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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F4DF64C it is the complementary color #C0B2094C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F4DF64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F4DF64C shade: #444DF14C, #555FFF4C, #6671FF4C, #7783FF4C and #8895FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F4DF64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F4DF64C shade: #3F4DF64C, #2E3BE34C, #1D29D04C, #0C17BD4C and #0005AA4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F4DF64C shade: #414FF6, #6441F6, #9541F6, #C641F6 and #F641F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F4DF64C shade: #414FF6 and #4141F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F4DF64C shade matches the following richer shades: #414FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F4DF64C shade: #414FF6, #515DE6, #616AD6, #7178C6 and #8185B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F4DF64C shade: #41B1F6, #4180F6, #4150F6, #6241F6 and #9341F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F4DF64C shade: #0A1ADA, #1A2AF4, #414FF6, #6873F8 and #9098FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F4DF64C shade: #3F4DF6, #F641E1 and #99F641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F4DF64C shade: #3F4DF6, #F64150 and #50F641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F4DF64C shade: #3F4DF6, #F641E1, #F6E741 and #41F656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F4DF64C shade: #3F4DF6, #F641AB, #F6E741 and #41F68C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 21 / 0 / 1

HEX #3F4DF64C

RGBA 63 77 246 0.3

HSLA 235.41, 0.91%, 0.61%, 0.3

LABA 42.79, 50.48, -85.34, 0.3

 

Complementary color

CMYK 0 / 2 / 29 / 7

HEX #C0B2094C

RGBA 192 178 9 0.3

HSLA 55.41, 0.91%, 0.39%, 0.3

LABA 71.6, -10.19, 72.54, 0.3

 

CMYK 22 / 20 / 0 / 2

HEX #444DF14C

RGBA 68 77 241 0.3

HSLA 236.88, 0.86%, 0.61%, 0.3

LABA 42.59, 49.31, -82.85, 0.3

 

CMYK 20 / 19 / 0 / 0

HEX #555FFF4C

RGBA 85 95 255 0.3

HSLA 236.47, 1%, 0.67%, 0.3

LABA 48.68, 45.32, -80.65, 0.3

 

CMYK 18 / 17 / 0 / 0

HEX #6671FF4C

RGBA 102 113 255 0.3

HSLA 235.69, 1%, 0.7%, 0.3

LABA 53.87, 37.1, -72.15, 0.3

 

CMYK 16 / 15 / 0 / 0

HEX #7783FF4C

RGBA 119 131 255 0.3

HSLA 234.71, 1%, 0.73%, 0.3

LABA 59.32, 29.5, -63.31, 0.3

 

CMYK 14 / 12 / 0 / 0

HEX #8895FF4C

RGBA 136 149 255 0.3

HSLA 233.45, 1%, 0.77%, 0.3

LABA 64.92, 22.59, -54.31, 0.3

 

CMYK 22 / 21 / 0 / 1

HEX #3F4DF64C

RGBA 63 77 246 0.3

HSLA 235.41, 0.91%, 0.61%, 0.3

LABA 42.79, 50.48, -85.34, 0.3

 

CMYK 24 / 22 / 0 / 3

HEX #2E3BE34C

RGBA 46 59 227 0.3

HSLA 235.69, 0.76%, 0.54%, 0.3

LABA 36.47, 53.07, -85.05, 0.3

 

CMYK 26 / 24 / 0 / 6

HEX #1D29D04C

RGBA 29 41 208 0.3

HSLA 235.98, 0.76%, 0.46%, 0.3

LABA 30.4, 55.5, -84.18, 0.3

 

CMYK 28 / 26 / 0 / 8

HEX #0C17BD4C

RGBA 12 23 189 0.3

HSLA 236.27, 0.88%, 0.39%, 0.3

LABA 24.84, 57.15, -82.3, 0.3

 

CMYK 30 / 29 / 0 / 10

HEX #0005AA4C

RGBA 0 5 170 0.3

HSLA 238.24, 1%, 0.33%, 0.3

LABA 20.09, 57.08, -78.87, 0.3

 

CMYK 74 / 68 / 0 / 4

HEX #414FF6

RGB 65 79 246

HSL 235.36, 0.91%, 0.61%

LAB 43.31, 49.5, -84.47

 

CMYK 59 / 74 / 0 / 4

HEX #6441F6

RGB 100 65 246

HSL 251.6, 0.91%, 0.61%

LAB 42.98, 60.84, -84.94

 

CMYK 39 / 74 / 0 / 4

HEX #9541F6

RGB 149 65 246

HSL 267.85, 0.91%, 0.61%

LAB 48.04, 67.85, -76.45

 

CMYK 20 / 74 / 0 / 4

HEX #C641F6

RGB 198 65 246

HSL 284.09, 0.91%, 0.61%

LAB 54.49, 76.43, -65.68

 

CMYK 0 / 74 / 0 / 4

HEX #F641F6

RGB 246 65 246

HSL 300, 0.91%, 0.61%

LAB 61.68, 85.67, -53.77

 

CMYK 74 / 68 / 0 / 4

HEX #414FF6

RGB 65 79 246

HSL 235.36, 0.91%, 0.61%

LAB 43.31, 49.5, -84.47

 

CMYK 74 / 74 / 0 / 4

HEX #4141F6

RGB 65 65 246

HSL 240, 0.91%, 0.61%

LAB 40.51, 57.29, -89.11

 

CMYK 74 / 68 / 0 / 4

HEX #414FF6

RGB 65 79 246

HSL 235.36, 0.91%, 0.61%

LAB 43.31, 49.5, -84.47

 

CMYK 74 / 68 / 0 / 4

HEX #414FF6

RGB 65 79 246

HSL 235.36, 0.91%, 0.61%

LAB 43.31, 49.5, -84.47

 

CMYK 65 / 60 / 0 / 10

HEX #515DE6

RGB 81 93 230

HSL 235.17, 0.75%, 0.61%

LAB 46.03, 37.71, -70.99

 

CMYK 55 / 50 / 0 / 16

HEX #616AD6

RGB 97 106 214

HSL 235.38, 0.59%, 0.61%

LAB 49.14, 27.26, -56.84

 

CMYK 43 / 39 / 0 / 22

HEX #7178C6

RGB 113 120 198

HSL 235.06, 0.43%, 0.61%

LAB 52.97, 17.5, -41.55

 

CMYK 29 / 27 / 0 / 29

HEX #8185B6

RGB 129 133 182

HSL 235.47, 0.27%, 0.61%

LAB 56.9, 9.87, -26.19

 

CMYK 74 / 28 / 0 / 4

HEX #41B1F6

RGB 65 177 246

HSL 202.87, 0.91%, 0.61%

LAB 68.91, -9.2, -43.32

 

CMYK 74 / 48 / 0 / 4

HEX #4180F6

RGB 65 128 246

HSL 219.12, 0.91%, 0.61%

LAB 55.29, 19.48, -64.96

 

CMYK 74 / 67 / 0 / 4

HEX #4150F6

RGB 65 80 246

HSL 235.03, 0.91%, 0.61%

LAB 43.53, 48.92, -84.12

 

CMYK 60 / 74 / 0 / 4

HEX #6241F6

RGB 98 65 246

HSL 250.94, 0.91%, 0.61%

LAB 42.81, 60.6, -85.23

 

CMYK 40 / 74 / 0 / 4

HEX #9341F6

RGB 147 65 246

HSL 267.18, 0.91%, 0.61%

LAB 47.8, 67.53, -76.85

 

CMYK 95 / 88 / 0 / 15

HEX #0A1ADA

RGB 10 26 218

HSL 235.38, 0.91%, 0.45%

LAB 29.07, 64.33, -92.21

 

CMYK 89 / 83 / 0 / 4

HEX #1A2AF4

RGB 26 42 244

HSL 235.6, 0.91%, 0.53%

LAB 34.82, 65.86, -97.46

 

CMYK 74 / 68 / 0 / 4

HEX #414FF6

RGB 65 79 246

HSL 235.36, 0.91%, 0.61%

LAB 43.31, 49.5, -84.47

 

CMYK 58 / 54 / 0 / 3

HEX #6873F8

RGB 104 115 248

HSL 235.42, 0.91%, 0.69%

LAB 54.01, 34.01, -68.05

 

CMYK 42 / 39 / 0 / 2

HEX #9098FA

RGB 144 152 250

HSL 235.47, 0.91%, 0.77%

LAB 65.97, 21.32, -49.88

 

CMYK 74 / 69 / 0 / 4

HEX #3F4DF6

RGB 63 77 246

HSL 235.41, 0.91%, 0.61%

LAB 42.79, 50.48, -85.34

 

CMYK 0 / 74 / 9 / 4

HEX #F641E1

RGB 246 65 225

HSL 306.96, 0.91%, 0.61%

LAB 60.61, 82.57, -43.73

 

CMYK 38 / 0 / 74 / 4

HEX #99F641

RGB 153 246 65

HSL 90.83, 0.91%, 0.61%

LAB 88.48, -54.82, 73.24

 

CMYK 74 / 69 / 0 / 4

HEX #3F4DF6

RGB 63 77 246

HSL 235.41, 0.91%, 0.61%

LAB 42.79, 50.48, -85.34

 

CMYK 0 / 74 / 67 / 4

HEX #F64150

RGB 246 65 80

HSL 355.03, 0.91%, 0.61%

LAB 56.04, 68.33, 33.87

 

CMYK 67 / 0 / 74 / 4

HEX #50F641

RGB 80 246 65

HSL 115.03, 0.91%, 0.61%

LAB 86.01, -73.88, 69.97

 

CMYK 74 / 69 / 0 / 4

HEX #3F4DF6

RGB 63 77 246

HSL 235.41, 0.91%, 0.61%

LAB 42.79, 50.48, -85.34

 

CMYK 0 / 74 / 9 / 4

HEX #F641E1

RGB 246 65 225

HSL 306.96, 0.91%, 0.61%

LAB 60.61, 82.57, -43.73

 

CMYK 0 / 6 / 74 / 4

HEX #F6E741

RGB 246 231 65

HSL 55.03, 0.91%, 0.61%

LAB 90.38, -12.36, 77.16

 

CMYK 74 / 0 / 65 / 4

HEX #41F656

RGB 65 246 86

HSL 126.96, 0.91%, 0.61%

LAB 85.86, -74.58, 62.06

 

CMYK 74 / 69 / 0 / 4

HEX #3F4DF6

RGB 63 77 246

HSL 235.41, 0.91%, 0.61%

LAB 42.79, 50.48, -85.34

 

CMYK 0 / 74 / 30 / 4

HEX #F641AB

RGB 246 65 171

HSL 324.86, 0.91%, 0.61%

LAB 58.33, 75.68, -16.4

 

CMYK 0 / 6 / 74 / 4

HEX #F6E741

RGB 246 231 65

HSL 55.03, 0.91%, 0.61%

LAB 90.38, -12.36, 77.16

 

CMYK 74 / 0 / 43 / 4

HEX #41F68C

RGB 65 246 140

HSL 144.86, 0.91%, 0.61%

LAB 86.47, -67.39, 38.36

 

Description

Color code: HEX #3F4DF64C | qconv.com Color code: HEX #3F4DF64C | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 77 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 77 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 21 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 21% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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