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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F4890CE it is the complementary color #C0B76FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F4890CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F4890CE shade: #44488BCE, #555A9ECE, #666CB1CE, #777EC4CE and #8890D7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F4890CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F4890CE shade: #3F4890CE, #2E367DCE, #1D246ACE, #0C1257CE and #000044CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F4890CE shade: #404991, #4D4091, #634091, #794091 and #8F4091

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F4890CE shade: #404991 and #404091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F4890CE shade matches the following richer shades: #404991, #2F3CA2, #1E2FB3 and #0D21C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F4890CE shade: #404991, #515680, #62636F, #73705F and #837D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F4890CE shade: #407591, #405F91, #404991, #4C4091 and #624091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F4890CE shade: #272C58, #333A75, #404991, #4C57AE and #6771BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F4890CE shade: #3F4890, #91408B and #6A9140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F4890CE shade: #3F4890, #914049 and #499140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F4890CE shade: #3F4890, #91408B, #918840 and #409147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F4890CE shade: #3F4890, #914072, #918840 and #40915F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 41 / 0 / 35

HEX #3F4890CE

RGBA 63 72 144 0.81

HSLA 233.33, 0.39%, 0.41%, 0.81

LABA 33.36, 18.47, -41.13, 0.81

 

Complementary color

CMYK 0 / 4 / 34 / 20

HEX #C0B76FCE

RGBA 192 183 111 0.81

HSLA 53.33, 0.39%, 0.59%, 0.81

LABA 73.69, -7.14, 37.69, 0.81

 

CMYK 41 / 39 / 0 / 37

HEX #44488BCE

RGBA 68 72 139 0.81

HSLA 236.62, 0.34%, 0.41%, 0.81

LABA 33.41, 17.94, -37.97, 0.81

 

CMYK 37 / 35 / 0 / 31

HEX #555A9ECE

RGBA 85 90 158 0.81

HSLA 235.89, 0.3%, 0.48%, 0.81

LABA 40.76, 16.72, -37.69, 0.81

 

CMYK 34 / 32 / 0 / 25

HEX #666CB1CE

RGBA 102 108 177 0.81

HSLA 235.2, 0.32%, 0.55%, 0.81

LABA 47.91, 15.73, -37.49, 0.81

 

CMYK 32 / 29 / 0 / 19

HEX #777EC4CE

RGBA 119 126 196 0.81

HSLA 234.55, 0.39%, 0.62%, 0.81

LABA 54.9, 14.91, -37.35, 0.81

 

CMYK 30 / 27 / 0 / 13

HEX #8890D7CE

RGBA 136 144 215 0.81

HSLA 233.92, 0.5%, 0.69%, 0.81

LABA 61.73, 14.21, -37.26, 0.81

 

CMYK 46 / 41 / 0 / 35

HEX #3F4890CE

RGBA 63 72 144 0.81

HSLA 233.33, 0.39%, 0.41%, 0.81

LABA 33.36, 18.47, -41.13, 0.81

 

CMYK 51 / 46 / 0 / 41

HEX #2E367DCE

RGBA 46 54 125 0.81

HSLA 233.92, 0.46%, 0.34%, 0.81

LABA 25.86, 20.27, -41.49, 0.81

 

CMYK 59 / 53 / 0 / 47

HEX #1D246ACE

RGBA 29 36 106 0.81

HSLA 234.55, 0.57%, 0.26%, 0.81

LABA 18.2, 22.62, -41.81, 0.81

 

CMYK 70 / 64 / 0 / 53

HEX #0C1257CE

RGBA 12 18 87 0.81

HSLA 235.2, 0.76%, 0.19%, 0.81

LABA 10.55, 25.6, -41.79, 0.81

 

CMYK 81 / 81 / 0 / 59

HEX #000044CE

RGBA 0 0 68 0.81

HSLA 240, 1%, 0.13%, 0.81

LABA 3.77, 25.91, -39.82, 0.81

 

CMYK 56 / 50 / 0 / 43

HEX #404991

RGB 64 73 145

HSL 233.33, 0.39%, 0.41%

LAB 33.77, 18.38, -41.07

 

CMYK 47 / 56 / 0 / 43

HEX #4D4091

RGB 77 64 145

HSL 249.63, 0.39%, 0.41%

LAB 32.46, 27.22, -43.13

 

CMYK 32 / 56 / 0 / 43

HEX #634091

RGB 99 64 145

HSL 265.93, 0.39%, 0.41%

LAB 34.73, 32.8, -39.36

 

CMYK 17 / 56 / 0 / 43

HEX #794091

RGB 121 64 145

HSL 282.22, 0.39%, 0.41%

LAB 37.44, 38.84, -34.89

 

CMYK 1 / 56 / 0 / 43

HEX #8F4091

RGB 143 64 145

HSL 298.52, 0.39%, 0.41%

LAB 40.49, 45.07, -29.86

 

CMYK 56 / 50 / 0 / 43

HEX #404991

RGB 64 73 145

HSL 233.33, 0.39%, 0.41%

LAB 33.77, 18.38, -41.07

 

CMYK 56 / 56 / 0 / 43

HEX #404091

RGB 64 64 145

HSL 240, 0.39%, 0.41%

LAB 31.35, 24.3, -44.97

 

CMYK 56 / 50 / 0 / 43

HEX #404991

RGB 64 73 145

HSL 233.33, 0.39%, 0.41%

LAB 33.77, 18.38, -41.07

 

CMYK 71 / 63 / 0 / 36

HEX #2F3CA2

RGB 47 60 162

HSL 233.22, 0.55%, 0.41%

LAB 30.51, 30.02, -56.73

 

CMYK 83 / 74 / 0 / 30

HEX #1E2FB3

RGB 30 47 179

HSL 233.15, 0.71%, 0.41%

LAB 28.28, 42.69, -70.62

 

CMYK 93 / 83 / 0 / 23

HEX #0D21C4

RGB 13 33 196

HSL 233.44, 0.88%, 0.41%

LAB 27.18, 55.1, -82.53

 

CMYK 56 / 50 / 0 / 43

HEX #404991

RGB 64 73 145

HSL 233.33, 0.39%, 0.41%

LAB 33.77, 18.38, -41.07

 

CMYK 37 / 33 / 0 / 50

HEX #515680

RGB 81 86 128

HSL 233.62, 0.22%, 0.41%

LAB 37.78, 9.01, -24.26

 

CMYK 12 / 11 / 0 / 56

HEX #62636F

RGB 98 99 111

HSL 235.38, 0.06%, 0.41%

LAB 42.26, 2.26, -6.89

 

CMYK 0 / 3 / 17 / 55

HEX #73705F

RGB 115 112 95

HSL 51, 0.1%, 0.41%

LAB 47.05, -2, 9.88

 

CMYK 0 / 5 / 40 / 49

HEX #837D4E

RGB 131 125 78

HSL 53.21, 0.25%, 0.41%

LAB 51.89, -5.11, 26.44

 

CMYK 56 / 19 / 0 / 43

HEX #407591

RGB 64 117 145

HSL 200.74, 0.39%, 0.41%

LAB 46.79, -9.2, -20.62

 

CMYK 56 / 34 / 0 / 43

HEX #405F91

RGB 64 95 145

HSL 217.04, 0.39%, 0.41%

LAB 40.11, 4.12, -31.01

 

CMYK 56 / 50 / 0 / 43

HEX #404991

RGB 64 73 145

HSL 233.33, 0.39%, 0.41%

LAB 33.77, 18.38, -41.07

 

CMYK 48 / 56 / 0 / 43

HEX #4C4091

RGB 76 64 145

HSL 248.89, 0.39%, 0.41%

LAB 32.36, 26.98, -43.29

 

CMYK 32 / 56 / 0 / 43

HEX #624091

RGB 98 64 145

HSL 265.19, 0.39%, 0.41%

LAB 34.62, 32.53, -39.55

 

CMYK 56 / 50 / 0 / 65

HEX #272C58

RGB 39 44 88

HSL 233.88, 0.39%, 0.25%

LAB 19.79, 12.06, -27.35

 

CMYK 56 / 50 / 0 / 54

HEX #333A75

RGB 51 58 117

HSL 233.64, 0.39%, 0.33%

LAB 26.78, 15.69, -34.94

 

CMYK 56 / 50 / 0 / 43

HEX #404991

RGB 64 73 145

HSL 233.33, 0.39%, 0.41%

LAB 33.77, 18.38, -41.07

 

CMYK 56 / 50 / 0 / 32

HEX #4C57AE

RGB 76 87 174

HSL 233.27, 0.39%, 0.49%

LAB 40.26, 21.74, -48.02

 

CMYK 45 / 40 / 0 / 26

HEX #6771BC

RGB 103 113 188

HSL 232.94, 0.39%, 0.57%

LAB 49.89, 16.22, -40.73

 

CMYK 56 / 50 / 0 / 44

HEX #3F4890

RGB 63 72 144

HSL 233.33, 0.39%, 0.41%

LAB 33.36, 18.47, -41.13

 

CMYK 0 / 56 / 4 / 43

HEX #91408B

RGB 145 64 139

HSL 304.44, 0.39%, 0.41%

LAB 40.49, 44.53, -26.2

 

CMYK 27 / 0 / 56 / 43

HEX #6A9140

RGB 106 145 64

HSL 88.89, 0.39%, 0.41%

LAB 55.77, -27.67, 38.18

 

CMYK 56 / 50 / 0 / 44

HEX #3F4890

RGB 63 72 144

HSL 233.33, 0.39%, 0.41%

LAB 33.36, 18.47, -41.13

 

CMYK 0 / 56 / 50 / 43

HEX #914049

RGB 145 64 73

HSL 353.33, 0.39%, 0.41%

LAB 38.14, 35.1, 11.4

 

CMYK 50 / 0 / 56 / 43

HEX #499140

RGB 73 145 64

HSL 113.33, 0.39%, 0.41%

LAB 54.07, -39.23, 35.74

 

CMYK 56 / 50 / 0 / 44

HEX #3F4890

RGB 63 72 144

HSL 233.33, 0.39%, 0.41%

LAB 33.36, 18.47, -41.13

 

CMYK 0 / 56 / 4 / 43

HEX #91408B

RGB 145 64 139

HSL 304.44, 0.39%, 0.41%

LAB 40.49, 44.53, -26.2

 

CMYK 0 / 6 / 56 / 43

HEX #918840

RGB 145 136 64

HSL 53.33, 0.39%, 0.41%

LAB 56.09, -6.51, 39.3

 

CMYK 56 / 0 / 51 / 43

HEX #409147

RGB 64 145 71

HSL 125.19, 0.39%, 0.41%

LAB 53.81, -40.82, 31.77

 

CMYK 56 / 50 / 0 / 44

HEX #3F4890

RGB 63 72 144

HSL 233.33, 0.39%, 0.41%

LAB 33.36, 18.47, -41.13

 

CMYK 0 / 56 / 21 / 43

HEX #914072

RGB 145 64 114

HSL 322.96, 0.39%, 0.41%

LAB 39.41, 40.34, -12.47

 

CMYK 0 / 6 / 56 / 43

HEX #918840

RGB 145 136 64

HSL 53.33, 0.39%, 0.41%

LAB 56.09, -6.51, 39.3

 

CMYK 56 / 0 / 34 / 43

HEX #40915F

RGB 64 145 95

HSL 142.96, 0.39%, 0.41%

LAB 54.2, -36.64, 19.26

 

Description

Color code: HEX #3F4890CE | qconv.com Color code: HEX #3F4890CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 72 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 72 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 41 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 41% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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