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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F246C00 it is the complementary color #C0DB9300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F246C00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F246C00 shade: #44246700, #55367A00, #66488D00, #775AA000 and #886CB300

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F246C00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F246C00 shade: #3F246C00, #2E125900, #1D004600, #0C003300 and #00002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F246C00 shade: #3E246B, #52246B, #65246B, #6B245E and #6B244B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F246C00 shade: #3E246B, #2B246B and #24246B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F246C00 shade matches the following richer shades: #3E246B, #3C1877, #390D82 and #36018E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F246C00 shade: #3E246B, #412F60, #443B54, #474648 and #4A523D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F246C00 shade: #24306B, #2B246B, #3E246B, #51246B and #64246B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F246C00 shade: #1A0F2D, #2C194C, #3E246B, #512E8A and #6338A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F246C00 shade: #3F246C, #6B2443 and #266B24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F246C00 shade: #3F246C, #6B3E24 and #246B3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F246C00 shade: #3F246C, #6B2443, #516B24 and #246B4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F246C00 shade: #3F246C, #6B242D, #516B24 and #246B62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3F246C00

RGBA 63 36 108 0

HSLA 262.5, 0.5%, 0.28%, 0

LABA 21.58, 30.07, -37.47, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #C0DB9300

RGBA 192 219 147 0

HSLA 82.5, 0.5%, 0.72%, 0

LABA 83.95, -21.02, 32.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #44246700

RGBA 68 36 103 0

HSLA 268.66, 0.48%, 0.27%, 0

LABA 21.84, 29.88, -33.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #55367A00

RGBA 85 54 122 0

HSLA 267.35, 0.39%, 0.35%, 0

LABA 29.35, 28.81, -33.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #66488D00

RGBA 102 72 141 0

HSLA 266.09, 0.32%, 0.42%, 0

LABA 36.71, 27.77, -33.75, 0

 

CMYK 0 / 0 / 0 / 0

HEX #775AA000

RGBA 119 90 160 0

HSLA 264.86, 0.28%, 0.49%, 0

LABA 43.9, 26.83, -33.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #886CB300

RGBA 136 108 179 0

HSLA 263.66, 0.32%, 0.56%, 0

LABA 50.94, 25.98, -33.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3F246C00

RGBA 63 36 108 0

HSLA 262.5, 0.5%, 0.28%, 0

LABA 21.58, 30.07, -37.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2E125900

RGBA 46 18 89 0

HSLA 263.66, 0.66%, 0.21%, 0

LABA 14.03, 31.11, -37.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1D004600

RGBA 29 0 70 0

HSLA 264.86, 1%, 0.14%, 0

LABA 6.35, 32.12, -36.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0C003300

RGBA 12 0 51 0

HSLA 254.12, 1%, 0.1%, 0

LABA 2.87, 18.34, -28.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00002000

RGBA 0 0 32 0

HSLA 240, 1%, 0.06%, 0

LABA 0.94, 6.62, -17.34, 0

 

CMYK 42 / 66 / 0 / 58

HEX #3E246B

RGB 62 36 107

HSL 261.97, 0.5%, 0.28%

LAB 21.38, 29.54, -37.15

 

CMYK 23 / 66 / 0 / 58

HEX #52246B

RGB 82 36 107

HSL 278.87, 0.5%, 0.28%

LAB 24.05, 34.55, -32.71

 

CMYK 6 / 66 / 0 / 58

HEX #65246B

RGB 101 36 107

HSL 294.93, 0.5%, 0.28%

LAB 26.99, 39.62, -27.86

 

CMYK 0 / 66 / 12 / 58

HEX #6B245E

RGB 107 36 94

HSL 310.99, 0.5%, 0.28%

LAB 27.29, 38.89, -18.89

 

CMYK 0 / 66 / 30 / 58

HEX #6B244B

RGB 107 36 75

HSL 327.04, 0.5%, 0.28%

LAB 26.44, 35.89, -7.64

 

CMYK 42 / 66 / 0 / 58

HEX #3E246B

RGB 62 36 107

HSL 261.97, 0.5%, 0.28%

LAB 21.38, 29.54, -37.15

 

CMYK 60 / 66 / 0 / 58

HEX #2B246B

RGB 43 36 107

HSL 245.92, 0.5%, 0.28%

LAB 19.38, 25.41, -40.5

 

CMYK 66 / 66 / 0 / 58

HEX #24246B

RGB 36 36 107

HSL 240, 0.5%, 0.28%

LAB 18.79, 24.13, -41.48

 

CMYK 42 / 66 / 0 / 58

HEX #3E246B

RGB 62 36 107

HSL 261.97, 0.5%, 0.28%

LAB 21.38, 29.54, -37.15

 

CMYK 50 / 80 / 0 / 53

HEX #3C1877

RGB 60 24 119

HSL 262.74, 0.66%, 0.28%

LAB 19.83, 39.21, -47.45

 

CMYK 56 / 90 / 0 / 49

HEX #390D82

RGB 57 13 130

HSL 262.56, 0.82%, 0.28%

LAB 19.1, 46.26, -55.67

 

CMYK 62 / 99 / 0 / 44

HEX #36018E

RGB 54 1 142

HSL 262.55, 0.99%, 0.28%

LAB 19.05, 52.49, -63.3

 

CMYK 42 / 66 / 0 / 58

HEX #3E246B

RGB 62 36 107

HSL 261.97, 0.5%, 0.28%

LAB 21.38, 29.54, -37.15

 

CMYK 32 / 51 / 0 / 62

HEX #412F60

RGB 65 47 96

HSL 262.04, 0.34%, 0.28%

LAB 23.68, 20.1, -26.29

 

CMYK 19 / 30 / 0 / 67

HEX #443B54

RGB 68 59 84

HSL 261.6, 0.17%, 0.28%

LAB 26.73, 9.79, -13.65

 

CMYK 1 / 3 / 0 / 72

HEX #474648

RGB 71 70 72

HSL 270, 0.01%, 0.28%

LAB 29.88, 0.86, -1.06

 

CMYK 10 / 0 / 26 / 68

HEX #4A523D

RGB 74 82 61

HSL 82.86, 0.15%, 0.28%

LAB 33.62, -7.51, 11.29

 

CMYK 66 / 55 / 0 / 58

HEX #24306B

RGB 36 48 107

HSL 229.86, 0.5%, 0.28%

LAB 22.13, 15.72, -36.07

 

CMYK 60 / 66 / 0 / 58

HEX #2B246B

RGB 43 36 107

HSL 245.92, 0.5%, 0.28%

LAB 19.38, 25.41, -40.5

 

CMYK 42 / 66 / 0 / 58

HEX #3E246B

RGB 62 36 107

HSL 261.97, 0.5%, 0.28%

LAB 21.38, 29.54, -37.15

 

CMYK 24 / 66 / 0 / 58

HEX #51246B

RGB 81 36 107

HSL 278.03, 0.5%, 0.28%

LAB 23.91, 34.29, -32.95

 

CMYK 7 / 66 / 0 / 58

HEX #64246B

RGB 100 36 107

HSL 294.08, 0.5%, 0.28%

LAB 26.83, 39.35, -28.13

 

CMYK 42 / 67 / 0 / 82

HEX #1A0F2D

RGB 26 15 45

HSL 262, 0.5%, 0.12%

LAB 6.78, 13.88, -18.1

 

CMYK 42 / 67 / 0 / 70

HEX #2C194C

RGB 44 25 76

HSL 262.35, 0.5%, 0.2%

LAB 14.13, 22.51, -28.3

 

CMYK 42 / 66 / 0 / 58

HEX #3E246B

RGB 62 36 107

HSL 261.97, 0.5%, 0.28%

LAB 21.38, 29.54, -37.15

 

CMYK 41 / 67 / 0 / 46

HEX #512E8A

RGB 81 46 138

HSL 262.83, 0.5%, 0.36%

LAB 28.22, 36.95, -45.64

 

CMYK 41 / 67 / 0 / 34

HEX #6338A9

RGB 99 56 169

HSL 262.83, 0.5%, 0.44%

LAB 34.69, 43.79, -53.93

 

CMYK 42 / 67 / 0 / 58

HEX #3F246C

RGB 63 36 108

HSL 262.5, 0.5%, 0.28%

LAB 21.58, 30.07, -37.47

 

CMYK 0 / 66 / 37 / 58

HEX #6B2443

RGB 107 36 67

HSL 333.8, 0.5%, 0.28%

LAB 26.14, 34.8, -2.73

 

CMYK 64 / 0 / 66 / 58

HEX #266B24

RGB 38 107 36

HSL 118.31, 0.5%, 0.28%

LAB 39.67, -36.81, 32.6

 

CMYK 42 / 67 / 0 / 58

HEX #3F246C

RGB 63 36 108

HSL 262.5, 0.5%, 0.28%

LAB 21.58, 30.07, -37.47

 

CMYK 0 / 42 / 66 / 58

HEX #6B3E24

RGB 107 62 36

HSL 21.97, 0.5%, 0.28%

LAB 31.11, 17.01, 24.12

 

CMYK 66 / 0 / 42 / 58

HEX #246B3E

RGB 36 107 62

HSL 141.97, 0.5%, 0.28%

LAB 39.98, -33.16, 18.89

 

CMYK 42 / 67 / 0 / 58

HEX #3F246C

RGB 63 36 108

HSL 262.5, 0.5%, 0.28%

LAB 21.58, 30.07, -37.47

 

CMYK 0 / 66 / 37 / 58

HEX #6B2443

RGB 107 36 67

HSL 333.8, 0.5%, 0.28%

LAB 26.14, 34.8, -2.73

 

CMYK 24 / 0 / 66 / 58

HEX #516B24

RGB 81 107 36

HSL 81.97, 0.5%, 0.28%

LAB 41.83, -21.64, 35.59

 

CMYK 66 / 0 / 29 / 58

HEX #246B4C

RGB 36 107 76

HSL 153.8, 0.5%, 0.28%

LAB 40.27, -30.09, 11.01

 

CMYK 42 / 67 / 0 / 58

HEX #3F246C

RGB 63 36 108

HSL 262.5, 0.5%, 0.28%

LAB 21.58, 30.07, -37.47

 

CMYK 0 / 66 / 58 / 58

HEX #6B242D

RGB 107 36 45

HSL 352.39, 0.5%, 0.28%

LAB 25.49, 32.39, 11.21

 

CMYK 24 / 0 / 66 / 58

HEX #516B24

RGB 81 107 36

HSL 81.97, 0.5%, 0.28%

LAB 41.83, -21.64, 35.59

 

CMYK 66 / 0 / 8 / 58

HEX #246B62

RGB 36 107 98

HSL 172.39, 0.5%, 0.28%

LAB 40.85, -24.21, -1.45

 

Description

Color code: HEX #3F246C00 | qconv.com Color code: HEX #3F246C00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 36 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 36 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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