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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F03CC it is the complementary color #C0FC33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F03CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F03CC shade: #4403C7, #5515DA, #6627ED, #7739FF and #884BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F03CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F03CC shade: #3F03CC, #2E00B9, #1D00A6, #0C0093 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F03CC shade: #4003CE, #7603CE, #AD03CE, #CE03B8 and #CE0381

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F03CC shade: #4003CE, #0903CE and #0303CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F03CC shade matches the following richer shades: #4003CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F03CC shade: #4003CE, #4614BD, #4D25AC, #54369B and #5B478A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F03CC shade: #0336CE, #0703CE, #3D03CE, #7303CE and #A903CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F03CC shade: #27027D, #3303A5, #4003CE, #4C04F7 and #6728FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F03CC shade: #3F03CC, #CE036C and #1BCE03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F03CC shade: #3F03CC, #CE3D03 and #03CE3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F03CC shade: #3F03CC, #CE036C, #94CE03 and #03CE65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F03CC shade: #3F03CC, #CE032F, #94CE03 and #03CEA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 99 / 0 / 20

HEX #3F03CC

RGB 63 3 204

HSL 257.91, 0.97%, 0.41%

LAB 28.06, 67.56, -85.69

 

Complementary color

CMYK 24 / 0 / 80 / 1

HEX #C0FC33

RGB 192 252 51

HSL 77.91, 0.97%, 0.59%

LAB 92.16, -44.21, 81.46

 

CMYK 66 / 98 / 0 / 22

HEX #4403C7

RGB 68 3 199

HSL 259.9, 0.97%, 0.4%

LAB 27.89, 66.59, -83.03

 

CMYK 61 / 90 / 0 / 15

HEX #5515DA

RGB 85 21 218

HSL 259.49, 0.82%, 0.47%

LAB 32.98, 68.74, -85.58

 

CMYK 57 / 84 / 0 / 7

HEX #6627ED

RGB 102 39 237

HSL 259.09, 0.85%, 0.54%

LAB 38.53, 69.55, -87.19

 

CMYK 53 / 78 / 0 / 0

HEX #7739FF

RGB 119 57 255

HSL 258.79, 1%, 0.61%

LAB 44.33, 69.13, -87.69

 

CMYK 47 / 71 / 0 / 0

HEX #884BFF

RGB 136 75 255

HSL 260.33, 1%, 0.65%

LAB 48.87, 63.53, -80.18

 

CMYK 69 / 99 / 0 / 20

HEX #3F03CC

RGB 63 3 204

HSL 257.91, 0.97%, 0.41%

LAB 28.06, 67.56, -85.69

 

CMYK 75 / 100 / 0 / 27

HEX #2E00B9

RGB 46 0 185

HSL 254.92, 1%, 0.36%

LAB 23.95, 62.94, -81.38

 

CMYK 83 / 100 / 0 / 35

HEX #1D00A6

RGB 29 0 166

HSL 250.48, 1%, 0.33%

LAB 20.1, 57.79, -76.4

 

CMYK 92 / 100 / 0 / 42

HEX #0C0093

RGB 12 0 147

HSL 244.9, 1%, 0.29%

LAB 16.43, 52.65, -70.88

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 69 / 99 / 0 / 19

HEX #4003CE

RGB 64 3 206

HSL 258.03, 0.97%, 0.41%

LAB 28.41, 68.08, -86.28

 

CMYK 43 / 99 / 0 / 19

HEX #7603CE

RGB 118 3 206

HSL 273.99, 0.97%, 0.41%

LAB 34.75, 71.78, -75.58

 

CMYK 16 / 99 / 0 / 19

HEX #AD03CE

RGB 173 3 206

HSL 290.25, 0.97%, 0.41%

LAB 43.37, 78.4, -61.14

 

CMYK 0 / 99 / 11 / 19

HEX #CE03B8

RGB 206 3 184

HSL 306.5, 0.97%, 0.41%

LAB 47.81, 80.36, -40.87

 

CMYK 0 / 99 / 37 / 19

HEX #CE0381

RGB 206 3 129

HSL 322.76, 0.97%, 0.41%

LAB 45.32, 74.02, -11.76

 

CMYK 69 / 99 / 0 / 19

HEX #4003CE

RGB 64 3 206

HSL 258.03, 0.97%, 0.41%

LAB 28.41, 68.08, -86.28

 

CMYK 96 / 99 / 0 / 19

HEX #0903CE

RGB 9 3 206

HSL 241.77, 0.97%, 0.41%

LAB 25.5, 66.87, -91.2

 

CMYK 99 / 99 / 0 / 19

HEX #0303CE

RGB 3 3 206

HSL 240, 0.97%, 0.41%

LAB 25.38, 66.83, -91.4

 

CMYK 69 / 99 / 0 / 19

HEX #4003CE

RGB 64 3 206

HSL 258.03, 0.97%, 0.41%

LAB 28.41, 68.08, -86.28

 

CMYK 69 / 99 / 0 / 19

HEX #4003CE

RGB 64 3 206

HSL 258.03, 0.97%, 0.41%

LAB 28.41, 68.08, -86.28

 

CMYK 63 / 89 / 0 / 26

HEX #4614BD

RGB 70 20 189

HSL 257.75, 0.81%, 0.41%

LAB 28.05, 60.69, -76.87

 

CMYK 55 / 78 / 0 / 33

HEX #4D25AC

RGB 77 37 172

HSL 257.78, 0.65%, 0.41%

LAB 29.11, 50.48, -64.96

 

CMYK 46 / 65 / 0 / 39

HEX #54369B

RGB 84 54 155

HSL 257.82, 0.48%, 0.41%

LAB 31.55, 37.88, -50.66

 

CMYK 34 / 49 / 0 / 46

HEX #5B478A

RGB 91 71 138

HSL 257.91, 0.32%, 0.41%

LAB 35.13, 24.4, -34.49

 

CMYK 99 / 74 / 0 / 19

HEX #0336CE

RGB 3 54 206

HSL 224.93, 0.97%, 0.41%

LAB 32.06, 47.07, -80.28

 

CMYK 97 / 99 / 0 / 19

HEX #0703CE

RGB 7 3 206

HSL 241.18, 0.97%, 0.41%

LAB 25.46, 66.86, -91.27

 

CMYK 70 / 99 / 0 / 19

HEX #3D03CE

RGB 61 3 206

HSL 257.14, 0.97%, 0.41%

LAB 28.15, 67.96, -86.72

 

CMYK 44 / 99 / 0 / 19

HEX #7303CE

RGB 115 3 206

HSL 273.1, 0.97%, 0.41%

LAB 34.33, 71.49, -76.29

 

CMYK 18 / 99 / 0 / 19

HEX #A903CE

RGB 169 3 206

HSL 289.06, 0.97%, 0.41%

LAB 42.7, 77.84, -62.26

 

CMYK 69 / 98 / 0 / 51

HEX #27027D

RGB 39 2 125

HSL 258.05, 0.97%, 0.25%

LAB 15.25, 46.98, -58.93

 

CMYK 69 / 98 / 0 / 35

HEX #3303A5

RGB 51 3 165

HSL 257.78, 0.96%, 0.33%

LAB 21.89, 57.51, -72.76

 

CMYK 69 / 99 / 0 / 19

HEX #4003CE

RGB 64 3 206

HSL 258.03, 0.97%, 0.41%

LAB 28.41, 68.08, -86.28

 

CMYK 69 / 98 / 0 / 3

HEX #4C04F7

RGB 76 4 247

HSL 257.78, 0.97%, 0.49%

LAB 34.68, 78.02, -99.31

 

CMYK 59 / 84 / 0 / 1

HEX #6728FC

RGB 103 40 252

HSL 257.83, 0.97%, 0.57%

LAB 40.29, 73.04, -92.73

 

CMYK 69 / 99 / 0 / 20

HEX #3F03CC

RGB 63 3 204

HSL 257.91, 0.97%, 0.41%

LAB 28.06, 67.56, -85.69

 

CMYK 0 / 99 / 48 / 19

HEX #CE036C

RGB 206 3 108

HSL 328.97, 0.97%, 0.41%

LAB 44.62, 72.17, 0.18

 

CMYK 87 / 0 / 99 / 19

HEX #1BCE03

RGB 27 206 3

HSL 112.91, 0.97%, 0.41%

LAB 72.48, -71.91, 70.7

 

CMYK 69 / 99 / 0 / 20

HEX #3F03CC

RGB 63 3 204

HSL 257.91, 0.97%, 0.41%

LAB 28.06, 67.56, -85.69

 

CMYK 0 / 70 / 99 / 19

HEX #CE3D03

RGB 206 61 3

HSL 17.14, 0.97%, 0.41%

LAB 47.58, 55.19, 58.35

 

CMYK 99 / 0 / 70 / 19

HEX #03CE3D

RGB 3 206 61

HSL 137.14, 0.97%, 0.41%

LAB 72.56, -70.37, 57.35

 

CMYK 69 / 99 / 0 / 20

HEX #3F03CC

RGB 63 3 204

HSL 257.91, 0.97%, 0.41%

LAB 28.06, 67.56, -85.69

 

CMYK 0 / 99 / 48 / 19

HEX #CE036C

RGB 206 3 108

HSL 328.97, 0.97%, 0.41%

LAB 44.62, 72.17, 0.18

 

CMYK 28 / 0 / 99 / 19

HEX #94CE03

RGB 148 206 3

HSL 77.14, 0.97%, 0.41%

LAB 76.34, -42.05, 75.39

 

CMYK 99 / 0 / 51 / 19

HEX #03CE65

RGB 3 206 101

HSL 148.97, 0.97%, 0.41%

LAB 72.96, -65.42, 40.2

 

CMYK 69 / 99 / 0 / 20

HEX #3F03CC

RGB 63 3 204

HSL 257.91, 0.97%, 0.41%

LAB 28.06, 67.56, -85.69

 

CMYK 0 / 99 / 77 / 19

HEX #CE032F

RGB 206 3 47

HSL 347, 0.97%, 0.41%

LAB 43.35, 68.76, 36.38

 

CMYK 28 / 0 / 99 / 19

HEX #94CE03

RGB 148 206 3

HSL 77.14, 0.97%, 0.41%

LAB 76.34, -42.05, 75.39

 

CMYK 99 / 0 / 21 / 19

HEX #03CEA2

RGB 3 206 162

HSL 167, 0.97%, 0.41%

LAB 74.04, -52.94, 10

 

Description

Color code: HEX #3F03CC | qconv.com Color code: HEX #3F03CC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 3 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 3 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 99 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 99% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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