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Color name
HEX #3ED825

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ED825 it is the complementary color #C127DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ED825. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ED825 shade: #43D820, #54EA33, #65FC46, #76FF59 and #87FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ED825. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ED825 shade: #3ED825, #2DC612, #1CB400, #0BA200 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ED825 shade: #3EDA25, #6FDA25, #A0DA25, #D1DA25 and #DAB225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ED825 shade: #3EDA25, #25DA3D, #25DA6D, #25DA9E and #25DACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ED825 shade matches the following richer shades: #3EDA25 and #2FEF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ED825 shade: #3EDA25, #4DC53A, #5CB14E, #6B9C63 and #7A8877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ED825 shade: #A1DA25, #70DA25, #40DA25, #25DA3A and #25DA6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ED825 shade: #2A9319, #34B71F, #3EDA25, #5DE048 and #7DE66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ED825 shade: #3ED825, #25D1DA and #DA2589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ED825 shade: #3ED825, #2540DA and #DA2540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ED825 shade: #3ED825, #25D1DA, #BF25DA and #DA2E25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ED825 shade: #3ED825, #259BDA, #BF25DA and #DA6425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 83 / 15

HEX #3ED825

RGB 62 216 37

HSL 111.62, 0.71%, 0.5%

LAB 76.23, -69.38, 68.68

 

Complementary color

CMYK 11 / 82 / 0 / 15

HEX #C127DA

RGB 193 39 218

HSL 291.62, 0.71%, 0.5%

LAB 49.31, 78.12, -58.27

 

CMYK 69 / 0 / 85 / 15

HEX #43D820

RGB 67 216 32

HSL 108.59, 0.74%, 0.49%

LAB 76.32, -68.71, 69.95

 

CMYK 64 / 0 / 78 / 8

HEX #54EA33

RGB 84 234 51

HSL 109.18, 0.81%, 0.56%

LAB 82.36, -70.17, 70.79

 

CMYK 60 / 0 / 72 / 1

HEX #65FC46

RGB 101 252 70

HSL 109.78, 0.97%, 0.63%

LAB 88.37, -71.2, 70.84

 

CMYK 54 / 0 / 65 / 0

HEX #76FF59

RGB 118 255 89

HSL 109.52, 1%, 0.67%

LAB 89.9, -66.68, 65.65

 

CMYK 47 / 0 / 58 / 0

HEX #87FF6C

RGB 135 255 108

HSL 108.98, 1%, 0.71%

LAB 90.67, -60.34, 58.82

 

CMYK 71 / 0 / 83 / 15

HEX #3ED825

RGB 62 216 37

HSL 111.62, 0.71%, 0.5%

LAB 76.23, -69.38, 68.68

 

CMYK 77 / 0 / 91 / 22

HEX #2DC612

RGB 45 198 18

HSL 111, 0.83%, 0.42%

LAB 70.17, -67.31, 67.11

 

CMYK 84 / 0 / 100 / 29

HEX #1CB400

RGB 28 180 0

HSL 110.67, 1%, 0.35%

LAB 64.07, -64.53, 64.29

 

CMYK 93 / 0 / 100 / 36

HEX #0BA200

RGB 11 162 0

HSL 115.93, 1%, 0.32%

LAB 57.95, -60.76, 59.33

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 72 / 0 / 83 / 15

HEX #3EDA25

RGB 62 218 37

HSL 111.71, 0.71%, 0.5%

LAB 76.86, -69.99, 69.25

 

CMYK 49 / 0 / 83 / 15

HEX #6FDA25

RGB 111 218 37

HSL 95.47, 0.71%, 0.5%

LAB 78.26, -58.6, 71.03

 

CMYK 27 / 0 / 83 / 15

HEX #A0DA25

RGB 160 218 37

HSL 79.23, 0.71%, 0.5%

LAB 80.6, -41.99, 73.99

 

CMYK 4 / 0 / 83 / 15

HEX #D1DA25

RGB 209 218 37

HSL 62.98, 0.71%, 0.5%

LAB 83.88, -22.36, 78.09

 

CMYK 0 / 18 / 83 / 15

HEX #DAB225

RGB 218 178 37

HSL 46.74, 0.71%, 0.5%

LAB 74.11, 1.76, 70.16

 

CMYK 72 / 0 / 83 / 15

HEX #3EDA25

RGB 62 218 37

HSL 111.71, 0.71%, 0.5%

LAB 76.86, -69.99, 69.25

 

CMYK 83 / 0 / 72 / 15

HEX #25DA3D

RGB 37 218 61

HSL 127.96, 0.71%, 0.5%

LAB 76.6, -71.78, 61.61

 

CMYK 83 / 0 / 50 / 15

HEX #25DA6D

RGB 37 218 109

HSL 143.87, 0.71%, 0.5%

LAB 77.07, -66.11, 41.47

 

CMYK 83 / 0 / 28 / 15

HEX #25DA9E

RGB 37 218 158

HSL 160.11, 0.71%, 0.5%

LAB 77.88, -56.79, 17.56

 

CMYK 83 / 0 / 5 / 15

HEX #25DACF

RGB 37 218 207

HSL 176.35, 0.71%, 0.5%

LAB 79.06, -44.36, -6.8

 

CMYK 72 / 0 / 83 / 15

HEX #3EDA25

RGB 62 218 37

HSL 111.71, 0.71%, 0.5%

LAB 76.86, -69.99, 69.25

 

CMYK 80 / 0 / 93 / 6

HEX #2FEF10

RGB 47 239 16

HSL 111.66, 0.87%, 0.5%

LAB 83.11, -78.89, 78.2

 

CMYK 72 / 0 / 83 / 15

HEX #3EDA25

RGB 62 218 37

HSL 111.71, 0.71%, 0.5%

LAB 76.86, -69.99, 69.25

 

CMYK 61 / 0 / 71 / 23

HEX #4DC53A

RGB 77 197 58

HSL 111.8, 0.55%, 0.5%

LAB 70.74, -58.79, 56.92

 

CMYK 48 / 0 / 56 / 31

HEX #5CB14E

RGB 92 177 78

HSL 111.52, 0.39%, 0.5%

LAB 65.18, -45.19, 42.27

 

CMYK 31 / 0 / 37 / 39

HEX #6B9C63

RGB 107 156 99

HSL 111.58, 0.22%, 0.5%

LAB 59.71, -27.94, 24.76

 

CMYK 10 / 0 / 13 / 47

HEX #7A8877

RGB 122 136 119

HSL 109.41, 0.07%, 0.5%

LAB 55.15, -8.51, 7.41

 

CMYK 26 / 0 / 83 / 15

HEX #A1DA25

RGB 161 218 37

HSL 78.9, 0.71%, 0.5%

LAB 80.66, -41.61, 74.06

 

CMYK 49 / 0 / 83 / 15

HEX #70DA25

RGB 112 218 37

HSL 95.14, 0.71%, 0.5%

LAB 78.3, -58.31, 71.08

 

CMYK 71 / 0 / 83 / 15

HEX #40DA25

RGB 64 218 37

HSL 111.05, 0.71%, 0.5%

LAB 76.9, -69.65, 69.3

 

CMYK 83 / 0 / 73 / 15

HEX #25DA3A

RGB 37 218 58

HSL 126.96, 0.71%, 0.5%

LAB 76.58, -72.02, 62.64

 

CMYK 83 / 0 / 51 / 15

HEX #25DA6A

RGB 37 218 106

HSL 142.87, 0.71%, 0.5%

LAB 77.03, -66.57, 42.87

 

CMYK 71 / 0 / 83 / 42

HEX #2A9319

RGB 42 147 25

HSL 111.64, 0.71%, 0.34%

LAB 53.42, -51.45, 50.81

 

CMYK 72 / 0 / 83 / 28

HEX #34B71F

RGB 52 183 31

HSL 111.71, 0.71%, 0.42%

LAB 65.51, -61.07, 60.37

 

CMYK 72 / 0 / 83 / 15

HEX #3EDA25

RGB 62 218 37

HSL 111.71, 0.71%, 0.5%

LAB 76.86, -69.99, 69.25

 

CMYK 58 / 0 / 68 / 12

HEX #5DE048

RGB 93 224 72

HSL 111.71, 0.71%, 0.58%

LAB 79.67, -63.33, 61.08

 

CMYK 46 / 0 / 53 / 10

HEX #7DE66C

RGB 125 230 108

HSL 111.64, 0.71%, 0.66%

LAB 82.93, -53.43, 49.62

 

CMYK 71 / 0 / 83 / 15

HEX #3ED825

RGB 62 216 37

HSL 111.62, 0.71%, 0.5%

LAB 76.23, -69.38, 68.68

 

CMYK 83 / 4 / 0 / 15

HEX #25D1DA

RGB 37 209 218

HSL 182.98, 0.71%, 0.5%

LAB 76.71, -37.13, -16.21

 

CMYK 0 / 83 / 37 / 15

HEX #DA2589

RGB 218 37 137

HSL 326.85, 0.71%, 0.5%

LAB 49.54, 72.76, -10.04

 

CMYK 71 / 0 / 83 / 15

HEX #3ED825

RGB 62 216 37

HSL 111.62, 0.71%, 0.5%

LAB 76.23, -69.38, 68.68

 

CMYK 83 / 71 / 0 / 15

HEX #2540DA

RGB 37 64 218

HSL 231.05, 0.71%, 0.5%

LAB 36.22, 46.62, -80.32

 

CMYK 0 / 83 / 71 / 15

HEX #DA2540

RGB 218 37 64

HSL 351.05, 0.71%, 0.5%

LAB 47.75, 67.53, 31.96

 

CMYK 71 / 0 / 83 / 15

HEX #3ED825

RGB 62 216 37

HSL 111.62, 0.71%, 0.5%

LAB 76.23, -69.38, 68.68

 

CMYK 83 / 4 / 0 / 15

HEX #25D1DA

RGB 37 209 218

HSL 182.98, 0.71%, 0.5%

LAB 76.71, -37.13, -16.21

 

CMYK 12 / 83 / 0 / 15

HEX #BF25DA

RGB 191 37 218

HSL 291.05, 0.71%, 0.5%

LAB 48.84, 78.24, -59.05

 

CMYK 0 / 79 / 83 / 15

HEX #DA2E25

RGB 218 46 37

HSL 2.98, 0.71%, 0.5%

LAB 48.25, 64.33, 47.57

 

CMYK 71 / 0 / 83 / 15

HEX #3ED825

RGB 62 216 37

HSL 111.62, 0.71%, 0.5%

LAB 76.23, -69.38, 68.68

 

CMYK 83 / 29 / 0 / 15

HEX #259BDA

RGB 37 155 218

HSL 200.88, 0.71%, 0.5%

LAB 60.69, -9.61, -40.86

 

CMYK 12 / 83 / 0 / 15

HEX #BF25DA

RGB 191 37 218

HSL 291.05, 0.71%, 0.5%

LAB 48.84, 78.24, -59.05

 

CMYK 0 / 54 / 83 / 15

HEX #DA6425

RGB 218 100 37

HSL 20.88, 0.71%, 0.5%

LAB 56.24, 42.87, 54.74

 

Description

Color code: HEX #3ED825 | qconv.com Color code: HEX #3ED825 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 216 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 216 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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