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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F465A it is the complementary color #C0B9A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F465A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F465A shade: #444655, #555868, #666A7B, #777C8E and #888EA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F465A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F465A shade: #3F465A, #2E3447, #1D2234, #0C1021 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F465A shade: #3F465A, #3F3F5A, #463F5A, #4E3F5A and #553F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F465A shade: #3F465A and #3F3F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F465A shade matches the following richer shades: #3F465A, #324067, #263A73, #1A347F and #0D2E8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F465A shade: #3F465A, #4B4C4E, #575242, #645835 and #705E29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F465A shade: #3F555A, #3F4D5A, #3F465A, #3F3F5A and #463F5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F465A shade: #1D202A, #2E3342, #3F465A, #505973 and #616C8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F465A shade: #3F465A, #583F5A and #515A3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F465A shade: #3F465A, #5A3F46 and #465A3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F465A shade: #3F465A, #583F5A, #5A533F and #415A3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F465A shade: #3F465A, #5A3F54, #5A533F and #3F5A45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

Complementary color

CMYK 0 / 4 / 14 / 25

HEX #C0B9A5

RGB 192 185 165

HSL 44.44, 0.18%, 0.7%

LAB 75.21, -0.95, 11.03

 

CMYK 20 / 18 / 0 / 67

HEX #444655

RGB 68 70 85

HSL 232.94, 0.11%, 0.3%

LAB 30.07, 2.84, -9.2

 

CMYK 18 / 15 / 0 / 59

HEX #555868

RGB 85 88 104

HSL 230.53, 0.1%, 0.37%

LAB 37.68, 2.55, -9.57

 

CMYK 17 / 14 / 0 / 52

HEX #666A7B

RGB 102 106 123

HSL 228.57, 0.09%, 0.44%

LAB 45.03, 2.31, -9.96

 

CMYK 16 / 13 / 0 / 44

HEX #777C8E

RGB 119 124 142

HSL 226.96, 0.09%, 0.51%

LAB 52.16, 2.08, -10.37

 

CMYK 16 / 12 / 0 / 37

HEX #888EA1

RGB 136 142 161

HSL 225.6, 0.12%, 0.58%

LAB 59.12, 1.87, -10.77

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 35 / 27 / 0 / 72

HEX #2E3447

RGB 46 52 71

HSL 225.6, 0.21%, 0.23%

LAB 21.91, 2.8, -12.6

 

CMYK 44 / 35 / 0 / 80

HEX #1D2234

RGB 29 34 52

HSL 226.96, 0.28%, 0.16%

LAB 13.55, 3.35, -12.51

 

CMYK 64 / 52 / 0 / 87

HEX #0C1021

RGB 12 16 33

HSL 228.57, 0.47%, 0.09%

LAB 5.05, 3.3, -11.81

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 30 / 30 / 0 / 65

HEX #3F3F5A

RGB 63 63 90

HSL 240, 0.18%, 0.3%

LAB 27.71, 7, -16.08

 

CMYK 22 / 30 / 0 / 65

HEX #463F5A

RGB 70 63 90

HSL 255.56, 0.18%, 0.3%

LAB 28.37, 9.48, -15.01

 

CMYK 13 / 30 / 0 / 65

HEX #4E3F5A

RGB 78 63 90

HSL 273.33, 0.18%, 0.3%

LAB 29.19, 12.42, -13.67

 

CMYK 6 / 30 / 0 / 65

HEX #553F5A

RGB 85 63 90

HSL 288.89, 0.18%, 0.3%

LAB 29.97, 15.05, -12.41

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 30 / 30 / 0 / 65

HEX #3F3F5A

RGB 63 63 90

HSL 240, 0.18%, 0.3%

LAB 27.71, 7, -16.08

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 51 / 38 / 0 / 60

HEX #324067

RGB 50 64 103

HSL 224.15, 0.35%, 0.3%

LAB 27.64, 6.43, -24.65

 

CMYK 67 / 50 / 0 / 55

HEX #263A73

RGB 38 58 115

HSL 224.42, 0.5%, 0.3%

LAB 25.79, 12.16, -35.3

 

CMYK 80 / 59 / 0 / 50

HEX #1A347F

RGB 26 52 127

HSL 224.55, 0.66%, 0.3%

LAB 24.35, 19.31, -45.25

 

CMYK 91 / 67 / 0 / 45

HEX #0D2E8C

RGB 13 46 140

HSL 224.41, 0.83%, 0.3%

LAB 23.45, 27.67, -54.88

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 4 / 3 / 0 / 69

HEX #4B4C4E

RGB 75 76 78

HSL 220, 0.02%, 0.3%

LAB 32.29, 0.04, -1.33

 

CMYK 0 / 6 / 24 / 66

HEX #575242

RGB 87 82 66

HSL 45.71, 0.14%, 0.3%

LAB 34.91, -0.95, 10.15

 

CMYK 0 / 12 / 47 / 61

HEX #645835

RGB 100 88 53

HSL 44.68, 0.31%, 0.3%

LAB 37.75, -0.53, 22.05

 

CMYK 0 / 16 / 63 / 56

HEX #705E29

RGB 112 94 41

HSL 44.79, 0.46%, 0.3%

LAB 40.59, 0.37, 32.47

 

CMYK 30 / 6 / 0 / 65

HEX #3F555A

RGB 63 85 90

HSL 191.11, 0.18%, 0.3%

LAB 34.58, -7.02, -5.64

 

CMYK 30 / 14 / 0 / 65

HEX #3F4D5A

RGB 63 77 90

HSL 208.89, 0.18%, 0.3%

LAB 32.04, -2.08, -9.46

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 30 / 30 / 0 / 65

HEX #3F3F5A

RGB 63 63 90

HSL 240, 0.18%, 0.3%

LAB 27.71, 7, -16.08

 

CMYK 22 / 30 / 0 / 65

HEX #463F5A

RGB 70 63 90

HSL 255.56, 0.18%, 0.3%

LAB 28.37, 9.48, -15.01

 

CMYK 31 / 24 / 0 / 84

HEX #1D202A

RGB 29 32 42

HSL 226.15, 0.18%, 0.14%

LAB 12.36, 1.51, -7.15

 

CMYK 30 / 23 / 0 / 74

HEX #2E3342

RGB 46 51 66

HSL 225, 0.18%, 0.22%

LAB 21.36, 1.96, -10.07

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 30 / 23 / 0 / 55

HEX #505973

RGB 80 89 115

HSL 224.57, 0.18%, 0.38%

LAB 38, 3.09, -15.93

 

CMYK 30 / 22 / 0 / 45

HEX #616C8B

RGB 97 108 139

HSL 224.29, 0.18%, 0.46%

LAB 45.81, 3.48, -18.39

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 2 / 30 / 0 / 65

HEX #583F5A

RGB 88 63 90

HSL 295.56, 0.18%, 0.3%

LAB 30.32, 16.19, -11.85

 

CMYK 10 / 0 / 30 / 65

HEX #515A3F

RGB 81 90 63

HSL 80, 0.18%, 0.3%

LAB 36.78, -8.87, 14.47

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 0 / 30 / 22 / 65

HEX #5A3F46

RGB 90 63 70

HSL 344.44, 0.18%, 0.3%

LAB 29.84, 12.99, 0.42

 

CMYK 22 / 0 / 30 / 65

HEX #465A3F

RGB 70 90 63

HSL 104.44, 0.18%, 0.3%

LAB 35.93, -13.48, 13.17

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 2 / 30 / 0 / 65

HEX #583F5A

RGB 88 63 90

HSL 295.56, 0.18%, 0.3%

LAB 30.32, 16.19, -11.85

 

CMYK 0 / 8 / 30 / 65

HEX #5A533F

RGB 90 83 63

HSL 44.44, 0.18%, 0.3%

LAB 35.44, -0.72, 12.78

 

CMYK 28 / 0 / 30 / 65

HEX #415A3F

RGB 65 90 63

HSL 115.56, 0.18%, 0.3%

LAB 35.59, -15.47, 12.64

 

CMYK 30 / 22 / 0 / 65

HEX #3F465A

RGB 63 70 90

HSL 224.44, 0.18%, 0.3%

LAB 29.85, 2.4, -12.79

 

CMYK 0 / 30 / 7 / 65

HEX #5A3F54

RGB 90 63 84

HSL 313.33, 0.18%, 0.3%

LAB 30.32, 15.68, -7.94

 

CMYK 0 / 8 / 30 / 65

HEX #5A533F

RGB 90 83 63

HSL 44.44, 0.18%, 0.3%

LAB 35.44, -0.72, 12.78

 

CMYK 30 / 0 / 23 / 65

HEX #3F5A45

RGB 63 90 69

HSL 133.33, 0.18%, 0.3%

LAB 35.59, -15.02, 8.94

 

Description

Color code: HEX #3F465A | qconv.com Color code: HEX #3F465A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 70 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 70 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 22 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 22% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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