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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F20A5 it is the complementary color #C0DF5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F20A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F20A5 shade: #4420A0, #5532B3, #6644C6, #7756D9 and #8868EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F20A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F20A5 shade: #3F20A5, #2E0E92, #1D007F, #0C006C and #000059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F20A5 shade: #3F20A7, #6420A7, #8820A7, #A720A1 and #A7207D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F20A5 shade: #3F20A7 and #2020A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F20A5 shade matches the following richer shades: #3F20A7 and #3710B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F20A5 shade: #3F20A7, #483097, #514087, #595077 and #626067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F20A5 shade: #204BA7, #2027A7, #3D20A7, #6120A7 and #8520A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F20A5 shade: #251362, #321984, #3F20A7, #4C26CA and #633FDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F20A5 shade: #3F20A5, #A7206F and #39A720

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F20A5 shade: #3F20A5, #A73D20 and #20A73D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F20A5 shade: #3F20A5, #A7206F, #8AA720 and #20A758

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F20A5 shade: #3F20A5, #A72046, #8AA720 and #20A781

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 81 / 0 / 35

HEX #3F20A5

RGB 63 32 165

HSL 253.98, 0.68%, 0.39%

LAB 26.18, 49.09, -65.62

 

Complementary color

CMYK 14 / 0 / 60 / 13

HEX #C0DF5A

RGB 192 223 90

HSL 73.98, 0.68%, 0.61%

LAB 84.34, -28.95, 60.2

 

CMYK 58 / 80 / 0 / 37

HEX #4420A0

RGB 68 32 160

HSL 256.88, 0.67%, 0.38%

LAB 26.16, 48.24, -62.6

 

CMYK 53 / 72 / 0 / 30

HEX #5532B3

RGB 85 50 179

HSL 256.28, 0.56%, 0.45%

LAB 32.85, 47.22, -62.97

 

CMYK 48 / 66 / 0 / 22

HEX #6644C6

RGB 102 68 198

HSL 255.69, 0.53%, 0.52%

LAB 39.64, 45.91, -62.98

 

CMYK 45 / 60 / 0 / 15

HEX #7756D9

RGB 119 86 217

HSL 255.11, 0.63%, 0.59%

LAB 46.43, 44.55, -62.83

 

CMYK 42 / 56 / 0 / 7

HEX #8868EC

RGB 136 104 236

HSL 254.55, 0.78%, 0.67%

LAB 53.16, 43.26, -62.62

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A5

RGB 63 32 165

HSL 253.98, 0.68%, 0.39%

LAB 26.18, 49.09, -65.62

 

CMYK 68 / 90 / 0 / 43

HEX #2E0E92

RGB 46 14 146

HSL 254.55, 0.83%, 0.31%

LAB 19.92, 49.33, -64.37

 

CMYK 77 / 100 / 0 / 50

HEX #1D007F

RGB 29 0 127

HSL 253.7, 1%, 0.25%

LAB 14.36, 47.8, -61.71

 

CMYK 89 / 100 / 0 / 58

HEX #0C006C

RGB 12 0 108

HSL 246.67, 1%, 0.21%

LAB 10.27, 42.27, -56.28

 

CMYK 100 / 100 / 0 / 65

HEX #000059

RGB 0 0 89

HSL 240, 1%, 0.17%

LAB 6.52, 36.3, -49.87

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A7

RGB 63 32 167

HSL 253.78, 0.68%, 0.39%

LAB 26.39, 49.66, -66.48

 

CMYK 40 / 81 / 0 / 35

HEX #6420A7

RGB 100 32 167

HSL 270.22, 0.68%, 0.39%

LAB 30.72, 54.56, -59.2

 

CMYK 19 / 81 / 0 / 35

HEX #8820A7

RGB 136 32 167

HSL 286.22, 0.68%, 0.39%

LAB 36.09, 60.69, -50.22

 

CMYK 0 / 81 / 4 / 35

HEX #A720A1

RGB 167 32 161

HSL 302.67, 0.68%, 0.39%

LAB 40.93, 65.67, -38.58

 

CMYK 0 / 81 / 25 / 35

HEX #A7207D

RGB 167 32 125

HSL 318.67, 0.68%, 0.39%

LAB 39.12, 60.57, -19.43

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A7

RGB 63 32 167

HSL 253.78, 0.68%, 0.39%

LAB 26.39, 49.66, -66.48

 

CMYK 81 / 81 / 0 / 35

HEX #2020A7

RGB 32 32 167

HSL 240, 0.68%, 0.39%

LAB 24.1, 47.08, -70.34

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A7

RGB 63 32 167

HSL 253.78, 0.68%, 0.39%

LAB 26.39, 49.66, -66.48

 

CMYK 70 / 91 / 0 / 28

HEX #3710B7

RGB 55 16 183

HSL 254.01, 0.84%, 0.39%

LAB 25.57, 59.27, -77.46

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A7

RGB 63 32 167

HSL 253.78, 0.68%, 0.39%

LAB 26.39, 49.66, -66.48

 

CMYK 52 / 68 / 0 / 41

HEX #483097

RGB 72 48 151

HSL 253.98, 0.52%, 0.39%

LAB 28.71, 37.81, -52.9

 

CMYK 40 / 53 / 0 / 47

HEX #514087

RGB 81 64 135

HSL 254.37, 0.36%, 0.39%

LAB 32.18, 25.18, -37.4

 

CMYK 25 / 33 / 0 / 53

HEX #595077

RGB 89 80 119

HSL 253.85, 0.2%, 0.39%

LAB 36.35, 12.86, -20.87

 

CMYK 5 / 7 / 0 / 60

HEX #626067

RGB 98 96 103

HSL 257.14, 0.04%, 0.39%

LAB 41.12, 2.28, -3.7

 

CMYK 81 / 55 / 0 / 35

HEX #204BA7

RGB 32 75 167

HSL 220.89, 0.68%, 0.39%

LAB 34.25, 20.13, -53.67

 

CMYK 81 / 77 / 0 / 35

HEX #2027A7

RGB 32 39 167

HSL 236.89, 0.68%, 0.39%

LAB 25.41, 43.32, -68.17

 

CMYK 63 / 81 / 0 / 35

HEX #3D20A7

RGB 61 32 167

HSL 252.89, 0.68%, 0.39%

LAB 26.2, 49.45, -66.79

 

CMYK 42 / 81 / 0 / 35

HEX #6120A7

RGB 97 32 167

HSL 268.89, 0.68%, 0.39%

LAB 30.31, 54.11, -59.88

 

CMYK 20 / 81 / 0 / 35

HEX #8520A7

RGB 133 32 167

HSL 284.89, 0.68%, 0.39%

LAB 35.62, 60.14, -51.02

 

CMYK 62 / 81 / 0 / 62

HEX #251362

RGB 37 19 98

HSL 253.67, 0.68%, 0.23%

LAB 14.06, 31.87, -43.31

 

CMYK 62 / 81 / 0 / 48

HEX #321984

RGB 50 25 132

HSL 254.02, 0.68%, 0.31%

LAB 20.2, 41.13, -55.14

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A7

RGB 63 32 167

HSL 253.78, 0.68%, 0.39%

LAB 26.39, 49.66, -66.48

 

CMYK 62 / 81 / 0 / 21

HEX #4C26CA

RGB 76 38 202

HSL 253.9, 0.68%, 0.47%

LAB 32.23, 58.26, -77.57

 

CMYK 55 / 71 / 0 / 15

HEX #633FDA

RGB 99 63 218

HSL 253.94, 0.68%, 0.55%

LAB 40.03, 53.78, -73.91

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A5

RGB 63 32 165

HSL 253.98, 0.68%, 0.39%

LAB 26.18, 49.09, -65.62

 

CMYK 0 / 81 / 34 / 35

HEX #A7206F

RGB 167 32 111

HSL 324.89, 0.68%, 0.39%

LAB 38.54, 58.89, -11.56

 

CMYK 66 / 0 / 81 / 35

HEX #39A720

RGB 57 167 32

HSL 108.89, 0.68%, 0.39%

LAB 60.44, -54.74, 55.44

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A5

RGB 63 32 165

HSL 253.98, 0.68%, 0.39%

LAB 26.18, 49.09, -65.62

 

CMYK 0 / 63 / 81 / 35

HEX #A73D20

RGB 167 61 32

HSL 12.89, 0.68%, 0.39%

LAB 40.67, 42.17, 39.56

 

CMYK 81 / 0 / 63 / 35

HEX #20A73D

RGB 32 167 61

HSL 132.89, 0.68%, 0.39%

LAB 60.14, -56.46, 43.93

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A5

RGB 63 32 165

HSL 253.98, 0.68%, 0.39%

LAB 26.18, 49.09, -65.62

 

CMYK 0 / 81 / 34 / 35

HEX #A7206F

RGB 167 32 111

HSL 324.89, 0.68%, 0.39%

LAB 38.54, 58.89, -11.56

 

CMYK 17 / 0 / 81 / 35

HEX #8AA720

RGB 138 167 32

HSL 72.89, 0.68%, 0.39%

LAB 64.28, -27.55, 60.37

 

CMYK 81 / 0 / 47 / 35

HEX #20A758

RGB 32 167 88

HSL 144.89, 0.68%, 0.39%

LAB 60.47, -52.53, 31.12

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A5

RGB 63 32 165

HSL 253.98, 0.68%, 0.39%

LAB 26.18, 49.09, -65.62

 

CMYK 0 / 81 / 58 / 35

HEX #A72046

RGB 167 32 70

HSL 343.11, 0.68%, 0.39%

LAB 37.28, 55.1, 12.75

 

CMYK 17 / 0 / 81 / 35

HEX #8AA720

RGB 138 167 32

HSL 72.89, 0.68%, 0.39%

LAB 64.28, -27.55, 60.37

 

CMYK 81 / 0 / 23 / 35

HEX #20A781

RGB 32 167 129

HSL 163.11, 0.68%, 0.39%

LAB 61.25, -43.84, 9.9

 

Description

Color code: HEX #3F20A5 | qconv.com Color code: HEX #3F20A5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 32 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 32 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 81 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 81% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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