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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EED33 it is the complementary color #C112CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EED33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EED33 shade: #43ED2E, #54FF41, #65FF54, #76FF67 and #87FF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EED33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EED33 shade: #3EED33, #2DDB20, #1CC90D, #0BB700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EED33 shade: #3CED31, #6FED31, #A1ED31, #D4ED31 and #EDD331

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EED33 shade: #3CED31, #31ED58, #31ED8B, #31EDBE and #31E9ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EED33 shade matches the following richer shades: #3CED31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EED33 shade: #3CED31, #4CDB43, #5CC955, #6CB767 and #7CA479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EED33 shade: #A2ED31, #6FED31, #3DED31, #31ED56 and #31ED89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EED33 shade: #1ABB10, #20E114, #3CED31, #60F057 and #84F47C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EED33 shade: #3EED33, #31D4ED and #ED3189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EED33 shade: #3EED33, #313DED and #ED313D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EED33 shade: #3EED33, #31D4ED, #E031ED and #ED4A31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EED33 shade: #3EED33, #319BED, #E031ED and #ED8231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 78 / 7

HEX #3EED33

RGB 62 237 51

HSL 116.45, 0.84%, 0.56%

LAB 82.82, -75.01, 71.07

 

Complementary color

CMYK 5 / 91 / 0 / 20

HEX #C112CC

RGB 193 18 204

HSL 296.45, 0.84%, 0.44%

LAB 47.14, 79.63, -53.72

 

CMYK 72 / 0 / 81 / 7

HEX #43ED2E

RGB 67 237 46

HSL 113.4, 0.84%, 0.55%

LAB 82.89, -74.51, 72.53

 

CMYK 67 / 0 / 75 / 0

HEX #54FF41

RGB 84 255 65

HSL 114, 1%, 0.63%

LAB 88.82, -75.97, 72.79

 

CMYK 60 / 0 / 67 / 0

HEX #65FF54

RGB 101 255 84

HSL 114.04, 1%, 0.66%

LAB 89.36, -71.11, 66.84

 

CMYK 54 / 0 / 60 / 0

HEX #76FF67

RGB 118 255 103

HSL 114.08, 1%, 0.7%

LAB 90.02, -65.34, 60.07

 

CMYK 47 / 0 / 52 / 0

HEX #87FF7A

RGB 135 255 122

HSL 114.14, 1%, 0.74%

LAB 90.81, -58.77, 52.75

 

CMYK 74 / 0 / 78 / 7

HEX #3EED33

RGB 62 237 51

HSL 116.45, 0.84%, 0.56%

LAB 82.82, -75.01, 71.07

 

CMYK 79 / 0 / 85 / 14

HEX #2DDB20

RGB 45 219 32

HSL 115.83, 0.75%, 0.49%

LAB 76.88, -72.97, 70.3

 

CMYK 86 / 0 / 94 / 21

HEX #1CC90D

RGB 28 201 13

HSL 115.21, 0.88%, 0.42%

LAB 70.9, -70.23, 68.34

 

CMYK 94 / 0 / 100 / 28

HEX #0BB700

RGB 11 183 0

HSL 116.39, 1%, 0.36%

LAB 64.91, -66.66, 64.9

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 75 / 0 / 79 / 7

HEX #3CED31

RGB 60 237 49

HSL 116.49, 0.84%, 0.56%

LAB 82.78, -75.42, 71.57

 

CMYK 53 / 0 / 79 / 7

HEX #6FED31

RGB 111 237 49

HSL 100.21, 0.84%, 0.56%

LAB 84.05, -64.89, 73.22

 

CMYK 32 / 0 / 79 / 7

HEX #A1ED31

RGB 161 237 49

HSL 84.26, 0.84%, 0.56%

LAB 86.19, -49.23, 75.97

 

CMYK 11 / 0 / 79 / 7

HEX #D4ED31

RGB 212 237 49

HSL 67.98, 0.84%, 0.56%

LAB 89.29, -29.78, 79.92

 

CMYK 0 / 11 / 79 / 7

HEX #EDD331

RGB 237 211 49

HSL 51.7, 0.84%, 0.56%

LAB 84.39, -6.73, 76.35

 

CMYK 75 / 0 / 79 / 7

HEX #3CED31

RGB 60 237 49

HSL 116.49, 0.84%, 0.56%

LAB 82.78, -75.42, 71.57

 

CMYK 79 / 0 / 63 / 7

HEX #31ED58

RGB 49 237 88

HSL 132.45, 0.84%, 0.56%

LAB 82.87, -73.65, 57.87

 

CMYK 79 / 0 / 41 / 7

HEX #31ED8B

RGB 49 237 139

HSL 148.72, 0.84%, 0.56%

LAB 83.49, -66.36, 34.93

 

CMYK 79 / 0 / 20 / 7

HEX #31EDBE

RGB 49 237 190

HSL 165, 0.84%, 0.56%

LAB 84.45, -55.67, 10.05

 

CMYK 79 / 2 / 0 / 7

HEX #31E9ED

RGB 49 233 237

HSL 181.28, 0.84%, 0.56%

LAB 84.51, -41.54, -14.59

 

CMYK 75 / 0 / 79 / 7

HEX #3CED31

RGB 60 237 49

HSL 116.49, 0.84%, 0.56%

LAB 82.78, -75.42, 71.57

 

CMYK 75 / 0 / 79 / 7

HEX #3CED31

RGB 60 237 49

HSL 116.49, 0.84%, 0.56%

LAB 82.78, -75.42, 71.57

 

CMYK 65 / 0 / 69 / 14

HEX #4CDB43

RGB 76 219 67

HSL 116.45, 0.68%, 0.56%

LAB 77.64, -65.77, 60.7

 

CMYK 54 / 0 / 58 / 21

HEX #5CC955

RGB 92 201 85

HSL 116.38, 0.52%, 0.56%

LAB 72.7, -53.87, 47.82

 

CMYK 41 / 0 / 44 / 28

HEX #6CB767

RGB 108 183 103

HSL 116.25, 0.36%, 0.56%

LAB 68.05, -39.51, 33.49

 

CMYK 24 / 0 / 26 / 36

HEX #7CA479

RGB 124 164 121

HSL 115.81, 0.19%, 0.56%

LAB 63.52, -22.24, 18.02

 

CMYK 32 / 0 / 79 / 7

HEX #A2ED31

RGB 162 237 49

HSL 83.94, 0.84%, 0.56%

LAB 86.24, -48.88, 76.03

 

CMYK 53 / 0 / 79 / 7

HEX #6FED31

RGB 111 237 49

HSL 100.21, 0.84%, 0.56%

LAB 84.05, -64.89, 73.22

 

CMYK 74 / 0 / 79 / 7

HEX #3DED31

RGB 61 237 49

HSL 116.17, 0.84%, 0.56%

LAB 82.8, -75.27, 71.6

 

CMYK 79 / 0 / 64 / 7

HEX #31ED56

RGB 49 237 86

HSL 131.81, 0.84%, 0.56%

LAB 82.86, -73.87, 58.68

 

CMYK 79 / 0 / 42 / 7

HEX #31ED89

RGB 49 237 137

HSL 148.09, 0.84%, 0.56%

LAB 83.46, -66.71, 35.88

 

CMYK 86 / 0 / 91 / 27

HEX #1ABB10

RGB 26 187 16

HSL 116.49, 0.84%, 0.4%

LAB 66.37, -66.36, 64.1

 

CMYK 86 / 0 / 91 / 12

HEX #20E114

RGB 32 225 20

HSL 116.49, 0.84%, 0.48%

LAB 78.58, -76.4, 73.85

 

CMYK 75 / 0 / 79 / 7

HEX #3CED31

RGB 60 237 49

HSL 116.49, 0.84%, 0.56%

LAB 82.78, -75.42, 71.57

 

CMYK 60 / 0 / 64 / 6

HEX #60F057

RGB 96 240 87

HSL 116.47, 0.84%, 0.64%

LAB 84.74, -66.83, 60.62

 

CMYK 46 / 0 / 49 / 4

HEX #84F47C

RGB 132 244 124

HSL 116, 0.85%, 0.72%

LAB 87.52, -55.04, 47.78

 

CMYK 74 / 0 / 78 / 7

HEX #3EED33

RGB 62 237 51

HSL 116.45, 0.84%, 0.56%

LAB 82.82, -75.01, 71.07

 

CMYK 79 / 11 / 0 / 7

HEX #31D4ED

RGB 49 212 237

HSL 187.98, 0.84%, 0.56%

LAB 78.38, -31.8, -23.86

 

CMYK 0 / 79 / 42 / 7

HEX #ED3189

RGB 237 49 137

HSL 331.91, 0.84%, 0.56%

LAB 54.03, 74.5, -2.98

 

CMYK 74 / 0 / 78 / 7

HEX #3EED33

RGB 62 237 51

HSL 116.45, 0.84%, 0.56%

LAB 82.82, -75.01, 71.07

 

CMYK 79 / 74 / 0 / 7

HEX #313DED

RGB 49 61 237

HSL 236.17, 0.84%, 0.56%

LAB 38.03, 55.42, -88.15

 

CMYK 0 / 79 / 74 / 7

HEX #ED313D

RGB 237 49 61

HSL 356.17, 0.84%, 0.56%

LAB 52.44, 69.64, 40.09

 

CMYK 74 / 0 / 78 / 7

HEX #3EED33

RGB 62 237 51

HSL 116.45, 0.84%, 0.56%

LAB 82.82, -75.01, 71.07

 

CMYK 79 / 11 / 0 / 7

HEX #31D4ED

RGB 49 212 237

HSL 187.98, 0.84%, 0.56%

LAB 78.38, -31.8, -23.86

 

CMYK 5 / 79 / 0 / 7

HEX #E031ED

RGB 224 49 237

HSL 295.85, 0.84%, 0.56%

LAB 56.25, 84.33, -57.62

 

CMYK 0 / 69 / 79 / 7

HEX #ED4A31

RGB 237 74 49

HSL 7.98, 0.84%, 0.56%

LAB 55.2, 61.22, 49.41

 

CMYK 74 / 0 / 78 / 7

HEX #3EED33

RGB 62 237 51

HSL 116.45, 0.84%, 0.56%

LAB 82.82, -75.01, 71.07

 

CMYK 79 / 35 / 0 / 7

HEX #319BED

RGB 49 155 237

HSL 206.17, 0.84%, 0.56%

LAB 61.84, -1.72, -49.57

 

CMYK 5 / 79 / 0 / 7

HEX #E031ED

RGB 224 49 237

HSL 295.85, 0.84%, 0.56%

LAB 56.25, 84.33, -57.62

 

CMYK 0 / 45 / 79 / 7

HEX #ED8231

RGB 237 130 49

HSL 25.85, 0.84%, 0.56%

LAB 65.11, 35.58, 58.92

 

Description

Color code: HEX #3EED33 | qconv.com Color code: HEX #3EED33 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 237 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 237 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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