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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ED61C it is the complementary color #C129E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ED61C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ED61C shade: #43D617, #54E82A, #65FA3D, #76FF50 and #87FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ED61C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ED61C shade: #3ED61C, #2DC409, #1CB200, #0BA000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ED61C shade: #3DD41C, #6FD41C, #A1D41C, #D3D41C and #D4A41C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ED61C shade: #3DD41C, #1CD42C, #1CD45D, #1CD48F and #1CD4C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ED61C shade matches the following richer shades: #3DD41C and #31E808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ED61C shade: #3DD41C, #4AC12F, #56AD42, #629A56 and #6F8769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ED61C shade: #A0D41C, #6FD41C, #3DD41C, #1CD42B and #1CD45C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ED61C shade: #288B12, #33B017, #3DD41C, #55E534 and #73E959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ED61C shade: #3ED61C, #1CD1D4 and #D41C87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ED61C shade: #3ED61C, #1C3DD4 and #D41C3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ED61C shade: #3ED61C, #1CD1D4, #B21CD4 and #D41F1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ED61C shade: #3ED61C, #1C9AD4, #B21CD4 and #D4561C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 87 / 16

HEX #3ED61C

RGB 62 214 28

HSL 109.03, 0.77%, 0.47%

LAB 75.58, -69.14, 70.09

 

Complementary color

CMYK 15 / 82 / 0 / 11

HEX #C129E3

RGB 193 41 227

HSL 289.03, 0.77%, 0.53%

LAB 50.06, 79.19, -62.19

 

CMYK 69 / 0 / 89 / 16

HEX #43D617

RGB 67 214 23

HSL 106.18, 0.81%, 0.46%

LAB 75.67, -68.41, 71.13

 

CMYK 64 / 0 / 82 / 9

HEX #54E82A

RGB 84 232 42

HSL 106.74, 0.81%, 0.54%

LAB 81.71, -69.99, 72.6

 

CMYK 60 / 0 / 76 / 2

HEX #65FA3D

RGB 101 250 61

HSL 107.3, 0.95%, 0.61%

LAB 87.72, -71.13, 73.1

 

CMYK 54 / 0 / 69 / 0

HEX #76FF50

RGB 118 255 80

HSL 106.97, 1%, 0.66%

LAB 89.84, -67.42, 68.99

 

CMYK 47 / 0 / 61 / 0

HEX #87FF63

RGB 135 255 99

HSL 106.15, 1%, 0.69%

LAB 90.58, -61.23, 62.54

 

CMYK 71 / 0 / 87 / 16

HEX #3ED61C

RGB 62 214 28

HSL 109.03, 0.77%, 0.47%

LAB 75.58, -69.14, 70.09

 

CMYK 77 / 0 / 95 / 23

HEX #2DC409

RGB 45 196 9

HSL 108.45, 0.91%, 0.4%

LAB 69.51, -66.93, 67.73

 

CMYK 84 / 0 / 100 / 30

HEX #1CB200

RGB 28 178 0

HSL 110.56, 1%, 0.35%

LAB 63.42, -63.95, 63.76

 

CMYK 93 / 0 / 100 / 37

HEX #0BA000

RGB 11 160 0

HSL 115.88, 1%, 0.31%

LAB 57.28, -60.19, 58.79

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 71 / 0 / 87 / 17

HEX #3DD41C

RGB 61 212 28

HSL 109.24, 0.77%, 0.47%

LAB 74.93, -68.7, 69.52

 

CMYK 48 / 0 / 87 / 17

HEX #6FD41C

RGB 111 212 28

HSL 92.93, 0.77%, 0.47%

LAB 76.41, -56.71, 71.37

 

CMYK 24 / 0 / 87 / 17

HEX #A1D41C

RGB 161 212 28

HSL 76.63, 0.77%, 0.47%

LAB 78.9, -39.24, 74.48

 

CMYK 0 / 0 / 87 / 17

HEX #D3D41C

RGB 211 212 28

HSL 60.33, 0.77%, 0.47%

LAB 82.39, -18.81, 78.78

 

CMYK 0 / 23 / 87 / 17

HEX #D4A41C

RGB 212 164 28

HSL 44.35, 0.77%, 0.47%

LAB 69.92, 6.34, 68.78

 

CMYK 71 / 0 / 87 / 17

HEX #3DD41C

RGB 61 212 28

HSL 109.24, 0.77%, 0.47%

LAB 74.93, -68.7, 69.52

 

CMYK 87 / 0 / 79 / 17

HEX #1CD42C

RGB 28 212 44

HSL 125.22, 0.77%, 0.47%

LAB 74.52, -72.06, 65.04

 

CMYK 87 / 0 / 56 / 17

HEX #1CD45D

RGB 28 212 93

HSL 141.2, 0.77%, 0.47%

LAB 74.9, -67.26, 46.41

 

CMYK 87 / 0 / 33 / 17

HEX #1CD48F

RGB 28 212 143

HSL 157.5, 0.77%, 0.47%

LAB 75.65, -58.5, 22.36

 

CMYK 87 / 0 / 9 / 17

HEX #1CD4C1

RGB 28 212 193

HSL 173.8, 0.77%, 0.47%

LAB 76.79, -46.25, -2.66

 

CMYK 71 / 0 / 87 / 17

HEX #3DD41C

RGB 61 212 28

HSL 109.24, 0.77%, 0.47%

LAB 74.93, -68.7, 69.52

 

CMYK 79 / 0 / 97 / 9

HEX #31E808

RGB 49 232 8

HSL 109.02, 0.93%, 0.47%

LAB 80.95, -76.83, 77.2

 

CMYK 71 / 0 / 87 / 17

HEX #3DD41C

RGB 61 212 28

HSL 109.24, 0.77%, 0.47%

LAB 74.93, -68.7, 69.52

 

CMYK 62 / 0 / 76 / 24

HEX #4AC12F

RGB 74 193 47

HSL 108.9, 0.61%, 0.47%

LAB 69.33, -58.91, 59.38

 

CMYK 50 / 0 / 62 / 32

HEX #56AD42

RGB 86 173 66

HSL 108.79, 0.45%, 0.47%

LAB 63.56, -46.69, 45.92

 

CMYK 36 / 0 / 44 / 40

HEX #629A56

RGB 98 154 86

HSL 109.41, 0.28%, 0.47%

LAB 58.4, -32.1, 29.96

 

CMYK 18 / 0 / 22 / 47

HEX #6F8769

RGB 111 135 105

HSL 108, 0.13%, 0.47%

LAB 53.74, -14.69, 13.35

 

CMYK 25 / 0 / 87 / 17

HEX #A0D41C

RGB 160 212 28

HSL 76.96, 0.77%, 0.47%

LAB 78.84, -39.63, 74.4

 

CMYK 48 / 0 / 87 / 17

HEX #6FD41C

RGB 111 212 28

HSL 92.93, 0.77%, 0.47%

LAB 76.41, -56.71, 71.37

 

CMYK 71 / 0 / 87 / 17

HEX #3DD41C

RGB 61 212 28

HSL 109.24, 0.77%, 0.47%

LAB 74.93, -68.7, 69.52

 

CMYK 87 / 0 / 80 / 17

HEX #1CD42B

RGB 28 212 43

HSL 124.89, 0.77%, 0.47%

LAB 74.51, -72.12, 65.32

 

CMYK 87 / 0 / 57 / 17

HEX #1CD45C

RGB 28 212 92

HSL 140.87, 0.77%, 0.47%

LAB 74.89, -67.39, 46.86

 

CMYK 71 / 0 / 87 / 45

HEX #288B12

RGB 40 139 18

HSL 109.09, 0.77%, 0.31%

LAB 50.64, -49.51, 50.16

 

CMYK 71 / 0 / 87 / 31

HEX #33B017

RGB 51 176 23

HSL 109.02, 0.77%, 0.39%

LAB 63.19, -59.38, 60.2

 

CMYK 71 / 0 / 87 / 17

HEX #3DD41C

RGB 61 212 28

HSL 109.24, 0.77%, 0.47%

LAB 74.93, -68.7, 69.52

 

CMYK 63 / 0 / 77 / 10

HEX #55E534

RGB 85 229 52

HSL 108.81, 0.77%, 0.55%

LAB 80.86, -68.27, 69.08

 

CMYK 51 / 0 / 62 / 9

HEX #73E959

RGB 115 233 89

HSL 109.17, 0.77%, 0.63%

LAB 83.25, -59.44, 58.32

 

CMYK 71 / 0 / 87 / 16

HEX #3ED61C

RGB 62 214 28

HSL 109.03, 0.77%, 0.47%

LAB 75.58, -69.14, 70.09

 

CMYK 87 / 1 / 0 / 17

HEX #1CD1D4

RGB 28 209 212

HSL 180.98, 0.77%, 0.47%

LAB 76.44, -39.5, -13.41

 

CMYK 0 / 87 / 36 / 17

HEX #D41C87

RGB 212 28 135

HSL 325.11, 0.77%, 0.47%

LAB 47.72, 72.95, -11.68

 

CMYK 71 / 0 / 87 / 16

HEX #3ED61C

RGB 62 214 28

HSL 109.03, 0.77%, 0.47%

LAB 75.58, -69.14, 70.09

 

CMYK 87 / 71 / 0 / 17

HEX #1C3DD4

RGB 28 61 212

HSL 229.24, 0.77%, 0.47%

LAB 34.68, 45.82, -79.42

 

CMYK 0 / 87 / 71 / 17

HEX #D41C3D

RGB 212 28 61

HSL 349.24, 0.77%, 0.47%

LAB 45.86, 67.67, 31.21

 

CMYK 71 / 0 / 87 / 16

HEX #3ED61C

RGB 62 214 28

HSL 109.03, 0.77%, 0.47%

LAB 75.58, -69.14, 70.09

 

CMYK 87 / 1 / 0 / 17

HEX #1CD1D4

RGB 28 209 212

HSL 180.98, 0.77%, 0.47%

LAB 76.44, -39.5, -13.41

 

CMYK 16 / 87 / 0 / 17

HEX #B21CD4

RGB 178 28 212

HSL 288.91, 0.77%, 0.47%

LAB 45.7, 76.95, -60.78

 

CMYK 0 / 85 / 87 / 17

HEX #D41F1C

RGB 212 31 28

HSL 0.98, 0.77%, 0.47%

LAB 45.72, 66.08, 49.28

 

CMYK 71 / 0 / 87 / 16

HEX #3ED61C

RGB 62 214 28

HSL 109.03, 0.77%, 0.47%

LAB 75.58, -69.14, 70.09

 

CMYK 87 / 27 / 0 / 17

HEX #1C9AD4

RGB 28 154 212

HSL 198.91, 0.77%, 0.47%

LAB 59.99, -11.87, -38.63

 

CMYK 16 / 87 / 0 / 17

HEX #B21CD4

RGB 178 28 212

HSL 288.91, 0.77%, 0.47%

LAB 45.7, 76.95, -60.78

 

CMYK 0 / 59 / 87 / 17

HEX #D4561C

RGB 212 86 28

HSL 18.91, 0.77%, 0.47%

LAB 52.66, 47.07, 54.89

 

Description

Color code: HEX #3ED61C | qconv.com Color code: HEX #3ED61C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 214 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 214 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 87 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 87% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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