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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ED8C0 it is the complementary color #C1273F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ED8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ED8C0 shade: #43D8BB, #54EACE, #65FCE1, #76FFF4 and #87FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ED8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ED8C0 shade: #3ED8C0, #2DC6AD, #1CB49A, #0BA287 and #009074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ED8C0 shade: #40D7C0, #40D797, #40D76E, #40D745 and #64D740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ED8C0 shade: #40D7C0, #40C6D7, #409DD7, #4075D7 and #404CD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ED8C0 shade matches the following richer shades: #40D7C0, #2DEACD and #1BFDD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ED8C0 shade: #40D7C0, #53C5B3, #65B2A6, #78A09A and #8A8D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ED8C0 shade: #40D76D, #40D796, #40D7BE, #40C8D7 and #40A0D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ED8C0 shade: #21A48F, #28C6AD, #40D7C0, #62DECB and #85E6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ED8C0 shade: #3ED8C0, #4540D7 and #D78240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ED8C0 shade: #3ED8C0, #BE40D7 and #D7BE40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ED8C0 shade: #3ED8C0, #4540D7, #D74059 and #D2D740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ED8C0 shade: #3ED8C0, #7340D7, #D74059 and #A5D740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 11 / 15

HEX #3ED8C0

RGB 62 216 192

HSL 170.65, 0.66%, 0.55%

LAB 78.43, -45.06, 0.33

 

Complementary color

CMYK 0 / 80 / 67 / 24

HEX #C1273F

RGB 193 39 63

HSL 350.65, 0.66%, 0.45%

LAB 42.98, 60.09, 25.61

 

CMYK 69 / 0 / 13 / 15

HEX #43D8BB

RGB 67 216 187

HSL 168.32, 0.66%, 0.55%

LAB 78.4, -45.67, 2.97

 

CMYK 64 / 0 / 12 / 8

HEX #54EACE

RGB 84 234 206

HSL 168.8, 0.78%, 0.62%

LAB 84.58, -46.1, 1.92

 

CMYK 60 / 0 / 11 / 1

HEX #65FCE1

RGB 101 252 225

HSL 169.27, 0.96%, 0.69%

LAB 90.7, -46.39, 0.96

 

CMYK 54 / 0 / 4 / 0

HEX #76FFF4

RGB 118 255 244

HSL 175.18, 1%, 0.73%

LAB 92.53, -39.94, -6.15

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 71 / 0 / 11 / 15

HEX #3ED8C0

RGB 62 216 192

HSL 170.65, 0.66%, 0.55%

LAB 78.43, -45.06, 0.33

 

CMYK 77 / 0 / 13 / 22

HEX #2DC6AD

RGB 45 198 173

HSL 170.2, 0.63%, 0.48%

LAB 72.2, -44.28, 1.46

 

CMYK 84 / 0 / 14 / 29

HEX #1CB49A

RGB 28 180 154

HSL 169.74, 0.73%, 0.41%

LAB 65.92, -43.2, 2.72

 

CMYK 93 / 0 / 17 / 36

HEX #0BA287

RGB 11 162 135

HSL 169.27, 0.87%, 0.34%

LAB 59.58, -41.7, 4.13

 

CMYK 100 / 0 / 19 / 44

HEX #009074

RGB 0 144 116

HSL 168.33, 1%, 0.28%

LAB 53.18, -39.73, 5.72

 

CMYK 70 / 0 / 11 / 16

HEX #40D7C0

RGB 64 215 192

HSL 170.86, 0.65%, 0.55%

LAB 78.17, -44.37, -0.05

 

CMYK 70 / 0 / 30 / 16

HEX #40D797

RGB 64 215 151

HSL 154.57, 0.65%, 0.55%

LAB 77.24, -54.04, 20.42

 

CMYK 70 / 0 / 49 / 16

HEX #40D76E

RGB 64 215 110

HSL 138.28, 0.65%, 0.55%

LAB 76.57, -61.51, 40.45

 

CMYK 70 / 0 / 68 / 16

HEX #40D745

RGB 64 215 69

HSL 121.99, 0.65%, 0.55%

LAB 76.14, -66.51, 58.27

 

CMYK 53 / 0 / 70 / 16

HEX #64D740

RGB 100 215 64

HSL 105.7, 0.65%, 0.55%

LAB 77.09, -59, 61.47

 

CMYK 70 / 0 / 11 / 16

HEX #40D7C0

RGB 64 215 192

HSL 170.86, 0.65%, 0.55%

LAB 78.17, -44.37, -0.05

 

CMYK 70 / 8 / 0 / 16

HEX #40C6D7

RGB 64 198 215

HSL 186.75, 0.65%, 0.55%

LAB 73.79, -30.12, -18.96

 

CMYK 70 / 27 / 0 / 16

HEX #409DD7

RGB 64 157 215

HSL 203.05, 0.65%, 0.55%

LAB 61.75, -8.74, -37.5

 

CMYK 70 / 46 / 0 / 16

HEX #4075D7

RGB 64 117 215

HSL 218.94, 0.65%, 0.55%

LAB 50.36, 15.01, -55.54

 

CMYK 70 / 65 / 0 / 16

HEX #404CD7

RGB 64 76 215

HSL 235.23, 0.65%, 0.55%

LAB 39.86, 40.75, -72.57

 

CMYK 70 / 0 / 11 / 16

HEX #40D7C0

RGB 64 215 192

HSL 170.86, 0.65%, 0.55%

LAB 78.17, -44.37, -0.05

 

CMYK 81 / 0 / 12 / 8

HEX #2DEACD

RGB 45 234 205

HSL 170.79, 0.82%, 0.55%

LAB 83.87, -51.07, 1.33

 

CMYK 89 / 0 / 14 / 1

HEX #1BFDD9

RGB 27 253 217

HSL 170.44, 0.98%, 0.55%

LAB 89.62, -56.82, 3.4

 

CMYK 70 / 0 / 11 / 16

HEX #40D7C0

RGB 64 215 192

HSL 170.86, 0.65%, 0.55%

LAB 78.17, -44.37, -0.05

 

CMYK 58 / 0 / 9 / 23

HEX #53C5B3

RGB 83 197 179

HSL 170.53, 0.5%, 0.55%

LAB 72.91, -36.59, -0.67

 

CMYK 43 / 0 / 7 / 30

HEX #65B2A6

RGB 101 178 166

HSL 170.65, 0.33%, 0.55%

LAB 67.55, -26.75, -1.31

 

CMYK 25 / 0 / 4 / 37

HEX #78A09A

RGB 120 160 154

HSL 171, 0.17%, 0.55%

LAB 62.9, -14.89, -1.32

 

CMYK 2 / 0 / 0 / 45

HEX #8A8D8D

RGB 138 141 141

HSL 180, 0.01%, 0.55%

LAB 58.39, -1.09, -0.39

 

CMYK 70 / 0 / 49 / 16

HEX #40D76D

RGB 64 215 109

HSL 137.88, 0.65%, 0.55%

LAB 76.55, -61.66, 40.93

 

CMYK 70 / 0 / 30 / 16

HEX #40D796

RGB 64 215 150

HSL 154.17, 0.65%, 0.55%

LAB 77.22, -54.25, 20.92

 

CMYK 70 / 0 / 12 / 16

HEX #40D7BE

RGB 64 215 190

HSL 170.07, 0.65%, 0.55%

LAB 78.12, -44.88, 0.95

 

CMYK 70 / 7 / 0 / 16

HEX #40C8D7

RGB 64 200 215

HSL 185.96, 0.65%, 0.55%

LAB 74.38, -31.09, -18.06

 

CMYK 70 / 26 / 0 / 16

HEX #40A0D7

RGB 64 160 215

HSL 201.85, 0.65%, 0.55%

LAB 62.62, -10.41, -36.13

 

CMYK 80 / 0 / 13 / 36

HEX #21A48F

RGB 33 164 143

HSL 170.38, 0.66%, 0.39%

LAB 60.66, -38.78, 1.21

 

CMYK 80 / 0 / 13 / 22

HEX #28C6AD

RGB 40 198 173

HSL 170.51, 0.66%, 0.47%

LAB 72.13, -44.78, 1.35

 

CMYK 70 / 0 / 11 / 16

HEX #40D7C0

RGB 64 215 192

HSL 170.86, 0.65%, 0.55%

LAB 78.17, -44.37, -0.05

 

CMYK 56 / 0 / 9 / 13

HEX #62DECB

RGB 98 222 203

HSL 170.81, 0.65%, 0.63%

LAB 81.37, -39.07, -1.12

 

CMYK 42 / 0 / 7 / 10

HEX #85E6D6

RGB 133 230 214

HSL 170.1, 0.66%, 0.71%

LAB 85.22, -32.37, -1.17

 

CMYK 71 / 0 / 11 / 15

HEX #3ED8C0

RGB 62 216 192

HSL 170.65, 0.66%, 0.55%

LAB 78.43, -45.06, 0.33

 

CMYK 68 / 70 / 0 / 16

HEX #4540D7

RGB 69 64 215

HSL 241.99, 0.65%, 0.55%

LAB 37.55, 48.4, -76.35

 

CMYK 0 / 40 / 70 / 16

HEX #D78240

RGB 215 130 64

HSL 26.23, 0.65%, 0.55%

LAB 62.32, 27.26, 48.42

 

CMYK 71 / 0 / 11 / 15

HEX #3ED8C0

RGB 62 216 192

HSL 170.65, 0.66%, 0.55%

LAB 78.43, -45.06, 0.33

 

CMYK 12 / 70 / 0 / 16

HEX #BE40D7

RGB 190 64 215

HSL 290.07, 0.65%, 0.55%

LAB 51.29, 69.48, -53.41

 

CMYK 0 / 12 / 70 / 16

HEX #D7BE40

RGB 215 190 64

HSL 50.07, 0.65%, 0.55%

LAB 77.07, -4.75, 63.72

 

CMYK 71 / 0 / 11 / 15

HEX #3ED8C0

RGB 62 216 192

HSL 170.65, 0.66%, 0.55%

LAB 78.43, -45.06, 0.33

 

CMYK 68 / 70 / 0 / 16

HEX #4540D7

RGB 69 64 215

HSL 241.99, 0.65%, 0.55%

LAB 37.55, 48.4, -76.35

 

CMYK 0 / 70 / 59 / 16

HEX #D74059

RGB 215 64 89

HSL 350.07, 0.65%, 0.55%

LAB 50.49, 59.99, 20.33

 

CMYK 2 / 0 / 70 / 16

HEX #D2D740

RGB 210 215 64

HSL 61.99, 0.65%, 0.55%

LAB 83.27, -19.46, 69.69

 

CMYK 71 / 0 / 11 / 15

HEX #3ED8C0

RGB 62 216 192

HSL 170.65, 0.66%, 0.55%

LAB 78.43, -45.06, 0.33

 

CMYK 47 / 70 / 0 / 16

HEX #7340D7

RGB 115 64 215

HSL 260.26, 0.65%, 0.55%

LAB 41.56, 54.98, -69.62

 

CMYK 0 / 70 / 59 / 16

HEX #D74059

RGB 215 64 89

HSL 350.07, 0.65%, 0.55%

LAB 50.49, 59.99, 20.33

 

CMYK 23 / 0 / 70 / 16

HEX #A5D740

RGB 165 215 64

HSL 79.87, 0.65%, 0.55%

LAB 80.16, -37.5, 65.58

 

Description

Color code: HEX #3ED8C0 | qconv.com Color code: HEX #3ED8C0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 216 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 216 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 11 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 11% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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