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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EF27B it is the complementary color #C10D84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EF27B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EF27B shade: #43F276, #54FF89, #65FF9C, #76FFAF and #87FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EF27B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EF27B shade: #3EF27B, #2DE068, #1CCE55, #0BBC42 and #00AA2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EF27B shade: #40F27C, #40F24D, #64F240, #94F240 and #C4F240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EF27B shade: #40F27C, #40F2AC, #40F2DC, #40D8F2 and #40A8F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EF27B shade matches the following richer shades: #40F27C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EF27B shade: #40F27C, #51E182, #61D187, #72C08C and #82B092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EF27B shade: #64F240, #40F24C, #40F27B, #40F2AB and #40F2DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EF27B shade: #0FD150, #1AEF62, #40F27C, #67F497 and #8DF7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EF27B shade: #3EF27B, #4093F2 and #F2404C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EF27B shade: #3EF27B, #7B40F2 and #F27B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EF27B shade: #3EF27B, #4093F2, #F240B7 and #F29F40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EF27B shade: #3EF27B, #405EF2, #F240B7 and #F2D440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 49 / 5

HEX #3EF27B

RGB 62 242 123

HSL 140.33, 0.87%, 0.6%

LAB 84.98, -69.13, 44.68

 

Complementary color

CMYK 0 / 93 / 32 / 24

HEX #C10D84

RGB 193 13 132

HSL 320.33, 0.87%, 0.4%

LAB 43.2, 70.66, -17.06

 

CMYK 72 / 0 / 51 / 5

HEX #43F276

RGB 67 242 118

HSL 137.49, 0.87%, 0.61%

LAB 85, -69.15, 47.09

 

CMYK 67 / 0 / 46 / 0

HEX #54FF89

RGB 84 255 137

HSL 138.6, 1%, 0.66%

LAB 89.49, -68.12, 43.75

 

CMYK 60 / 0 / 39 / 0

HEX #65FF9C

RGB 101 255 156

HSL 141.43, 1%, 0.7%

LAB 90.18, -61.92, 35.46

 

CMYK 54 / 0 / 31 / 0

HEX #76FFAF

RGB 118 255 175

HSL 144.96, 1%, 0.73%

LAB 90.99, -54.96, 27.13

 

CMYK 47 / 0 / 24 / 0

HEX #87FFC2

RGB 135 255 194

HSL 149.5, 1%, 0.76%

LAB 91.94, -47.36, 18.86

 

CMYK 74 / 0 / 49 / 5

HEX #3EF27B

RGB 62 242 123

HSL 140.33, 0.87%, 0.6%

LAB 84.98, -69.13, 44.68

 

CMYK 80 / 0 / 54 / 12

HEX #2DE068

RGB 45 224 104

HSL 139.78, 0.74%, 0.53%

LAB 78.97, -68.01, 46.21

 

CMYK 86 / 0 / 59 / 19

HEX #1CCE55

RGB 28 206 85

HSL 139.21, 0.76%, 0.46%

LAB 72.92, -66.42, 47.74

 

CMYK 94 / 0 / 65 / 26

HEX #0BBC42

RGB 11 188 66

HSL 138.64, 0.89%, 0.39%

LAB 66.85, -64.21, 49.19

 

CMYK 100 / 0 / 72 / 33

HEX #00AA2F

RGB 0 170 47

HSL 136.59, 1%, 0.33%

LAB 60.74, -61.26, 50.35

 

CMYK 74 / 0 / 49 / 5

HEX #40F27C

RGB 64 242 124

HSL 140.22, 0.87%, 0.6%

LAB 85.02, -68.7, 44.26

 

CMYK 74 / 0 / 68 / 5

HEX #40F24D

RGB 64 242 77

HSL 124.38, 0.87%, 0.6%

LAB 84.55, -74.32, 64.13

 

CMYK 59 / 0 / 74 / 5

HEX #64F240

RGB 100 242 64

HSL 107.87, 0.87%, 0.6%

LAB 85.29, -68.48, 69.76

 

CMYK 39 / 0 / 74 / 5

HEX #94F240

RGB 148 242 64

HSL 91.69, 0.87%, 0.6%

LAB 87.08, -54.93, 72.12

 

CMYK 19 / 0 / 74 / 5

HEX #C4F240

RGB 196 242 64

HSL 75.51, 0.87%, 0.6%

LAB 89.68, -37.74, 75.53

 

CMYK 74 / 0 / 49 / 5

HEX #40F27C

RGB 64 242 124

HSL 140.22, 0.87%, 0.6%

LAB 85.02, -68.7, 44.26

 

CMYK 74 / 0 / 29 / 5

HEX #40F2AC

RGB 64 242 172

HSL 156.4, 0.87%, 0.6%

LAB 85.79, -60.01, 21.31

 

CMYK 74 / 0 / 9 / 5

HEX #40F2DC

RGB 64 242 220

HSL 172.58, 0.87%, 0.6%

LAB 86.88, -48.66, -2.12

 

CMYK 74 / 11 / 0 / 5

HEX #40D8F2

RGB 64 216 242

HSL 188.76, 0.87%, 0.6%

LAB 79.96, -30.69, -24.09

 

CMYK 74 / 31 / 0 / 5

HEX #40A8F2

RGB 64 168 242

HSL 204.94, 0.87%, 0.6%

LAB 66.14, -5.7, -45.49

 

CMYK 74 / 0 / 49 / 5

HEX #40F27C

RGB 64 242 124

HSL 140.22, 0.87%, 0.6%

LAB 85.02, -68.7, 44.26

 

CMYK 74 / 0 / 49 / 5

HEX #40F27C

RGB 64 242 124

HSL 140.22, 0.87%, 0.6%

LAB 85.02, -68.7, 44.26

 

CMYK 64 / 0 / 42 / 12

HEX #51E182

RGB 81 225 130

HSL 140.42, 0.71%, 0.6%

LAB 80.3, -58.94, 35.38

 

CMYK 54 / 0 / 35 / 18

HEX #61D187

RGB 97 209 135

HSL 140.36, 0.55%, 0.6%

LAB 76, -48.35, 27.25

 

CMYK 41 / 0 / 27 / 25

HEX #72C08C

RGB 114 192 140

HSL 140, 0.38%, 0.6%

LAB 71.67, -35.49, 18.83

 

CMYK 26 / 0 / 17 / 31

HEX #82B092

RGB 130 176 146

HSL 140.87, 0.23%, 0.6%

LAB 67.93, -21.62, 10.46

 

CMYK 59 / 0 / 74 / 5

HEX #64F240

RGB 100 242 64

HSL 107.87, 0.87%, 0.6%

LAB 85.29, -68.48, 69.76

 

CMYK 74 / 0 / 69 / 5

HEX #40F24C

RGB 64 242 76

HSL 124.04, 0.87%, 0.6%

LAB 84.54, -74.41, 64.5

 

CMYK 74 / 0 / 49 / 5

HEX #40F27B

RGB 64 242 123

HSL 139.89, 0.87%, 0.6%

LAB 85.01, -68.85, 44.72

 

CMYK 74 / 0 / 29 / 5

HEX #40F2AB

RGB 64 242 171

HSL 156.07, 0.87%, 0.6%

LAB 85.77, -60.22, 21.8

 

CMYK 74 / 0 / 10 / 5

HEX #40F2DA

RGB 64 242 218

HSL 171.91, 0.87%, 0.6%

LAB 86.83, -49.18, -1.14

 

CMYK 93 / 0 / 62 / 18

HEX #0FD150

RGB 15 209 80

HSL 140.1, 0.87%, 0.44%

LAB 73.73, -68.79, 50.87

 

CMYK 89 / 0 / 59 / 6

HEX #1AEF62

RGB 26 239 98

HSL 140.28, 0.87%, 0.52%

LAB 83.36, -75.08, 54.09

 

CMYK 74 / 0 / 49 / 5

HEX #40F27C

RGB 64 242 124

HSL 140.22, 0.87%, 0.6%

LAB 85.02, -68.7, 44.26

 

CMYK 58 / 0 / 38 / 4

HEX #67F497

RGB 103 244 151

HSL 140.43, 0.87%, 0.68%

LAB 86.91, -58.16, 33.64

 

CMYK 43 / 0 / 28 / 3

HEX #8DF7B1

RGB 141 247 177

HSL 140.38, 0.87%, 0.76%

LAB 89.56, -45.59, 24.29

 

CMYK 74 / 0 / 49 / 5

HEX #3EF27B

RGB 62 242 123

HSL 140.33, 0.87%, 0.6%

LAB 84.98, -69.13, 44.68

 

CMYK 74 / 39 / 0 / 5

HEX #4093F2

RGB 64 147 242

HSL 212.02, 0.87%, 0.6%

LAB 60.22, 6.42, -54.86

 

CMYK 0 / 74 / 69 / 5

HEX #F2404C

RGB 242 64 76

HSL 355.96, 0.87%, 0.6%

LAB 55.14, 67.29, 34.91

 

CMYK 74 / 0 / 49 / 5

HEX #3EF27B

RGB 62 242 123

HSL 140.33, 0.87%, 0.6%

LAB 84.98, -69.13, 44.68

 

CMYK 49 / 74 / 0 / 5

HEX #7B40F2

RGB 123 64 242

HSL 259.89, 0.87%, 0.6%

LAB 44.64, 63.3, -79.88

 

CMYK 0 / 49 / 74 / 5

HEX #F27B40

RGB 242 123 64

HSL 19.89, 0.87%, 0.6%

LAB 64.49, 41.66, 51.83

 

CMYK 74 / 0 / 49 / 5

HEX #3EF27B

RGB 62 242 123

HSL 140.33, 0.87%, 0.6%

LAB 84.98, -69.13, 44.68

 

CMYK 74 / 39 / 0 / 5

HEX #4093F2

RGB 64 147 242

HSL 212.02, 0.87%, 0.6%

LAB 60.22, 6.42, -54.86

 

CMYK 0 / 74 / 24 / 5

HEX #F240B7

RGB 242 64 183

HSL 319.89, 0.87%, 0.6%

LAB 58, 76.41, -23.92

 

CMYK 0 / 34 / 74 / 5

HEX #F29F40

RGB 242 159 64

HSL 32.02, 0.87%, 0.6%

LAB 72.26, 23.05, 59.82

 

CMYK 74 / 0 / 49 / 5

HEX #3EF27B

RGB 62 242 123

HSL 140.33, 0.87%, 0.6%

LAB 84.98, -69.13, 44.68

 

CMYK 74 / 61 / 0 / 5

HEX #405EF2

RGB 64 94 242

HSL 229.89, 0.87%, 0.6%

LAB 46.32, 39.04, -77.3

 

CMYK 0 / 74 / 24 / 5

HEX #F240B7

RGB 242 64 183

HSL 319.89, 0.87%, 0.6%

LAB 58, 76.41, -23.92

 

CMYK 0 / 12 / 74 / 5

HEX #F2D440

RGB 242 212 64

HSL 49.89, 0.87%, 0.6%

LAB 85.17, -4.57, 72.45

 

Description

Color code: HEX #3EF27B | qconv.com Color code: HEX #3EF27B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 242 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 242 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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