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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EE72E it is the complementary color #C118D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EE72E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EE72E shade: #43E729, #54F93C, #65FF4F, #76FF62 and #87FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EE72E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EE72E shade: #3EE72E, #2DD51B, #1CC308, #0BB100 and #009F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EE72E shade: #3DE62D, #6FE62D, #A1E62D, #D3E62D and #E6C82D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EE72E shade: #3DE62D, #2DE64F, #2DE681, #2DE6B3 and #2DE6E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EE72E shade matches the following richer shades: #3DE62D and #2DF91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EE72E shade: #3DE62D, #4DD340, #5CC053, #6CAD66 and #7C9A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EE72E shade: #A2E62D, #71E62D, #40E62D, #2DE64C and #2DE67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EE72E shade: #21AD14, #29D219, #3DE62D, #5FEB52 and #81EF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EE72E shade: #3EE72E, #2DD4E6 and #E62D8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EE72E shade: #3EE72E, #2D40E6 and #E62D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EE72E shade: #3EE72E, #2DD4E6, #D42DE6 and #E6402D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EE72E shade: #3EE72E, #2D9CE6, #D42DE6 and #E6772D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 80 / 9

HEX #3EE72E

RGB 62 231 46

HSL 114.81, 0.79%, 0.54%

LAB 80.95, -73.49, 70.69

 

Complementary color

CMYK 8 / 89 / 0 / 18

HEX #C118D1

RGB 193 24 209

HSL 294.81, 0.79%, 0.46%

LAB 47.74, 79.57, -55.64

 

CMYK 71 / 0 / 82 / 9

HEX #43E729

RGB 67 231 41

HSL 111.79, 0.8%, 0.53%

LAB 81.02, -72.94, 72.08

 

CMYK 66 / 0 / 76 / 2

HEX #54F93C

RGB 84 249 60

HSL 112.38, 0.94%, 0.61%

LAB 86.98, -74.41, 72.54

 

CMYK 60 / 0 / 69 / 0

HEX #65FF4F

RGB 101 255 79

HSL 112.5, 1%, 0.65%

LAB 89.32, -71.52, 68.66

 

CMYK 54 / 0 / 62 / 0

HEX #76FF62

RGB 118 255 98

HSL 112.36, 1%, 0.69%

LAB 89.98, -65.84, 62.11

 

CMYK 47 / 0 / 54 / 0

HEX #87FF75

RGB 135 255 117

HSL 112.17, 1%, 0.73%

LAB 90.76, -59.35, 54.95

 

CMYK 73 / 0 / 80 / 9

HEX #3EE72E

RGB 62 231 46

HSL 114.81, 0.79%, 0.54%

LAB 80.95, -73.49, 70.69

 

CMYK 79 / 0 / 87 / 16

HEX #2DD51B

RGB 45 213 27

HSL 114.19, 0.78%, 0.47%

LAB 74.97, -71.42, 69.64

 

CMYK 86 / 0 / 96 / 24

HEX #1CC308

RGB 28 195 8

HSL 113.58, 0.92%, 0.4%

LAB 68.96, -68.64, 67.3

 

CMYK 94 / 0 / 100 / 31

HEX #0BB100

RGB 11 177 0

HSL 116.27, 1%, 0.35%

LAB 62.94, -64.99, 63.32

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 73 / 0 / 80 / 10

HEX #3DE62D

RGB 61 230 45

HSL 114.81, 0.79%, 0.54%

LAB 80.61, -73.4, 70.64

 

CMYK 52 / 0 / 80 / 10

HEX #6FE62D

RGB 111 230 45

HSL 98.59, 0.79%, 0.54%

LAB 81.93, -62.61, 72.33

 

CMYK 30 / 0 / 80 / 10

HEX #A1E62D

RGB 161 230 45

HSL 82.38, 0.79%, 0.54%

LAB 84.15, -46.47, 75.18

 

CMYK 8 / 0 / 80 / 10

HEX #D3E62D

RGB 211 230 45

HSL 66.16, 0.79%, 0.54%

LAB 87.31, -27.03, 79.17

 

CMYK 0 / 13 / 80 / 10

HEX #E6C82D

RGB 230 200 45

HSL 50.27, 0.79%, 0.54%

LAB 80.92, -4.24, 74.22

 

CMYK 73 / 0 / 80 / 10

HEX #3DE62D

RGB 61 230 45

HSL 114.81, 0.79%, 0.54%

LAB 80.61, -73.4, 70.64

 

CMYK 80 / 0 / 66 / 10

HEX #2DE64F

RGB 45 230 79

HSL 131.03, 0.79%, 0.54%

LAB 80.58, -72.9, 59

 

CMYK 80 / 0 / 44 / 10

HEX #2DE681

RGB 45 230 129

HSL 147.24, 0.79%, 0.54%

LAB 81.15, -66.11, 36.85

 

CMYK 80 / 0 / 22 / 10

HEX #2DE6B3

RGB 45 230 179

HSL 163.46, 0.79%, 0.54%

LAB 82.06, -55.89, 12.41

 

CMYK 80 / 0 / 0 / 10

HEX #2DE6E5

RGB 45 230 229

HSL 179.68, 0.79%, 0.54%

LAB 83.34, -42.81, -12.12

 

CMYK 73 / 0 / 80 / 10

HEX #3DE62D

RGB 61 230 45

HSL 114.81, 0.79%, 0.54%

LAB 80.61, -73.4, 70.64

 

CMYK 82 / 0 / 90 / 2

HEX #2DF91A

RGB 45 249 26

HSL 114.89, 0.95%, 0.54%

LAB 86.2, -81.63, 79.46

 

CMYK 73 / 0 / 80 / 10

HEX #3DE62D

RGB 61 230 45

HSL 114.81, 0.79%, 0.54%

LAB 80.61, -73.4, 70.64

 

CMYK 64 / 0 / 70 / 17

HEX #4DD340

RGB 77 211 64

HSL 114.69, 0.63%, 0.54%

LAB 75.16, -63.12, 59.25

 

CMYK 52 / 0 / 57 / 25

HEX #5CC053

RGB 92 192 83

HSL 115.05, 0.46%, 0.54%

LAB 69.89, -50.63, 45.47

 

CMYK 38 / 0 / 41 / 32

HEX #6CAD66

RGB 108 173 102

HSL 114.93, 0.3%, 0.54%

LAB 64.99, -35.16, 30.08

 

CMYK 19 / 0 / 21 / 40

HEX #7C9A79

RGB 124 154 121

HSL 114.55, 0.14%, 0.54%

LAB 60.58, -17.09, 13.95

 

CMYK 30 / 0 / 80 / 10

HEX #A2E62D

RGB 162 230 45

HSL 82.05, 0.79%, 0.54%

LAB 84.21, -46.1, 75.25

 

CMYK 51 / 0 / 80 / 10

HEX #71E62D

RGB 113 230 45

HSL 97.95, 0.79%, 0.54%

LAB 82, -62.05, 72.42

 

CMYK 72 / 0 / 80 / 10

HEX #40E62D

RGB 64 230 45

HSL 113.84, 0.79%, 0.54%

LAB 80.67, -72.93, 70.71

 

CMYK 80 / 0 / 67 / 10

HEX #2DE64C

RGB 45 230 76

HSL 130.05, 0.79%, 0.54%

LAB 80.56, -73.19, 60.17

 

CMYK 80 / 0 / 46 / 10

HEX #2DE67D

RGB 45 230 125

HSL 145.95, 0.79%, 0.54%

LAB 81.09, -66.78, 38.75

 

CMYK 81 / 0 / 88 / 32

HEX #21AD14

RGB 33 173 20

HSL 114.9, 0.79%, 0.38%

LAB 61.88, -61.36, 59.56

 

CMYK 80 / 0 / 88 / 18

HEX #29D219

RGB 41 210 25

HSL 114.81, 0.79%, 0.46%

LAB 73.96, -71.11, 69.12

 

CMYK 73 / 0 / 80 / 10

HEX #3DE62D

RGB 61 230 45

HSL 114.81, 0.79%, 0.54%

LAB 80.61, -73.4, 70.64

 

CMYK 60 / 0 / 65 / 8

HEX #5FEB52

RGB 95 235 82

HSL 114.9, 0.79%, 0.62%

LAB 83.16, -65.8, 60.9

 

CMYK 46 / 0 / 50 / 6

HEX #81EF77

RGB 129 239 119

HSL 115, 0.79%, 0.7%

LAB 85.87, -54.53, 48.09

 

CMYK 73 / 0 / 80 / 9

HEX #3EE72E

RGB 62 231 46

HSL 114.81, 0.79%, 0.54%

LAB 80.95, -73.49, 70.69

 

CMYK 80 / 8 / 0 / 10

HEX #2DD4E6

RGB 45 212 230

HSL 185.84, 0.79%, 0.54%

LAB 78.09, -34.29, -20.56

 

CMYK 0 / 80 / 40 / 10

HEX #E62D8A

RGB 230 45 138

HSL 329.84, 0.79%, 0.54%

LAB 52.44, 73.87, -6.08

 

CMYK 73 / 0 / 80 / 9

HEX #3EE72E

RGB 62 231 46

HSL 114.81, 0.79%, 0.54%

LAB 80.95, -73.49, 70.69

 

CMYK 80 / 72 / 0 / 10

HEX #2D40E6

RGB 45 64 230

HSL 233.84, 0.79%, 0.54%

LAB 37.73, 51.21, -84.67

 

CMYK 0 / 80 / 72 / 10

HEX #E62D40

RGB 230 45 64

HSL 353.84, 0.79%, 0.54%

LAB 50.77, 68.86, 36.11

 

CMYK 73 / 0 / 80 / 9

HEX #3EE72E

RGB 62 231 46

HSL 114.81, 0.79%, 0.54%

LAB 80.95, -73.49, 70.69

 

CMYK 80 / 8 / 0 / 10

HEX #2DD4E6

RGB 45 212 230

HSL 185.84, 0.79%, 0.54%

LAB 78.09, -34.29, -20.56

 

CMYK 8 / 80 / 0 / 10

HEX #D42DE6

RGB 212 45 230

HSL 294.16, 0.79%, 0.54%

LAB 53.59, 82.02, -58.05

 

CMYK 0 / 72 / 80 / 10

HEX #E6402D

RGB 230 64 45

HSL 6.16, 0.79%, 0.54%

LAB 52.6, 62.5, 48.45

 

CMYK 73 / 0 / 80 / 9

HEX #3EE72E

RGB 62 231 46

HSL 114.81, 0.79%, 0.54%

LAB 80.95, -73.49, 70.69

 

CMYK 80 / 32 / 0 / 10

HEX #2D9CE6

RGB 45 156 230

HSL 204, 0.79%, 0.54%

LAB 61.7, -5.19, -45.93

 

CMYK 8 / 80 / 0 / 10

HEX #D42DE6

RGB 212 45 230

HSL 294.16, 0.79%, 0.54%

LAB 53.59, 82.02, -58.05

 

CMYK 0 / 48 / 80 / 10

HEX #E6772D

RGB 230 119 45

HSL 24, 0.79%, 0.54%

LAB 61.83, 38.29, 57.16

 

Description

Color code: HEX #3EE72E | qconv.com Color code: HEX #3EE72E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 231 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 231 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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