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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F5E84 it is the complementary color #C0A17B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F5E84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F5E84 shade: #445E7F, #557092, #6682A5, #7794B8 and #88A6CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F5E84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F5E84 shade: #3F5E84, #2E4C71, #1D3A5E, #0C284B and #001638

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F5E84 shade: #3E5D82, #3E4B82, #453E82, #573E82 and #693E82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F5E84 shade: #3E5D82, #3E4B82 and #3E3E82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F5E84 shade matches the following richer shades: #3E5D82, #2F5B92, #1F5AA2, #0F58B1 and #0057C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F5E84 shade: #3E5D82, #4E5F73, #5E6063, #6E6253 and #7D6344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F5E84 shade: #3E8182, #3E6F82, #3E5D82, #3E4B82 and #443E82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F5E84 shade: #24354B, #314966, #3E5D82, #4C719E and #6186B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F5E84 shade: #3F5E84, #713E82 and #78823E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F5E84 shade: #3F5E84, #823E5D and #5D823E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F5E84 shade: #3F5E84, #713E82, #82643E and #4F823E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F5E84 shade: #3F5E84, #823E7F, #82643E and #3E8242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 29 / 0 / 48

HEX #3F5E84

RGB 63 94 132

HSL 213.04, 0.35%, 0.38%

LAB 39.12, 0.16, -24.7

 

Complementary color

CMYK 0 / 16 / 36 / 25

HEX #C0A17B

RGB 192 161 123

HSL 33.04, 0.35%, 0.62%

LAB 68.11, 5.97, 24.06

 

CMYK 46 / 26 / 0 / 50

HEX #445E7F

RGB 68 94 127

HSL 213.56, 0.3%, 0.38%

LAB 39.18, -0.12, -21.53

 

CMYK 42 / 23 / 0 / 43

HEX #557092

RGB 85 112 146

HSL 213.44, 0.26%, 0.45%

LAB 46.44, -0.57, -21.66

 

CMYK 38 / 21 / 0 / 35

HEX #6682A5

RGB 102 130 165

HSL 213.33, 0.26%, 0.52%

LAB 53.5, -0.92, -21.82

 

CMYK 35 / 20 / 0 / 28

HEX #7794B8

RGB 119 148 184

HSL 213.23, 0.31%, 0.59%

LAB 60.39, -1.21, -22.01

 

CMYK 33 / 18 / 0 / 20

HEX #88A6CB

RGB 136 166 203

HSL 213.13, 0.39%, 0.66%

LAB 67.14, -1.46, -22.23

 

CMYK 52 / 29 / 0 / 48

HEX #3F5E84

RGB 63 94 132

HSL 213.04, 0.35%, 0.38%

LAB 39.12, 0.16, -24.7

 

CMYK 59 / 33 / 0 / 56

HEX #2E4C71

RGB 46 76 113

HSL 213.13, 0.42%, 0.31%

LAB 31.67, 0.97, -24.67

 

CMYK 69 / 38 / 0 / 63

HEX #1D3A5E

RGB 29 58 94

HSL 213.23, 0.53%, 0.24%

LAB 23.98, 2.15, -24.68

 

CMYK 84 / 47 / 0 / 71

HEX #0C284B

RGB 12 40 75

HSL 213.33, 0.72%, 0.17%

LAB 16.02, 4.04, -24.71

 

CMYK 100 / 61 / 0 / 78

HEX #001638

RGB 0 22 56

HSL 216.43, 1%, 0.11%

LAB 7.76, 7.16, -24.7

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 52 / 42 / 0 / 49

HEX #3E4B82

RGB 62 75 130

HSL 228.53, 0.35%, 0.38%

LAB 33.28, 11.45, -32.66

 

CMYK 47 / 52 / 0 / 49

HEX #453E82

RGB 69 62 130

HSL 246.18, 0.35%, 0.38%

LAB 30.21, 21.8, -37.52

 

CMYK 33 / 52 / 0 / 49

HEX #573E82

RGB 87 62 130

HSL 262.06, 0.35%, 0.38%

LAB 32, 26.64, -34.57

 

CMYK 19 / 52 / 0 / 49

HEX #693E82

RGB 105 62 130

HSL 277.94, 0.35%, 0.38%

LAB 34.11, 31.87, -31.08

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 52 / 42 / 0 / 49

HEX #3E4B82

RGB 62 75 130

HSL 228.53, 0.35%, 0.38%

LAB 33.28, 11.45, -32.66

 

CMYK 52 / 52 / 0 / 49

HEX #3E3E82

RGB 62 62 130

HSL 240, 0.35%, 0.38%

LAB 29.62, 20.09, -38.51

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 68 / 38 / 0 / 43

HEX #2F5B92

RGB 47 91 146

HSL 213.33, 0.51%, 0.38%

LAB 38.13, 3.52, -34.79

 

CMYK 81 / 44 / 0 / 36

HEX #1F5AA2

RGB 31 90 162

HSL 212.98, 0.68%, 0.38%

LAB 38.22, 8.04, -44.28

 

CMYK 92 / 50 / 0 / 31

HEX #0F58B1

RGB 15 88 177

HSL 212.96, 0.84%, 0.38%

LAB 38.3, 14.14, -53.08

 

CMYK 100 / 55 / 0 / 24

HEX #0057C1

RGB 0 87 193

HSL 212.95, 1%, 0.38%

LAB 39.01, 20.71, -61.3

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 32 / 17 / 0 / 55

HEX #4E5F73

RGB 78 95 115

HSL 212.43, 0.19%, 0.38%

LAB 39.65, -1.27, -13.42

 

CMYK 5 / 3 / 0 / 61

HEX #5E6063

RGB 94 96 99

HSL 216, 0.03%, 0.38%

LAB 40.65, -0.13, -1.99

 

CMYK 0 / 11 / 25 / 57

HEX #6E6253

RGB 110 98 83

HSL 33.33, 0.14%, 0.38%

LAB 42.27, 2.15, 10.29

 

CMYK 0 / 21 / 46 / 51

HEX #7D6344

RGB 125 99 68

HSL 32.63, 0.3%, 0.38%

LAB 43.8, 6.06, 21.57

 

CMYK 52 / 1 / 0 / 49

HEX #3E8182

RGB 62 129 130

HSL 180.88, 0.35%, 0.38%

LAB 49.9, -20.84, -7.07

 

CMYK 52 / 15 / 0 / 49

HEX #3E6F82

RGB 62 111 130

HSL 196.76, 0.35%, 0.38%

LAB 44.24, -10.93, -15.6

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 52 / 42 / 0 / 49

HEX #3E4B82

RGB 62 75 130

HSL 228.53, 0.35%, 0.38%

LAB 33.28, 11.45, -32.66

 

CMYK 48 / 52 / 0 / 49

HEX #443E82

RGB 68 62 130

HSL 245.29, 0.35%, 0.38%

LAB 30.12, 21.55, -37.67

 

CMYK 52 / 29 / 0 / 71

HEX #24354B

RGB 36 53 75

HSL 213.85, 0.35%, 0.22%

LAB 21.69, 0.19, -15.7

 

CMYK 52 / 28 / 0 / 60

HEX #314966

RGB 49 73 102

HSL 212.83, 0.35%, 0.3%

LAB 30.35, -0.15, -19.78

 

CMYK 52 / 28 / 0 / 49

HEX #3E5D82

RGB 62 93 130

HSL 212.65, 0.35%, 0.38%

LAB 38.66, -0.13, -24.2

 

CMYK 52 / 28 / 0 / 38

HEX #4C719E

RGB 76 113 158

HSL 212.93, 0.35%, 0.46%

LAB 46.73, 0.15, -28.33

 

CMYK 46 / 25 / 0 / 30

HEX #6186B3

RGB 97 134 179

HSL 212.93, 0.35%, 0.54%

LAB 54.91, -0.58, -27.72

 

CMYK 52 / 29 / 0 / 48

HEX #3F5E84

RGB 63 94 132

HSL 213.04, 0.35%, 0.38%

LAB 39.12, 0.16, -24.7

 

CMYK 13 / 52 / 0 / 49

HEX #713E82

RGB 113 62 130

HSL 285, 0.35%, 0.38%

LAB 35.14, 34.27, -29.39

 

CMYK 8 / 0 / 52 / 49

HEX #78823E

RGB 120 130 62

HSL 68.82, 0.35%, 0.38%

LAB 52.18, -14.41, 35.2

 

CMYK 52 / 29 / 0 / 48

HEX #3F5E84

RGB 63 94 132

HSL 213.04, 0.35%, 0.38%

LAB 39.12, 0.16, -24.7

 

CMYK 0 / 52 / 28 / 49

HEX #823E5D

RGB 130 62 93

HSL 332.65, 0.35%, 0.38%

LAB 35.95, 33.07, -4.72

 

CMYK 28 / 0 / 52 / 49

HEX #5D823E

RGB 93 130 62

HSL 92.65, 0.35%, 0.38%

LAB 50.26, -25.61, 32.44

 

CMYK 52 / 29 / 0 / 48

HEX #3F5E84

RGB 63 94 132

HSL 213.04, 0.35%, 0.38%

LAB 39.12, 0.16, -24.7

 

CMYK 13 / 52 / 0 / 49

HEX #713E82

RGB 113 62 130

HSL 285, 0.35%, 0.38%

LAB 35.14, 34.27, -29.39

 

CMYK 0 / 23 / 52 / 49

HEX #82643E

RGB 130 100 62

HSL 33.53, 0.35%, 0.38%

LAB 44.53, 7.07, 26.08

 

CMYK 39 / 0 / 52 / 49

HEX #4F823E

RGB 79 130 62

HSL 105, 0.35%, 0.38%

LAB 49.47, -30.82, 31.29

 

CMYK 52 / 29 / 0 / 48

HEX #3F5E84

RGB 63 94 132

HSL 213.04, 0.35%, 0.38%

LAB 39.12, 0.16, -24.7

 

CMYK 0 / 52 / 2 / 49

HEX #823E7F

RGB 130 62 127

HSL 302.65, 0.35%, 0.38%

LAB 37.34, 38.83, -23.91

 

CMYK 0 / 23 / 52 / 49

HEX #82643E

RGB 130 100 62

HSL 33.53, 0.35%, 0.38%

LAB 44.53, 7.07, 26.08

 

CMYK 52 / 0 / 49 / 49

HEX #3E8242

RGB 62 130 66

HSL 123.53, 0.35%, 0.38%

LAB 48.74, -35.73, 28.09

 

Description

Color code: HEX #3F5E84 | qconv.com Color code: HEX #3F5E84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 94 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 94 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 29 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 29% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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