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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F81B1 it is the complementary color #C07E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F81B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F81B1 shade: #4481AC, #5593BF, #66A5D2, #77B7E5 and #88C9F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F81B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F81B1 shade: #3F81B1, #2E6F9E, #1D5D8B, #0C4B78 and #003965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F81B1 shade: #3E81B1, #3E62B1, #3E43B1, #593EB1 and #783EB1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F81B1 shade: #3E81B1, #3E62B1, #3E43B1 and #3E3EB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F81B1 shade matches the following richer shades: #3E81B1, #2B84C5, #1887D8 and #048AEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F81B1 shade: #3E81B1, #527E9E, #657B8B, #787877 and #8C7564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F81B1 shade: #3EB1A4, #3EA0B1, #3E81B1, #3E63B1 and #3E44B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F81B1 shade: #295574, #346B93, #3E81B1, #5695C3 and #74A8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F81B1 shade: #3F81B1, #853EB1 and #AFB13E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F81B1 shade: #3F81B1, #B13E81 and #81B13E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F81B1 shade: #3F81B1, #853EB1, #B16E3E and #6AB13E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F81B1 shade: #3F81B1, #A83EB1, #B16E3E and #48B13E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 27 / 0 / 31

HEX #3F81B1

RGB 63 129 177

HSL 205.26, 0.48%, 0.47%

LAB 51.76, -5.81, -31.6

 

Complementary color

CMYK 0 / 34 / 59 / 25

HEX #C07E4E

RGB 192 126 78

HSL 25.26, 0.48%, 0.53%

LAB 58.68, 20.71, 36.33

 

CMYK 60 / 25 / 0 / 33

HEX #4481AC

RGB 68 129 172

HSL 204.81, 0.43%, 0.47%

LAB 51.73, -6.53, -28.74

 

CMYK 55 / 23 / 0 / 25

HEX #5593BF

RGB 85 147 191

HSL 204.91, 0.45%, 0.54%

LAB 58.57, -7.21, -28.94

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D2

RGB 102 165 210

HSL 205, 0.55%, 0.61%

LAB 65.27, -7.73, -29.14

 

CMYK 48 / 20 / 0 / 10

HEX #77B7E5

RGB 119 183 229

HSL 205.09, 0.68%, 0.68%

LAB 71.86, -8.15, -29.35

 

CMYK 45 / 19 / 0 / 3

HEX #88C9F8

RGB 136 201 248

HSL 205.18, 0.89%, 0.75%

LAB 78.34, -8.5, -29.57

 

CMYK 64 / 27 / 0 / 31

HEX #3F81B1

RGB 63 129 177

HSL 205.26, 0.48%, 0.47%

LAB 51.76, -5.81, -31.6

 

CMYK 71 / 30 / 0 / 38

HEX #2E6F9E

RGB 46 111 158

HSL 205.18, 0.55%, 0.4%

LAB 44.83, -4.68, -31.4

 

CMYK 79 / 33 / 0 / 45

HEX #1D5D8B

RGB 29 93 139

HSL 205.09, 0.65%, 0.33%

LAB 37.76, -3.14, -31.18

 

CMYK 90 / 38 / 0 / 53

HEX #0C4B78

RGB 12 75 120

HSL 205, 0.82%, 0.26%

LAB 30.56, -0.97, -30.89

 

CMYK 100 / 44 / 0 / 60

HEX #003965

RGB 0 57 101

HSL 206.14, 1%, 0.2%

LAB 23.22, 2.09, -30.49

 

CMYK 65 / 27 / 0 / 31

HEX #3E81B1

RGB 62 129 177

HSL 205.04, 0.48%, 0.47%

LAB 51.72, -5.99, -31.66

 

CMYK 65 / 45 / 0 / 31

HEX #3E62B1

RGB 62 98 177

HSL 221.22, 0.48%, 0.47%

LAB 42.66, 13.01, -45.97

 

CMYK 65 / 62 / 0 / 31

HEX #3E43B1

RGB 62 67 177

HSL 237.39, 0.48%, 0.47%

LAB 34.42, 33, -59.29

 

CMYK 50 / 65 / 0 / 31

HEX #593EB1

RGB 89 62 177

HSL 254.09, 0.48%, 0.47%

LAB 35.49, 40.74, -57.46

 

CMYK 32 / 65 / 0 / 31

HEX #783EB1

RGB 120 62 177

HSL 270.26, 0.48%, 0.47%

LAB 38.92, 47.2, -51.73

 

CMYK 65 / 27 / 0 / 31

HEX #3E81B1

RGB 62 129 177

HSL 205.04, 0.48%, 0.47%

LAB 51.72, -5.99, -31.66

 

CMYK 65 / 45 / 0 / 31

HEX #3E62B1

RGB 62 98 177

HSL 221.22, 0.48%, 0.47%

LAB 42.66, 13.01, -45.97

 

CMYK 65 / 62 / 0 / 31

HEX #3E43B1

RGB 62 67 177

HSL 237.39, 0.48%, 0.47%

LAB 34.42, 33, -59.29

 

CMYK 65 / 65 / 0 / 31

HEX #3E3EB1

RGB 62 62 177

HSL 240, 0.48%, 0.47%

LAB 33.23, 36.14, -61.24

 

CMYK 65 / 27 / 0 / 31

HEX #3E81B1

RGB 62 129 177

HSL 205.04, 0.48%, 0.47%

LAB 51.72, -5.99, -31.66

 

CMYK 78 / 33 / 0 / 23

HEX #2B84C5

RGB 43 132 197

HSL 205.32, 0.64%, 0.47%

LAB 53, -3.41, -41.15

 

CMYK 89 / 38 / 0 / 15

HEX #1887D8

RGB 24 135 216

HSL 205.31, 0.8%, 0.47%

LAB 54.53, 0.33, -49.49

 

CMYK 98 / 42 / 0 / 7

HEX #048AEC

RGB 4 138 236

HSL 205.34, 0.97%, 0.47%

LAB 56.35, 5.41, -57.79

 

CMYK 65 / 27 / 0 / 31

HEX #3E81B1

RGB 62 129 177

HSL 205.04, 0.48%, 0.47%

LAB 51.72, -5.99, -31.66

 

CMYK 48 / 20 / 0 / 38

HEX #527E9E

RGB 82 126 158

HSL 205.26, 0.32%, 0.47%

LAB 50.9, -6.04, -21.85

 

CMYK 27 / 12 / 0 / 45

HEX #657B8B

RGB 101 123 139

HSL 205.26, 0.16%, 0.47%

LAB 50.45, -4.1, -11.32

 

CMYK 0 / 0 / 1 / 53

HEX #787877

RGB 120 120 119

HSL 60, 0%, 0.47%

LAB 50.4, -0.2, 0.54

 

CMYK 0 / 16 / 29 / 45

HEX #8C7564

RGB 140 117 100

HSL 25.5, 0.17%, 0.47%

LAB 50.94, 6.24, 12.72

 

CMYK 65 / 0 / 7 / 31

HEX #3EB1A4

RGB 62 177 164

HSL 173.22, 0.48%, 0.47%

LAB 65.86, -35.05, -2.83

 

CMYK 65 / 10 / 0 / 31

HEX #3EA0B1

RGB 62 160 177

HSL 188.87, 0.48%, 0.47%

LAB 61.08, -22.97, -17.25

 

CMYK 65 / 27 / 0 / 31

HEX #3E81B1

RGB 62 129 177

HSL 205.04, 0.48%, 0.47%

LAB 51.72, -5.99, -31.66

 

CMYK 65 / 44 / 0 / 31

HEX #3E63B1

RGB 62 99 177

HSL 220.7, 0.48%, 0.47%

LAB 42.95, 12.37, -45.52

 

CMYK 65 / 62 / 0 / 31

HEX #3E44B1

RGB 62 68 177

HSL 236.87, 0.48%, 0.47%

LAB 34.67, 32.37, -58.89

 

CMYK 65 / 27 / 0 / 55

HEX #295574

RGB 41 85 116

HSL 204.8, 0.48%, 0.31%

LAB 34.46, -4.8, -22.21

 

CMYK 65 / 27 / 0 / 42

HEX #346B93

RGB 52 107 147

HSL 205.26, 0.48%, 0.39%

LAB 43.29, -5.14, -27.27

 

CMYK 65 / 27 / 0 / 31

HEX #3E81B1

RGB 62 129 177

HSL 205.04, 0.48%, 0.47%

LAB 51.72, -5.99, -31.66

 

CMYK 56 / 24 / 0 / 24

HEX #5695C3

RGB 86 149 195

HSL 205.32, 0.48%, 0.55%

LAB 59.36, -6.88, -29.97

 

CMYK 44 / 18 / 0 / 19

HEX #74A8CE

RGB 116 168 206

HSL 205.33, 0.48%, 0.63%

LAB 66.65, -7.18, -24.74

 

CMYK 64 / 27 / 0 / 31

HEX #3F81B1

RGB 63 129 177

HSL 205.26, 0.48%, 0.47%

LAB 51.76, -5.81, -31.6

 

CMYK 25 / 65 / 0 / 31

HEX #853EB1

RGB 133 62 177

HSL 277.04, 0.48%, 0.47%

LAB 40.58, 50.15, -48.97

 

CMYK 1 / 0 / 65 / 31

HEX #AFB13E

RGB 175 177 62

HSL 61.04, 0.48%, 0.47%

LAB 70.11, -15.29, 56.33

 

CMYK 64 / 27 / 0 / 31

HEX #3F81B1

RGB 63 129 177

HSL 205.26, 0.48%, 0.47%

LAB 51.76, -5.81, -31.6

 

CMYK 0 / 65 / 27 / 31

HEX #B13E81

RGB 177 62 129

HSL 325.04, 0.48%, 0.47%

LAB 44.77, 53.29, -13.1

 

CMYK 27 / 0 / 65 / 31

HEX #81B13E

RGB 129 177 62

HSL 85.04, 0.48%, 0.47%

LAB 66.87, -34.1, 51.92

 

CMYK 64 / 27 / 0 / 31

HEX #3F81B1

RGB 63 129 177

HSL 205.26, 0.48%, 0.47%

LAB 51.76, -5.81, -31.6

 

CMYK 25 / 65 / 0 / 31

HEX #853EB1

RGB 133 62 177

HSL 277.04, 0.48%, 0.47%

LAB 40.58, 50.15, -48.97

 

CMYK 0 / 38 / 65 / 31

HEX #B16E3E

RGB 177 110 62

HSL 25.04, 0.48%, 0.47%

LAB 52.78, 22.07, 37.39

 

CMYK 40 / 0 / 65 / 31

HEX #6AB13E

RGB 106 177 62

HSL 97.04, 0.48%, 0.47%

LAB 65.64, -42.42, 50.22

 

CMYK 64 / 27 / 0 / 31

HEX #3F81B1

RGB 63 129 177

HSL 205.26, 0.48%, 0.47%

LAB 51.76, -5.81, -31.6

 

CMYK 5 / 65 / 0 / 31

HEX #A83EB1

RGB 168 62 177

HSL 295.3, 0.48%, 0.47%

LAB 45.56, 58.43, -40.74

 

CMYK 0 / 38 / 65 / 31

HEX #B16E3E

RGB 177 110 62

HSL 25.04, 0.48%, 0.47%

LAB 52.78, 22.07, 37.39

 

CMYK 59 / 0 / 65 / 31

HEX #48B13E

RGB 72 177 62

HSL 114.78, 0.48%, 0.47%

LAB 64.3, -52.41, 48.38

 

Description

Color code: HEX #3F81B1 | qconv.com Color code: HEX #3F81B1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 129 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 129 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 27 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 27% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

58% - RB – Healthier Lives...
Link: http://www.rb.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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