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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F7D0ACE it is the complementary color #C082F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F7D0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F7D0ACE shade: #447D05CE, #558F18CE, #66A12BCE, #77B33ECE and #88C551CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F7D0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F7D0ACE shade: #3F7D0ACE, #2E6B00CE, #1D5900CE, #0C4700CE and #003500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F7D0ACE shade: #3E7B0A, #5C7B0A, #7B7B0A, #7B5C0A and #7B3E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F7D0ACE shade: #3E7B0A, #1F7B0A, #0A7B13, #0A7B31 and #0A7B50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F7D0ACE shade matches the following richer shades: #3E7B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F7D0ACE shade: #3E7B0A, #3F7015, #40651F, #405A2A and #415035

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F7D0ACE shade: #7B7B0A, #5D7B0A, #3F7B0A, #207B0A and #0A7B11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F7D0ACE shade: #172E04, #2B5407, #3E7B0A, #51A10D and #64C710

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F7D0ACE shade: #3F7D0A, #0A7B5D and #7B0A6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F7D0ACE shade: #3F7D0A, #0A3F7B and #7B0A3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F7D0ACE shade: #3F7D0A, #0A7B5D, #460A7B and #7B0A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F7D0ACE shade: #3F7D0A, #0A777B, #460A7B and #7B0E0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 75 / 41

HEX #3F7D0ACE

RGBA 63 125 10 0.81

HSLA 92.35, 0.85%, 0.26%, 0.81

LABA 46.64, -38.46, 48.76, 0.81

 

Complementary color

CMYK 18 / 38 / 0 / 3

HEX #C082F5CE

RGBA 192 130 245 0.81

HSLA 272.35, 0.85%, 0.74%, 0.81

LABA 64.78, 44.97, -48.75, 0.81

 

CMYK 37 / 0 / 78 / 41

HEX #447D05CE

RGBA 68 125 5 0.81

HSLA 88.5, 0.92%, 0.25%, 0.81

LABA 46.85, -36.9, 50.04, 0.81

 

CMYK 33 / 0 / 67 / 36

HEX #558F18CE

RGBA 85 143 24 0.81

HSLA 89.24, 0.71%, 0.33%, 0.81

LABA 53.65, -37.82, 51.88, 0.81

 

CMYK 30 / 0 / 59 / 30

HEX #66A12BCE

RGBA 102 161 43 0.81

HSLA 90, 0.58%, 0.4%, 0.81

LABA 60.33, -38.4, 52.25, 0.81

 

CMYK 27 / 0 / 53 / 24

HEX #77B33ECE

RGBA 119 179 62 0.81

HSLA 90.77, 0.49%, 0.47%, 0.81

LABA 66.91, -38.73, 51.79, 0.81

 

CMYK 25 / 0 / 48 / 18

HEX #88C551CE

RGBA 136 197 81 0.81

HSLA 91.55, 0.5%, 0.55%, 0.81

LABA 73.39, -38.9, 50.94, 0.81

 

CMYK 40 / 0 / 75 / 41

HEX #3F7D0ACE

RGBA 63 125 10 0.81

HSLA 92.35, 0.85%, 0.26%, 0.81

LABA 46.64, -38.46, 48.76, 0.81

 

CMYK 46 / 0 / 81 / 47

HEX #2E6B00CE

RGBA 46 107 0 0.81

HSLA 94.21, 1%, 0.21%, 0.81

LABA 39.74, -37.02, 45.11, 0.81

 

CMYK 55 / 0 / 81 / 53

HEX #1D5900CE

RGBA 29 89 0 0.81

HSLA 100.45, 1%, 0.17%, 0.81

LABA 32.71, -34.92, 39.3, 0.81

 

CMYK 67 / 0 / 81 / 58

HEX #0C4700CE

RGBA 12 71 0 0.81

HSLA 109.86, 1%, 0.14%, 0.81

LABA 25.52, -32.17, 33.15, 0.81

 

CMYK 81 / 0 / 81 / 64

HEX #003500CE

RGBA 0 53 0 0.81

HSLA 120, 1%, 0.1%, 0.81

LABA 18.13, -28.35, 25.18, 0.81

 

CMYK 50 / 0 / 92 / 52

HEX #3E7B0A

RGB 62 123 10

HSL 92.39, 0.85%, 0.26%

LAB 45.92, -37.97, 48.14

 

CMYK 25 / 0 / 92 / 52

HEX #5C7B0A

RGB 92 123 10

HSL 76.46, 0.85%, 0.26%

LAB 47.58, -26.37, 50.19

 

CMYK 0 / 0 / 92 / 52

HEX #7B7B0A

RGB 123 123 10

HSL 60, 0.85%, 0.26%

LAB 49.98, -12.35, 53.13

 

CMYK 0 / 25 / 92 / 52

HEX #7B5C0A

RGB 123 92 10

HSL 43.54, 0.85%, 0.26%

LAB 41.04, 5.34, 46.04

 

CMYK 0 / 50 / 92 / 52

HEX #7B3E0A

RGB 123 62 10

HSL 27.61, 0.85%, 0.26%

LAB 33.3, 23.1, 39.95

 

CMYK 50 / 0 / 92 / 52

HEX #3E7B0A

RGB 62 123 10

HSL 92.39, 0.85%, 0.26%

LAB 45.92, -37.97, 48.14

 

CMYK 75 / 0 / 92 / 52

HEX #1F7B0A

RGB 31 123 10

HSL 108.85, 0.85%, 0.26%

LAB 44.91, -46.18, 46.87

 

CMYK 92 / 0 / 85 / 52

HEX #0A7B13

RGB 10 123 19

HSL 124.78, 0.85%, 0.26%

LAB 44.63, -48.54, 44.22

 

CMYK 92 / 0 / 60 / 52

HEX #0A7B31

RGB 10 123 49

HSL 140.71, 0.85%, 0.26%

LAB 44.87, -45.46, 32

 

CMYK 92 / 0 / 35 / 52

HEX #0A7B50

RGB 10 123 80

HSL 157.17, 0.85%, 0.26%

LAB 45.37, -39.58, 15.6

 

CMYK 50 / 0 / 92 / 52

HEX #3E7B0A

RGB 62 123 10

HSL 92.39, 0.85%, 0.26%

LAB 45.92, -37.97, 48.14

 

CMYK 50 / 0 / 92 / 52

HEX #3E7B0A

RGB 62 123 10

HSL 92.39, 0.85%, 0.26%

LAB 45.92, -37.97, 48.14

 

CMYK 44 / 0 / 81 / 56

HEX #3F7015

RGB 63 112 21

HSL 92.31, 0.68%, 0.26%

LAB 42.31, -32.39, 41.92

 

CMYK 37 / 0 / 69 / 60

HEX #40651F

RGB 64 101 31

HSL 91.71, 0.53%, 0.26%

LAB 38.72, -26.12, 34.26

 

CMYK 29 / 0 / 53 / 65

HEX #405A2A

RGB 64 90 42

HSL 92.5, 0.36%, 0.26%

LAB 35.14, -19.29, 24.47

 

CMYK 19 / 0 / 34 / 69

HEX #415035

RGB 65 80 53

HSL 93.33, 0.2%, 0.26%

LAB 32.07, -11.61, 14.04

 

CMYK 0 / 0 / 92 / 52

HEX #7B7B0A

RGB 123 123 10

HSL 60, 0.85%, 0.26%

LAB 49.98, -12.35, 53.13

 

CMYK 24 / 0 / 92 / 52

HEX #5D7B0A

RGB 93 123 10

HSL 75.93, 0.85%, 0.26%

LAB 47.64, -25.94, 50.27

 

CMYK 49 / 0 / 92 / 52

HEX #3F7B0A

RGB 63 123 10

HSL 91.86, 0.85%, 0.26%

LAB 45.97, -37.63, 48.19

 

CMYK 74 / 0 / 92 / 52

HEX #207B0A

RGB 32 123 10

HSL 108.32, 0.85%, 0.26%

LAB 44.93, -45.99, 46.9

 

CMYK 92 / 0 / 86 / 52

HEX #0A7B11

RGB 10 123 17

HSL 123.72, 0.85%, 0.26%

LAB 44.62, -48.66, 44.79

 

CMYK 50 / 0 / 91 / 82

HEX #172E04

RGB 23 46 4

HSL 92.86, 0.84%, 0.1%

LAB 16.23, -17.77, 21.44

 

CMYK 49 / 0 / 92 / 67

HEX #2B5407

RGB 43 84 7

HSL 91.95, 0.85%, 0.18%

LAB 31.51, -27.94, 36.14

 

CMYK 50 / 0 / 92 / 52

HEX #3E7B0A

RGB 62 123 10

HSL 92.39, 0.85%, 0.26%

LAB 45.92, -37.97, 48.14

 

CMYK 50 / 0 / 92 / 37

HEX #51A10D

RGB 81 161 13

HSL 92.43, 0.85%, 0.34%

LAB 59.22, -46.95, 59.09

 

CMYK 50 / 0 / 92 / 22

HEX #64C710

RGB 100 199 16

HSL 92.46, 0.85%, 0.42%

LAB 71.96, -55.5, 69.5

 

CMYK 50 / 0 / 92 / 51

HEX #3F7D0A

RGB 63 125 10

HSL 92.35, 0.85%, 0.26%

LAB 46.64, -38.46, 48.76

 

CMYK 92 / 0 / 24 / 52

HEX #0A7B5D

RGB 10 123 93

HSL 164.07, 0.85%, 0.26%

LAB 45.66, -36.35, 8.41

 

CMYK 0 / 92 / 12 / 52

HEX #7B0A6C

RGB 123 10 108

HSL 307.96, 0.85%, 0.26%

LAB 28.14, 53.27, -26.43

 

CMYK 50 / 0 / 92 / 51

HEX #3F7D0A

RGB 63 125 10

HSL 92.35, 0.85%, 0.26%

LAB 46.64, -38.46, 48.76

 

CMYK 92 / 49 / 0 / 52

HEX #0A3F7B

RGB 10 63 123

HSL 211.86, 0.85%, 0.26%

LAB 26.88, 8.33, -38.67

 

CMYK 0 / 92 / 49 / 52

HEX #7B0A3F

RGB 123 10 63

HSL 331.86, 0.85%, 0.26%

LAB 26.12, 47.81, 0.32

 

CMYK 50 / 0 / 92 / 51

HEX #3F7D0A

RGB 63 125 10

HSL 92.35, 0.85%, 0.26%

LAB 46.64, -38.46, 48.76

 

CMYK 92 / 0 / 24 / 52

HEX #0A7B5D

RGB 10 123 93

HSL 164.07, 0.85%, 0.26%

LAB 45.66, -36.35, 8.41

 

CMYK 43 / 92 / 0 / 52

HEX #460A7B

RGB 70 10 123

HSL 271.86, 0.85%, 0.26%

LAB 19.84, 46.9, -49.93

 

CMYK 0 / 92 / 67 / 52

HEX #7B0A28

RGB 123 10 40

HSL 344.07, 0.85%, 0.26%

LAB 25.51, 46.08, 15.21

 

CMYK 50 / 0 / 92 / 51

HEX #3F7D0A

RGB 63 125 10

HSL 92.35, 0.85%, 0.26%

LAB 46.64, -38.46, 48.76

 

CMYK 92 / 3 / 0 / 52

HEX #0A777B

RGB 10 119 123

HSL 182.12, 0.85%, 0.26%

LAB 45.2, -25.45, -10.09

 

CMYK 43 / 92 / 0 / 52

HEX #460A7B

RGB 70 10 123

HSL 271.86, 0.85%, 0.26%

LAB 19.84, 46.9, -49.93

 

CMYK 0 / 89 / 92 / 52

HEX #7B0E0A

RGB 123 14 10

HSL 2.12, 0.85%, 0.26%

LAB 25.4, 44.08, 33.46

 

Description

Color code: HEX #3F7D0ACE | qconv.com Color code: HEX #3F7D0ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 125 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 125 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 75 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 75% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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