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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F7C20 it is the complementary color #C083DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F7C20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F7C20 shade: #447C1B, #558E2E, #66A041, #77B254 and #88C467

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F7C20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F7C20 shade: #3F7C20, #2E6A0D, #1D5800, #0C4600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F7C20 shade: #407E20, #597E20, #727E20, #7E7020 and #7E5720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F7C20 shade: #407E20, #277E20, #207E33, #207E4C and #207E66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F7C20 shade matches the following richer shades: #407E20, #3C8A14 and #389707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F7C20 shade: #407E20, #44712D, #48643A, #4C5747 and #514B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F7C20 shade: #737E20, #5A7E20, #417E20, #287E20 and #207E32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F7C20 shade: #1F3C0F, #2F5D18, #407E20, #519E29 and #61BF31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F7C20 shade: #3F7C20, #207E70 and #7E2066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F7C20 shade: #3F7C20, #20417E and #7E2041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F7C20 shade: #3F7C20, #207E70, #5D207E and #7E202E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F7C20 shade: #3F7C20, #20707E, #5D207E and #7E2E20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 74 / 51

HEX #3F7C20

RGB 63 124 32

HSL 99.78, 0.59%, 0.31%

LAB 46.41, -36.83, 41.84

 

Complementary color

CMYK 14 / 41 / 0 / 13

HEX #C083DF

RGB 192 131 223

HSL 279.78, 0.59%, 0.69%

LAB 63.97, 39.65, -37.85

 

CMYK 45 / 0 / 78 / 51

HEX #447C1B

RGB 68 124 27

HSL 94.64, 0.64%, 0.3%

LAB 46.61, -35.49, 44.02

 

CMYK 40 / 0 / 68 / 44

HEX #558E2E

RGB 85 142 46

HSL 95.63, 0.51%, 0.37%

LAB 53.46, -35.91, 43.67

 

CMYK 36 / 0 / 59 / 37

HEX #66A041

RGB 102 160 65

HSL 96.63, 0.42%, 0.44%

LAB 60.2, -36.08, 42.77

 

CMYK 33 / 0 / 53 / 30

HEX #77B254

RGB 119 178 84

HSL 97.66, 0.38%, 0.51%

LAB 66.83, -36.1, 41.64

 

CMYK 31 / 0 / 47 / 23

HEX #88C467

RGB 136 196 103

HSL 98.71, 0.44%, 0.59%

LAB 73.35, -36.04, 40.46

 

CMYK 49 / 0 / 74 / 51

HEX #3F7C20

RGB 63 124 32

HSL 99.78, 0.59%, 0.31%

LAB 46.41, -36.83, 41.84

 

CMYK 57 / 0 / 88 / 58

HEX #2E6A0D

RGB 46 106 13

HSL 98.71, 0.78%, 0.23%

LAB 39.44, -36.05, 41.5

 

CMYK 67 / 0 / 100 / 65

HEX #1D5800

RGB 29 88 0

HSL 100.23, 1%, 0.17%

LAB 32.35, -34.53, 39.01

 

CMYK 83 / 0 / 100 / 73

HEX #0C4600

RGB 12 70 0

HSL 109.71, 1%, 0.14%

LAB 25.13, -31.8, 32.79

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 29 / 0 / 75 / 51

HEX #597E20

RGB 89 126 32

HSL 83.62, 0.59%, 0.31%

LAB 48.45, -28.07, 44.34

 

CMYK 10 / 0 / 75 / 51

HEX #727E20

RGB 114 126 32

HSL 67.66, 0.59%, 0.31%

LAB 50.22, -17.28, 46.68

 

CMYK 0 / 11 / 75 / 51

HEX #7E7020

RGB 126 112 32

HSL 51.06, 0.59%, 0.31%

LAB 47.14, -4.03, 44.05

 

CMYK 0 / 31 / 75 / 51

HEX #7E5720

RGB 126 87 32

HSL 35.11, 0.59%, 0.31%

LAB 40.17, 10.59, 37.04

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 69 / 0 / 75 / 51

HEX #277E20

RGB 39 126 32

HSL 115.53, 0.59%, 0.31%

LAB 46.25, -44.23, 41.41

 

CMYK 75 / 0 / 60 / 51

HEX #207E33

RGB 32 126 51

HSL 132.13, 0.59%, 0.31%

LAB 46.27, -43.46, 32.71

 

CMYK 75 / 0 / 40 / 51

HEX #207E4C

RGB 32 126 76

HSL 148.09, 0.59%, 0.31%

LAB 46.65, -39.12, 19.67

 

CMYK 75 / 0 / 19 / 51

HEX #207E66

RGB 32 126 102

HSL 164.68, 0.59%, 0.31%

LAB 47.22, -32.93, 5.38

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 57 / 0 / 86 / 46

HEX #3C8A14

RGB 60 138 20

HSL 99.66, 0.75%, 0.31%

LAB 50.91, -44.15, 50.1

 

CMYK 63 / 0 / 95 / 41

HEX #389707

RGB 56 151 7

HSL 99.58, 0.91%, 0.31%

LAB 55.06, -50.44, 56.22

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 40 / 0 / 60 / 56

HEX #44712D

RGB 68 113 45

HSL 99.71, 0.43%, 0.31%

LAB 43.11, -28.89, 32.38

 

CMYK 28 / 0 / 42 / 61

HEX #48643A

RGB 72 100 58

HSL 100, 0.27%, 0.31%

LAB 39.24, -19.03, 20.57

 

CMYK 13 / 0 / 18 / 66

HEX #4C5747

RGB 76 87 71

HSL 101.25, 0.1%, 0.31%

LAB 35.61, -7.76, 7.87

 

CMYK 4 / 11 / 0 / 67

HEX #514B54

RGB 81 75 84

HSL 280, 0.06%, 0.31%

LAB 32.75, 4.43, -4.42

 

CMYK 9 / 0 / 75 / 51

HEX #737E20

RGB 115 126 32

HSL 67.02, 0.59%, 0.31%

LAB 50.3, -16.83, 46.78

 

CMYK 29 / 0 / 75 / 51

HEX #5A7E20

RGB 90 126 32

HSL 82.98, 0.59%, 0.31%

LAB 48.51, -27.66, 44.42

 

CMYK 48 / 0 / 75 / 51

HEX #417E20

RGB 65 126 32

HSL 98.94, 0.59%, 0.31%

LAB 47.17, -37.02, 42.64

 

CMYK 68 / 0 / 75 / 51

HEX #287E20

RGB 40 126 32

HSL 114.89, 0.59%, 0.31%

LAB 46.28, -44.01, 41.45

 

CMYK 75 / 0 / 60 / 51

HEX #207E32

RGB 32 126 50

HSL 131.49, 0.59%, 0.31%

LAB 46.26, -43.6, 33.2

 

CMYK 48 / 0 / 75 / 76

HEX #1F3C0F

RGB 31 60 15

HSL 98.67, 0.6%, 0.15%

LAB 22.15, -20.51, 23.63

 

CMYK 49 / 0 / 74 / 64

HEX #2F5D18

RGB 47 93 24

HSL 100, 0.59%, 0.23%

LAB 35, -29.4, 33.23

 

CMYK 49 / 0 / 75 / 51

HEX #407E20

RGB 64 126 32

HSL 99.57, 0.59%, 0.31%

LAB 47.13, -37.35, 42.58

 

CMYK 49 / 0 / 74 / 38

HEX #519E29

RGB 81 158 41

HSL 99.49, 0.59%, 0.39%

LAB 58.38, -44.41, 50.71

 

CMYK 49 / 0 / 74 / 25

HEX #61BF31

RGB 97 191 49

HSL 99.72, 0.59%, 0.47%

LAB 69.49, -51.95, 59.12

 

CMYK 49 / 0 / 74 / 51

HEX #3F7C20

RGB 63 124 32

HSL 99.78, 0.59%, 0.31%

LAB 46.41, -36.83, 41.84

 

CMYK 75 / 0 / 11 / 51

HEX #207E70

RGB 32 126 112

HSL 171.06, 0.59%, 0.31%

LAB 47.49, -30.15, -0.12

 

CMYK 0 / 75 / 19 / 51

HEX #7E2066

RGB 126 32 102

HSL 315.32, 0.59%, 0.31%

LAB 30.47, 47.14, -18.88

 

CMYK 49 / 0 / 74 / 51

HEX #3F7C20

RGB 63 124 32

HSL 99.78, 0.59%, 0.31%

LAB 46.41, -36.83, 41.84

 

CMYK 75 / 48 / 0 / 51

HEX #20417E

RGB 32 65 126

HSL 218.94, 0.59%, 0.31%

LAB 28.36, 10.61, -38.12

 

CMYK 0 / 75 / 48 / 51

HEX #7E2041

RGB 126 32 65

HSL 338.94, 0.59%, 0.31%

LAB 29.03, 42.53, 3.27

 

CMYK 49 / 0 / 74 / 51

HEX #3F7C20

RGB 63 124 32

HSL 99.78, 0.59%, 0.31%

LAB 46.41, -36.83, 41.84

 

CMYK 75 / 0 / 11 / 51

HEX #207E70

RGB 32 126 112

HSL 171.06, 0.59%, 0.31%

LAB 47.49, -30.15, -0.12

 

CMYK 26 / 75 / 0 / 51

HEX #5D207E

RGB 93 32 126

HSL 278.94, 0.59%, 0.31%

LAB 26.35, 43.62, -41.08

 

CMYK 0 / 75 / 63 / 51

HEX #7E202E

RGB 126 32 46

HSL 351.06, 0.59%, 0.31%

LAB 28.55, 40.92, 15.28

 

CMYK 49 / 0 / 74 / 51

HEX #3F7C20

RGB 63 124 32

HSL 99.78, 0.59%, 0.31%

LAB 46.41, -36.83, 41.84

 

CMYK 75 / 11 / 0 / 51

HEX #20707E

RGB 32 112 126

HSL 188.94, 0.59%, 0.31%

LAB 43.36, -18.61, -14.64

 

CMYK 26 / 75 / 0 / 51

HEX #5D207E

RGB 93 32 126

HSL 278.94, 0.59%, 0.31%

LAB 26.35, 43.62, -41.08

 

CMYK 0 / 63 / 75 / 51

HEX #7E2E20

RGB 126 46 32

HSL 8.94, 0.59%, 0.31%

LAB 30.63, 33.82, 26.74

 

Description

Color code: HEX #3F7C20 | qconv.com Color code: HEX #3F7C20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 124 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 124 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 74 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 74% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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