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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F64CD it is the complementary color #C09B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F64CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F64CD shade: #4464C8, #5576DB, #6688EE, #779AFF and #88ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F64CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F64CD shade: #3F64CD, #2E52BA, #1D40A7, #0C2E94 and #001C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F64CD shade: #4065CE, #4240CE, #6840CE, #8E40CE and #B440CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F64CD shade: #4065CE and #4040CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F64CD shade matches the following richer shades: #4065CE, #2D5CE1 and #1A53F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F64CD shade: #4065CE, #546FBA, #6778A7, #7B8194 and #8E8A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F64CD shade: #40B2CE, #408CCE, #4066CE, #4040CE and #6640CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F64CD shade: #264395, #2F52B6, #4065CE, #6180D6 and #829ADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F64CD shade: #3F64CD, #C440CE and #9FCE40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F64CD shade: #3F64CD, #CE4066 and #66CE40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F64CD shade: #3F64CD, #C440CE, #CEA840 and #4ACE40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F64CD shade: #3F64CD, #CE40AD, #CEA840 and #40CE61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 51 / 0 / 20

HEX #3F64CD

RGB 63 100 205

HSL 224.37, 0.59%, 0.53%

LAB 45.05, 21.98, -58.38

 

Complementary color

CMYK 0 / 19 / 74 / 25

HEX #C09B32

RGB 192 155 50

HSL 44.37, 0.59%, 0.47%

LAB 65.65, 3.1, 57.17

 

CMYK 66 / 50 / 0 / 22

HEX #4464C8

RGB 68 100 200

HSL 225.45, 0.55%, 0.53%

LAB 44.96, 20.96, -55.64

 

CMYK 61 / 46 / 0 / 14

HEX #5576DB

RGB 85 118 219

HSL 225.22, 0.65%, 0.6%

LAB 51.84, 19.21, -55.37

 

CMYK 57 / 43 / 0 / 7

HEX #6688EE

RGB 102 136 238

HSL 225, 0.8%, 0.67%

LAB 58.61, 17.77, -55.13

 

CMYK 53 / 40 / 0 / 0

HEX #779AFF

RGB 119 154 255

HSL 224.56, 1%, 0.73%

LAB 65.16, 15.94, -53.99

 

CMYK 47 / 33 / 0 / 0

HEX #88ACFF

RGB 136 172 255

HSL 221.85, 1%, 0.77%

LAB 70.84, 9.38, -44.96

 

CMYK 69 / 51 / 0 / 20

HEX #3F64CD

RGB 63 100 205

HSL 224.37, 0.59%, 0.53%

LAB 45.05, 21.98, -58.38

 

CMYK 75 / 56 / 0 / 27

HEX #2E52BA

RGB 46 82 186

HSL 224.57, 0.6%, 0.45%

LAB 38.13, 24.35, -58.6

 

CMYK 83 / 62 / 0 / 35

HEX #1D40A7

RGB 29 64 167

HSL 224.78, 0.7%, 0.38%

LAB 31.16, 27.27, -58.72

 

CMYK 92 / 69 / 0 / 42

HEX #0C2E94

RGB 12 46 148

HSL 225, 0.85%, 0.31%

LAB 24.23, 30.81, -58.55

 

CMYK 100 / 78 / 0 / 49

HEX #001C81

RGB 0 28 129

HSL 226.98, 1%, 0.25%

LAB 17.53, 34.69, -57.75

 

CMYK 69 / 51 / 0 / 19

HEX #4065CE

RGB 64 101 206

HSL 224.37, 0.59%, 0.53%

LAB 45.43, 21.85, -58.34

 

CMYK 68 / 69 / 0 / 19

HEX #4240CE

RGB 66 64 206

HSL 240.85, 0.59%, 0.53%

LAB 36.52, 45.14, -72.85

 

CMYK 50 / 69 / 0 / 19

HEX #6840CE

RGB 104 64 206

HSL 256.9, 0.59%, 0.53%

LAB 39.69, 50.67, -67.53

 

CMYK 31 / 69 / 0 / 19

HEX #8E40CE

RGB 142 64 206

HSL 272.96, 0.59%, 0.53%

LAB 44.05, 57.75, -60.25

 

CMYK 13 / 69 / 0 / 19

HEX #B440CE

RGB 180 64 206

HSL 289.01, 0.59%, 0.53%

LAB 49.28, 65.7, -51.55

 

CMYK 69 / 51 / 0 / 19

HEX #4065CE

RGB 64 101 206

HSL 224.37, 0.59%, 0.53%

LAB 45.43, 21.85, -58.34

 

CMYK 69 / 69 / 0 / 19

HEX #4040CE

RGB 64 64 206

HSL 240, 0.59%, 0.53%

LAB 36.39, 44.91, -73.07

 

CMYK 69 / 51 / 0 / 19

HEX #4065CE

RGB 64 101 206

HSL 224.37, 0.59%, 0.53%

LAB 45.43, 21.85, -58.34

 

CMYK 80 / 59 / 0 / 12

HEX #2D5CE1

RGB 45 92 225

HSL 224.33, 0.75%, 0.53%

LAB 43.72, 32.33, -71.99

 

CMYK 89 / 66 / 0 / 4

HEX #1A53F5

RGB 26 83 245

HSL 224.38, 0.92%, 0.53%

LAB 42.76, 44.12, -84.87

 

CMYK 69 / 51 / 0 / 19

HEX #4065CE

RGB 64 101 206

HSL 224.37, 0.59%, 0.53%

LAB 45.43, 21.85, -58.34

 

CMYK 55 / 40 / 0 / 27

HEX #546FBA

RGB 84 111 186

HSL 224.12, 0.43%, 0.53%

LAB 48.01, 12.32, -42.64

 

CMYK 38 / 28 / 0 / 35

HEX #6778A7

RGB 103 120 167

HSL 224.06, 0.27%, 0.53%

LAB 50.81, 5.83, -27.12

 

CMYK 17 / 13 / 0 / 42

HEX #7B8194

RGB 123 129 148

HSL 225.6, 0.1%, 0.53%

LAB 54.08, 1.94, -10.95

 

CMYK 0 / 3 / 10 / 44

HEX #8E8A80

RGB 142 138 128

HSL 42.86, 0.06%, 0.53%

LAB 57.55, -0.37, 5.87

 

CMYK 69 / 14 / 0 / 19

HEX #40B2CE

RGB 64 178 206

HSL 191.83, 0.59%, 0.53%

LAB 67.57, -22.92, -23.52

 

CMYK 69 / 32 / 0 / 19

HEX #408CCE

RGB 64 140 206

HSL 207.89, 0.59%, 0.53%

LAB 56.39, -2.11, -40.86

 

CMYK 69 / 50 / 0 / 19

HEX #4066CE

RGB 64 102 206

HSL 223.94, 0.59%, 0.53%

LAB 45.7, 21.21, -57.9

 

CMYK 69 / 69 / 0 / 19

HEX #4040CE

RGB 64 64 206

HSL 240, 0.59%, 0.53%

LAB 36.39, 44.91, -73.07

 

CMYK 50 / 69 / 0 / 19

HEX #6640CE

RGB 102 64 206

HSL 256.06, 0.59%, 0.53%

LAB 39.49, 50.33, -67.87

 

CMYK 74 / 55 / 0 / 42

HEX #264395

RGB 38 67 149

HSL 224.32, 0.59%, 0.37%

LAB 30.87, 19.19, -48.27

 

CMYK 74 / 55 / 0 / 29

HEX #2F52B6

RGB 47 82 182

HSL 224.44, 0.59%, 0.45%

LAB 37.87, 22.96, -56.67

 

CMYK 69 / 51 / 0 / 19

HEX #4065CE

RGB 64 101 206

HSL 224.37, 0.59%, 0.53%

LAB 45.43, 21.85, -58.34

 

CMYK 55 / 40 / 0 / 16

HEX #6180D6

RGB 97 128 214

HSL 224.1, 0.59%, 0.61%

LAB 54.9, 13.83, -47.63

 

CMYK 42 / 31 / 0 / 13

HEX #829ADF

RGB 130 154 223

HSL 224.52, 0.59%, 0.69%

LAB 64.31, 9.05, -37.71

 

CMYK 69 / 51 / 0 / 20

HEX #3F64CD

RGB 63 100 205

HSL 224.37, 0.59%, 0.53%

LAB 45.05, 21.98, -58.38

 

CMYK 5 / 69 / 0 / 19

HEX #C440CE

RGB 196 64 206

HSL 295.77, 0.59%, 0.53%

LAB 51.68, 69.17, -47.59

 

CMYK 23 / 0 / 69 / 19

HEX #9FCE40

RGB 159 206 64

HSL 79.86, 0.59%, 0.53%

LAB 77.21, -35.72, 62.48

 

CMYK 69 / 51 / 0 / 20

HEX #3F64CD

RGB 63 100 205

HSL 224.37, 0.59%, 0.53%

LAB 45.05, 21.98, -58.38

 

CMYK 0 / 69 / 50 / 19

HEX #CE4066

RGB 206 64 102

HSL 343.94, 0.59%, 0.53%

LAB 49.19, 58.25, 10.42

 

CMYK 50 / 0 / 69 / 19

HEX #66CE40

RGB 102 206 64

HSL 103.94, 0.59%, 0.53%

LAB 74.41, -55.11, 58.7

 

CMYK 69 / 51 / 0 / 20

HEX #3F64CD

RGB 63 100 205

HSL 224.37, 0.59%, 0.53%

LAB 45.05, 21.98, -58.38

 

CMYK 5 / 69 / 0 / 19

HEX #C440CE

RGB 196 64 206

HSL 295.77, 0.59%, 0.53%

LAB 51.68, 69.17, -47.59

 

CMYK 0 / 18 / 69 / 19

HEX #CEA840

RGB 206 168 64

HSL 43.94, 0.59%, 0.53%

LAB 70.52, 2.94, 56.79

 

CMYK 64 / 0 / 69 / 19

HEX #4ACE40

RGB 74 206 64

HSL 115.77, 0.59%, 0.53%

LAB 73.53, -62.06, 57.51

 

CMYK 69 / 51 / 0 / 20

HEX #3F64CD

RGB 63 100 205

HSL 224.37, 0.59%, 0.53%

LAB 45.05, 21.98, -58.38

 

CMYK 0 / 69 / 16 / 19

HEX #CE40AD

RGB 206 64 173

HSL 313.94, 0.59%, 0.53%

LAB 51.62, 66.35, -28.45

 

CMYK 0 / 18 / 69 / 19

HEX #CEA840

RGB 206 168 64

HSL 43.94, 0.59%, 0.53%

LAB 70.52, 2.94, 56.79

 

CMYK 69 / 0 / 53 / 19

HEX #40CE61

RGB 64 206 97

HSL 133.94, 0.59%, 0.53%

LAB 73.61, -60.24, 43.09

 

Description

Color code: HEX #3F64CD | qconv.com Color code: HEX #3F64CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 100 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 100 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 51 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 51% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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