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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F1D7F it is the complementary color #C0E280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F1D7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F1D7F shade: #441D7A, #552F8D, #6641A0, #7753B3 and #8865C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F1D7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F1D7F shade: #3F1D7F, #2E0B6C, #1D0059, #0C0046 and #000033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F1D7F shade: #401D81, #5B1D81, #761D81, #811D71 and #811D56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F1D7F shade: #401D81, #251D81 and #1D1D81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F1D7F shade matches the following richer shades: #401D81, #3C108E and #38049A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F1D7F shade: #401D81, #442A74, #483767, #4C445A and #4F504E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F1D7F shade: #1D3181, #241D81, #3E1D81, #591D81 and #741D81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F1D7F shade: #1F0E3E, #2F165F, #401D81, #5025A2 and #612DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F1D7F shade: #3F1D7F, #811D4C and #24811D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F1D7F shade: #3F1D7F, #813E1D and #1D813E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F1D7F shade: #3F1D7F, #811D4C, #60811D and #1D8152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F1D7F shade: #3F1D7F, #811D2E, #60811D and #1D8170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 77 / 0 / 50

HEX #3F1D7F

RGB 63 29 127

HSL 260.82, 0.63%, 0.31%

LAB 21.83, 39.51, -49.25

 

Complementary color

CMYK 15 / 0 / 43 / 11

HEX #C0E280

RGB 192 226 128

HSL 80.82, 0.63%, 0.69%

LAB 85.58, -26.75, 44.14

 

CMYK 44 / 76 / 0 / 52

HEX #441D7A

RGB 68 29 122

HSL 265.16, 0.62%, 0.3%

LAB 21.99, 38.98, -45.78

 

CMYK 40 / 67 / 0 / 45

HEX #552F8D

RGB 85 47 141

HSL 264.26, 0.5%, 0.37%

LAB 29.13, 38.1, -46.01

 

CMYK 36 / 59 / 0 / 37

HEX #6641A0

RGB 102 65 160

HSL 263.37, 0.42%, 0.44%

LAB 36.26, 37, -45.98

 

CMYK 34 / 54 / 0 / 30

HEX #7753B3

RGB 119 83 179

HSL 262.5, 0.39%, 0.51%

LAB 43.31, 35.89, -45.87

 

CMYK 31 / 49 / 0 / 22

HEX #8865C6

RGB 136 101 198

HSL 261.65, 0.46%, 0.59%

LAB 50.24, 34.85, -45.75

 

CMYK 50 / 77 / 0 / 50

HEX #3F1D7F

RGB 63 29 127

HSL 260.82, 0.63%, 0.31%

LAB 21.83, 39.51, -49.25

 

CMYK 57 / 90 / 0 / 58

HEX #2E0B6C

RGB 46 11 108

HSL 261.65, 0.82%, 0.23%

LAB 14.97, 39.75, -48.38

 

CMYK 67 / 100 / 0 / 65

HEX #1D0059

RGB 29 0 89

HSL 259.55, 1%, 0.17%

LAB 8.84, 37.74, -45.93

 

CMYK 83 / 100 / 0 / 73

HEX #0C0046

RGB 12 0 70

HSL 250.29, 1%, 0.14%

LAB 4.7, 29.02, -39.69

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 50 / 78 / 0 / 49

HEX #401D81

RGB 64 29 129

HSL 261, 0.63%, 0.31%

LAB 22.14, 40.25, -50

 

CMYK 29 / 78 / 0 / 49

HEX #5B1D81

RGB 91 29 129

HSL 277.2, 0.63%, 0.31%

LAB 25.83, 45.19, -43.83

 

CMYK 9 / 78 / 0 / 49

HEX #761D81

RGB 118 29 129

HSL 293.4, 0.63%, 0.31%

LAB 30.19, 50.83, -36.57

 

CMYK 0 / 78 / 12 / 49

HEX #811D71

RGB 129 29 113

HSL 309.6, 0.63%, 0.31%

LAB 31.2, 50.63, -24.74

 

CMYK 0 / 78 / 33 / 49

HEX #811D56

RGB 129 29 86

HSL 325.8, 0.63%, 0.31%

LAB 29.96, 46.84, -9.21

 

CMYK 50 / 78 / 0 / 49

HEX #401D81

RGB 64 29 129

HSL 261, 0.63%, 0.31%

LAB 22.14, 40.25, -50

 

CMYK 71 / 78 / 0 / 49

HEX #251D81

RGB 37 29 129

HSL 244.8, 0.63%, 0.31%

LAB 19.46, 36.53, -54.5

 

CMYK 78 / 78 / 0 / 49

HEX #1D1D81

RGB 29 29 129

HSL 240, 0.63%, 0.31%

LAB 18.91, 35.74, -55.44

 

CMYK 50 / 78 / 0 / 49

HEX #401D81

RGB 64 29 129

HSL 261, 0.63%, 0.31%

LAB 22.14, 40.25, -50

 

CMYK 58 / 89 / 0 / 44

HEX #3C108E

RGB 60 16 142

HSL 260.95, 0.8%, 0.31%

LAB 21.15, 48.77, -59.81

 

CMYK 64 / 97 / 0 / 40

HEX #38049A

RGB 56 4 154

HSL 260.8, 0.95%, 0.31%

LAB 21.06, 54.79, -67.4

 

CMYK 50 / 78 / 0 / 49

HEX #401D81

RGB 64 29 129

HSL 261, 0.63%, 0.31%

LAB 22.14, 40.25, -50

 

CMYK 41 / 64 / 0 / 55

HEX #442A74

RGB 68 42 116

HSL 261.08, 0.47%, 0.31%

LAB 24.15, 29.99, -38.45

 

CMYK 30 / 47 / 0 / 60

HEX #483767

RGB 72 55 103

HSL 261.25, 0.3%, 0.31%

LAB 26.99, 19.04, -25.54

 

CMYK 16 / 24 / 0 / 65

HEX #4C445A

RGB 76 68 90

HSL 261.82, 0.14%, 0.31%

LAB 30.42, 8.42, -11.81

 

CMYK 1 / 0 / 2 / 69

HEX #4F504E

RGB 79 80 78

HSL 90, 0.01%, 0.31%

LAB 33.88, -0.83, 1.03

 

CMYK 78 / 62 / 0 / 49

HEX #1D3181

RGB 29 49 129

HSL 228, 0.63%, 0.31%

LAB 23.81, 22.58, -47.38

 

CMYK 72 / 78 / 0 / 49

HEX #241D81

RGB 36 29 129

HSL 244.2, 0.63%, 0.31%

LAB 19.39, 36.42, -54.63

 

CMYK 52 / 78 / 0 / 49

HEX #3E1D81

RGB 62 29 129

HSL 259.8, 0.63%, 0.31%

LAB 21.9, 39.93, -50.4

 

CMYK 31 / 78 / 0 / 49

HEX #591D81

RGB 89 29 129

HSL 276, 0.63%, 0.31%

LAB 25.53, 44.79, -44.33

 

CMYK 10 / 78 / 0 / 49

HEX #741D81

RGB 116 29 129

HSL 292.2, 0.63%, 0.31%

LAB 29.85, 50.4, -37.13

 

CMYK 50 / 77 / 0 / 76

HEX #1F0E3E

RGB 31 14 62

HSL 261.25, 0.63%, 0.15%

LAB 8.6, 21.91, -27.54

 

CMYK 51 / 77 / 0 / 63

HEX #2F165F

RGB 47 22 95

HSL 260.55, 0.62%, 0.23%

LAB 15.51, 30.92, -38.9

 

CMYK 50 / 78 / 0 / 49

HEX #401D81

RGB 64 29 129

HSL 261, 0.63%, 0.31%

LAB 22.14, 40.25, -50

 

CMYK 51 / 77 / 0 / 36

HEX #5025A2

RGB 80 37 162

HSL 260.64, 0.63%, 0.39%

LAB 28.48, 48.13, -59.95

 

CMYK 51 / 77 / 0 / 23

HEX #612DC4

RGB 97 45 196

HSL 260.66, 0.63%, 0.47%

LAB 34.81, 56.1, -69.74

 

CMYK 50 / 77 / 0 / 50

HEX #3F1D7F

RGB 63 29 127

HSL 260.82, 0.63%, 0.31%

LAB 21.83, 39.51, -49.25

 

CMYK 0 / 78 / 41 / 49

HEX #811D4C

RGB 129 29 76

HSL 331.8, 0.63%, 0.31%

LAB 29.58, 45.68, -3.17

 

CMYK 72 / 0 / 78 / 49

HEX #24811D

RGB 36 129 29

HSL 115.8, 0.63%, 0.31%

LAB 47.19, -46.18, 43.48

 

CMYK 50 / 77 / 0 / 50

HEX #3F1D7F

RGB 63 29 127

HSL 260.82, 0.63%, 0.31%

LAB 21.83, 39.51, -49.25

 

CMYK 0 / 52 / 78 / 49

HEX #813E1D

RGB 129 62 29

HSL 19.8, 0.63%, 0.31%

LAB 34.4, 26.41, 32.7

 

CMYK 78 / 0 / 52 / 49

HEX #1D813E

RGB 29 129 62

HSL 139.8, 0.63%, 0.31%

LAB 47.38, -43.39, 28.32

 

CMYK 50 / 77 / 0 / 50

HEX #3F1D7F

RGB 63 29 127

HSL 260.82, 0.63%, 0.31%

LAB 21.83, 39.51, -49.25

 

CMYK 0 / 78 / 41 / 49

HEX #811D4C

RGB 129 29 76

HSL 331.8, 0.63%, 0.31%

LAB 29.58, 45.68, -3.17

 

CMYK 26 / 0 / 78 / 49

HEX #60811D

RGB 96 129 29

HSL 79.8, 0.63%, 0.31%

LAB 49.83, -26.82, 46.96

 

CMYK 78 / 0 / 36 / 49

HEX #1D8152

RGB 29 129 82

HSL 151.8, 0.63%, 0.31%

LAB 47.71, -39.54, 17.67

 

CMYK 50 / 77 / 0 / 50

HEX #3F1D7F

RGB 63 29 127

HSL 260.82, 0.63%, 0.31%

LAB 21.83, 39.51, -49.25

 

CMYK 0 / 78 / 64 / 49

HEX #811D2E

RGB 129 29 46

HSL 349.8, 0.63%, 0.31%

LAB 28.75, 43.02, 15.66

 

CMYK 26 / 0 / 78 / 49

HEX #60811D

RGB 96 129 29

HSL 79.8, 0.63%, 0.31%

LAB 49.83, -26.82, 46.96

 

CMYK 78 / 0 / 13 / 49

HEX #1D8170

RGB 29 129 112

HSL 169.8, 0.63%, 0.31%

LAB 48.43, -31.97, 1.23

 

Description

Color code: HEX #3F1D7F | qconv.com Color code: HEX #3F1D7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 29 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 29 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 77 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 77% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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