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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F89C4 it is the complementary color #C0763B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F89C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F89C4 shade: #4489BF, #559BD2, #66ADE5, #77BFF8 and #88D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F89C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F89C4 shade: #3F89C4, #2E77B1, #1D659E, #0C538B and #004178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F89C4 shade: #3F89C4, #3F65C4, #3F42C4, #613FC4 and #853FC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F89C4 shade: #3F89C4, #3F65C4, #3F42C4 and #3F3FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F89C4 shade matches the following richer shades: #3F89C4, #2B8BD8 and #178EEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F89C4 shade: #3F89C4, #5487B0, #68849B, #7C8287 and #908073

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F89C4 shade: #3FC4B7, #3FAEC4, #3F8AC4, #3F67C4 and #3F44C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F89C4 shade: #295E87, #3373A7, #3F89C4, #5F9CCD and #7EB0D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F89C4 shade: #3F89C4, #933FC4 and #BFC43F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F89C4 shade: #3F89C4, #C43F8A and #8AC43F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F89C4 shade: #3F89C4, #933FC4, #C4793F and #70C43F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F89C4 shade: #3F89C4, #BB3FC4, #C4793F and #48C43F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

Complementary color

CMYK 0 / 39 / 69 / 25

HEX #C0763B

RGB 192 118 59

HSL 26.62, 0.53%, 0.49%

LAB 56.56, 23.85, 43.74

 

CMYK 64 / 28 / 0 / 25

HEX #4489BF

RGB 68 137 191

HSL 206.34, 0.49%, 0.51%

LAB 54.95, -4.83, -34.62

 

CMYK 60 / 26 / 0 / 18

HEX #559BD2

RGB 85 155 210

HSL 206.4, 0.58%, 0.58%

LAB 61.68, -5.73, -34.77

 

CMYK 55 / 24 / 0 / 10

HEX #66ADE5

RGB 102 173 229

HSL 206.46, 0.71%, 0.65%

LAB 68.29, -6.43, -34.92

 

CMYK 52 / 23 / 0 / 3

HEX #77BFF8

RGB 119 191 248

HSL 206.51, 0.9%, 0.72%

LAB 74.8, -7, -35.09

 

CMYK 47 / 18 / 0 / 0

HEX #88D1FF

RGB 136 209 255

HSL 203.19, 1%, 0.77%

LAB 80.77, -10.8, -29.57

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 74 / 33 / 0 / 31

HEX #2E77B1

RGB 46 119 177

HSL 206.56, 0.59%, 0.44%

LAB 48.2, -2.6, -37.23

 

CMYK 82 / 36 / 0 / 38

HEX #1D659E

RGB 29 101 158

HSL 206.51, 0.69%, 0.37%

LAB 41.28, -0.79, -37.03

 

CMYK 91 / 40 / 0 / 45

HEX #0C538B

RGB 12 83 139

HSL 206.46, 0.84%, 0.3%

LAB 34.25, 1.66, -36.77

 

CMYK 100 / 46 / 0 / 53

HEX #004178

RGB 0 65 120

HSL 207.5, 1%, 0.24%

LAB 27.12, 4.92, -36.39

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 68 / 48 / 0 / 23

HEX #3F65C4

RGB 63 101 196

HSL 222.86, 0.53%, 0.51%

LAB 44.73, 18.1, -53.72

 

CMYK 68 / 66 / 0 / 23

HEX #3F42C4

RGB 63 66 196

HSL 238.65, 0.53%, 0.51%

LAB 35.87, 40.26, -68.11

 

CMYK 51 / 68 / 0 / 23

HEX #613FC4

RGB 97 63 196

HSL 255.34, 0.53%, 0.51%

LAB 37.99, 47.17, -64.53

 

CMYK 32 / 68 / 0 / 23

HEX #853FC4

RGB 133 63 196

HSL 271.58, 0.53%, 0.51%

LAB 42.04, 54.07, -57.76

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 68 / 48 / 0 / 23

HEX #3F65C4

RGB 63 101 196

HSL 222.86, 0.53%, 0.51%

LAB 44.73, 18.1, -53.72

 

CMYK 68 / 66 / 0 / 23

HEX #3F42C4

RGB 63 66 196

HSL 238.65, 0.53%, 0.51%

LAB 35.87, 40.26, -68.11

 

CMYK 68 / 68 / 0 / 23

HEX #3F3FC4

RGB 63 63 196

HSL 240, 0.53%, 0.51%

LAB 35.2, 42.06, -69.21

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 80 / 36 / 0 / 15

HEX #2B8BD8

RGB 43 139 216

HSL 206.71, 0.69%, 0.51%

LAB 56.02, -0.58, -47.1

 

CMYK 90 / 40 / 0 / 7

HEX #178EEC

RGB 23 142 236

HSL 206.48, 0.85%, 0.51%

LAB 57.64, 3.65, -55.71

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 52 / 23 / 0 / 31

HEX #5487B0

RGB 84 135 176

HSL 206.74, 0.37%, 0.51%

LAB 54.39, -5.25, -26.86

 

CMYK 33 / 15 / 0 / 39

HEX #68849B

RGB 104 132 155

HSL 207.06, 0.2%, 0.51%

LAB 53.83, -4.2, -15.52

 

CMYK 8 / 4 / 0 / 47

HEX #7C8287

RGB 124 130 135

HSL 207.27, 0.04%, 0.51%

LAB 54.03, -1.17, -3.47

 

CMYK 0 / 11 / 20 / 44

HEX #908073

RGB 144 128 115

HSL 26.9, 0.12%, 0.51%

LAB 54.66, 3.87, 9.28

 

CMYK 68 / 0 / 7 / 23

HEX #3FC4B7

RGB 63 196 183

HSL 174.14, 0.53%, 0.51%

LAB 72.2, -38.46, -3.95

 

CMYK 68 / 11 / 0 / 23

HEX #3FAEC4

RGB 63 174 196

HSL 189.92, 0.53%, 0.51%

LAB 65.99, -24.13, -20.4

 

CMYK 68 / 30 / 0 / 23

HEX #3F8AC4

RGB 63 138 196

HSL 206.17, 0.53%, 0.51%

LAB 55.3, -4.56, -36.93

 

CMYK 68 / 47 / 0 / 23

HEX #3F67C4

RGB 63 103 196

HSL 221.95, 0.53%, 0.51%

LAB 45.28, 16.82, -52.83

 

CMYK 68 / 65 / 0 / 23

HEX #3F44C4

RGB 63 68 196

HSL 237.74, 0.53%, 0.51%

LAB 36.32, 39.04, -67.37

 

CMYK 70 / 30 / 0 / 47

HEX #295E87

RGB 41 94 135

HSL 206.17, 0.53%, 0.35%

LAB 38.25, -3.49, -27.96

 

CMYK 69 / 31 / 0 / 35

HEX #3373A7

RGB 51 115 167

HSL 206.9, 0.53%, 0.43%

LAB 46.65, -3.06, -33.82

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 54 / 24 / 0 / 20

HEX #5F9CCD

RGB 95 156 205

HSL 206.73, 0.52%, 0.59%

LAB 62.18, -5.79, -31.16

 

CMYK 41 / 18 / 0 / 16

HEX #7EB0D7

RGB 126 176 215

HSL 206.29, 0.53%, 0.67%

LAB 69.75, -6.52, -24.91

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 25 / 68 / 0 / 23

HEX #933FC4

RGB 147 63 196

HSL 277.89, 0.53%, 0.51%

LAB 43.86, 57, -54.73

 

CMYK 3 / 0 / 68 / 23

HEX #BFC43F

RGB 191 196 63

HSL 62.26, 0.53%, 0.51%

LAB 76.63, -18.05, 62.99

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 0 / 68 / 30 / 23

HEX #C43F8A

RGB 196 63 138

HSL 326.17, 0.53%, 0.51%

LAB 48.42, 59.44, -12.72

 

CMYK 30 / 0 / 68 / 23

HEX #8AC43F

RGB 138 196 63

HSL 86.17, 0.53%, 0.51%

LAB 73.05, -39.23, 58.2

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 25 / 68 / 0 / 23

HEX #933FC4

RGB 147 63 196

HSL 277.89, 0.53%, 0.51%

LAB 43.86, 57, -54.73

 

CMYK 0 / 38 / 68 / 23

HEX #C4793F

RGB 196 121 63

HSL 26.17, 0.53%, 0.51%

LAB 57.82, 24.13, 43.26

 

CMYK 43 / 0 / 68 / 23

HEX #70C43F

RGB 112 196 63

HSL 97.89, 0.53%, 0.51%

LAB 71.75, -48.25, 56.43

 

CMYK 68 / 30 / 0 / 23

HEX #3F89C4

RGB 63 137 196

HSL 206.62, 0.53%, 0.51%

LAB 55, -3.97, -37.39

 

CMYK 5 / 68 / 0 / 23

HEX #BB3FC4

RGB 187 63 196

HSL 295.94, 0.53%, 0.51%

LAB 49.62, 65.82, -45.19

 

CMYK 0 / 38 / 68 / 23

HEX #C4793F

RGB 196 121 63

HSL 26.17, 0.53%, 0.51%

LAB 57.82, 24.13, 43.26

 

CMYK 63 / 0 / 68 / 23

HEX #48C43F

RGB 72 196 63

HSL 115.94, 0.53%, 0.51%

LAB 70.33, -59.13, 54.49

 

Description

Color code: HEX #3F89C4 | qconv.com Color code: HEX #3F89C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 137 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 137 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 30 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 30% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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