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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F4B0F3F it is the complementary color #C0B4F03F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F4B0F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F4B0F3F shade: #444B0A3F, #555D1D3F, #666F303F, #7781433F and #8893563F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F4B0F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F4B0F3F shade: #3F4B0F3F, #2E39003F, #1D27003F, #0C15003F and #0003003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F4B0F3F shade: #404D0F, #4D480F, #4D380F, #4D270F and #4D170F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F4B0F3F shade: #404D0F, #304D0F, #1F4D0F, #0F4D10 and #0F4D20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F4B0F3F shade matches the following richer shades: #404D0F, #455408 and #495C00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F4B0F3F shade: #404D0F, #3C4517, #373E1E, #333625 and #2F2F2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F4B0F3F shade: #4D380F, #4D490F, #404D0F, #304D0F and #204D0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F4B0F3F shade: #070802, #232A08, #404D0F, #5D6F16 and #7A921D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F4B0F3F shade: #3F4B0F, #0F4D28 and #400F4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F4B0F3F shade: #3F4B0F, #0F404D and #4D0F40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F4B0F3F shade: #3F4B0F, #0F4D28, #1B0F4D and #4D0F34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F4B0F3F shade: #3F4B0F, #0F4D3A, #1B0F4D and #4D0F22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 20 / 18

HEX #3F4B0F3F

RGBA 63 75 15 0.25

HSLA 72, 0.67%, 0.18%, 0.25

LABA 29.72, -14.18, 32.1, 0.25

 

Complementary color

CMYK 5 / 6 / 0 / 1

HEX #C0B4F03F

RGBA 192 180 240 0.25

HSLA 252, 0.67%, 0.82%, 0.25

LABA 76.16, 16.35, -28.31, 0.25

 

CMYK 2 / 0 / 22 / 18

HEX #444B0A3F

RGBA 68 75 10 0.25

HSLA 66.46, 0.76%, 0.17%, 0.25

LABA 30.12, -11.99, 34.53, 0.25

 

CMYK 2 / 0 / 17 / 16

HEX #555D1D3F

RGBA 85 93 29 0.25

HSLA 67.5, 0.52%, 0.24%, 0.25

LABA 37.57, -12.86, 34.42, 0.25

 

CMYK 2 / 0 / 14 / 14

HEX #666F303F

RGBA 102 111 48 0.25

HSLA 68.57, 0.4%, 0.31%, 0.25

LABA 44.81, -13.41, 33.42, 0.25

 

CMYK 2 / 0 / 12 / 12

HEX #7781433F

RGBA 119 129 67 0.25

HSLA 69.68, 0.32%, 0.38%, 0.25

LABA 51.87, -13.78, 32.19, 0.25

 

CMYK 2 / 0 / 10 / 11

HEX #8893563F

RGBA 136 147 86 0.25

HSLA 70.82, 0.26%, 0.46%, 0.25

LABA 58.76, -14.03, 30.93, 0.25

 

CMYK 4 / 0 / 20 / 18

HEX #3F4B0F3F

RGBA 63 75 15 0.25

HSLA 72, 0.67%, 0.18%, 0.25

LABA 29.72, -14.18, 32.1, 0.25

 

CMYK 5 / 0 / 25 / 19

HEX #2E39003F

RGBA 46 57 0 0.25

HSLA 71.58, 1%, 0.11%, 0.25

LABA 21.97, -13.21, 30.15, 0.25

 

CMYK 6 / 0 / 25 / 21

HEX #1D27003F

RGBA 29 39 0 0.25

HSLA 75.38, 1%, 0.08%, 0.25

LABA 13.9, -11.41, 20.16, 0.25

 

CMYK 11 / 0 / 25 / 23

HEX #0C15003F

RGBA 12 21 0 0.25

HSLA 85.71, 1%, 0.04%, 0.25

LABA 5.55, -6.73, 8.19, 0.25

 

CMYK 25 / 0 / 25 / 25

HEX #0003003F

RGBA 0 3 0 0.25

HSLA 120, 1%, 0.01%, 0.25

LABA 0.59, -1.2, 0.86, 0.25

 

CMYK 17 / 0 / 81 / 70

HEX #404D0F

RGB 64 77 15

HSL 72.58, 0.67%, 0.18%

LAB 30.48, -14.82, 32.86

 

CMYK 0 / 6 / 81 / 70

HEX #4D480F

RGB 77 72 15

HSL 55.16, 0.67%, 0.18%

LAB 30.03, -5.42, 32.84

 

CMYK 0 / 27 / 81 / 70

HEX #4D380F

RGB 77 56 15

HSL 39.68, 0.67%, 0.18%

LAB 25.08, 4.64, 28

 

CMYK 0 / 49 / 81 / 70

HEX #4D270F

RGB 77 39 15

HSL 23.23, 0.67%, 0.18%

LAB 20.3, 15.6, 22.99

 

CMYK 0 / 70 / 81 / 70

HEX #4D170F

RGB 77 23 15

HSL 7.74, 0.67%, 0.18%

LAB 16.63, 24.97, 18.66

 

CMYK 17 / 0 / 81 / 70

HEX #404D0F

RGB 64 77 15

HSL 72.58, 0.67%, 0.18%

LAB 30.48, -14.82, 32.86

 

CMYK 38 / 0 / 81 / 70

HEX #304D0F

RGB 48 77 15

HSL 88.06, 0.67%, 0.18%

LAB 29.34, -22.1, 31.36

 

CMYK 60 / 0 / 81 / 70

HEX #1F4D0F

RGB 31 77 15

HSL 104.52, 0.67%, 0.18%

LAB 28.47, -28.47, 30.21

 

CMYK 81 / 0 / 79 / 70

HEX #0F4D10

RGB 15 77 16

HSL 120.97, 0.67%, 0.18%

LAB 27.97, -32.5, 29.11

 

CMYK 81 / 0 / 58 / 70

HEX #0F4D20

RGB 15 77 32

HSL 136.45, 0.67%, 0.18%

LAB 28.15, -30.35, 21.1

 

CMYK 17 / 0 / 81 / 70

HEX #404D0F

RGB 64 77 15

HSL 72.58, 0.67%, 0.18%

LAB 30.48, -14.82, 32.86

 

CMYK 18 / 0 / 90 / 67

HEX #455408

RGB 69 84 8

HSL 71.84, 0.83%, 0.18%

LAB 33.19, -16.66, 37.92

 

CMYK 21 / 0 / 100 / 64

HEX #495C00

RGB 73 92 0

HSL 72.39, 1%, 0.18%

LAB 36.12, -19.41, 42.96

 

CMYK 17 / 0 / 81 / 70

HEX #404D0F

RGB 64 77 15

HSL 72.58, 0.67%, 0.18%

LAB 30.48, -14.82, 32.86

 

CMYK 13 / 0 / 67 / 73

HEX #3C4517

RGB 60 69 23

HSL 71.74, 0.5%, 0.18%

LAB 27.51, -11.55, 25.93

 

CMYK 11 / 0 / 52 / 76

HEX #373E1E

RGB 55 62 30

HSL 73.13, 0.35%, 0.18%

LAB 24.8, -9, 18.63

 

CMYK 6 / 0 / 31 / 79

HEX #333625

RGB 51 54 37

HSL 70.59, 0.19%, 0.18%

LAB 21.86, -4.84, 10.29

 

CMYK 0 / 0 / 4 / 82

HEX #2F2F2D

RGB 47 47 45

HSL 60, 0.02%, 0.18%

LAB 19.34, -0.46, 1.28

 

CMYK 0 / 27 / 81 / 70

HEX #4D380F

RGB 77 56 15

HSL 39.68, 0.67%, 0.18%

LAB 25.08, 4.64, 28

 

CMYK 0 / 5 / 81 / 70

HEX #4D490F

RGB 77 73 15

HSL 56.13, 0.67%, 0.18%

LAB 30.35, -6.03, 33.15

 

CMYK 17 / 0 / 81 / 70

HEX #404D0F

RGB 64 77 15

HSL 72.58, 0.67%, 0.18%

LAB 30.48, -14.82, 32.86

 

CMYK 38 / 0 / 81 / 70

HEX #304D0F

RGB 48 77 15

HSL 88.06, 0.67%, 0.18%

LAB 29.34, -22.1, 31.36

 

CMYK 58 / 0 / 81 / 70

HEX #204D0F

RGB 32 77 15

HSL 103.55, 0.67%, 0.18%

LAB 28.51, -28.15, 30.26

 

CMYK 13 / 0 / 75 / 97

HEX #070802

RGB 7 8 2

HSL 70, 0.6%, 0.02%

LAB 2.02, -1.1, 2.18

 

CMYK 17 / 0 / 81 / 84

HEX #232A08

RGB 35 42 8

HSL 72.35, 0.68%, 0.1%

LAB 15.65, -9.21, 19.27

 

CMYK 17 / 0 / 81 / 70

HEX #404D0F

RGB 64 77 15

HSL 72.58, 0.67%, 0.18%

LAB 30.48, -14.82, 32.86

 

CMYK 16 / 0 / 80 / 56

HEX #5D6F16

RGB 93 111 22

HSL 72.13, 0.67%, 0.26%

LAB 43.88, -19.38, 43.73

 

CMYK 16 / 0 / 80 / 43

HEX #7A921D

RGB 122 146 29

HSL 72.31, 0.67%, 0.34%

LAB 56.86, -24.17, 54.15

 

CMYK 16 / 0 / 80 / 71

HEX #3F4B0F

RGB 63 75 15

HSL 72, 0.67%, 0.18%

LAB 29.72, -14.18, 32.1

 

CMYK 81 / 0 / 48 / 70

HEX #0F4D28

RGB 15 77 40

HSL 144.19, 0.67%, 0.18%

LAB 28.28, -28.85, 16.54

 

CMYK 17 / 81 / 0 / 70

HEX #400F4D

RGB 64 15 77

HSL 287.42, 0.67%, 0.18%

LAB 15.32, 33.32, -26.92

 

CMYK 16 / 0 / 80 / 71

HEX #3F4B0F

RGB 63 75 15

HSL 72, 0.67%, 0.18%

LAB 29.72, -14.18, 32.1

 

CMYK 81 / 17 / 0 / 70

HEX #0F404D

RGB 15 64 77

HSL 192.58, 0.67%, 0.18%

LAB 24.65, -10.97, -12.52

 

CMYK 0 / 81 / 17 / 70

HEX #4D0F40

RGB 77 15 64

HSL 312.58, 0.67%, 0.18%

LAB 16.94, 34.18, -15.18

 

CMYK 16 / 0 / 80 / 71

HEX #3F4B0F

RGB 63 75 15

HSL 72, 0.67%, 0.18%

LAB 29.72, -14.18, 32.1

 

CMYK 81 / 0 / 48 / 70

HEX #0F4D28

RGB 15 77 40

HSL 144.19, 0.67%, 0.18%

LAB 28.28, -28.85, 16.54

 

CMYK 65 / 81 / 0 / 70

HEX #1B0F4D

RGB 27 15 77

HSL 251.61, 0.67%, 0.18%

LAB 9.88, 25.62, -36

 

CMYK 0 / 81 / 32 / 70

HEX #4D0F34

RGB 77 15 52

HSL 324.19, 0.67%, 0.18%

LAB 16.34, 32.33, -7.61

 

CMYK 16 / 0 / 80 / 71

HEX #3F4B0F

RGB 63 75 15

HSL 72, 0.67%, 0.18%

LAB 29.72, -14.18, 32.1

 

CMYK 81 / 0 / 25 / 70

HEX #0F4D3A

RGB 15 77 58

HSL 161.61, 0.67%, 0.18%

LAB 28.68, -24.45, 5.82

 

CMYK 65 / 81 / 0 / 70

HEX #1B0F4D

RGB 27 15 77

HSL 251.61, 0.67%, 0.18%

LAB 9.88, 25.62, -36

 

CMYK 0 / 81 / 56 / 70

HEX #4D0F22

RGB 77 15 34

HSL 341.61, 0.67%, 0.18%

LAB 15.67, 30.16, 4.41

 

Description

Color code: HEX #3F4B0F3F | qconv.com Color code: HEX #3F4B0F3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 75 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 75 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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