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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F0EBC it is the complementary color #C0F143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F0EBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F0EBC shade: #440EB7, #5520CA, #6632DD, #7744F0 and #8856FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F0EBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F0EBC shade: #3F0EBC, #2E00A9, #1D0096, #0C0083 and #000070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F0EBC shade: #400EBE, #6F0EBE, #9E0EBE, #BE0EAE and #BE0E7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F0EBC shade: #400EBE, #100EBE and #0E0EBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F0EBC shade matches the following richer shades: #400EBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F0EBC shade: #400EBE, #471FAD, #4E2F9D, #55408C and #5D507C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F0EBC shade: #0E3DBE, #0E0EBE, #3D0EBE, #6C0EBE and #9B0EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F0EBC shade: #260971, #330B97, #400EBE, #4D11E4 and #652FEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F0EBC shade: #3F0EBC, #BE0E6C and #26BE0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F0EBC shade: #3F0EBC, #BE3D0E and #0EBE3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F0EBC shade: #3F0EBC, #BE0E6C, #8FBE0E and #0EBE60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F0EBC shade: #3F0EBC, #BE0E37, #8FBE0E and #0EBE95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 93 / 0 / 26

HEX #3F0EBC

RGB 63 14 188

HSL 256.9, 0.86%, 0.4%

LAB 26.74, 61.52, -78.47

 

Complementary color

CMYK 20 / 0 / 72 / 5

HEX #C0F143

RGB 192 241 67

HSL 76.9, 0.86%, 0.6%

LAB 89.17, -38.67, 73.98

 

CMYK 63 / 92 / 0 / 28

HEX #440EB7

RGB 68 14 183

HSL 259.17, 0.86%, 0.39%

LAB 26.63, 60.58, -75.67

 

CMYK 58 / 84 / 0 / 21

HEX #5520CA

RGB 85 32 202

HSL 258.71, 0.73%, 0.46%

LAB 32.32, 61.46, -77.39

 

CMYK 54 / 77 / 0 / 13

HEX #6632DD

RGB 102 50 221

HSL 258.25, 0.72%, 0.53%

LAB 38.42, 61.18, -78.26

 

CMYK 50 / 72 / 0 / 6

HEX #7744F0

RGB 119 68 240

HSL 257.79, 0.85%, 0.6%

LAB 44.73, 60.32, -78.63

 

CMYK 47 / 66 / 0 / 0

HEX #8856FF

RGB 136 86 255

HSL 257.75, 1%, 0.67%

LAB 50.82, 58.13, -77

 

CMYK 66 / 93 / 0 / 26

HEX #3F0EBC

RGB 63 14 188

HSL 256.9, 0.86%, 0.4%

LAB 26.74, 61.52, -78.47

 

CMYK 73 / 100 / 0 / 34

HEX #2E00A9

RGB 46 0 169

HSL 256.33, 1%, 0.33%

LAB 21.75, 59.02, -75.44

 

CMYK 81 / 100 / 0 / 41

HEX #1D0096

RGB 29 0 150

HSL 251.6, 1%, 0.29%

LAB 17.75, 53.74, -70.51

 

CMYK 91 / 100 / 0 / 49

HEX #0C0083

RGB 12 0 131

HSL 245.5, 1%, 0.26%

LAB 13.93, 48.46, -65.01

 

CMYK 100 / 100 / 0 / 56

HEX #000070

RGB 0 0 112

HSL 240, 1%, 0.22%

LAB 10.33, 43.18, -58.8

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 42 / 93 / 0 / 25

HEX #6F0EBE

RGB 111 14 190

HSL 273.07, 0.86%, 0.4%

LAB 32.73, 66.09, -69.57

 

CMYK 17 / 93 / 0 / 25

HEX #9E0EBE

RGB 158 14 190

HSL 289.09, 0.86%, 0.4%

LAB 40.08, 72.31, -57.25

 

CMYK 0 / 93 / 8 / 25

HEX #BE0EAE

RGB 190 14 174

HSL 305.45, 0.86%, 0.4%

LAB 44.68, 75.16, -40.12

 

CMYK 0 / 93 / 33 / 25

HEX #BE0E7F

RGB 190 14 127

HSL 321.48, 0.86%, 0.4%

LAB 42.45, 69.37, -15.18

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 92 / 93 / 0 / 25

HEX #100EBE

RGB 16 14 190

HSL 240.68, 0.86%, 0.4%

LAB 24.14, 60.38, -84.07

 

CMYK 93 / 93 / 0 / 25

HEX #0E0EBE

RGB 14 14 190

HSL 240, 0.86%, 0.4%

LAB 24.08, 60.35, -84.16

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 59 / 82 / 0 / 32

HEX #471FAD

RGB 71 31 173

HSL 256.9, 0.7%, 0.4%

LAB 27.67, 52.66, -67.95

 

CMYK 50 / 70 / 0 / 38

HEX #4E2F9D

RGB 78 47 157

HSL 256.91, 0.54%, 0.4%

LAB 29.63, 41.26, -55.03

 

CMYK 39 / 54 / 0 / 45

HEX #55408C

RGB 85 64 140

HSL 256.58, 0.37%, 0.4%

LAB 32.9, 27.7, -39.31

 

CMYK 25 / 35 / 0 / 51

HEX #5D507C

RGB 93 80 124

HSL 257.73, 0.22%, 0.4%

LAB 36.97, 15.51, -22.98

 

CMYK 93 / 68 / 0 / 25

HEX #0E3DBE

RGB 14 61 190

HSL 223.98, 0.86%, 0.4%

LAB 32.14, 37.21, -70.79

 

CMYK 93 / 93 / 0 / 25

HEX #0E0EBE

RGB 14 14 190

HSL 240, 0.86%, 0.4%

LAB 24.08, 60.35, -84.16

 

CMYK 68 / 93 / 0 / 25

HEX #3D0EBE

RGB 61 14 190

HSL 256.02, 0.86%, 0.4%

LAB 26.8, 61.91, -79.56

 

CMYK 43 / 93 / 0 / 25

HEX #6C0EBE

RGB 108 14 190

HSL 272.05, 0.86%, 0.4%

LAB 32.3, 65.77, -70.28

 

CMYK 18 / 93 / 0 / 25

HEX #9B0EBE

RGB 155 14 190

HSL 288.07, 0.86%, 0.4%

LAB 39.58, 71.86, -58.09

 

CMYK 66 / 92 / 0 / 56

HEX #260971

RGB 38 9 113

HSL 256.73, 0.85%, 0.24%

LAB 14.4, 41.1, -52.61

 

CMYK 66 / 93 / 0 / 41

HEX #330B97

RGB 51 11 151

HSL 257.14, 0.86%, 0.32%

LAB 20.74, 51.92, -66.1

 

CMYK 66 / 93 / 0 / 25

HEX #400EBE

RGB 64 14 190

HSL 257.05, 0.86%, 0.4%

LAB 27.08, 62.08, -79.09

 

CMYK 66 / 93 / 0 / 11

HEX #4D11E4

RGB 77 17 228

HSL 257.06, 0.86%, 0.48%

LAB 33.09, 71.56, -91.16

 

CMYK 58 / 80 / 0 / 6

HEX #652FEF

RGB 101 47 239

HSL 256.88, 0.86%, 0.56%

LAB 39.63, 67.02, -86.51

 

CMYK 66 / 93 / 0 / 26

HEX #3F0EBC

RGB 63 14 188

HSL 256.9, 0.86%, 0.4%

LAB 26.74, 61.52, -78.47

 

CMYK 0 / 93 / 43 / 25

HEX #BE0E6C

RGB 190 14 108

HSL 327.95, 0.86%, 0.4%

LAB 41.76, 67.51, -4.4

 

CMYK 80 / 0 / 93 / 25

HEX #26BE0E

RGB 38 190 14

HSL 111.82, 0.86%, 0.4%

LAB 67.48, -65.98, 65.4

 

CMYK 66 / 93 / 0 / 26

HEX #3F0EBC

RGB 63 14 188

HSL 256.9, 0.86%, 0.4%

LAB 26.74, 61.52, -78.47

 

CMYK 0 / 68 / 93 / 25

HEX #BE3D0E

RGB 190 61 14

HSL 16.02, 0.86%, 0.4%

LAB 44.68, 49.94, 52.14

 

CMYK 93 / 0 / 68 / 25

HEX #0EBE3D

RGB 14 190 61

HSL 136.02, 0.86%, 0.4%

LAB 67.47, -65.21, 51.96

 

CMYK 66 / 93 / 0 / 26

HEX #3F0EBC

RGB 63 14 188

HSL 256.9, 0.86%, 0.4%

LAB 26.74, 61.52, -78.47

 

CMYK 0 / 93 / 43 / 25

HEX #BE0E6C

RGB 190 14 108

HSL 327.95, 0.86%, 0.4%

LAB 41.76, 67.51, -4.4

 

CMYK 25 / 0 / 93 / 25

HEX #8FBE0E

RGB 143 190 14

HSL 76.02, 0.86%, 0.4%

LAB 71.35, -36.76, 70.16

 

CMYK 93 / 0 / 49 / 25

HEX #0EBE60

RGB 14 190 96

HSL 147.95, 0.86%, 0.4%

LAB 67.85, -60.56, 36.31

 

CMYK 66 / 93 / 0 / 26

HEX #3F0EBC

RGB 63 14 188

HSL 256.9, 0.86%, 0.4%

LAB 26.74, 61.52, -78.47

 

CMYK 0 / 93 / 71 / 25

HEX #BE0E37

RGB 190 14 55

HSL 346.02, 0.86%, 0.4%

LAB 40.47, 63.97, 27.32

 

CMYK 25 / 0 / 93 / 25

HEX #8FBE0E

RGB 143 190 14

HSL 76.02, 0.86%, 0.4%

LAB 71.35, -36.76, 70.16

 

CMYK 93 / 0 / 22 / 25

HEX #0EBE95

RGB 14 190 149

HSL 166.02, 0.86%, 0.4%

LAB 68.82, -49.47, 9.61

 

Description

Color code: HEX #3F0EBC | qconv.com Color code: HEX #3F0EBC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 14 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 14 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 93 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 93% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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