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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F6AD04C it is the complementary color #C0952F4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F6AD04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F6AD04C shade: #446ACB4C, #557CDE4C, #668EF14C, #77A0FF4C and #88B2FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F6AD04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F6AD04C shade: #3F6AD04C, #2E58BD4C, #1D46AA4C, #0C34974C and #0022844C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F6AD04C shade: #3E69D0, #3E42D0, #623ED0, #893ED0 and #B03ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F6AD04C shade: #3E69D0, #3E42D0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F6AD04C shade matches the following richer shades: #3E69D0, #2B62E4 and #175AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F6AD04C shade: #3E69D0, #5171BD, #6579A9, #788196 and #8C8983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F6AD04C shade: #3EB8D0, #3E91D0, #3E6AD0, #3E43D0 and #603ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F6AD04C shade: #254797, #2D56B8, #3E69D0, #5F83D8 and #809DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F6AD04C shade: #3F6AD0, #C23ED0 and #A4D03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F6AD04C shade: #3F6AD0, #D03E6A and #6AD03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F6AD04C shade: #3F6AD0, #C23ED0, #D0A43E and #4DD03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F6AD04C shade: #3F6AD0, #D03EB3, #D0A43E and #3ED05B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 15 / 0 / 6

HEX #3F6AD04C

RGBA 63 106 208 0.3

HSLA 222.21, 0.61%, 0.53%, 0.3

LABA 46.87, 19.25, -57.17, 0.3

 

Complementary color

CMYK 0 / 7 / 23 / 7

HEX #C0952F4C

RGBA 192 149 47 0.3

HSLA 42.21, 0.61%, 0.47%, 0.3

LABA 64.09, 6.22, 56.82, 0.3

 

CMYK 20 / 14 / 0 / 6

HEX #446ACB4C

RGBA 68 106 203 0.3

HSLA 223.11, 0.56%, 0.53%, 0.3

LABA 46.78, 18.23, -54.44, 0.3

 

CMYK 19 / 13 / 0 / 4

HEX #557CDE4C

RGBA 85 124 222 0.3

HSLA 222.92, 0.67%, 0.6%, 0.3

LABA 53.62, 16.54, -54.21, 0.3

 

CMYK 17 / 12 / 0 / 2

HEX #668EF14C

RGBA 102 142 241 0.3

HSLA 222.73, 0.83%, 0.67%, 0.3

LABA 60.36, 15.16, -54, 0.3

 

CMYK 16 / 11 / 0 / 0

HEX #77A0FF4C

RGBA 119 160 255 0.3

HSLA 221.91, 1%, 0.73%, 0.3

LABA 66.74, 12.46, -51.5, 0.3

 

CMYK 14 / 9 / 0 / 0

HEX #88B2FF4C

RGBA 136 178 255 0.3

HSLA 218.82, 1%, 0.77%, 0.3

LABA 72.43, 6.01, -42.49, 0.3

 

CMYK 21 / 15 / 0 / 6

HEX #3F6AD04C

RGBA 63 106 208 0.3

HSLA 222.21, 0.61%, 0.53%, 0.3

LABA 46.87, 19.25, -57.17, 0.3

 

CMYK 23 / 16 / 0 / 8

HEX #2E58BD4C

RGBA 46 88 189 0.3

HSLA 222.38, 0.61%, 0.46%, 0.3

LABA 39.97, 21.55, -57.37, 0.3

 

CMYK 25 / 18 / 0 / 10

HEX #1D46AA4C

RGBA 29 70 170 0.3

HSLA 222.55, 0.71%, 0.39%, 0.3

LABA 33.01, 24.4, -57.48, 0.3

 

CMYK 28 / 20 / 0 / 12

HEX #0C34974C

RGBA 12 52 151 0.3

HSLA 222.73, 0.85%, 0.32%, 0.3

LABA 26.06, 27.92, -57.37, 0.3

 

CMYK 30 / 22 / 0 / 14

HEX #0022844C

RGBA 0 34 132 0.3

HSLA 224.55, 1%, 0.26%, 0.3

LABA 19.27, 31.99, -56.77, 0.3

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D0

RGB 62 105 208

HSL 222.33, 0.61%, 0.53%

LAB 46.55, 19.74, -57.68

 

CMYK 70 / 68 / 0 / 18

HEX #3E42D0

RGB 62 66 208

HSL 238.36, 0.61%, 0.53%

LAB 36.88, 44.17, -73.42

 

CMYK 53 / 70 / 0 / 18

HEX #623ED0

RGB 98 62 208

HSL 254.79, 0.61%, 0.53%

LAB 38.89, 51.3, -70.02

 

CMYK 34 / 70 / 0 / 18

HEX #893ED0

RGB 137 62 208

HSL 270.82, 0.61%, 0.53%

LAB 43.24, 58.15, -62.75

 

CMYK 15 / 70 / 0 / 18

HEX #B03ED0

RGB 176 62 208

HSL 286.85, 0.61%, 0.53%

LAB 48.55, 66, -53.91

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D0

RGB 62 105 208

HSL 222.33, 0.61%, 0.53%

LAB 46.55, 19.74, -57.68

 

CMYK 70 / 68 / 0 / 18

HEX #3E42D0

RGB 62 66 208

HSL 238.36, 0.61%, 0.53%

LAB 36.88, 44.17, -73.42

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D0

RGB 62 105 208

HSL 222.33, 0.61%, 0.53%

LAB 46.55, 19.74, -57.68

 

CMYK 81 / 57 / 0 / 11

HEX #2B62E4

RGB 43 98 228

HSL 222.16, 0.77%, 0.53%

LAB 45.43, 29.45, -70.91

 

CMYK 91 / 64 / 0 / 3

HEX #175AF7

RGB 23 90 247

HSL 222.05, 0.93%, 0.53%

LAB 44.53, 40.38, -83.08

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D0

RGB 62 105 208

HSL 222.33, 0.61%, 0.53%

LAB 46.55, 19.74, -57.68

 

CMYK 57 / 40 / 0 / 26

HEX #5171BD

RGB 81 113 189

HSL 222.22, 0.45%, 0.53%

LAB 48.55, 11.44, -43.51

 

CMYK 40 / 28 / 0 / 34

HEX #6579A9

RGB 101 121 169

HSL 222.35, 0.28%, 0.53%

LAB 51.04, 5.24, -27.94

 

CMYK 20 / 14 / 0 / 41

HEX #788196

RGB 120 129 150

HSL 222, 0.13%, 0.53%

LAB 53.92, 1.39, -12.38

 

CMYK 0 / 2 / 6 / 45

HEX #8C8983

RGB 140 137 131

HSL 40, 0.04%, 0.53%

LAB 57.18, -0.02, 3.6

 

CMYK 70 / 12 / 0 / 18

HEX #3EB8D0

RGB 62 184 208

HSL 189.86, 0.61%, 0.53%

LAB 69.37, -25.61, -21.87

 

CMYK 70 / 30 / 0 / 18

HEX #3E91D0

RGB 62 145 208

HSL 205.89, 0.61%, 0.53%

LAB 57.87, -4.62, -39.66

 

CMYK 70 / 49 / 0 / 18

HEX #3E6AD0

RGB 62 106 208

HSL 221.92, 0.61%, 0.53%

LAB 46.82, 19.1, -57.24

 

CMYK 70 / 68 / 0 / 18

HEX #3E43D0

RGB 62 67 208

HSL 237.95, 0.61%, 0.53%

LAB 37.1, 43.57, -73.06

 

CMYK 54 / 70 / 0 / 18

HEX #603ED0

RGB 96 62 208

HSL 253.97, 0.61%, 0.53%

LAB 38.7, 50.99, -70.34

 

CMYK 75 / 53 / 0 / 41

HEX #254797

RGB 37 71 151

HSL 222.11, 0.61%, 0.37%

LAB 32.11, 17.12, -47.48

 

CMYK 76 / 53 / 0 / 28

HEX #2D56B8

RGB 45 86 184

HSL 222.3, 0.61%, 0.45%

LAB 39.03, 20.84, -55.98

 

CMYK 70 / 50 / 0 / 18

HEX #3E69D0

RGB 62 105 208

HSL 222.33, 0.61%, 0.53%

LAB 46.55, 19.74, -57.68

 

CMYK 56 / 39 / 0 / 15

HEX #5F83D8

RGB 95 131 216

HSL 222.15, 0.61%, 0.61%

LAB 55.71, 12.25, -47.48

 

CMYK 43 / 30 / 0 / 12

HEX #809DE0

RGB 128 157 224

HSL 221.88, 0.61%, 0.69%

LAB 65.03, 7.1, -37.15

 

CMYK 70 / 49 / 0 / 18

HEX #3F6AD0

RGB 63 106 208

HSL 222.21, 0.61%, 0.53%

LAB 46.87, 19.25, -57.17

 

CMYK 7 / 70 / 0 / 18

HEX #C23ED0

RGB 194 62 208

HSL 294.25, 0.61%, 0.53%

LAB 51.23, 69.8, -49.47

 

CMYK 21 / 0 / 70 / 18

HEX #A4D03E

RGB 164 208 62

HSL 78.08, 0.61%, 0.53%

LAB 78.08, -34.82, 64.2

 

CMYK 70 / 49 / 0 / 18

HEX #3F6AD0

RGB 63 106 208

HSL 222.21, 0.61%, 0.53%

LAB 46.87, 19.25, -57.17

 

CMYK 0 / 70 / 49 / 18

HEX #D03E6A

RGB 208 62 106

HSL 341.92, 0.61%, 0.53%

LAB 49.37, 59.94, 8.3

 

CMYK 49 / 0 / 70 / 18

HEX #6AD03E

RGB 106 208 62

HSL 101.92, 0.61%, 0.53%

LAB 75.15, -54.88, 60.28

 

CMYK 70 / 49 / 0 / 18

HEX #3F6AD0

RGB 63 106 208

HSL 222.21, 0.61%, 0.53%

LAB 46.87, 19.25, -57.17

 

CMYK 7 / 70 / 0 / 18

HEX #C23ED0

RGB 194 62 208

HSL 294.25, 0.61%, 0.53%

LAB 51.23, 69.8, -49.47

 

CMYK 0 / 21 / 70 / 18

HEX #D0A43E

RGB 208 164 62

HSL 41.92, 0.61%, 0.53%

LAB 69.69, 5.84, 56.84

 

CMYK 63 / 0 / 70 / 18

HEX #4DD03E

RGB 77 208 62

HSL 113.84, 0.61%, 0.53%

LAB 74.21, -62.27, 59.01

 

CMYK 70 / 49 / 0 / 18

HEX #3F6AD0

RGB 63 106 208

HSL 222.21, 0.61%, 0.53%

LAB 46.87, 19.25, -57.17

 

CMYK 0 / 70 / 14 / 18

HEX #D03EB3

RGB 208 62 179

HSL 311.92, 0.61%, 0.53%

LAB 51.96, 68.4, -31.4

 

CMYK 0 / 21 / 70 / 18

HEX #D0A43E

RGB 208 164 62

HSL 41.92, 0.61%, 0.53%

LAB 69.69, 5.84, 56.84

 

CMYK 70 / 0 / 56 / 18

HEX #3ED05B

RGB 62 208 91

HSL 131.92, 0.61%, 0.53%

LAB 74.12, -62.09, 46.52

 

Description

Color code: HEX #3F6AD04C | qconv.com Color code: HEX #3F6AD04C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 106 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 106 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 15 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 15% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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