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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F54DF3F it is the complementary color #C0AB203F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F54DF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F54DF3F shade: #4454DA3F, #5566ED3F, #6678FF3F, #778AFF3F and #889CFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F54DF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F54DF3F shade: #3F54DF3F, #2E42CC3F, #1D30B93F, #0C1EA63F and #000C933F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F54DF3F shade: #3F54DE, #553FDE, #803FDE, #AB3FDE and #D63FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F54DF3F shade: #3F54DE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F54DF3F shade matches the following richer shades: #3F54DE and #2D47F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F54DF3F shade: #3F54DE, #5161CC, #636FBA, #767CA8 and #888A96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F54DF3F shade: #3FA9DE, #3F7FDE, #3F54DE, #543FDE and #7F3FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F54DF3F shade: #1D30AE, #233AD1, #3F54DE, #6273E4 and #8693EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F54DF3F shade: #3F54DF, #DE3FD4 and #94DE3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F54DF3F shade: #3F54DF, #DE3F54 and #54DE3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F54DF3F shade: #3F54DF, #DE3FD4, #DEC93F and #3FDE4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F54DF3F shade: #3F54DF, #DE3FA4, #DEC93F and #3FDE7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 16 / 0 / 3

HEX #3F54DF3F

RGBA 63 84 223 0.25

HSLA 232.13, 0.71%, 0.56%, 0.25

LABA 42.35, 38.48, -73.07, 0.25

 

Complementary color

CMYK 0 / 3 / 21 / 6

HEX #C0AB203F

RGBA 192 171 32 0.25

HSLA 52.13, 0.71%, 0.44%, 0.25

LABA 69.78, -6.1, 66.85, 0.25

 

CMYK 17 / 15 / 0 / 4

HEX #4454DA3F

RGBA 68 84 218 0.25

HSLA 233.6, 0.67%, 0.56%, 0.25

LABA 42.2, 37.37, -70.44, 0.25

 

CMYK 16 / 14 / 0 / 2

HEX #5566ED3F

RGBA 85 102 237 0.25

HSLA 233.29, 0.81%, 0.63%, 0.25

LABA 48.94, 35.15, -70.18, 0.25

 

CMYK 15 / 13 / 0 / 0

HEX #6678FF3F

RGBA 102 120 255 0.25

HSLA 232.94, 1%, 0.7%, 0.25

LABA 55.56, 32.91, -69.42, 0.25

 

CMYK 13 / 11 / 0 / 0

HEX #778AFF3F

RGBA 119 138 255 0.25

HSLA 231.62, 1%, 0.73%, 0.25

LABA 61.06, 25.35, -60.52, 0.25

 

CMYK 12 / 10 / 0 / 0

HEX #889CFF3F

RGBA 136 156 255 0.25

HSLA 229.92, 1%, 0.77%, 0.25

LABA 66.7, 18.53, -51.49, 0.25

 

CMYK 18 / 16 / 0 / 3

HEX #3F54DF3F

RGBA 63 84 223 0.25

HSLA 232.13, 0.71%, 0.56%, 0.25

LABA 42.35, 38.48, -73.07, 0.25

 

CMYK 19 / 17 / 0 / 5

HEX #2E42CC3F

RGBA 46 66 204 0.25

HSLA 232.41, 0.63%, 0.49%, 0.25

LABA 35.67, 41.19, -73.13, 0.25

 

CMYK 21 / 19 / 0 / 7

HEX #1D30B93F

RGBA 29 48 185 0.25

HSLA 232.69, 0.73%, 0.42%, 0.25

LABA 29.1, 44.13, -72.84, 0.25

 

CMYK 23 / 20 / 0 / 9

HEX #0C1EA63F

RGBA 12 30 166 0.25

HSLA 232.99, 0.87%, 0.35%, 0.25

LABA 22.86, 46.94, -71.81, 0.25

 

CMYK 25 / 23 / 0 / 11

HEX #000C933F

RGBA 0 12 147 0.25

HSLA 235.1, 1%, 0.29%, 0.25

LABA 17.32, 48.58, -69.4, 0.25

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 62 / 72 / 0 / 13

HEX #553FDE

RGB 85 63 222

HSL 248.3, 0.71%, 0.56%

LAB 39.17, 53.03, -77.65

 

CMYK 42 / 72 / 0 / 13

HEX #803FDE

RGB 128 63 222

HSL 264.53, 0.71%, 0.56%

LAB 43.39, 59.46, -70.58

 

CMYK 23 / 72 / 0 / 13

HEX #AB3FDE

RGB 171 63 222

HSL 280.75, 0.71%, 0.56%

LAB 48.87, 67.35, -61.44

 

CMYK 4 / 72 / 0 / 13

HEX #D63FDE

RGB 214 63 222

HSL 296.98, 0.71%, 0.56%

LAB 55.2, 76.02, -50.93

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 81 / 71 / 0 / 5

HEX #2D47F1

RGB 45 71 241

HSL 232.04, 0.88%, 0.56%

LAB 40.27, 50.89, -86.71

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 60 / 52 / 0 / 20

HEX #5161CC

RGB 81 97 204

HSL 232.2, 0.55%, 0.56%

LAB 45.16, 26.48, -57.58

 

CMYK 47 / 40 / 0 / 27

HEX #636FBA

RGB 99 111 186

HSL 231.72, 0.39%, 0.56%

LAB 48.97, 15.84, -41.05

 

CMYK 30 / 26 / 0 / 34

HEX #767CA8

RGB 118 124 168

HSL 232.8, 0.22%, 0.56%

LAB 53.05, 8.17, -24.15

 

CMYK 9 / 8 / 0 / 41

HEX #888A96

RGB 136 138 150

HSL 231.43, 0.06%, 0.56%

LAB 57.67, 1.74, -6.64

 

CMYK 72 / 24 / 0 / 13

HEX #3FA9DE

RGB 63 169 222

HSL 200, 0.71%, 0.56%

LAB 65.52, -13.14, -35.49

 

CMYK 72 / 43 / 0 / 13

HEX #3F7FDE

RGB 63 127 222

HSL 215.85, 0.71%, 0.56%

LAB 53.5, 11.2, -54.46

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 62 / 72 / 0 / 13

HEX #543FDE

RGB 84 63 222

HSL 247.92, 0.71%, 0.56%

LAB 39.09, 52.91, -77.78

 

CMYK 43 / 72 / 0 / 13

HEX #7F3FDE

RGB 127 63 222

HSL 264.15, 0.71%, 0.56%

LAB 43.27, 59.29, -70.77

 

CMYK 83 / 72 / 0 / 32

HEX #1D30AE

RGB 29 48 174

HSL 232.14, 0.71%, 0.4%

LAB 27.93, 40.25, -68.22

 

CMYK 83 / 72 / 0 / 18

HEX #233AD1

RGB 35 58 209

HSL 232.07, 0.71%, 0.48%

LAB 33.96, 46.93, -78.87

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DE

RGB 63 84 222

HSL 232.08, 0.71%, 0.56%

LAB 42.26, 38.13, -72.64

 

CMYK 57 / 50 / 0 / 11

HEX #6273E4

RGB 98 115 228

HSL 232.15, 0.71%, 0.64%

LAB 52.35, 26.46, -59.58

 

CMYK 43 / 37 / 0 / 8

HEX #8693EA

RGB 134 147 234

HSL 232.2, 0.7%, 0.72%

LAB 63.24, 17.23, -45.45

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DF

RGB 63 84 223

HSL 232.13, 0.71%, 0.56%

LAB 42.35, 38.48, -73.07

 

CMYK 0 / 72 / 5 / 13

HEX #DE3FD4

RGB 222 63 212

HSL 303.77, 0.71%, 0.56%

LAB 55.93, 76.14, -44.03

 

CMYK 33 / 0 / 72 / 13

HEX #94DE3F

RGB 148 222 63

HSL 87.92, 0.71%, 0.56%

LAB 81.24, -46.84, 66.69

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DF

RGB 63 84 223

HSL 232.13, 0.71%, 0.56%

LAB 42.35, 38.48, -73.07

 

CMYK 0 / 72 / 62 / 13

HEX #DE3F54

RGB 222 63 84

HSL 352.08, 0.71%, 0.56%

LAB 51.52, 62.14, 24.91

 

CMYK 62 / 0 / 72 / 13

HEX #54DE3F

RGB 84 222 63

HSL 112.08, 0.71%, 0.56%

LAB 78.74, -65.42, 63.37

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DF

RGB 63 84 223

HSL 232.13, 0.71%, 0.56%

LAB 42.35, 38.48, -73.07

 

CMYK 0 / 72 / 5 / 13

HEX #DE3FD4

RGB 222 63 212

HSL 303.77, 0.71%, 0.56%

LAB 55.93, 76.14, -44.03

 

CMYK 0 / 9 / 72 / 13

HEX #DEC93F

RGB 222 201 63

HSL 52.08, 0.71%, 0.56%

LAB 80.55, -7.47, 67.74

 

CMYK 72 / 0 / 67 / 13

HEX #3FDE4A

RGB 63 222 74

HSL 124.15, 0.71%, 0.56%

LAB 78.34, -68.47, 58.65

 

CMYK 72 / 62 / 0 / 13

HEX #3F54DF

RGB 63 84 223

HSL 232.13, 0.71%, 0.56%

LAB 42.35, 38.48, -73.07

 

CMYK 0 / 72 / 26 / 13

HEX #DE3FA4

RGB 222 63 164

HSL 321.89, 0.71%, 0.56%

LAB 53.78, 69.52, -19.62

 

CMYK 0 / 9 / 72 / 13

HEX #DEC93F

RGB 222 201 63

HSL 52.08, 0.71%, 0.56%

LAB 80.55, -7.47, 67.74

 

CMYK 72 / 0 / 45 / 13

HEX #3FDE7A

RGB 63 222 122

HSL 142.26, 0.71%, 0.56%

LAB 78.87, -62.24, 37.45

 

Description

Color code: HEX #3F54DF3F | qconv.com Color code: HEX #3F54DF3F | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 84 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 84 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 16 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 16% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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