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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F510F3F it is the complementary color #C0AEF03F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F510F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F510F3F shade: #44510A3F, #55631D3F, #6675303F, #7787433F and #8899563F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F510F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F510F3F shade: #3F510F3F, #2E3F003F, #1D2D003F, #0C1B003F and #0009003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F510F3F shade: #40520F, #52520F, #52400F, #522E0F and #521C0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F510F3F shade: #40520F, #2E520F, #1C520F, #0F5214 and #0F5227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F510F3F shade matches the following richer shades: #40520F and #435A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F510F3F shade: #40520F, #3C4A17, #39421F, #353A27 and #31332E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F510F3F shade: #52400F, #52520F, #40520F, #2E520F and #1C520F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F510F3F shade: #090C02, #252F09, #40520F, #5B7515 and #76981C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F510F3F shade: #3F510F, #0F522E and #490F52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F510F3F shade: #3F510F, #0F4052 and #520F40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F510F3F shade: #3F510F, #0F522E, #210F52 and #520F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F510F3F shade: #3F510F, #0F5242, #210F52 and #520F1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 20 / 17

HEX #3F510F3F

RGBA 63 81 15 0.25

HSLA 76.36, 0.69%, 0.19%, 0.25

LABA 31.75, -17.51, 34.06, 0.25

 

Complementary color

CMYK 5 / 7 / 0 / 1

HEX #C0AEF03F

RGBA 192 174 240 0.25

HSLA 256.36, 0.69%, 0.81%, 0.25

LABA 74.68, 19.65, -30.58, 0.25

 

CMYK 4 / 0 / 22 / 17

HEX #44510A3F

RGBA 68 81 10 0.25

HSLA 70.99, 0.78%, 0.18%, 0.25

LABA 32.11, -15.4, 36.31, 0.25

 

CMYK 4 / 0 / 18 / 15

HEX #55631D3F

RGBA 85 99 29 0.25

HSLA 72, 0.55%, 0.25%, 0.25

LABA 39.49, -16.18, 36.42, 0.25

 

CMYK 3 / 0 / 15 / 14

HEX #6675303F

RGBA 102 117 48 0.25

HSLA 73.04, 0.42%, 0.32%, 0.25

LABA 46.66, -16.67, 35.53, 0.25

 

CMYK 3 / 0 / 13 / 12

HEX #7787433F

RGBA 119 135 67 0.25

HSLA 74.12, 0.34%, 0.4%, 0.25

LABA 53.66, -16.98, 34.36, 0.25

 

CMYK 3 / 0 / 11 / 10

HEX #8899563F

RGBA 136 153 86 0.25

HSLA 75.22, 0.28%, 0.47%, 0.25

LABA 60.51, -17.18, 33.13, 0.25

 

CMYK 6 / 0 / 20 / 17

HEX #3F510F3F

RGBA 63 81 15 0.25

HSLA 76.36, 0.69%, 0.19%, 0.25

LABA 31.75, -17.51, 34.06, 0.25

 

CMYK 7 / 0 / 25 / 19

HEX #2E3F003F

RGBA 46 63 0 0.25

HSLA 76.19, 1%, 0.12%, 0.25

LABA 24.12, -16.6, 32.35, 0.25

 

CMYK 9 / 0 / 25 / 21

HEX #1D2D003F

RGBA 29 45 0 0.25

HSLA 81.33, 1%, 0.09%, 0.25

LABA 16.2, -14.91, 23.11, 0.25

 

CMYK 14 / 0 / 25 / 22

HEX #0C1B003F

RGBA 12 27 0 0.25

HSLA 93.33, 1%, 0.05%, 0.25

LABA 7.79, -11.3, 11.46, 0.25

 

CMYK 25 / 0 / 25 / 24

HEX #0009003F

RGBA 0 9 0 0.25

HSLA 120, 1%, 0.02%, 0.25

LABA 1.76, -3.61, 2.58, 0.25

 

CMYK 22 / 0 / 82 / 68

HEX #40520F

RGB 64 82 15

HSL 76.12, 0.69%, 0.19%

LAB 32.17, -17.58, 34.48

 

CMYK 0 / 0 / 82 / 68

HEX #52520F

RGB 82 82 15

HSL 60, 0.69%, 0.19%

LAB 33.7, -8.87, 36.46

 

CMYK 0 / 22 / 82 / 68

HEX #52400F

RGB 82 64 15

HSL 43.88, 0.69%, 0.19%

LAB 28.1, 2.12, 31.18

 

CMYK 0 / 44 / 82 / 68

HEX #522E0F

RGB 82 46 15

HSL 27.76, 0.69%, 0.19%

LAB 22.94, 13.62, 26.07

 

CMYK 0 / 66 / 82 / 68

HEX #521C0F

RGB 82 28 15

HSL 11.64, 0.69%, 0.19%

LAB 18.62, 24.41, 21.3

 

CMYK 22 / 0 / 82 / 68

HEX #40520F

RGB 64 82 15

HSL 76.12, 0.69%, 0.19%

LAB 32.17, -17.58, 34.48

 

CMYK 44 / 0 / 82 / 68

HEX #2E520F

RGB 46 82 15

HSL 92.24, 0.69%, 0.19%

LAB 31, -25.38, 32.95

 

CMYK 66 / 0 / 82 / 68

HEX #1C520F

RGB 28 82 15

HSL 108.36, 0.69%, 0.19%

LAB 30.2, -31.48, 31.89

 

CMYK 82 / 0 / 76 / 68

HEX #0F5214

RGB 15 82 20

HSL 124.48, 0.69%, 0.19%

LAB 29.88, -33.97, 29.31

 

CMYK 82 / 0 / 52 / 68

HEX #0F5227

RGB 15 82 39

HSL 141.49, 0.69%, 0.19%

LAB 30.11, -31.16, 19.48

 

CMYK 22 / 0 / 82 / 68

HEX #40520F

RGB 64 82 15

HSL 76.12, 0.69%, 0.19%

LAB 32.17, -17.58, 34.48

 

CMYK 26 / 0 / 92 / 65

HEX #435A07

RGB 67 90 7

HSL 76.63, 0.86%, 0.19%

LAB 35.05, -20.83, 39.76

 

CMYK 22 / 0 / 82 / 68

HEX #40520F

RGB 64 82 15

HSL 76.12, 0.69%, 0.19%

LAB 32.17, -17.58, 34.48

 

CMYK 19 / 0 / 69 / 71

HEX #3C4A17

RGB 60 74 23

HSL 76.47, 0.53%, 0.19%

LAB 29.21, -14.43, 27.79

 

CMYK 14 / 0 / 53 / 74

HEX #39421F

RGB 57 66 31

HSL 75.43, 0.36%, 0.19%

LAB 26.35, -10.33, 19.97

 

CMYK 9 / 0 / 33 / 77

HEX #353A27

RGB 53 58 39

HSL 75.79, 0.2%, 0.19%

LAB 23.44, -6.09, 11.14

 

CMYK 4 / 0 / 10 / 80

HEX #31332E

RGB 49 51 46

HSL 84, 0.05%, 0.19%

LAB 20.9, -2.02, 2.87

 

CMYK 0 / 22 / 82 / 68

HEX #52400F

RGB 82 64 15

HSL 43.88, 0.69%, 0.19%

LAB 28.1, 2.12, 31.18

 

CMYK 0 / 0 / 82 / 68

HEX #52520F

RGB 82 82 15

HSL 60, 0.69%, 0.19%

LAB 33.7, -8.87, 36.46

 

CMYK 22 / 0 / 82 / 68

HEX #40520F

RGB 64 82 15

HSL 76.12, 0.69%, 0.19%

LAB 32.17, -17.58, 34.48

 

CMYK 44 / 0 / 82 / 68

HEX #2E520F

RGB 46 82 15

HSL 92.24, 0.69%, 0.19%

LAB 31, -25.38, 32.95

 

CMYK 66 / 0 / 82 / 68

HEX #1C520F

RGB 28 82 15

HSL 108.36, 0.69%, 0.19%

LAB 30.2, -31.48, 31.89

 

CMYK 25 / 0 / 83 / 95

HEX #090C02

RGB 9 12 2

HSL 78, 0.71%, 0.03%

LAB 2.94, -2.22, 3.54

 

CMYK 21 / 0 / 81 / 82

HEX #252F09

RGB 37 47 9

HSL 75.79, 0.68%, 0.11%

LAB 17.67, -11.16, 21.4

 

CMYK 22 / 0 / 82 / 68

HEX #40520F

RGB 64 82 15

HSL 76.12, 0.69%, 0.19%

LAB 32.17, -17.58, 34.48

 

CMYK 22 / 0 / 82 / 54

HEX #5B7515

RGB 91 117 21

HSL 76.25, 0.7%, 0.27%

LAB 45.64, -23.41, 45.63

 

CMYK 22 / 0 / 82 / 40

HEX #76981C

RGB 118 152 28

HSL 76.45, 0.69%, 0.35%

LAB 58.41, -28.83, 55.74

 

CMYK 22 / 0 / 81 / 68

HEX #3F510F

RGB 63 81 15

HSL 76.36, 0.69%, 0.19%

LAB 31.75, -17.51, 34.06

 

CMYK 82 / 0 / 44 / 68

HEX #0F522E

RGB 15 82 46

HSL 147.76, 0.69%, 0.19%

LAB 30.24, -29.73, 15.46

 

CMYK 11 / 82 / 0 / 68

HEX #490F52

RGB 73 15 82

HSL 291.94, 0.69%, 0.19%

LAB 17.31, 36.53, -27.05

 

CMYK 22 / 0 / 81 / 68

HEX #3F510F

RGB 63 81 15

HSL 76.36, 0.69%, 0.19%

LAB 31.75, -17.51, 34.06

 

CMYK 82 / 22 / 0 / 68

HEX #0F4052

RGB 15 64 82

HSL 196.12, 0.69%, 0.19%

LAB 24.88, -9.03, -15.46

 

CMYK 0 / 82 / 22 / 68

HEX #520F40

RGB 82 15 64

HSL 316.12, 0.69%, 0.19%

LAB 17.94, 35.58, -13.54

 

CMYK 22 / 0 / 81 / 68

HEX #3F510F

RGB 63 81 15

HSL 76.36, 0.69%, 0.19%

LAB 31.75, -17.51, 34.06

 

CMYK 82 / 0 / 44 / 68

HEX #0F522E

RGB 15 82 46

HSL 147.76, 0.69%, 0.19%

LAB 30.24, -29.73, 15.46

 

CMYK 60 / 82 / 0 / 68

HEX #210F52

RGB 33 15 82

HSL 256.12, 0.69%, 0.19%

LAB 11.09, 28.28, -37.42

 

CMYK 0 / 82 / 38 / 68

HEX #520F33

RGB 82 15 51

HSL 327.76, 0.69%, 0.19%

LAB 17.34, 33.73, -5.29

 

CMYK 22 / 0 / 81 / 68

HEX #3F510F

RGB 63 81 15

HSL 76.36, 0.69%, 0.19%

LAB 31.75, -17.51, 34.06

 

CMYK 82 / 0 / 20 / 68

HEX #0F5242

RGB 15 82 66

HSL 165.67, 0.69%, 0.19%

LAB 30.71, -24.6, 3.62

 

CMYK 60 / 82 / 0 / 68

HEX #210F52

RGB 33 15 82

HSL 256.12, 0.69%, 0.19%

LAB 11.09, 28.28, -37.42

 

CMYK 0 / 82 / 62 / 68

HEX #520F1F

RGB 82 15 31

HSL 345.67, 0.69%, 0.19%

LAB 16.67, 31.6, 8.15

 

Description

Color code: HEX #3F510F3F | qconv.com Color code: HEX #3F510F3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 81 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 81 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 20 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 20% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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