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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EFE91 it is the complementary color #C1016E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EFE91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EFE91 shade: #43FE8C, #54FF9F, #65FFB2, #76FFC5 and #87FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EFE91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EFE91 shade: #3EFE91, #2DEC7E, #1CDA6B, #0BC858 and #00B645

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EFE91 shade: #3EFE91, #3EFE5D, #53FE3E, #86FE3E and #BAFE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EFE91 shade: #3EFE91, #3EFEC5, #3EFEF9, #3ED0FE and #3E9CFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EFE91 shade matches the following richer shades: #3EFE91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EFE91 shade: #3EFE91, #4EEE93, #5EDF95, #6DCF97 and #7DBF9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EFE91 shade: #55FE3E, #3EFE5B, #3EFE8E, #3EFEC1 and #3EFEF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EFE91 shade: #01E965, #15FE7A, #3EFE91, #67FEA9 and #90FEC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EFE91 shade: #3EFE91, #3E88FE and #FE413E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EFE91 shade: #3EFE91, #8E3EFE and #FE8E3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EFE91 shade: #3EFE91, #3E88FE, #FE3EAE and #FEB43E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EFE91 shade: #3EFE91, #3E4EFE, #FE3EAE and #FEEE3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

Complementary color

CMYK 0 / 99 / 43 / 24

HEX #C1016E

RGB 193 1 110

HSL 325.94, 0.99%, 0.38%

LAB 41.98, 69.68, -5.26

 

CMYK 74 / 0 / 45 / 0

HEX #43FE8C

RGB 67 254 140

HSL 143.42, 0.99%, 0.63%

LAB 88.91, -69.88, 41.5

 

CMYK 67 / 0 / 38 / 0

HEX #54FF9F

RGB 84 255 159

HSL 146.32, 1%, 0.66%

LAB 89.82, -64.47, 33.42

 

CMYK 60 / 0 / 30 / 0

HEX #65FFB2

RGB 101 255 178

HSL 150, 1%, 0.7%

LAB 90.55, -57.91, 24.93

 

CMYK 54 / 0 / 23 / 0

HEX #76FFC5

RGB 118 255 197

HSL 154.6, 1%, 0.73%

LAB 91.42, -50.66, 16.51

 

CMYK 47 / 0 / 15 / 0

HEX #87FFD8

RGB 135 255 216

HSL 160.5, 1%, 0.76%

LAB 92.41, -42.83, 8.22

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 81 / 0 / 47 / 7

HEX #2DEC7E

RGB 45 236 126

HSL 145.45, 0.83%, 0.55%

LAB 82.94, -68.63, 40.62

 

CMYK 87 / 0 / 51 / 15

HEX #1CDA6B

RGB 28 218 107

HSL 144.95, 0.77%, 0.48%

LAB 76.95, -67.15, 42.27

 

CMYK 95 / 0 / 56 / 22

HEX #0BC858

RGB 11 200 88

HSL 144.44, 0.9%, 0.41%

LAB 70.93, -65.14, 43.97

 

CMYK 100 / 0 / 62 / 29

HEX #00B645

RGB 0 182 69

HSL 142.75, 1%, 0.36%

LAB 64.87, -62.51, 45.63

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 76 / 0 / 63 / 0

HEX #3EFE5D

RGB 62 254 93

HSL 129.69, 0.99%, 0.62%

LAB 88.3, -76.76, 61.92

 

CMYK 67 / 0 / 76 / 0

HEX #53FE3E

RGB 83 254 62

HSL 113.44, 0.99%, 0.62%

LAB 88.48, -76.04, 73.38

 

CMYK 47 / 0 / 76 / 0

HEX #86FE3E

RGB 134 254 62

HSL 97.5, 0.99%, 0.62%

LAB 90, -63.92, 75.37

 

CMYK 27 / 0 / 76 / 0

HEX #BAFE3E

RGB 186 254 62

HSL 81.25, 0.99%, 0.62%

LAB 92.43, -46.81, 78.54

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 76 / 0 / 22 / 0

HEX #3EFEC5

RGB 62 254 197

HSL 162.19, 0.99%, 0.62%

LAB 89.83, -59.37, 14.08

 

CMYK 76 / 0 / 2 / 0

HEX #3EFEF9

RGB 62 254 249

HSL 178.44, 0.99%, 0.62%

LAB 91.12, -46.26, -10.97

 

CMYK 76 / 18 / 0 / 0

HEX #3ED0FE

RGB 62 208 254

HSL 194.38, 0.99%, 0.62%

LAB 78.05, -23.24, -33.43

 

CMYK 76 / 39 / 0 / 0

HEX #3E9CFE

RGB 62 156 254

HSL 210.63, 0.99%, 0.62%

LAB 63.31, 5.14, -56.54

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 67 / 0 / 38 / 7

HEX #4EEE93

RGB 78 238 147

HSL 145.88, 0.82%, 0.62%

LAB 84.42, -61.35, 32.24

 

CMYK 58 / 0 / 33 / 13

HEX #5EDF95

RGB 94 223 149

HSL 145.58, 0.67%, 0.62%

LAB 80.36, -52.16, 25.85

 

CMYK 47 / 0 / 27 / 19

HEX #6DCF97

RGB 109 207 151

HSL 145.71, 0.51%, 0.62%

LAB 76.14, -41.49, 19.11

 

CMYK 35 / 0 / 19 / 25

HEX #7DBF9A

RGB 125 191 154

HSL 146.36, 0.34%, 0.62%

LAB 72.2, -29.02, 12.1

 

CMYK 67 / 0 / 76 / 0

HEX #55FE3E

RGB 85 254 62

HSL 112.81, 0.99%, 0.62%

LAB 88.53, -75.67, 73.44

 

CMYK 76 / 0 / 64 / 0

HEX #3EFE5B

RGB 62 254 91

HSL 129.06, 0.99%, 0.62%

LAB 88.29, -76.96, 62.71

 

CMYK 76 / 0 / 44 / 0

HEX #3EFE8E

RGB 62 254 142

HSL 145, 0.99%, 0.62%

LAB 88.86, -70.19, 40.45

 

CMYK 76 / 0 / 24 / 0

HEX #3EFEC1

RGB 62 254 193

HSL 160.94, 0.99%, 0.62%

LAB 89.75, -60.27, 16.02

 

CMYK 76 / 0 / 4 / 0

HEX #3EFEF4

RGB 62 254 244

HSL 176.88, 0.99%, 0.62%

LAB 90.98, -47.63, -8.58

 

CMYK 100 / 0 / 57 / 9

HEX #01E965

RGB 1 233 101

HSL 145.86, 0.99%, 0.46%

LAB 81.41, -73.87, 50.45

 

CMYK 92 / 0 / 52 / 0

HEX #15FE7A

RGB 21 254 122

HSL 146.01, 0.99%, 0.54%

LAB 88.18, -76.69, 49.01

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 59 / 0 / 33 / 0

HEX #67FEA9

RGB 103 254 169

HSL 146.23, 0.99%, 0.7%

LAB 90.15, -58.84, 28.94

 

CMYK 43 / 0 / 24 / 0

HEX #90FEC0

RGB 144 254 192

HSL 146.18, 0.98%, 0.78%

LAB 91.96, -45.05, 19.97

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 0 / 74 / 76 / 0

HEX #FE413E

RGB 254 65 62

HSL 0.94, 0.99%, 0.62%

LAB 57.27, 69.9, 45.74

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 44 / 76 / 0 / 0

HEX #8E3EFE

RGB 142 62 254

HSL 265, 0.99%, 0.62%

LAB 47.43, 69.89, -81.95

 

CMYK 0 / 44 / 76 / 0

HEX #FE8E3E

RGB 254 142 62

HSL 25, 0.99%, 0.62%

LAB 70.01, 36.67, 58.92

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 76 / 46 / 0 / 0

HEX #3E88FE

RGB 62 136 254

HSL 216.88, 0.99%, 0.62%

LAB 57.84, 17.11, -65.29

 

CMYK 0 / 76 / 31 / 0

HEX #FE3EAE

RGB 254 62 174

HSL 325, 0.99%, 0.62%

LAB 59.5, 78.83, -16.24

 

CMYK 0 / 29 / 76 / 0

HEX #FEB43E

RGB 254 180 62

HSL 36.88, 0.99%, 0.62%

LAB 78.5, 16.94, 67.22

 

CMYK 76 / 0 / 43 / 0

HEX #3EFE91

RGB 62 254 145

HSL 145.94, 0.99%, 0.62%

LAB 88.9, -69.69, 39.04

 

CMYK 76 / 69 / 0 / 0

HEX #3E4EFE

RGB 62 78 254

HSL 235, 0.99%, 0.62%

LAB 43.7, 52.45, -88.32

 

CMYK 0 / 76 / 31 / 0

HEX #FE3EAE

RGB 254 62 174

HSL 325, 0.99%, 0.62%

LAB 59.5, 78.83, -16.24

 

CMYK 0 / 6 / 76 / 0

HEX #FEEE3E

RGB 254 238 62

HSL 55, 0.99%, 0.62%

LAB 92.82, -12.61, 80.61

 

Description

Color code: HEX #3EFE91 | qconv.com Color code: HEX #3EFE91 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 254 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 254 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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