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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EEAA0 it is the complementary color #C1155F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EEAA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EEAA0 shade: #43EA9B, #54FCAE, #65FFC1, #76FFD4 and #87FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EEAA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EEAA0 shade: #3EEAA0, #2DD88D, #1CC67A, #0BB467 and #00A254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EEAA0 shade: #3EEAA0, #3EEA72, #3EEA43, #67EA3E and #95EA3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EEAA0 shade: #3EEAA0, #3EEACE, #3ED7EA, #3EA9EA and #3E7AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EEAA0 shade matches the following richer shades: #3EEAA0 and #2DFBA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EEAA0 shade: #3EEAA0, #50D89D, #61C79B, #72B699 and #84A496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EEAA0 shade: #3EEA44, #3EEA72, #3EEA9F, #3EEACD and #3ED8EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EEAA0 shade: #15C077, #19E58D, #3EEAA0, #63EEB2 and #88F2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EEAA0 shade: #3EEAA0, #3E66EA and #EA5B3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EEAA0 shade: #3EEAA0, #9F3EEA and #EA9F3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EEAA0 shade: #3EEAA0, #3E66EA, #EA3E88 and #EAC23E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EEAA0 shade: #3EEAA0, #4A3EEA, #EA3E88 and #DEEA3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

Complementary color

CMYK 0 / 89 / 51 / 24

HEX #C1155F

RGB 193 21 95

HSL 334.19, 0.8%, 0.42%

LAB 42.31, 66.13, 4.65

 

CMYK 71 / 0 / 34 / 8

HEX #43EA9B

RGB 67 234 155

HSL 151.62, 0.8%, 0.59%

LAB 83.13, -60.06, 26.4

 

CMYK 67 / 0 / 31 / 1

HEX #54FCAE

RGB 84 252 174

HSL 152.14, 0.97%, 0.66%

LAB 89.19, -60.53, 25.02

 

CMYK 60 / 0 / 24 / 0

HEX #65FFC1

RGB 101 255 193

HSL 155.84, 1%, 0.7%

LAB 90.84, -54.89, 17.68

 

CMYK 54 / 0 / 17 / 0

HEX #76FFD4

RGB 118 255 212

HSL 161.17, 1%, 0.73%

LAB 91.74, -47.45, 9.25

 

CMYK 47 / 0 / 9 / 0

HEX #87FFE7

RGB 135 255 231

HSL 168, 1%, 0.76%

LAB 92.77, -39.5, 1

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 79 / 0 / 35 / 15

HEX #2DD88D

RGB 45 216 141

HSL 153.68, 0.69%, 0.51%

LAB 77.04, -58.91, 25.32

 

CMYK 86 / 0 / 38 / 22

HEX #1CC67A

RGB 28 198 122

HSL 153.18, 0.75%, 0.44%

LAB 70.9, -57.72, 26.95

 

CMYK 94 / 0 / 43 / 29

HEX #0BB467

RGB 11 180 103

HSL 152.66, 0.88%, 0.37%

LAB 64.72, -56.04, 28.72

 

CMYK 100 / 0 / 48 / 36

HEX #00A254

RGB 0 162 84

HSL 151.11, 1%, 0.32%

LAB 58.49, -53.79, 30.63

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 74 / 0 / 51 / 8

HEX #3EEA72

RGB 62 234 114

HSL 138.14, 0.8%, 0.58%

LAB 82.42, -67.76, 45.79

 

CMYK 74 / 0 / 71 / 8

HEX #3EEA43

RGB 62 234 67

HSL 121.74, 0.8%, 0.58%

LAB 81.99, -73, 65.11

 

CMYK 56 / 0 / 74 / 8

HEX #67EA3E

RGB 103 234 62

HSL 105.7, 0.8%, 0.58%

LAB 82.95, -65.15, 68.13

 

CMYK 36 / 0 / 74 / 8

HEX #95EA3E

RGB 149 234 62

HSL 89.65, 0.8%, 0.58%

LAB 84.78, -51.51, 70.55

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 74 / 0 / 12 / 8

HEX #3EEACE

RGB 62 234 206

HSL 170.23, 0.8%, 0.58%

LAB 84.14, -49.12, 1.22

 

CMYK 74 / 8 / 0 / 8

HEX #3ED7EA

RGB 62 215 234

HSL 186.63, 0.8%, 0.58%

LAB 79.37, -32.84, -20.74

 

CMYK 74 / 28 / 0 / 8

HEX #3EA9EA

RGB 62 169 234

HSL 202.67, 0.8%, 0.58%

LAB 66.01, -9.23, -41.32

 

CMYK 74 / 48 / 0 / 8

HEX #3E7AEA

RGB 62 122 234

HSL 219.07, 0.8%, 0.58%

LAB 52.82, 18.49, -62.28

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 82 / 0 / 35 / 2

HEX #2DFBA2

RGB 45 251 162

HSL 154.08, 0.96%, 0.58%

LAB 88.05, -67.33, 29.44

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 63 / 0 / 27 / 15

HEX #50D89D

RGB 80 216 157

HSL 153.97, 0.64%, 0.58%

LAB 78.02, -50.51, 18.41

 

CMYK 51 / 0 / 22 / 22

HEX #61C79B

RGB 97 199 155

HSL 154.12, 0.48%, 0.58%

LAB 73.39, -40.12, 13.06

 

CMYK 37 / 0 / 16 / 29

HEX #72B699

RGB 114 182 153

HSL 154.41, 0.32%, 0.58%

LAB 68.99, -28.13, 8.01

 

CMYK 20 / 0 / 9 / 36

HEX #84A496

RGB 132 164 150

HSL 153.75, 0.15%, 0.58%

LAB 64.69, -13.94, 3.62

 

CMYK 74 / 0 / 71 / 8

HEX #3EEA44

RGB 62 234 68

HSL 122.09, 0.8%, 0.58%

LAB 81.99, -72.92, 64.76

 

CMYK 74 / 0 / 51 / 8

HEX #3EEA72

RGB 62 234 114

HSL 138.14, 0.8%, 0.58%

LAB 82.42, -67.76, 45.79

 

CMYK 74 / 0 / 32 / 8

HEX #3EEA9F

RGB 62 234 159

HSL 153.84, 0.8%, 0.58%

LAB 83.11, -59.94, 24.31

 

CMYK 74 / 0 / 12 / 8

HEX #3EEACD

RGB 62 234 205

HSL 169.88, 0.8%, 0.58%

LAB 84.11, -49.38, 1.71

 

CMYK 74 / 8 / 0 / 8

HEX #3ED8EA

RGB 62 216 234

HSL 186.28, 0.8%, 0.58%

LAB 79.66, -33.32, -20.29

 

CMYK 89 / 0 / 38 / 25

HEX #15C077

RGB 21 192 119

HSL 154.39, 0.8%, 0.42%

LAB 68.89, -56.65, 25.83

 

CMYK 89 / 0 / 38 / 10

HEX #19E58D

RGB 25 229 141

HSL 154.12, 0.8%, 0.5%

LAB 80.83, -65.15, 30.37

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 58 / 0 / 25 / 7

HEX #63EEB2

RGB 99 238 178

HSL 154.1, 0.8%, 0.66%

LAB 85.51, -51.48, 17.94

 

CMYK 44 / 0 / 19 / 5

HEX #88F2C5

RGB 136 242 197

HSL 154.53, 0.8%, 0.74%

LAB 88.34, -40.84, 12.25

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 74 / 56 / 0 / 8

HEX #3E66EA

RGB 62 102 234

HSL 226.05, 0.8%, 0.58%

LAB 47.58, 31.01, -70.76

 

CMYK 0 / 61 / 74 / 8

HEX #EA5B3E

RGB 234 91 62

HSL 10.12, 0.8%, 0.58%

LAB 57.39, 53.76, 44.86

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 32 / 74 / 0 / 8

HEX #9F3EEA

RGB 159 62 234

HSL 273.84, 0.8%, 0.58%

LAB 47.95, 68.04, -69.79

 

CMYK 0 / 32 / 74 / 8

HEX #EA9F3E

RGB 234 159 62

HSL 33.84, 0.8%, 0.58%

LAB 71.31, 19.62, 59.4

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 74 / 56 / 0 / 8

HEX #3E66EA

RGB 62 102 234

HSL 226.05, 0.8%, 0.58%

LAB 47.58, 31.01, -70.76

 

CMYK 0 / 74 / 42 / 8

HEX #EA3E88

RGB 234 62 136

HSL 334.19, 0.8%, 0.58%

LAB 54.78, 69.92, -1.35

 

CMYK 0 / 17 / 74 / 8

HEX #EAC23E

RGB 234 194 62

HSL 46.05, 0.8%, 0.58%

LAB 79.85, 1.19, 67.81

 

CMYK 74 / 0 / 32 / 8

HEX #3EEAA0

RGB 62 234 160

HSL 154.19, 0.8%, 0.58%

LAB 83.13, -59.74, 23.82

 

CMYK 68 / 74 / 0 / 8

HEX #4A3EEA

RGB 74 62 234

HSL 244.19, 0.8%, 0.58%

LAB 39.31, 55.97, -84.28

 

CMYK 0 / 74 / 42 / 8

HEX #EA3E88

RGB 234 62 136

HSL 334.19, 0.8%, 0.58%

LAB 54.78, 69.92, -1.35

 

CMYK 5 / 0 / 74 / 8

HEX #DEEA3E

RGB 222 234 62

HSL 64.19, 0.8%, 0.58%

LAB 89.26, -23.81, 76.4

 

Description

Color code: HEX #3EEAA0 | qconv.com Color code: HEX #3EEAA0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 234 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 234 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 32 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 32% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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