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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F5E6E it is the complementary color #C0A191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F5E6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F5E6E shade: #445E69, #55707C, #66828F, #7794A2 and #88A6B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F5E6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F5E6E shade: #3F5E6E, #2E4C5B, #1D3A48, #0C2835 and #001622

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F5E6E shade: #3F5E6E, #3F516E, #3F446E, #463F6E and #523F6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F5E6E shade: #3F5E6E, #3F516E, #3F446E and #3F3F6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F5E6E shade matches the following richer shades: #3F5E6E, #31627C, #23678A, #156B98 and #0770A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F5E6E shade: #3F5E6E, #4D5960, #5B5552, #695044 and #774C35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F5E6E shade: #3F6E64, #3F6A6E, #3F5E6E, #3F526E and #3F456E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F5E6E shade: #213139, #304753, #3F5E6E, #4E7488 and #5D8AA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F5E6E shade: #3F5E6E, #583F6E and #6E6A3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F5E6E shade: #3F5E6E, #6E3F5E and #5E6E3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F5E6E shade: #3F5E6E, #583F6E, #6E4E3F and #556E3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F5E6E shade: #3F5E6E, #663F6E, #6E4E3F and #476E3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

Complementary color

CMYK 0 / 16 / 24 / 25

HEX #C0A191

RGB 192 161 145

HSL 20.43, 0.27%, 0.66%

LAB 68.56, 8.93, 12.58

 

CMYK 35 / 10 / 0 / 59

HEX #445E69

RGB 68 94 105

HSL 197.84, 0.21%, 0.34%

LAB 38.29, -6.67, -9.39

 

CMYK 31 / 10 / 0 / 51

HEX #55707C

RGB 85 112 124

HSL 198.46, 0.19%, 0.41%

LAB 45.6, -6.73, -9.83

 

CMYK 29 / 9 / 0 / 44

HEX #66828F

RGB 102 130 143

HSL 199.02, 0.17%, 0.48%

LAB 52.7, -6.77, -10.27

 

CMYK 27 / 9 / 0 / 36

HEX #7794A2

RGB 119 148 162

HSL 199.53, 0.19%, 0.55%

LAB 59.63, -6.82, -10.7

 

CMYK 25 / 8 / 0 / 29

HEX #88A6B5

RGB 136 166 181

HSL 200, 0.23%, 0.62%

LAB 66.4, -6.87, -11.13

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 49 / 16 / 0 / 64

HEX #2E4C5B

RGB 46 76 91

HSL 200, 0.33%, 0.27%

LAB 30.65, -6.53, -12.31

 

CMYK 60 / 19 / 0 / 72

HEX #1D3A48

RGB 29 58 72

HSL 199.53, 0.43%, 0.2%

LAB 22.85, -6.16, -11.94

 

CMYK 77 / 25 / 0 / 79

HEX #0C2835

RGB 12 40 53

HSL 199.02, 0.63%, 0.13%

LAB 14.69, -5.43, -11.53

 

CMYK 100 / 35 / 0 / 87

HEX #001622

RGB 0 22 34

HSL 201.18, 1%, 0.07%

LAB 6.23, -3.26, -10.83

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 43 / 26 / 0 / 57

HEX #3F516E

RGB 63 81 110

HSL 217.02, 0.27%, 0.34%

LAB 34.12, 1.3, -18.9

 

CMYK 43 / 38 / 0 / 57

HEX #3F446E

RGB 63 68 110

HSL 233.62, 0.27%, 0.34%

LAB 30.2, 9.77, -25.01

 

CMYK 36 / 43 / 0 / 57

HEX #463F6E

RGB 70 63 110

HSL 248.94, 0.27%, 0.34%

LAB 29.37, 15.19, -26.28

 

CMYK 25 / 43 / 0 / 57

HEX #523F6E

RGB 82 63 110

HSL 264.26, 0.27%, 0.34%

LAB 30.58, 19, -24.29

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 43 / 26 / 0 / 57

HEX #3F516E

RGB 63 81 110

HSL 217.02, 0.27%, 0.34%

LAB 34.12, 1.3, -18.9

 

CMYK 43 / 38 / 0 / 57

HEX #3F446E

RGB 63 68 110

HSL 233.62, 0.27%, 0.34%

LAB 30.2, 9.77, -25.01

 

CMYK 43 / 43 / 0 / 57

HEX #3F3F6E

RGB 63 63 110

HSL 240, 0.27%, 0.34%

LAB 28.74, 13.1, -27.31

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 60 / 21 / 0 / 51

HEX #31627C

RGB 49 98 124

HSL 200.8, 0.43%, 0.34%

LAB 39.32, -8.26, -19.58

 

CMYK 75 / 25 / 0 / 46

HEX #23678A

RGB 35 103 138

HSL 200.39, 0.6%, 0.34%

LAB 41.05, -8.82, -25.42

 

CMYK 86 / 30 / 0 / 40

HEX #156B98

RGB 21 107 152

HSL 200.61, 0.76%, 0.34%

LAB 42.68, -7.53, -31.27

 

CMYK 96 / 33 / 0 / 35

HEX #0770A6

RGB 7 112 166

HSL 200.38, 0.92%, 0.34%

LAB 44.78, -5.94, -36.24

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 20 / 7 / 0 / 62

HEX #4D5960

RGB 77 89 96

HSL 202.11, 0.11%, 0.34%

LAB 37.05, -2.96, -5.61

 

CMYK 0 / 7 / 10 / 64

HEX #5B5552

RGB 91 85 82

HSL 20, 0.05%, 0.34%

LAB 36.61, 1.84, 2.62

 

CMYK 0 / 24 / 35 / 59

HEX #695044

RGB 105 80 68

HSL 19.46, 0.21%, 0.34%

LAB 36.29, 8.59, 11.1

 

CMYK 0 / 36 / 55 / 53

HEX #774C35

RGB 119 76 53

HSL 20.91, 0.38%, 0.34%

LAB 36.65, 15.52, 21.1

 

CMYK 43 / 0 / 9 / 57

HEX #3F6E64

RGB 63 110 100

HSL 167.23, 0.27%, 0.34%

LAB 42.96, -18.66, 0.54

 

CMYK 43 / 4 / 0 / 57

HEX #3F6A6E

RGB 63 106 110

HSL 185.11, 0.27%, 0.34%

LAB 41.99, -13.75, -6.94

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 43 / 25 / 0 / 57

HEX #3F526E

RGB 63 82 110

HSL 215.74, 0.27%, 0.34%

LAB 34.43, 0.66, -18.42

 

CMYK 43 / 37 / 0 / 57

HEX #3F456E

RGB 63 69 110

HSL 232.34, 0.27%, 0.34%

LAB 30.49, 9.1, -24.55

 

CMYK 42 / 14 / 0 / 78

HEX #213139

RGB 33 49 57

HSL 200, 0.27%, 0.18%

LAB 19.29, -4.13, -7.18

 

CMYK 42 / 14 / 0 / 67

HEX #304753

RGB 48 71 83

HSL 200.57, 0.27%, 0.26%

LAB 28.8, -5.33, -9.98

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 43 / 15 / 0 / 47

HEX #4E7488

RGB 78 116 136

HSL 200.69, 0.27%, 0.42%

LAB 46.83, -7.81, -15.17

 

CMYK 43 / 15 / 0 / 36

HEX #5D8AA2

RGB 93 138 162

HSL 200.87, 0.27%, 0.5%

LAB 55.19, -8.84, -17.56

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 20 / 43 / 0 / 57

HEX #583F6E

RGB 88 63 110

HSL 271.91, 0.27%, 0.34%

LAB 31.24, 20.98, -23.2

 

CMYK 0 / 4 / 43 / 57

HEX #6E6A3F

RGB 110 106 63

HSL 54.89, 0.27%, 0.34%

LAB 44.21, -5.37, 24.68

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 0 / 43 / 15 / 57

HEX #6E3F5E

RGB 110 63 94

HSL 320.43, 0.27%, 0.34%

LAB 33.3, 25.31, -9.62

 

CMYK 15 / 0 / 43 / 57

HEX #5E6E3F

RGB 94 110 63

HSL 80.43, 0.27%, 0.34%

LAB 44.08, -14.63, 24.23

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 20 / 43 / 0 / 57

HEX #583F6E

RGB 88 63 110

HSL 271.91, 0.27%, 0.34%

LAB 31.24, 20.98, -23.2

 

CMYK 0 / 29 / 43 / 57

HEX #6E4E3F

RGB 110 78 63

HSL 19.15, 0.27%, 0.34%

LAB 36.22, 11.37, 14.21

 

CMYK 23 / 0 / 43 / 57

HEX #556E3F

RGB 85 110 63

HSL 91.91, 0.27%, 0.34%

LAB 43.42, -18.37, 23.26

 

CMYK 43 / 15 / 0 / 57

HEX #3F5E6E

RGB 63 94 110

HSL 200.43, 0.27%, 0.34%

LAB 38.18, -6.76, -12.68

 

CMYK 7 / 43 / 0 / 57

HEX #663F6E

RGB 102 63 110

HSL 289.79, 0.27%, 0.34%

LAB 32.93, 25.69, -20.44

 

CMYK 0 / 29 / 43 / 57

HEX #6E4E3F

RGB 110 78 63

HSL 19.15, 0.27%, 0.34%

LAB 36.22, 11.37, 14.21

 

CMYK 35 / 0 / 43 / 57

HEX #476E3F

RGB 71 110 63

HSL 109.79, 0.27%, 0.34%

LAB 42.54, -23.81, 21.95

 

Description

Color code: HEX #3F5E6E | qconv.com Color code: HEX #3F5E6E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 94 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 94 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 15 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 15% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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