 14 / 31

HEX #3EB198

RGB 62 177 152

HSL 166.96, 0.48%, 0.47%

LAB 65.54, -38.21, 3.35

 

CMYK 65 / 3 / 0 / 31

HEX #3EACB1

RGB 62 172 177

HSL 182.61, 0.48%, 0.47%

LAB 64.73, -28.99, -11.75

 

CMYK 65 / 20 / 0 / 31

HEX #3E8DB1

RGB 62 141 177

HSL 198.78, 0.48%, 0.47%

LAB 55.33, -12.81, -26.06

 

CMYK 65 / 38 / 0 / 31

HEX #3E6EB1

RGB 62 110 177

HSL 214.96, 0.48%, 0.47%

LAB 46.11, 5.44, -40.49

 

CMYK 65 / 55 / 0 / 31

HEX #3E50B1

RGB 62 80 177

HSL 230.61, 0.48%, 0.47%

LAB 37.73, 24.65, -53.92

 

CMYK 65 / 21 / 0 / 55

HEX #295C74

RGB 41 92 116

HSL 199.2, 0.48%, 0.31%

LAB 36.72, -9.08, -18.71

 

CMYK 65 / 21 / 0 / 42

HEX #347493

RGB 52 116 147

HSL 199.58, 0.48%, 0.39%

LAB 46.08, -10.44, -22.94

 

CMYK 65 / 20 / 0 / 31

HEX #3E8DB1

RGB 62 141 177

HSL 198.78, 0.48%, 0.47%

LAB 55.33, -12.81, -26.06

 

CMYK 56 / 18 / 0 / 24

HEX #56A0C3

RGB 86 160 195

HSL 199.27, 0.48%, 0.55%

LAB 62.56, -12.97, -25.02

 

CMYK 44 / 14 / 0 / 19

HEX #74B1CE

RGB 116 177 206

HSL 199.33, 0.48%, 0.63%

LAB 69.19, -12.05, -20.86

 

CMYK 65 / 21 / 0 / 30

HEX #3F8EB3

RGB 63 142 179

HSL 199.14, 0.48%, 0.47%

LAB 55.74, -12.54, -26.56

 

CMYK 31 / 65 / 0 / 31

HEX #7A3EB1

RGB 122 62 177

HSL 271.3, 0.48%, 0.47%

LAB 39.17, 47.65, -51.32

 

CMYK 0 / 5 / 65 / 31

HEX #B1A83E

RGB 177 168 62

HSL 55.3, 0.48%, 0.47%

LAB 67.8, -9.77, 53.96

 

CMYK 65 / 21 / 0 / 30

HEX #3F8EB3

RGB 63 142 179

HSL 199.14, 0.48%, 0.47%

LAB 55.74, -12.54, -26.56

 

CMYK 0 / 65 / 20 / 31

HEX #B13E8D

RGB 177 62 141

HSL 318.78, 0.48%, 0.47%

LAB 45.24, 54.93, -19.66

 

CMYK 20 / 0 / 65 / 31

HEX #8DB13E

RGB 141 177 62

HSL 78.78, 0.48%, 0.47%

LAB 67.62, -29.41, 52.94

 

CMYK 65 / 21 / 0 / 30

HEX #3F8EB3

RGB 63 142 179

HSL 199.14, 0.48%, 0.47%

LAB 55.74, -12.54, -26.56

 

CMYK 31 / 65 / 0 / 31

HEX #7A3EB1

RGB 122 62 177

HSL 271.3, 0.48%, 0.47%

LAB 39.17, 47.65, -51.32

 

CMYK 0 / 44 / 65 / 31

HEX #B1633E

RGB 177 99 62

HSL 19.3, 0.48%, 0.47%

LAB 50.24, 28.15, 34.41

 

CMYK 33 / 0 / 65 / 31

HEX #76B13E

RGB 118 177 62

HSL 90.78, 0.48%, 0.47%

LAB 66.25, -38.21, 51.06

 

CMYK 65 / 21 / 0 / 30

HEX #3F8EB3

RGB 63 142 179

HSL 199.14, 0.48%, 0.47%

LAB 55.74, -12.54, -26.56

 

CMYK 12 / 65 / 0 / 31

HEX #9C3EB1

RGB 156 62 177

HSL 289.04, 0.48%, 0.47%

LAB 43.78, 55.56, -43.67

 

CMYK 0 / 44 / 65 / 31

HEX #B1633E

RGB 177 99 62

HSL 19.3, 0.48%, 0.47%

LAB 50.24, 28.15, 34.41

 

CMYK 53 / 0 / 65 / 31

HEX #53B13E

RGB 83 177 62

HSL 109.04, 0.48%, 0.47%

LAB 64.67, -49.53, 48.89

 

Description

Color code: HEX #3F8EB3 | qconv.com Color code: HEX #3F8EB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 142 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 142 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 21 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 21% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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