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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F65D3 it is the complementary color #C09A2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F65D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F65D3 shade: #4465CE, #5577E1, #6689F4, #779BFF and #88ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F65D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F65D3 shade: #3F65D3, #2E53C0, #1D41AD, #0C2F9A and #001D87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F65D3 shade: #3F65D3, #413FD3, #693FD3, #913FD3 and #B93FD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F65D3 shade: #3F65D3 and #3F3FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F65D3 shade matches the following richer shades: #3F65D3, #2C5CE6 and #1953F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F65D3 shade: #3F65D3, #526EC0, #6578AD, #78819A and #8B8A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F65D3 shade: #3FB6D3, #3F8ED3, #3F67D3, #3F3FD3 and #673FD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F65D3 shade: #23429D, #2B51BE, #3F65D3, #6180DB and #839BE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F65D3 shade: #3F65D3, #C93FD3 and #A2D33F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F65D3 shade: #3F65D3, #D33F67 and #67D33F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F65D3 shade: #3F65D3, #C93FD3, #D3AC3F and #49D33F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F65D3 shade: #3F65D3, #D33FB1, #D3AC3F and #3FD362

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

Complementary color

CMYK 0 / 20 / 77 / 25

HEX #C09A2C

RGB 192 154 44

HSL 44.59, 0.63%, 0.46%

LAB 65.36, 3.38, 59.16

 

CMYK 67 / 51 / 0 / 19

HEX #4465CE

RGB 68 101 206

HSL 225.65, 0.58%, 0.54%

LAB 45.62, 22.46, -58.02

 

CMYK 62 / 47 / 0 / 12

HEX #5577E1

RGB 85 119 225

HSL 225.43, 0.7%, 0.61%

LAB 52.47, 20.63, -57.75

 

CMYK 58 / 44 / 0 / 4

HEX #6689F4

RGB 102 137 244

HSL 225.21, 0.87%, 0.68%

LAB 59.2, 19.11, -57.5

 

CMYK 53 / 39 / 0 / 0

HEX #779BFF

RGB 119 155 255

HSL 224.12, 1%, 0.73%

LAB 65.42, 15.36, -53.57

 

CMYK 47 / 32 / 0 / 0

HEX #88ADFF

RGB 136 173 255

HSL 221.34, 1%, 0.77%

LAB 71.11, 8.82, -44.55

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 76 / 57 / 0 / 25

HEX #2E53C0

RGB 46 83 192

HSL 224.79, 0.61%, 0.47%

LAB 38.85, 25.95, -60.94

 

CMYK 83 / 62 / 0 / 32

HEX #1D41AD

RGB 29 65 173

HSL 225, 0.71%, 0.4%

LAB 31.94, 28.93, -61.03

 

CMYK 92 / 69 / 0 / 40

HEX #0C2F9A

RGB 12 47 154

HSL 225.21, 0.86%, 0.33%

LAB 25.09, 32.48, -60.81

 

CMYK 100 / 79 / 0 / 47

HEX #001D87

RGB 0 29 135

HSL 227.11, 1%, 0.26%

LAB 18.49, 36.32, -59.95

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 69 / 70 / 0 / 17

HEX #413FD3

RGB 65 63 211

HSL 240.81, 0.63%, 0.54%

LAB 36.71, 47.23, -75.43

 

CMYK 50 / 70 / 0 / 17

HEX #693FD3

RGB 105 63 211

HSL 257.03, 0.63%, 0.54%

LAB 40.02, 52.74, -69.88

 

CMYK 31 / 70 / 0 / 17

HEX #913FD3

RGB 145 63 211

HSL 273.24, 0.63%, 0.54%

LAB 44.63, 59.93, -62.17

 

CMYK 12 / 70 / 0 / 17

HEX #B93FD3

RGB 185 63 211

HSL 289.46, 0.63%, 0.54%

LAB 50.18, 68.07, -52.94

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 70 / 70 / 0 / 17

HEX #3F3FD3

RGB 63 63 211

HSL 240, 0.63%, 0.54%

LAB 36.58, 47.02, -75.65

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 81 / 60 / 0 / 10

HEX #2C5CE6

RGB 44 92 230

HSL 224.52, 0.79%, 0.54%

LAB 44.09, 34.09, -74.22

 

CMYK 90 / 67 / 0 / 2

HEX #1953F9

RGB 25 83 249

HSL 224.46, 0.95%, 0.54%

LAB 43.11, 45.51, -86.54

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 57 / 43 / 0 / 25

HEX #526EC0

RGB 82 110 192

HSL 224.73, 0.47%, 0.54%

LAB 47.95, 14.5, -46.2

 

CMYK 42 / 31 / 0 / 32

HEX #6578AD

RGB 101 120 173

HSL 224.17, 0.31%, 0.54%

LAB 50.94, 7, -30.42

 

CMYK 22 / 16 / 0 / 40

HEX #78819A

RGB 120 129 154

HSL 224.12, 0.14%, 0.54%

LAB 54.06, 2.35, -14.49

 

CMYK 0 / 1 / 3 / 45

HEX #8B8A87

RGB 139 138 135

HSL 45, 0.02%, 0.54%

LAB 57.48, -0.21, 1.73

 

CMYK 70 / 14 / 0 / 17

HEX #3FB6D3

RGB 63 182 211

HSL 191.76, 0.63%, 0.54%

LAB 68.91, -23.53, -24.22

 

CMYK 70 / 33 / 0 / 17

HEX #3F8ED3

RGB 63 142 211

HSL 207.97, 0.63%, 0.54%

LAB 57.18, -1.69, -42.44

 

CMYK 70 / 51 / 0 / 17

HEX #3F67D3

RGB 63 103 211

HSL 223.78, 0.63%, 0.54%

LAB 46.26, 22.23, -59.87

 

CMYK 70 / 70 / 0 / 17

HEX #3F3FD3

RGB 63 63 211

HSL 240, 0.63%, 0.54%

LAB 36.58, 47.02, -75.65

 

CMYK 51 / 70 / 0 / 17

HEX #673FD3

RGB 103 63 211

HSL 256.22, 0.63%, 0.54%

LAB 39.82, 52.42, -70.22

 

CMYK 78 / 58 / 0 / 38

HEX #23429D

RGB 35 66 157

HSL 224.75, 0.64%, 0.38%

LAB 31.09, 22.61, -52.79

 

CMYK 77 / 57 / 0 / 25

HEX #2B51BE

RGB 43 81 190

HSL 224.49, 0.63%, 0.46%

LAB 38.05, 26.17, -61.08

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 56 / 42 / 0 / 14

HEX #6180DB

RGB 97 128 219

HSL 224.75, 0.63%, 0.62%

LAB 55.17, 15.44, -50.02

 

CMYK 42 / 31 / 0 / 11

HEX #839BE2

RGB 131 155 226

HSL 224.84, 0.62%, 0.7%

LAB 64.77, 9.58, -38.64

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 5 / 70 / 0 / 17

HEX #C93FD3

RGB 201 63 211

HSL 295.95, 0.63%, 0.54%

LAB 52.59, 71.46, -48.95

 

CMYK 23 / 0 / 70 / 17

HEX #A2D33F

RGB 162 211 63

HSL 79.86, 0.63%, 0.54%

LAB 78.83, -36.9, 64.54

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 0 / 70 / 51 / 17

HEX #D33F67

RGB 211 63 103

HSL 343.78, 0.63%, 0.54%

LAB 49.96, 60.21, 11.02

 

CMYK 51 / 0 / 70 / 17

HEX #67D33F

RGB 103 211 63

HSL 103.78, 0.63%, 0.54%

LAB 75.97, -56.79, 60.71

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 5 / 70 / 0 / 17

HEX #C93FD3

RGB 201 63 211

HSL 295.95, 0.63%, 0.54%

LAB 52.59, 71.46, -48.95

 

CMYK 0 / 18 / 70 / 17

HEX #D3AC3F

RGB 211 172 63

HSL 44.19, 0.63%, 0.54%

LAB 72.04, 2.92, 58.92

 

CMYK 65 / 0 / 70 / 17

HEX #49D33F

RGB 73 211 63

HSL 115.95, 0.63%, 0.54%

LAB 75.05, -64.04, 59.48

 

CMYK 70 / 52 / 0 / 17

HEX #3F65D3

RGB 63 101 211

HSL 224.59, 0.63%, 0.54%

LAB 45.73, 23.5, -60.73

 

CMYK 0 / 70 / 16 / 17

HEX #D33FB1

RGB 211 63 177

HSL 313.78, 0.63%, 0.54%

LAB 52.48, 68.49, -29.38

 

CMYK 0 / 18 / 70 / 17

HEX #D3AC3F

RGB 211 172 63

HSL 44.19, 0.63%, 0.54%

LAB 72.04, 2.92, 58.92

 

CMYK 70 / 0 / 54 / 17

HEX #3FD362

RGB 63 211 98

HSL 134.19, 0.63%, 0.54%

LAB 75.16, -62.02, 44.49

 

Description

Color code: HEX #3F65D3 | qconv.com Color code: HEX #3F65D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 101 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 101 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 52 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 52% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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