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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F307F3F it is the complementary color #C0CF803F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F307F3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F307F3F shade: #44307A3F, #55428D3F, #6654A03F, #7766B33F and #8878C63F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F307F3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F307F3F shade: #3F307F3F, #2E1E6C3F, #1D0C593F, #0C00463F and #0000333F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F307F3F shade: #3E307E, #54307E, #69307E, #7E307E and #7E3069

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F307F3F shade: #3E307E and #30307E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F307F3F shade matches the following richer shades: #3E307E, #36228C, #2D149A and #2406A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F307F3F shade: #3E307E, #473E70, #504C62, #595A54 and #616846

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F307F3F shade: #304B7E, #30367E, #3E307E, #53307E and #68307E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F307F3F shade: #211942, #302460, #3E307E, #4D3B9C and #5C47B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F307F3F shade: #3F307F, #7E3060 and #417E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F307F3F shade: #3F307F, #7E3E30 and #307E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F307F3F shade: #3F307F, #7E3060, #6F7E30 and #307E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F307F3F shade: #3F307F, #7E3048, #6F7E30 and #307E65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 16 / 0 / 13

HEX #3F307F3F

RGBA 63 48 127 0.25

HSLA 251.39, 0.45%, 0.34%, 0.25

LABA 25.87, 28.48, -42.66, 0.25

 

Complementary color

CMYK 2 / 0 / 10 / 5

HEX #C0CF803F

RGBA 192 207 128 0.25

HSLA 71.39, 0.45%, 0.66%, 0.25

LABA 80.4, -17.49, 37.57, 0.25

 

CMYK 11 / 15 / 0 / 13

HEX #44307A3F

RGBA 68 48 122 0.25

HSLA 256.22, 0.44%, 0.33%, 0.25

LABA 26, 28.07, -39.27, 0.25

 

CMYK 10 / 13 / 0 / 11

HEX #55428D3F

RGBA 85 66 141 0.25

HSLA 255.2, 0.36%, 0.41%, 0.25

LABA 33.46, 26.75, -39.03, 0.25

 

CMYK 9 / 12 / 0 / 9

HEX #6654A03F

RGBA 102 84 160 0.25

HSLA 254.21, 0.31%, 0.48%, 0.25

LABA 40.74, 25.6, -38.82, 0.25

 

CMYK 8 / 11 / 0 / 7

HEX #7766B33F

RGBA 119 102 179 0.25

HSLA 253.25, 0.34%, 0.55%, 0.25

LABA 47.85, 24.6, -38.65, 0.25

 

CMYK 8 / 10 / 0 / 6

HEX #8878C63F

RGBA 136 120 198 0.25

HSLA 252.31, 0.41%, 0.62%, 0.25

LABA 54.81, 23.73, -38.53, 0.25

 

CMYK 13 / 16 / 0 / 13

HEX #3F307F3F

RGBA 63 48 127 0.25

HSLA 251.39, 0.45%, 0.34%, 0.25

LABA 25.87, 28.48, -42.66, 0.25

 

CMYK 14 / 18 / 0 / 14

HEX #2E1E6C3F

RGBA 46 30 108 0.25

HSLA 252.31, 0.57%, 0.27%, 0.25

LABA 18.33, 30.16, -42.85, 0.25

 

CMYK 17 / 22 / 0 / 16

HEX #1D0C593F

RGBA 29 12 89 0.25

HSLA 253.25, 0.76%, 0.2%, 0.25

LABA 10.89, 31.63, -42.54, 0.25

 

CMYK 21 / 25 / 0 / 18

HEX #0C00463F

RGBA 12 0 70 0.25

HSLA 250.29, 1%, 0.14%, 0.25

LABA 4.7, 29.02, -39.69, 0.25

 

CMYK 25 / 25 / 0 / 20

HEX #0000333F

RGBA 0 0 51 0.25

HSLA 240, 1%, 0.1%, 0.25

LABA 2.16, 15.17, -30.07, 0.25

 

CMYK 51 / 62 / 0 / 51

HEX #3E307E

RGB 62 48 126

HSL 250.77, 0.45%, 0.34%

LAB 25.7, 27.94, -42.32

 

CMYK 33 / 62 / 0 / 51

HEX #54307E

RGB 84 48 126

HSL 267.69, 0.45%, 0.34%

LAB 28.13, 33.21, -38.27

 

CMYK 17 / 62 / 0 / 51

HEX #69307E

RGB 105 48 126

HSL 283.85, 0.45%, 0.34%

LAB 30.93, 38.74, -33.63

 

CMYK 0 / 62 / 0 / 51

HEX #7E307E

RGB 126 48 126

HSL 300, 0.45%, 0.34%

LAB 34.1, 44.46, -28.41

 

CMYK 0 / 62 / 17 / 51

HEX #7E3069

RGB 126 48 105

HSL 316.15, 0.45%, 0.34%

LAB 33.07, 40.79, -16.78

 

CMYK 51 / 62 / 0 / 51

HEX #3E307E

RGB 62 48 126

HSL 250.77, 0.45%, 0.34%

LAB 25.7, 27.94, -42.32

 

CMYK 62 / 62 / 0 / 51

HEX #30307E

RGB 48 48 126

HSL 240, 0.45%, 0.34%

LAB 24.48, 25.08, -44.36

 

CMYK 51 / 62 / 0 / 51

HEX #3E307E

RGB 62 48 126

HSL 250.77, 0.45%, 0.34%

LAB 25.7, 27.94, -42.32

 

CMYK 61 / 76 / 0 / 45

HEX #36228C

RGB 54 34 140

HSL 251.32, 0.61%, 0.34%

LAB 23.07, 39.42, -55.41

 

CMYK 71 / 87 / 0 / 40

HEX #2D149A

RGB 45 20 154

HSL 251.19, 0.77%, 0.34%

LAB 21.55, 49.38, -66.62

 

CMYK 79 / 96 / 0 / 34

HEX #2406A8

RGB 36 6 168

HSL 251.11, 0.93%, 0.34%

LAB 21.33, 56.94, -75.55

 

CMYK 51 / 62 / 0 / 51

HEX #3E307E

RGB 62 48 126

HSL 250.77, 0.45%, 0.34%

LAB 25.7, 27.94, -42.32

 

CMYK 37 / 45 / 0 / 56

HEX #473E70

RGB 71 62 112

HSL 250.8, 0.29%, 0.34%

LAB 29.3, 16.76, -27.65

 

CMYK 18 / 22 / 0 / 62

HEX #504C62

RGB 80 76 98

HSL 250.91, 0.13%, 0.34%

LAB 33.47, 6.78, -12.23

 

CMYK 1 / 0 / 7 / 65

HEX #595A54

RGB 89 90 84

HSL 70, 0.03%, 0.34%

LAB 37.98, -1.64, 3.32

 

CMYK 7 / 0 / 33 / 59

HEX #616846

RGB 97 104 70

HSL 72.35, 0.2%, 0.34%

LAB 42.59, -8.98, 18.3

 

CMYK 62 / 40 / 0 / 51

HEX #304B7E

RGB 48 75 126

HSL 219.23, 0.45%, 0.34%

LAB 32.18, 6.78, -31.97

 

CMYK 62 / 57 / 0 / 51

HEX #30367E

RGB 48 54 126

HSL 235.38, 0.45%, 0.34%

LAB 26.08, 21.02, -41.76

 

CMYK 51 / 62 / 0 / 51

HEX #3E307E

RGB 62 48 126

HSL 250.77, 0.45%, 0.34%

LAB 25.7, 27.94, -42.32

 

CMYK 34 / 62 / 0 / 51

HEX #53307E

RGB 83 48 126

HSL 266.92, 0.45%, 0.34%

LAB 28.01, 32.95, -38.48

 

CMYK 17 / 62 / 0 / 51

HEX #68307E

RGB 104 48 126

HSL 283.08, 0.45%, 0.34%

LAB 30.79, 38.47, -33.86

 

CMYK 50 / 62 / 0 / 74

HEX #211942

RGB 33 25 66

HSL 251.71, 0.45%, 0.18%

LAB 12.04, 16.22, -24.79

 

CMYK 50 / 63 / 0 / 62

HEX #302460

RGB 48 36 96

HSL 252, 0.45%, 0.26%

LAB 18.95, 22.71, -33.97

 

CMYK 51 / 62 / 0 / 51

HEX #3E307E

RGB 62 48 126

HSL 250.77, 0.45%, 0.34%

LAB 25.7, 27.94, -42.32

 

CMYK 51 / 62 / 0 / 39

HEX #4D3B9C

RGB 77 59 156

HSL 251.13, 0.45%, 0.42%

LAB 32.05, 33.76, -50.5

 

CMYK 50 / 62 / 0 / 27

HEX #5C47B9

RGB 92 71 185

HSL 251.05, 0.45%, 0.5%

LAB 38.35, 38.46, -57.52

 

CMYK 50 / 62 / 0 / 50

HEX #3F307F

RGB 63 48 127

HSL 251.39, 0.45%, 0.34%

LAB 25.87, 28.48, -42.66

 

CMYK 0 / 62 / 24 / 51

HEX #7E3060

RGB 126 48 96

HSL 323.08, 0.45%, 0.34%

LAB 32.69, 39.38, -11.61

 

CMYK 48 / 0 / 62 / 51

HEX #417E30

RGB 65 126 48

HSL 106.92, 0.45%, 0.34%

LAB 47.31, -35.49, 35.69

 

CMYK 50 / 62 / 0 / 50

HEX #3F307F

RGB 63 48 127

HSL 251.39, 0.45%, 0.34%

LAB 25.87, 28.48, -42.66

 

CMYK 0 / 51 / 62 / 51

HEX #7E3E30

RGB 126 62 48

HSL 10.77, 0.45%, 0.34%

LAB 34.18, 26.34, 21.23

 

CMYK 62 / 0 / 51 / 51

HEX #307E3E

RGB 48 126 62

HSL 130.77, 0.45%, 0.34%

LAB 46.84, -38.42, 27.76

 

CMYK 50 / 62 / 0 / 50

HEX #3F307F

RGB 63 48 127

HSL 251.39, 0.45%, 0.34%

LAB 25.87, 28.48, -42.66

 

CMYK 0 / 62 / 24 / 51

HEX #7E3060

RGB 126 48 96

HSL 323.08, 0.45%, 0.34%

LAB 32.69, 39.38, -11.61

 

CMYK 12 / 0 / 62 / 51

HEX #6F7E30

RGB 111 126 48

HSL 71.54, 0.45%, 0.34%

LAB 50.11, -17.5, 39.6

 

CMYK 62 / 0 / 38 / 51

HEX #307E4E

RGB 48 126 78

HSL 143.08, 0.45%, 0.34%

LAB 47.11, -35.53, 19.22

 

CMYK 50 / 62 / 0 / 50

HEX #3F307F

RGB 63 48 127

HSL 251.39, 0.45%, 0.34%

LAB 25.87, 28.48, -42.66

 

CMYK 0 / 62 / 43 / 51

HEX #7E3048

RGB 126 48 72

HSL 341.54, 0.45%, 0.34%

LAB 31.85, 36.17, 2.7

 

CMYK 12 / 0 / 62 / 51

HEX #6F7E30

RGB 111 126 48

HSL 71.54, 0.45%, 0.34%

LAB 50.11, -17.5, 39.6

 

CMYK 62 / 0 / 20 / 51

HEX #307E65

RGB 48 126 101

HSL 160.77, 0.45%, 0.34%

LAB 47.61, -30.31, 6.58

 

Description

Color code: HEX #3F307F3F | qconv.com Color code: HEX #3F307F3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 48 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 48 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 16 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 16% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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