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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F84B4 it is the complementary color #C07B4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F84B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F84B4 shade: #4484AF, #5596C2, #66A8D5, #77BAE8 and #88CCFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F84B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F84B4 shade: #3F84B4, #2E72A1, #1D608E, #0C4E7B and #003C68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F84B4 shade: #4085B5, #4065B5, #4046B5, #5940B5 and #7940B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F84B4 shade: #4085B5, #4065B5, #4046B5 and #4040B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F84B4 shade matches the following richer shades: #4085B5, #2C88C9, #188CDD and #0490F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F84B4 shade: #4085B5, #5381A1, #677E8E, #7B7A7A and #8F7766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F84B4 shade: #40B5A5, #40A5B5, #4086B5, #4067B5 and #4047B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F84B4 shade: #2A5878, #356F97, #4085B5, #5999C5 and #78ACD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F84B4 shade: #3F84B4, #8640B5 and #B5B540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F84B4 shade: #3F84B4, #B54086 and #86B540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F84B4 shade: #3F84B4, #8640B5, #B56F40 and #6FB540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F84B4 shade: #3F84B4, #A940B5, #B56F40 and #4BB540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 27 / 0 / 29

HEX #3F84B4

RGB 63 132 180

HSL 204.62, 0.48%, 0.48%

LAB 52.79, -6.54, -31.72

 

Complementary color

CMYK 0 / 36 / 61 / 25

HEX #C07B4B

RGB 192 123 75

HSL 24.62, 0.48%, 0.52%

LAB 57.92, 22.14, 37.02

 

CMYK 61 / 25 / 0 / 31

HEX #4484AF

RGB 68 132 175

HSL 204.11, 0.44%, 0.48%

LAB 52.76, -7.27, -28.87

 

CMYK 56 / 23 / 0 / 24

HEX #5596C2

RGB 85 150 194

HSL 204.22, 0.47%, 0.55%

LAB 59.56, -7.96, -29.09

 

CMYK 52 / 21 / 0 / 16

HEX #66A8D5

RGB 102 168 213

HSL 204.32, 0.57%, 0.62%

LAB 66.24, -8.49, -29.3

 

CMYK 49 / 20 / 0 / 9

HEX #77BAE8

RGB 119 186 232

HSL 204.42, 0.71%, 0.69%

LAB 72.8, -8.92, -29.52

 

CMYK 46 / 19 / 0 / 2

HEX #88CCFB

RGB 136 204 251

HSL 204.52, 0.93%, 0.76%

LAB 79.26, -9.26, -29.75

 

CMYK 65 / 27 / 0 / 29

HEX #3F84B4

RGB 63 132 180

HSL 204.62, 0.48%, 0.48%

LAB 52.79, -6.54, -31.72

 

CMYK 71 / 29 / 0 / 37

HEX #2E72A1

RGB 46 114 161

HSL 204.52, 0.56%, 0.41%

LAB 45.89, -5.4, -31.5

 

CMYK 80 / 32 / 0 / 44

HEX #1D608E

RGB 29 96 142

HSL 204.42, 0.66%, 0.34%

LAB 38.86, -3.86, -31.26

 

CMYK 90 / 37 / 0 / 52

HEX #0C4E7B

RGB 12 78 123

HSL 204.32, 0.82%, 0.26%

LAB 31.71, -1.69, -30.94

 

CMYK 100 / 42 / 0 / 59

HEX #003C68

RGB 0 60 104

HSL 205.38, 1%, 0.2%

LAB 24.42, 1.33, -30.52

 

CMYK 65 / 27 / 0 / 29

HEX #4085B5

RGB 64 133 181

HSL 204.62, 0.48%, 0.48%

LAB 53.17, -6.6, -31.7

 

CMYK 65 / 44 / 0 / 29

HEX #4065B5

RGB 64 101 181

HSL 221.03, 0.48%, 0.48%

LAB 43.85, 12.88, -46.42

 

CMYK 65 / 61 / 0 / 29

HEX #4046B5

RGB 64 70 181

HSL 236.92, 0.48%, 0.48%

LAB 35.61, 32.8, -59.72

 

CMYK 51 / 65 / 0 / 29

HEX #5940B5

RGB 89 64 181

HSL 252.82, 0.48%, 0.48%

LAB 36.23, 40.77, -58.62

 

CMYK 33 / 65 / 0 / 29

HEX #7940B5

RGB 121 64 181

HSL 269.23, 0.48%, 0.48%

LAB 39.69, 47.38, -52.84

 

CMYK 65 / 27 / 0 / 29

HEX #4085B5

RGB 64 133 181

HSL 204.62, 0.48%, 0.48%

LAB 53.17, -6.6, -31.7

 

CMYK 65 / 44 / 0 / 29

HEX #4065B5

RGB 64 101 181

HSL 221.03, 0.48%, 0.48%

LAB 43.85, 12.88, -46.42

 

CMYK 65 / 61 / 0 / 29

HEX #4046B5

RGB 64 70 181

HSL 236.92, 0.48%, 0.48%

LAB 35.61, 32.8, -59.72

 

CMYK 65 / 65 / 0 / 29

HEX #4040B5

RGB 64 64 181

HSL 240, 0.48%, 0.48%

LAB 34.18, 36.55, -62.06

 

CMYK 65 / 27 / 0 / 29

HEX #4085B5

RGB 64 133 181

HSL 204.62, 0.48%, 0.48%

LAB 53.17, -6.6, -31.7

 

CMYK 78 / 32 / 0 / 21

HEX #2C88C9

RGB 44 136 201

HSL 204.84, 0.64%, 0.48%

LAB 54.41, -4.19, -41.2

 

CMYK 89 / 37 / 0 / 13

HEX #188CDD

RGB 24 140 221

HSL 204.67, 0.8%, 0.48%

LAB 56.26, -0.76, -49.55

 

CMYK 98 / 40 / 0 / 5

HEX #0490F1

RGB 4 144 241

HSL 204.56, 0.97%, 0.48%

LAB 58.34, 3.72, -57.36

 

CMYK 65 / 27 / 0 / 29

HEX #4085B5

RGB 64 133 181

HSL 204.62, 0.48%, 0.48%

LAB 53.17, -6.6, -31.7

 

CMYK 48 / 20 / 0 / 37

HEX #5381A1

RGB 83 129 161

HSL 204.62, 0.32%, 0.48%

LAB 51.96, -6.62, -21.96

 

CMYK 27 / 11 / 0 / 44

HEX #677E8E

RGB 103 126 142

HSL 204.62, 0.16%, 0.48%

LAB 51.56, -4.42, -11.39

 

CMYK 0 / 1 / 1 / 52

HEX #7B7A7A

RGB 123 122 122

HSL 0, 0%, 0.48%

LAB 51.31, 0.38, 0.13

 

CMYK 0 / 17 / 29 / 44

HEX #8F7766

RGB 143 119 102

HSL 24.88, 0.17%, 0.48%

LAB 51.83, 6.62, 12.84

 

CMYK 65 / 0 / 9 / 29

HEX #40B5A5

RGB 64 181 165

HSL 171.79, 0.48%, 0.48%

LAB 67.17, -36.3, -1.46

 

CMYK 65 / 9 / 0 / 29

HEX #40A5B5

RGB 64 165 181

HSL 188.21, 0.48%, 0.48%

LAB 62.79, -23.98, -16.9

 

CMYK 65 / 26 / 0 / 29

HEX #4086B5

RGB 64 134 181

HSL 204.1, 0.48%, 0.48%

LAB 53.47, -7.18, -31.23

 

CMYK 65 / 43 / 0 / 29

HEX #4067B5

RGB 64 103 181

HSL 220, 0.48%, 0.48%

LAB 44.41, 11.62, -45.51

 

CMYK 65 / 61 / 0 / 29

HEX #4047B5

RGB 64 71 181

HSL 236.41, 0.48%, 0.48%

LAB 35.85, 32.16, -59.32

 

CMYK 65 / 27 / 0 / 53

HEX #2A5878

RGB 42 88 120

HSL 204.62, 0.48%, 0.32%

LAB 35.65, -5.03, -22.83

 

CMYK 65 / 26 / 0 / 41

HEX #356F97

RGB 53 111 151

HSL 204.49, 0.48%, 0.4%

LAB 44.75, -5.96, -27.37

 

CMYK 65 / 27 / 0 / 29

HEX #4085B5

RGB 64 133 181

HSL 204.62, 0.48%, 0.48%

LAB 53.17, -6.6, -31.7

 

CMYK 55 / 22 / 0 / 23

HEX #5999C5

RGB 89 153 197

HSL 204.44, 0.48%, 0.56%

LAB 60.73, -7.86, -28.96

 

CMYK 42 / 17 / 0 / 18

HEX #78ACD0

RGB 120 172 208

HSL 204.55, 0.48%, 0.64%

LAB 68.06, -7.79, -23.67

 

CMYK 65 / 27 / 0 / 29

HEX #3F84B4

RGB 63 132 180

HSL 204.62, 0.48%, 0.48%

LAB 52.79, -6.54, -31.72

 

CMYK 26 / 65 / 0 / 29

HEX #8640B5

RGB 134 64 181

HSL 275.9, 0.48%, 0.48%

LAB 41.33, 50.31, -50.12

 

CMYK 0 / 0 / 65 / 29

HEX #B5B540

RGB 181 181 64

HSL 60, 0.48%, 0.48%

LAB 71.72, -14.65, 57.33

 

CMYK 65 / 27 / 0 / 29

HEX #3F84B4

RGB 63 132 180

HSL 204.62, 0.48%, 0.48%

LAB 52.79, -6.54, -31.72

 

CMYK 0 / 65 / 26 / 29

HEX #B54086

RGB 181 64 134

HSL 324.1, 0.48%, 0.48%

LAB 45.92, 54.27, -14.32

 

CMYK 26 / 0 / 65 / 29

HEX #86B540

RGB 134 181 64

HSL 84.1, 0.48%, 0.48%

LAB 68.38, -33.88, 52.78

 

CMYK 65 / 27 / 0 / 29

HEX #3F84B4

RGB 63 132 180

HSL 204.62, 0.48%, 0.48%

LAB 52.79, -6.54, -31.72

 

CMYK 26 / 65 / 0 / 29

HEX #8640B5

RGB 134 64 181

HSL 275.9, 0.48%, 0.48%

LAB 41.33, 50.31, -50.12

 

CMYK 0 / 39 / 65 / 29

HEX #B56F40

RGB 181 111 64

HSL 24.1, 0.48%, 0.48%

LAB 53.56, 23.35, 37.37

 

CMYK 39 / 0 / 65 / 29

HEX #6FB540

RGB 111 181 64

HSL 95.9, 0.48%, 0.48%

LAB 67.12, -42.25, 51.06

 

CMYK 65 / 27 / 0 / 29

HEX #3F84B4

RGB 63 132 180

HSL 204.62, 0.48%, 0.48%

LAB 52.79, -6.54, -31.72

 

CMYK 7 / 65 / 0 / 29

HEX #A940B5

RGB 169 64 181

HSL 293.85, 0.48%, 0.48%

LAB 46.23, 58.56, -42.01

 

CMYK 0 / 39 / 65 / 29

HEX #B56F40

RGB 181 111 64

HSL 24.1, 0.48%, 0.48%

LAB 53.56, 23.35, 37.37

 

CMYK 59 / 0 / 65 / 29

HEX #4BB540

RGB 75 181 64

HSL 114.36, 0.48%, 0.48%

LAB 65.68, -52.95, 49.07

 

Description

Color code: HEX #3F84B4 | qconv.com Color code: HEX #3F84B4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 132 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 132 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 27 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 27% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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