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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F5E4C it is the complementary color #C0A1B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F5E4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F5E4C shade: #445E47, #55705A, #66826D, #779480 and #88A693

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F5E4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F5E4C shade: #3F5E4C, #2E4C39, #1D3A26, #0C2813 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F5E4C shade: #3F5F4C, #3F5F44, #435F3F, #4C5F3F and #545F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F5E4C shade: #3F5F4C, #3F5F55, #3F5F5E, #3F585F and #3F4F5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F5E4C shade matches the following richer shades: #3F5F4C, #326C4A, #267848, #198546 and #0C9244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F5E4C shade: #3F5F4C, #4C524F, #594551, #663853 and #722C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F5E4C shade: #435F3F, #3F5F44, #3F5F4C, #3F5F55 and #3F5F5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F5E4C shade: #1E2D25, #2F4639, #3F5F4C, #507860 and #609074

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F5E4C shade: #3F5E4C, #3F4B5F and #5F403F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F5E4C shade: #3F5E4C, #4C3F5F and #5F4C3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F5E4C shade: #3F5E4C, #3F4B5F, #5F3F52 and #5F533F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F5E4C shade: #3F5E4C, #3F425F, #5F3F52 and #5F5C3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 19 / 63

HEX #3F5E4C

RGB 63 94 76

HSL 145.16, 0.2%, 0.31%

LAB 37.09, -15.73, 6.73

 

Complementary color

CMYK 0 / 16 / 7 / 25

HEX #C0A1B3

RGB 192 161 179

HSL 325.16, 0.2%, 0.69%

LAB 69.43, 14.45, -5.03

 

CMYK 28 / 0 / 24 / 63

HEX #445E47

RGB 68 94 71

HSL 126.92, 0.16%, 0.32%

LAB 37.28, -14.96, 10.11

 

CMYK 24 / 0 / 20 / 56

HEX #55705A

RGB 85 112 90

HSL 131.11, 0.14%, 0.39%

LAB 44.6, -14.73, 9.06

 

CMYK 22 / 0 / 16 / 49

HEX #66826D

RGB 102 130 109

HSL 135, 0.12%, 0.45%

LAB 51.72, -14.53, 8.11

 

CMYK 20 / 0 / 14 / 42

HEX #779480

RGB 119 148 128

HSL 138.62, 0.12%, 0.52%

LAB 58.66, -14.37, 7.24

 

CMYK 18 / 0 / 11 / 35

HEX #88A693

RGB 136 166 147

HSL 142, 0.14%, 0.59%

LAB 65.45, -14.24, 6.42

 

CMYK 33 / 0 / 19 / 63

HEX #3F5E4C

RGB 63 94 76

HSL 145.16, 0.2%, 0.31%

LAB 37.09, -15.73, 6.73

 

CMYK 39 / 0 / 25 / 70

HEX #2E4C39

RGB 46 76 57

HSL 142, 0.25%, 0.24%

LAB 29.53, -16.03, 7.83

 

CMYK 50 / 0 / 34 / 77

HEX #1D3A26

RGB 29 58 38

HSL 138.62, 0.33%, 0.17%

LAB 21.68, -16.35, 9.12

 

CMYK 70 / 0 / 53 / 84

HEX #0C2813

RGB 12 40 19

HSL 135, 0.54%, 0.1%

LAB 13.49, -16.53, 10.68

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 34 / 0 / 20 / 63

HEX #3F5F4C

RGB 63 95 76

HSL 144.38, 0.2%, 0.31%

LAB 37.41, -16.28, 7.19

 

CMYK 34 / 0 / 28 / 63

HEX #3F5F44

RGB 63 95 68

HSL 129.38, 0.2%, 0.31%

LAB 37.22, -17.99, 11.82

 

CMYK 29 / 0 / 34 / 63

HEX #435F3F

RGB 67 95 63

HSL 112.5, 0.2%, 0.31%

LAB 37.37, -17.45, 15.08

 

CMYK 20 / 0 / 34 / 63

HEX #4C5F3F

RGB 76 95 63

HSL 95.63, 0.2%, 0.31%

LAB 37.99, -13.85, 16.02

 

CMYK 12 / 0 / 34 / 63

HEX #545F3F

RGB 84 95 63

HSL 80.63, 0.2%, 0.31%

LAB 38.6, -10.48, 16.95

 

CMYK 34 / 0 / 20 / 63

HEX #3F5F4C

RGB 63 95 76

HSL 144.38, 0.2%, 0.31%

LAB 37.41, -16.28, 7.19

 

CMYK 34 / 0 / 11 / 63

HEX #3F5F55

RGB 63 95 85

HSL 161.25, 0.2%, 0.31%

LAB 37.66, -14.17, 1.99

 

CMYK 34 / 0 / 1 / 63

HEX #3F5F5E

RGB 63 95 94

HSL 178.13, 0.2%, 0.31%

LAB 37.93, -11.86, -3.17

 

CMYK 34 / 7 / 0 / 63

HEX #3F585F

RGB 63 88 95

HSL 193.13, 0.2%, 0.31%

LAB 35.72, -7.47, -7.08

 

CMYK 34 / 17 / 0 / 63

HEX #3F4F5F

RGB 63 79 95

HSL 210, 0.2%, 0.31%

LAB 32.86, -1.93, -11.39

 

CMYK 34 / 0 / 20 / 63

HEX #3F5F4C

RGB 63 95 76

HSL 144.38, 0.2%, 0.31%

LAB 37.41, -16.28, 7.19

 

CMYK 54 / 0 / 31 / 58

HEX #326C4A

RGB 50 108 74

HSL 144.83, 0.37%, 0.31%

LAB 41.05, -27.58, 13.37

 

CMYK 68 / 0 / 40 / 53

HEX #267848

RGB 38 120 72

HSL 144.88, 0.52%, 0.31%

LAB 44.68, -36.33, 19.36

 

CMYK 81 / 0 / 47 / 48

HEX #198546

RGB 25 133 70

HSL 145, 0.68%, 0.31%

LAB 48.79, -44.06, 25.78

 

CMYK 92 / 0 / 53 / 43

HEX #0C9244

RGB 12 146 68

HSL 145.07, 0.85%, 0.31%

LAB 53.01, -50.34, 32.09

 

CMYK 34 / 0 / 20 / 63

HEX #3F5F4C

RGB 63 95 76

HSL 144.38, 0.2%, 0.31%

LAB 37.41, -16.28, 7.19

 

CMYK 7 / 0 / 4 / 68

HEX #4C524F

RGB 76 82 79

HSL 150, 0.04%, 0.31%

LAB 34.26, -3.07, 0.93

 

CMYK 0 / 22 / 9 / 65

HEX #594551

RGB 89 69 81

HSL 324, 0.13%, 0.31%

LAB 31.75, 10.85, -3.89

 

CMYK 0 / 45 / 19 / 60

HEX #663853

RGB 102 56 83

HSL 324.78, 0.29%, 0.31%

LAB 30.1, 24.48, -7.47

 

CMYK 0 / 61 / 25 / 55

HEX #722C55

RGB 114 44 85

HSL 324.86, 0.44%, 0.31%

LAB 29.5, 35.76, -9.5

 

CMYK 29 / 0 / 34 / 63

HEX #435F3F

RGB 67 95 63

HSL 112.5, 0.2%, 0.31%

LAB 37.37, -17.45, 15.08

 

CMYK 34 / 0 / 28 / 63

HEX #3F5F44

RGB 63 95 68

HSL 129.38, 0.2%, 0.31%

LAB 37.22, -17.99, 11.82

 

CMYK 34 / 0 / 20 / 63

HEX #3F5F4C

RGB 63 95 76

HSL 144.38, 0.2%, 0.31%

LAB 37.41, -16.28, 7.19

 

CMYK 34 / 0 / 11 / 63

HEX #3F5F55

RGB 63 95 85

HSL 161.25, 0.2%, 0.31%

LAB 37.66, -14.17, 1.99

 

CMYK 34 / 0 / 2 / 63

HEX #3F5F5D

RGB 63 95 93

HSL 176.25, 0.2%, 0.31%

LAB 37.9, -12.13, -2.6

 

CMYK 33 / 0 / 18 / 82

HEX #1E2D25

RGB 30 45 37

HSL 148, 0.2%, 0.15%

LAB 16.92, -8.45, 3.16

 

CMYK 33 / 0 / 19 / 73

HEX #2F4639

RGB 47 70 57

HSL 146.09, 0.2%, 0.23%

LAB 27.52, -12.21, 5

 

CMYK 34 / 0 / 20 / 63

HEX #3F5F4C

RGB 63 95 76

HSL 144.38, 0.2%, 0.31%

LAB 37.41, -16.28, 7.19

 

CMYK 33 / 0 / 20 / 53

HEX #507860

RGB 80 120 96

HSL 144, 0.2%, 0.39%

LAB 46.95, -19.57, 8.78

 

CMYK 33 / 0 / 19 / 44

HEX #609074

RGB 96 144 116

HSL 145, 0.2%, 0.47%

LAB 55.78, -22.54, 9.79

 

CMYK 33 / 0 / 19 / 63

HEX #3F5E4C

RGB 63 94 76

HSL 145.16, 0.2%, 0.31%

LAB 37.09, -15.73, 6.73

 

CMYK 34 / 21 / 0 / 63

HEX #3F4B5F

RGB 63 75 95

HSL 217.5, 0.2%, 0.31%

LAB 31.61, 0.61, -13.29

 

CMYK 0 / 33 / 34 / 63

HEX #5F403F

RGB 95 64 63

HSL 1.87, 0.2%, 0.31%

LAB 30.54, 13.37, 6.06

 

CMYK 33 / 0 / 19 / 63

HEX #3F5E4C

RGB 63 94 76

HSL 145.16, 0.2%, 0.31%

LAB 37.09, -15.73, 6.73

 

CMYK 20 / 34 / 0 / 63

HEX #4C3F5F

RGB 76 63 95

HSL 264.38, 0.2%, 0.31%

LAB 29.2, 12.96, -16.9

 

CMYK 0 / 20 / 34 / 63

HEX #5F4C3F

RGB 95 76 63

HSL 24.38, 0.2%, 0.31%

LAB 33.9, 5.85, 10.75

 

CMYK 33 / 0 / 19 / 63

HEX #3F5E4C

RGB 63 94 76

HSL 145.16, 0.2%, 0.31%

LAB 37.09, -15.73, 6.73

 

CMYK 34 / 21 / 0 / 63

HEX #3F4B5F

RGB 63 75 95

HSL 217.5, 0.2%, 0.31%

LAB 31.61, 0.61, -13.29

 

CMYK 0 / 34 / 14 / 63

HEX #5F3F52

RGB 95 63 82

HSL 324.38, 0.2%, 0.31%

LAB 30.87, 17.27, -5.77

 

CMYK 0 / 13 / 34 / 63

HEX #5F533F

RGB 95 83 63

HSL 37.5, 0.2%, 0.31%

LAB 35.94, 1.53, 13.55

 

CMYK 33 / 0 / 19 / 63

HEX #3F5E4C

RGB 63 94 76

HSL 145.16, 0.2%, 0.31%

LAB 37.09, -15.73, 6.73

 

CMYK 34 / 31 / 0 / 63

HEX #3F425F

RGB 63 66 95

HSL 234.38, 0.2%, 0.31%

LAB 28.85, 6.47, -17.55

 

CMYK 0 / 34 / 14 / 63

HEX #5F3F52

RGB 95 63 82

HSL 324.38, 0.2%, 0.31%

LAB 30.87, 17.27, -5.77

 

CMYK 0 / 3 / 34 / 63

HEX #5F5C3F

RGB 95 92 63

HSL 54.38, 0.2%, 0.31%

LAB 38.63, -3.9, 17.16

 

Description

Color code: HEX #3F5E4C | qconv.com Color code: HEX #3F5E4C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 94 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 94 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 19 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 19% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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