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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F452E it is the complementary color #C0BAD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F452E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F452E shade: #444529, #55573C, #66694F, #777B62 and #888D75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F452E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F452E shade: #3F452E, #2E331B, #1D2108 and #0C0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F452E shade: #40462E, #46462E, #463F2E, #46392E and #46332E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F452E shade: #40462E, #39462E, #33462E, #2E4630 and #2E4636

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F452E shade matches the following richer shades: #40462E, #444F25, #49591B, #4D6212 and #526C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F452E shade: #40462E, #3B3C38, #373341, #32294B and #2E2054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F452E shade: #463F2E, #46452E, #40462E, #3A462E and #34462E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F452E shade: #13140D, #292D1E, #40462E, #565F3F and #6D774F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F452E shade: #3F452E, #2E4639 and #422E46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F452E shade: #3F452E, #2E4046 and #462E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F452E shade: #3F452E, #2E4639, #342E46 and #462E3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F452E shade: #3F452E, #2E4640, #342E46 and #462E34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 33 / 73

HEX #3F452E

RGB 63 69 46

HSL 75.65, 0.2%, 0.23%

LAB 28.14, -7.12, 13.11

 

Complementary color

CMYK 8 / 11 / 0 / 18

HEX #C0BAD1

RGB 192 186 209

HSL 255.65, 0.2%, 0.77%

LAB 76.64, 6.49, -10.8

 

CMYK 1 / 0 / 41 / 73

HEX #444529

RGB 68 69 41

HSL 62.14, 0.25%, 0.22%

LAB 28.5, -5.56, 16.8

 

CMYK 2 / 0 / 31 / 66

HEX #55573C

RGB 85 87 60

HSL 64.44, 0.18%, 0.29%

LAB 36.13, -5.83, 15.47

 

CMYK 3 / 0 / 25 / 59

HEX #66694F

RGB 102 105 79

HSL 66.92, 0.14%, 0.36%

LAB 43.5, -6.02, 14.27

 

CMYK 3 / 0 / 20 / 52

HEX #777B62

RGB 119 123 98

HSL 69.6, 0.11%, 0.43%

LAB 50.65, -6.16, 13.19

 

CMYK 4 / 0 / 17 / 45

HEX #888D75

RGB 136 141 117

HSL 72.5, 0.1%, 0.51%

LAB 57.63, -6.27, 12.2

 

CMYK 9 / 0 / 33 / 73

HEX #3F452E

RGB 63 69 46

HSL 75.65, 0.2%, 0.23%

LAB 28.14, -7.12, 13.11

 

CMYK 10 / 0 / 47 / 80

HEX #2E331B

RGB 46 51 27

HSL 72.5, 0.31%, 0.15%

LAB 20.15, -6.97, 14.51

 

CMYK 12 / 0 / 76 / 87

HEX #1D2108

RGB 29 33 8

HSL 69.6, 0.61%, 0.08%

LAB 11.73, -6.63, 14

 

CMYK 20 / 0 / 100 / 94

HEX #0C0F00

RGB 12 15 0

HSL 72, 1%, 0.03%

LAB 3.79, -3.14, 5.62

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 0 / 0 / 34 / 73

HEX #46462E

RGB 70 70 46

HSL 60, 0.21%, 0.23%

LAB 29.11, -4.5, 14.51

 

CMYK 0 / 10 / 34 / 73

HEX #463F2E

RGB 70 63 46

HSL 42.5, 0.21%, 0.23%

LAB 26.89, -0.1, 11.54

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 27 / 34 / 73

HEX #46332E

RGB 70 51 46

HSL 12.5, 0.21%, 0.23%

LAB 23.23, 7.73, 6.5

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 19 / 0 / 34 / 73

HEX #39462E

RGB 57 70 46

HSL 92.5, 0.21%, 0.23%

LAB 27.97, -10.41, 12.8

 

CMYK 27 / 0 / 34 / 73

HEX #33462E

RGB 51 70 46

HSL 107.5, 0.21%, 0.23%

LAB 27.52, -12.98, 12.11

 

CMYK 34 / 0 / 31 / 73

HEX #2E4630

RGB 46 70 48

HSL 125, 0.21%, 0.23%

LAB 27.23, -14.6, 10.38

 

CMYK 34 / 0 / 23 / 73

HEX #2E4636

RGB 46 70 54

HSL 140, 0.21%, 0.23%

LAB 27.37, -13.29, 6.73

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 14 / 0 / 53 / 69

HEX #444F25

RGB 68 79 37

HSL 75.71, 0.36%, 0.23%

LAB 31.7, -12.06, 23.2

 

CMYK 18 / 0 / 70 / 65

HEX #49591B

RGB 73 89 27

HSL 75.48, 0.53%, 0.23%

LAB 35.28, -16.39, 32.65

 

CMYK 21 / 0 / 82 / 62

HEX #4D6212

RGB 77 98 18

HSL 75.75, 0.69%, 0.23%

LAB 38.48, -19.99, 39.66

 

CMYK 24 / 0 / 93 / 58

HEX #526C08

RGB 82 108 8

HSL 75.6, 0.86%, 0.23%

LAB 42.06, -23.31, 45.78

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 2 / 0 / 7 / 76

HEX #3B3C38

RGB 59 60 56

HSL 75, 0.03%, 0.23%

LAB 25.1, -1.32, 2.32

 

CMYK 15 / 22 / 0 / 75

HEX #373341

RGB 55 51 65

HSL 257.14, 0.12%, 0.23%

LAB 22.17, 5.16, -8.1

 

CMYK 33 / 45 / 0 / 71

HEX #32294B

RGB 50 41 75

HSL 255.88, 0.29%, 0.23%

LAB 19.11, 13.07, -19.64

 

CMYK 45 / 62 / 0 / 67

HEX #2E2054

RGB 46 32 84

HSL 256.15, 0.45%, 0.23%

LAB 16.77, 20.94, -29.49

 

CMYK 0 / 10 / 34 / 73

HEX #463F2E

RGB 70 63 46

HSL 42.5, 0.21%, 0.23%

LAB 26.89, -0.1, 11.54

 

CMYK 0 / 1 / 34 / 73

HEX #46452E

RGB 70 69 46

HSL 57.5, 0.21%, 0.23%

LAB 28.79, -3.88, 14.09

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 17 / 0 / 34 / 73

HEX #3A462E

RGB 58 70 46

HSL 90, 0.21%, 0.23%

LAB 28.05, -9.97, 12.92

 

CMYK 26 / 0 / 34 / 73

HEX #34462E

RGB 52 70 46

HSL 105, 0.21%, 0.23%

LAB 27.59, -12.56, 12.22

 

CMYK 5 / 0 / 35 / 92

HEX #13140D

RGB 19 20 13

HSL 68.57, 0.21%, 0.06%

LAB 6.03, -1.78, 3.56

 

CMYK 9 / 0 / 33 / 82

HEX #292D1E

RGB 41 45 30

HSL 76, 0.2%, 0.15%

LAB 17.65, -5.04, 9.14

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 9 / 0 / 34 / 63

HEX #565F3F

RGB 86 95 63

HSL 76.88, 0.2%, 0.31%

LAB 38.76, -9.62, 17.19

 

CMYK 8 / 0 / 34 / 53

HEX #6D774F

RGB 109 119 79

HSL 75, 0.2%, 0.39%

LAB 48.27, -11.01, 20.8

 

CMYK 9 / 0 / 33 / 73

HEX #3F452E

RGB 63 69 46

HSL 75.65, 0.2%, 0.23%

LAB 28.14, -7.12, 13.11

 

CMYK 34 / 0 / 19 / 73

HEX #2E4639

RGB 46 70 57

HSL 147.5, 0.21%, 0.23%

LAB 27.45, -12.58, 4.9

 

CMYK 6 / 34 / 0 / 73

HEX #422E46

RGB 66 46 70

HSL 290, 0.21%, 0.23%

LAB 22.14, 14.17, -11.4

 

CMYK 9 / 0 / 33 / 73

HEX #3F452E

RGB 63 69 46

HSL 75.65, 0.2%, 0.23%

LAB 28.14, -7.12, 13.11

 

CMYK 34 / 9 / 0 / 73

HEX #2E4046

RGB 46 64 70

HSL 195, 0.21%, 0.23%

LAB 25.83, -5.45, -5.98

 

CMYK 0 / 34 / 9 / 73

HEX #462E40

RGB 70 46 64

HSL 315, 0.21%, 0.23%

LAB 22.4, 14.42, -6.9

 

CMYK 9 / 0 / 33 / 73

HEX #3F452E

RGB 63 69 46

HSL 75.65, 0.2%, 0.23%

LAB 28.14, -7.12, 13.11

 

CMYK 34 / 0 / 19 / 73

HEX #2E4639

RGB 46 70 57

HSL 147.5, 0.21%, 0.23%

LAB 27.45, -12.58, 4.9

 

CMYK 26 / 34 / 0 / 73

HEX #342E46

RGB 52 46 70

HSL 255, 0.21%, 0.23%

LAB 20.54, 8.81, -13.99

 

CMYK 0 / 34 / 16 / 73

HEX #462E3B

RGB 70 46 59

HSL 327.5, 0.21%, 0.23%

LAB 22.2, 13.39, -3.8

 

CMYK 9 / 0 / 33 / 73

HEX #3F452E

RGB 63 69 46

HSL 75.65, 0.2%, 0.23%

LAB 28.14, -7.12, 13.11

 

CMYK 34 / 0 / 9 / 73

HEX #2E4640

RGB 46 70 64

HSL 165, 0.21%, 0.23%

LAB 27.66, -10.82, 0.65

 

CMYK 26 / 34 / 0 / 73

HEX #342E46

RGB 52 46 70

HSL 255, 0.21%, 0.23%

LAB 20.54, 8.81, -13.99

 

CMYK 0 / 34 / 26 / 73

HEX #462E34

RGB 70 46 52

HSL 345, 0.21%, 0.23%

LAB 21.96, 12.06, 0.62

 

Description

Color code: HEX #3F452E | qconv.com Color code: HEX #3F452E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 69 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 69 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 33 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 33% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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