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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EF92A it is the complementary color #C106D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EF92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EF92A shade: #43F925, #54FF38, #65FF4B, #76FF5E and #87FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EF92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EF92A shade: #3EF92A, #2DE717, #1CD504, #0BC300 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EF92A shade: #3DFA29, #76FA29, #AEFA29, #E6FA29 and #FAD529

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EF92A shade: #3DFA29, #29FA4D, #29FA85, #29FABE and #29FAF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EF92A shade matches the following richer shades: #3DFA29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EF92A shade: #3DFA29, #4CE83B, #5AD64D, #68C45E and #77B370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EF92A shade: #ADFA29, #76FA29, #3EFA29, #29FA4C and #29FA83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EF92A shade: #18CB05, #1DF306, #3DFA29, #62FB51 and #86FC7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EF92A shade: #3EF92A, #29E5FA and #FA2991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EF92A shade: #3EF92A, #293EFA and #FA293E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EF92A shade: #3EF92A, #29E5FA, #E529FA and #FA3E29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EF92A shade: #3EF92A, #29A6FA, #E529FA and #FA7D29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 83 / 2

HEX #3EF92A

RGB 62 249 42

HSL 114.2, 0.95%, 0.57%

LAB 86.48, -79.01, 76.74

 

Complementary color

CMYK 9 / 97 / 0 / 16

HEX #C106D5

RGB 193 6 213

HSL 294.2, 0.95%, 0.43%

LAB 47.33, 82.2, -58.6

 

CMYK 73 / 0 / 85 / 2

HEX #43F925

RGB 67 249 37

HSL 111.51, 0.95%, 0.56%

LAB 86.54, -78.48, 77.92

 

CMYK 67 / 0 / 78 / 0

HEX #54FF38

RGB 84 255 56

HSL 111.56, 1%, 0.61%

LAB 88.78, -76.52, 75.44

 

CMYK 60 / 0 / 71 / 0

HEX #65FF4B

RGB 101 255 75

HSL 111.33, 1%, 0.65%

LAB 89.3, -71.83, 70.06

 

CMYK 54 / 0 / 63 / 0

HEX #76FF5E

RGB 118 255 94

HSL 111.06, 1%, 0.68%

LAB 89.94, -66.23, 63.71

 

CMYK 47 / 0 / 56 / 0

HEX #87FF71

RGB 135 255 113

HSL 110.7, 1%, 0.72%

LAB 90.72, -59.8, 56.69

 

CMYK 75 / 0 / 83 / 2

HEX #3EF92A

RGB 62 249 42

HSL 114.2, 0.95%, 0.57%

LAB 86.48, -79.01, 76.74

 

CMYK 81 / 0 / 90 / 9

HEX #2DE717

RGB 45 231 23

HSL 113.65, 0.82%, 0.5%

LAB 80.61, -76.71, 75.18

 

CMYK 87 / 0 / 98 / 16

HEX #1CD504

RGB 28 213 4

HSL 113.11, 0.96%, 0.43%

LAB 74.73, -73.74, 72.42

 

CMYK 94 / 0 / 100 / 24

HEX #0BC300

RGB 11 195 0

HSL 116.62, 1%, 0.38%

LAB 68.82, -69.96, 68.04

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 76 / 0 / 84 / 2

HEX #3DFA29

RGB 61 250 41

HSL 114.26, 0.95%, 0.57%

LAB 86.76, -79.48, 77.22

 

CMYK 53 / 0 / 84 / 2

HEX #76FA29

RGB 118 250 41

HSL 97.89, 0.95%, 0.57%

LAB 88.15, -67.92, 78.98

 

CMYK 30 / 0 / 84 / 2

HEX #AEFA29

RGB 174 250 41

HSL 81.82, 0.95%, 0.57%

LAB 90.56, -50.28, 82.02

 

CMYK 8 / 0 / 84 / 2

HEX #E6FA29

RGB 230 250 41

HSL 65.74, 0.95%, 0.57%

LAB 94.04, -28.82, 86.35

 

CMYK 0 / 15 / 84 / 2

HEX #FAD529

RGB 250 213 41

HSL 49.38, 0.95%, 0.57%

LAB 86.04, -2.47, 80.36

 

CMYK 76 / 0 / 84 / 2

HEX #3DFA29

RGB 61 250 41

HSL 114.26, 0.95%, 0.57%

LAB 86.76, -79.48, 77.22

 

CMYK 84 / 0 / 69 / 2

HEX #29FA4D

RGB 41 250 77

HSL 130.33, 0.95%, 0.57%

LAB 86.69, -79.4, 66.3

 

CMYK 84 / 0 / 47 / 2

HEX #29FA85

RGB 41 250 133

HSL 146.41, 0.95%, 0.57%

LAB 87.26, -72.48, 42.7

 

CMYK 84 / 0 / 24 / 2

HEX #29FABE

RGB 41 250 190

HSL 162.78, 0.95%, 0.57%

LAB 88.24, -61.36, 15.41

 

CMYK 84 / 0 / 2 / 2

HEX #29FAF6

RGB 41 250 246

HSL 178.85, 0.95%, 0.57%

LAB 89.63, -47.04, -11.67

 

CMYK 76 / 0 / 84 / 2

HEX #3DFA29

RGB 61 250 41

HSL 114.26, 0.95%, 0.57%

LAB 86.76, -79.48, 77.22

 

CMYK 76 / 0 / 84 / 2

HEX #3DFA29

RGB 61 250 41

HSL 114.26, 0.95%, 0.57%

LAB 86.76, -79.48, 77.22

 

CMYK 67 / 0 / 75 / 9

HEX #4CE83B

RGB 76 232 59

HSL 114.1, 0.79%, 0.57%

LAB 81.6, -70.6, 67.54

 

CMYK 58 / 0 / 64 / 16

HEX #5AD64D

RGB 90 214 77

HSL 114.31, 0.63%, 0.57%

LAB 76.56, -60.04, 55.68

 

CMYK 47 / 0 / 52 / 23

HEX #68C45E

RGB 104 196 94

HSL 114.12, 0.46%, 0.57%

LAB 71.71, -47.49, 42.52

 

CMYK 34 / 0 / 37 / 30

HEX #77B370

RGB 119 179 112

HSL 113.73, 0.31%, 0.57%

LAB 67.53, -32.76, 28.22

 

CMYK 31 / 0 / 84 / 2

HEX #ADFA29

RGB 173 250 41

HSL 82.11, 0.95%, 0.57%

LAB 90.51, -50.64, 81.96

 

CMYK 53 / 0 / 84 / 2

HEX #76FA29

RGB 118 250 41

HSL 97.89, 0.95%, 0.57%

LAB 88.15, -67.92, 78.98

 

CMYK 75 / 0 / 84 / 2

HEX #3EFA29

RGB 62 250 41

HSL 113.97, 0.95%, 0.57%

LAB 86.78, -79.34, 77.24

 

CMYK 84 / 0 / 70 / 2

HEX #29FA4C

RGB 41 250 76

HSL 130.05, 0.95%, 0.57%

LAB 86.68, -79.49, 66.65

 

CMYK 84 / 0 / 48 / 2

HEX #29FA83

RGB 41 250 131

HSL 145.84, 0.95%, 0.57%

LAB 87.23, -72.8, 43.63

 

CMYK 88 / 0 / 98 / 20

HEX #18CB05

RGB 24 203 5

HSL 114.24, 0.95%, 0.41%

LAB 71.5, -71.27, 69.68

 

CMYK 88 / 0 / 98 / 5

HEX #1DF306

RGB 29 243 6

HSL 114.18, 0.95%, 0.49%

LAB 84.16, -81.77, 79.88

 

CMYK 76 / 0 / 84 / 2

HEX #3DFA29

RGB 61 250 41

HSL 114.26, 0.95%, 0.57%

LAB 86.76, -79.48, 77.22

 

CMYK 61 / 0 / 68 / 2

HEX #62FB51

RGB 98 251 81

HSL 114, 0.96%, 0.65%

LAB 88.06, -70.67, 66.57

 

CMYK 47 / 0 / 52 / 1

HEX #86FC7A

RGB 134 252 122

HSL 114.46, 0.96%, 0.73%

LAB 89.9, -57.88, 51.64

 

CMYK 75 / 0 / 83 / 2

HEX #3EF92A

RGB 62 249 42

HSL 114.2, 0.95%, 0.57%

LAB 86.48, -79.01, 76.74

 

CMYK 84 / 8 / 0 / 2

HEX #29E5FA

RGB 41 229 250

HSL 186.03, 0.95%, 0.57%

LAB 83.66, -36.46, -22.74

 

CMYK 0 / 84 / 42 / 2

HEX #FA2991

RGB 250 41 145

HSL 330.14, 0.95%, 0.57%

LAB 56.04, 80.12, -4.5

 

CMYK 75 / 0 / 83 / 2

HEX #3EF92A

RGB 62 249 42

HSL 114.2, 0.95%, 0.57%

LAB 86.48, -79.01, 76.74

 

CMYK 84 / 75 / 0 / 2

HEX #293EFA

RGB 41 62 250

HSL 233.97, 0.95%, 0.57%

LAB 39.27, 58.61, -93.42

 

CMYK 0 / 84 / 75 / 2

HEX #FA293E

RGB 250 41 62

HSL 353.97, 0.95%, 0.57%

LAB 54.3, 75.04, 42.29

 

CMYK 75 / 0 / 83 / 2

HEX #3EF92A

RGB 62 249 42

HSL 114.2, 0.95%, 0.57%

LAB 86.48, -79.01, 76.74

 

CMYK 84 / 8 / 0 / 2

HEX #29E5FA

RGB 41 229 250

HSL 186.03, 0.95%, 0.57%

LAB 83.66, -36.46, -22.74

 

CMYK 8 / 84 / 0 / 2

HEX #E529FA

RGB 229 41 250

HSL 293.97, 0.95%, 0.57%

LAB 57.22, 89.01, -63.28

 

CMYK 0 / 75 / 84 / 2

HEX #FA3E29

RGB 250 62 41

HSL 6.03, 0.95%, 0.57%

LAB 56.02, 69.05, 54.88

 

CMYK 75 / 0 / 83 / 2

HEX #3EF92A

RGB 62 249 42

HSL 114.2, 0.95%, 0.57%

LAB 86.48, -79.01, 76.74

 

CMYK 84 / 34 / 0 / 2

HEX #29A6FA

RGB 41 166 250

HSL 204.11, 0.95%, 0.57%

LAB 65.47, -4.04, -50.94

 

CMYK 8 / 84 / 0 / 2

HEX #E529FA

RGB 229 41 250

HSL 293.97, 0.95%, 0.57%

LAB 57.22, 89.01, -63.28

 

CMYK 0 / 50 / 84 / 2

HEX #FA7D29

RGB 250 125 41

HSL 24.11, 0.95%, 0.57%

LAB 65.87, 42.96, 63.4

 

Description

Color code: HEX #3EF92A | qconv.com Color code: HEX #3EF92A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 249 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 249 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 83 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 83% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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