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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F6F134C it is the complementary color #C090EC4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F6F134C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F6F134C shade: #446F0E4C, #5581214C, #6693344C, #77A5474C and #88B75A4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F6F134C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F6F134C shade: #3F6F134C, #2E5D004C, #1D4B004C, #0C39004C and #0027004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F6F134C shade: #3E6D12, #566D12, #6D6B12, #6D5312 and #6D3B12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F6F134C shade: #3E6D12, #256D12, #126D18, #126D30 and #126D49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F6F134C shade matches the following richer shades: #3E6D12 and #3D7708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F6F134C shade: #3E6D12, #3E631D, #3F5827, #3F4E31 and #40443C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F6F134C shade: #6D6C12, #566D12, #3E6D12, #266D12 and #126D17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F6F134C shade: #162607, #2A4A0D, #3E6D12, #529018 and #66B41E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F6F134C shade: #3F6F13, #126D53 and #6D1262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F6F134C shade: #3F6F13, #123E6D and #6D123E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F6F134C shade: #3F6F13, #126D53, #41126D and #6D122C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F6F134C shade: #3F6F13, #126C6D, #41126D and #6D1412

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 25 / 17

HEX #3F6F134C

RGBA 63 111 19 0.3

HSLA 91.3, 0.71%, 0.25%, 0.3

LABA 41.96, -32.06, 42.26, 0.3

 

Complementary color

CMYK 6 / 12 / 0 / 2

HEX #C090EC4C

RGBA 192 144 236 0.3

HSLA 271.3, 0.71%, 0.75%, 0.3

LABA 67.43, 35.34, -39.63, 0.3

 

CMYK 12 / 0 / 26 / 17

HEX #446F0E4C

RGBA 68 111 14 0.3

HSLA 86.6, 0.78%, 0.25%, 0.3

LABA 42.2, -30.4, 44.08, 0.3

 

CMYK 10 / 0 / 22 / 15

HEX #5581214C

RGBA 85 129 33 0.3

HSLA 87.5, 0.59%, 0.32%, 0.3

LABA 49.18, -31.02, 44.6, 0.3

 

CMYK 9 / 0 / 19 / 13

HEX #6693344C

RGBA 102 147 52 0.3

HSLA 88.42, 0.48%, 0.39%, 0.3

LABA 56.03, -31.36, 44.07, 0.3

 

CMYK 8 / 0 / 17 / 11

HEX #77A5474C

RGBA 119 165 71 0.3

HSLA 89.36, 0.4%, 0.46%, 0.3

LABA 62.75, -31.51, 43.11, 0.3

 

CMYK 8 / 0 / 15 / 8

HEX #88B75A4C

RGBA 136 183 90 0.3

HSLA 90.32, 0.39%, 0.54%, 0.3

LABA 69.35, -31.56, 41.98, 0.3

 

CMYK 13 / 0 / 25 / 17

HEX #3F6F134C

RGBA 63 111 19 0.3

HSLA 91.3, 0.71%, 0.25%, 0.3

LABA 41.96, -32.06, 42.26, 0.3

 

CMYK 15 / 0 / 30 / 19

HEX #2E5D004C

RGBA 46 93 0 0.3

HSLA 90.32, 1%, 0.18%, 0.3

LABA 34.82, -31.2, 41.25, 0.3

 

CMYK 18 / 0 / 30 / 21

HEX #1D4B004C

RGBA 29 75 0 0.3

HSLA 96.8, 1%, 0.15%, 0.3

LABA 27.55, -29.32, 35.17, 0.3

 

CMYK 24 / 0 / 30 / 23

HEX #0C39004C

RGBA 12 57 0 0.3

HSLA 107.37, 1%, 0.11%, 0.3

LABA 20.06, -26.9, 27.51, 0.3

 

CMYK 30 / 0 / 30 / 25

HEX #0027004C

RGBA 0 39 0 0.3

HSLA 120, 1%, 0.08%, 0.3

LABA 12.29, -23.27, 17.74, 0.3

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 21 / 0 / 83 / 57

HEX #566D12

RGB 86 109 18

HSL 75.16, 0.72%, 0.25%

LAB 42.7, -21.67, 43.78

 

CMYK 0 / 2 / 83 / 57

HEX #6D6B12

RGB 109 107 18

HSL 58.68, 0.72%, 0.25%

LAB 43.96, -9.91, 45.62

 

CMYK 0 / 24 / 83 / 57

HEX #6D5312

RGB 109 83 18

HSL 42.86, 0.72%, 0.25%

LAB 36.9, 4.12, 39.31

 

CMYK 0 / 46 / 83 / 57

HEX #6D3B12

RGB 109 59 18

HSL 27.03, 0.72%, 0.25%

LAB 30.46, 18.7, 33.34

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 66 / 0 / 83 / 57

HEX #256D12

RGB 37 109 18

HSL 107.47, 0.72%, 0.25%

LAB 40.2, -39.47, 40.57

 

CMYK 83 / 0 / 78 / 57

HEX #126D18

RGB 18 109 24

HSL 123.96, 0.72%, 0.25%

LAB 39.8, -42.74, 37.87

 

CMYK 83 / 0 / 56 / 57

HEX #126D30

RGB 18 109 48

HSL 139.78, 0.72%, 0.25%

LAB 40.05, -39.75, 26.75

 

CMYK 83 / 0 / 33 / 57

HEX #126D49

RGB 18 109 73

HSL 156.26, 0.72%, 0.25%

LAB 40.49, -34.69, 13.04

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 49 / 0 / 93 / 53

HEX #3D7708

RGB 61 119 8

HSL 91.35, 0.87%, 0.25%

LAB 44.52, -36.71, 47.36

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 37 / 0 / 71 / 61

HEX #3E631D

RGB 62 99 29

HSL 91.71, 0.55%, 0.25%

LAB 37.91, -26.12, 34.28

 

CMYK 28 / 0 / 56 / 65

HEX #3F5827

RGB 63 88 39

HSL 90.61, 0.39%, 0.25%

LAB 34.36, -19.03, 25.19

 

CMYK 19 / 0 / 37 / 69

HEX #3F4E31

RGB 63 78 49

HSL 91.03, 0.23%, 0.25%

LAB 31.18, -11.99, 15.28

 

CMYK 6 / 0 / 12 / 73

HEX #40443C

RGB 64 68 60

HSL 90, 0.06%, 0.25%

LAB 28.25, -3.42, 4.28

 

CMYK 0 / 1 / 83 / 57

HEX #6D6C12

RGB 109 108 18

HSL 59.34, 0.72%, 0.25%

LAB 44.26, -10.47, 45.88

 

CMYK 21 / 0 / 83 / 57

HEX #566D12

RGB 86 109 18

HSL 75.16, 0.72%, 0.25%

LAB 42.7, -21.67, 43.78

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 65 / 0 / 83 / 57

HEX #266D12

RGB 38 109 18

HSL 106.81, 0.72%, 0.25%

LAB 40.23, -39.22, 40.61

 

CMYK 83 / 0 / 79 / 57

HEX #126D17

RGB 18 109 23

HSL 123.3, 0.72%, 0.25%

LAB 39.79, -42.83, 38.25

 

CMYK 42 / 0 / 82 / 85

HEX #162607

RGB 22 38 7

HSL 90.97, 0.69%, 0.09%

LAB 13.06, -13.46, 16.1

 

CMYK 43 / 0 / 82 / 71

HEX #2A4A0D

RGB 42 74 13

HSL 91.48, 0.7%, 0.17%

LAB 27.9, -23.24, 30.64

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 43 / 0 / 83 / 44

HEX #529018

RGB 82 144 24

HSL 91, 0.71%, 0.33%

LAB 53.82, -39.32, 51.98

 

CMYK 43 / 0 / 83 / 29

HEX #66B41E

RGB 102 180 30

HSL 91.2, 0.71%, 0.41%

LAB 66.18, -47.08, 61.84

 

CMYK 43 / 0 / 83 / 56

HEX #3F6F13

RGB 63 111 19

HSL 91.3, 0.71%, 0.25%

LAB 41.96, -32.06, 42.26

 

CMYK 83 / 0 / 24 / 57

HEX #126D53

RGB 18 109 83

HSL 162.86, 0.72%, 0.25%

LAB 40.72, -32.15, 7.39

 

CMYK 0 / 83 / 10 / 57

HEX #6D1262

RGB 109 18 98

HSL 307.25, 0.72%, 0.25%

LAB 25.46, 46.87, -24.34

 

CMYK 43 / 0 / 83 / 56

HEX #3F6F13

RGB 63 111 19

HSL 91.3, 0.71%, 0.25%

LAB 41.96, -32.06, 42.26

 

CMYK 83 / 43 / 0 / 57

HEX #123E6D

RGB 18 62 109

HSL 210.99, 0.72%, 0.25%

LAB 25.8, 3.78, -31.51

 

CMYK 0 / 83 / 43 / 57

HEX #6D123E

RGB 109 18 62

HSL 330.99, 0.72%, 0.25%

LAB 23.78, 41.98, -2.78

 

CMYK 43 / 0 / 83 / 56

HEX #3F6F13

RGB 63 111 19

HSL 91.3, 0.71%, 0.25%

LAB 41.96, -32.06, 42.26

 

CMYK 83 / 0 / 24 / 57

HEX #126D53

RGB 18 109 83

HSL 162.86, 0.72%, 0.25%

LAB 40.72, -32.15, 7.39

 

CMYK 40 / 83 / 0 / 57

HEX #41126D

RGB 65 18 109

HSL 270.99, 0.72%, 0.25%

LAB 18.63, 40.02, -42.92

 

CMYK 0 / 83 / 60 / 57

HEX #6D122C

RGB 109 18 44

HSL 342.86, 0.72%, 0.25%

LAB 23.22, 40.3, 8.87

 

CMYK 43 / 0 / 83 / 56

HEX #3F6F13

RGB 63 111 19

HSL 91.3, 0.71%, 0.25%

LAB 41.96, -32.06, 42.26

 

CMYK 83 / 1 / 0 / 57

HEX #126C6D

RGB 18 108 109

HSL 180.66, 0.72%, 0.25%

LAB 41.15, -23.86, -7.74

 

CMYK 40 / 83 / 0 / 57

HEX #41126D

RGB 65 18 109

HSL 270.99, 0.72%, 0.25%

LAB 18.63, 40.02, -42.92

 

CMYK 0 / 82 / 83 / 57

HEX #6D1412

RGB 109 20 18

HSL 1.32, 0.72%, 0.25%

LAB 22.98, 38.17, 25.99

 

Description

Color code: HEX #3F6F134C | qconv.com Color code: HEX #3F6F134C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 111 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 111 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 25 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 25% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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