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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ECD41 it is the complementary color #C132BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ECD41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ECD41 shade: #43CD3C, #54DF4F, #65F162, #76FF75 and #87FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ECD41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ECD41 shade: #3ECD41, #2DBB2E, #1CA91B, #0B9708 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ECD41 shade: #3CCD3F, #60CD3C, #87CD3C, #AECD3C and #CDC43C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ECD41 shade: #3CCD3F, #3CCD66, #3CCD8D, #3CCDB4 and #3CBECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ECD41 shade matches the following richer shades: #3CCD3F, #29E12C and #15F419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ECD41 shade: #3CCD3F, #50B952, #64A565, #789178 and #8C7E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ECD41 shade: #87CD3C, #60CD3C, #3CCD3F, #3CCD65 and #3CCD8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ECD41 shade: #259128, #2EB231, #3CCD3F, #5DD560 and #7EDE80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ECD41 shade: #3ECD41, #3CAECD and #CD3C74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ECD41 shade: #3ECD41, #3F3CCD and #CD3F3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ECD41 shade: #3ECD41, #3CAECD, #CD3CCA and #CD5C3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ECD41 shade: #3ECD41, #3C82CD, #CD3CCA and #CD873C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 68 / 20

HEX #3ECD41

RGB 62 205 65

HSL 121.26, 0.59%, 0.52%

LAB 72.94, -63.97, 56.41

 

Complementary color

CMYK 0 / 74 / 2 / 24

HEX #C132BE

RGB 193 50 190

HSL 301.26, 0.59%, 0.48%

LAB 48.68, 70.58, -43.14

 

CMYK 67 / 0 / 71 / 20

HEX #43CD3C

RGB 67 205 60

HSL 117.1, 0.59%, 0.52%

LAB 73.01, -63.48, 58.44

 

CMYK 62 / 0 / 65 / 13

HEX #54DF4F

RGB 84 223 79

HSL 117.92, 0.69%, 0.59%

LAB 79.17, -64.37, 57.68

 

CMYK 58 / 0 / 59 / 5

HEX #65F162

RGB 101 241 98

HSL 118.74, 0.84%, 0.66%

LAB 85.28, -64.92, 56.65

 

CMYK 54 / 0 / 54 / 0

HEX #76FF75

RGB 118 255 117

HSL 119.57, 1%, 0.73%

LAB 90.16, -63.78, 54.1

 

CMYK 47 / 0 / 47 / 0

HEX #87FF88

RGB 135 255 136

HSL 120.5, 1%, 0.76%

LAB 90.98, -56.99, 46.43

 

CMYK 70 / 0 / 68 / 20

HEX #3ECD41

RGB 62 205 65

HSL 121.26, 0.59%, 0.52%

LAB 72.94, -63.97, 56.41

 

CMYK 76 / 0 / 75 / 27

HEX #2DBB2E

RGB 45 187 46

HSL 120.42, 0.61%, 0.45%

LAB 66.75, -62.55, 56.95

 

CMYK 83 / 0 / 84 / 34

HEX #1CA91B

RGB 28 169 27

HSL 119.58, 0.72%, 0.38%

LAB 60.52, -60.43, 56.7

 

CMYK 93 / 0 / 95 / 41

HEX #0B9708

RGB 11 151 8

HSL 118.74, 0.9%, 0.31%

LAB 54.26, -57.37, 55.07

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 71 / 0 / 69 / 20

HEX #3CCD3F

RGB 60 205 63

HSL 121.24, 0.59%, 0.52%

LAB 72.88, -64.5, 57.12

 

CMYK 53 / 0 / 71 / 20

HEX #60CD3C

RGB 96 205 60

HSL 105.1, 0.59%, 0.52%

LAB 73.85, -56.71, 59.57

 

CMYK 34 / 0 / 71 / 20

HEX #87CD3C

RGB 135 205 60

HSL 88.97, 0.59%, 0.52%

LAB 75.54, -44.43, 61.83

 

CMYK 15 / 0 / 71 / 20

HEX #AECD3C

RGB 174 205 60

HSL 72.83, 0.59%, 0.52%

LAB 77.87, -29.59, 64.93

 

CMYK 0 / 4 / 71 / 20

HEX #CDC43C

RGB 205 196 60

HSL 56.28, 0.59%, 0.52%

LAB 77.75, -12.29, 65.6

 

CMYK 71 / 0 / 69 / 20

HEX #3CCD3F

RGB 60 205 63

HSL 121.24, 0.59%, 0.52%

LAB 72.88, -64.5, 57.12

 

CMYK 71 / 0 / 50 / 20

HEX #3CCD66

RGB 60 205 102

HSL 137.38, 0.59%, 0.52%

LAB 73.27, -59.84, 40.24

 

CMYK 71 / 0 / 31 / 20

HEX #3CCD8D

RGB 60 205 141

HSL 153.52, 0.59%, 0.52%

LAB 73.9, -52.82, 21.09

 

CMYK 71 / 0 / 12 / 20

HEX #3CCDB4

RGB 60 205 180

HSL 169.66, 0.59%, 0.52%

LAB 74.77, -43.67, 1.44

 

CMYK 71 / 7 / 0 / 20

HEX #3CBECD

RGB 60 190 205

HSL 186.21, 0.59%, 0.52%

LAB 71.01, -29.76, -17.74

 

CMYK 71 / 0 / 69 / 20

HEX #3CCD3F

RGB 60 205 63

HSL 121.24, 0.59%, 0.52%

LAB 72.88, -64.5, 57.12

 

CMYK 82 / 0 / 80 / 12

HEX #29E12C

RGB 41 225 44

HSL 120.98, 0.75%, 0.52%

LAB 78.75, -74.57, 69.07

 

CMYK 91 / 0 / 90 / 4

HEX #15F419

RGB 21 244 25

HSL 121.08, 0.91%, 0.52%

LAB 84.45, -82.13, 78.04

 

CMYK 71 / 0 / 69 / 20

HEX #3CCD3F

RGB 60 205 63

HSL 121.24, 0.59%, 0.52%

LAB 72.88, -64.5, 57.12

 

CMYK 57 / 0 / 56 / 27

HEX #50B952

RGB 80 185 82

HSL 121.14, 0.43%, 0.52%

LAB 67.29, -51.16, 42.75

 

CMYK 39 / 0 / 39 / 35

HEX #64A565

RGB 100 165 101

HSL 120.92, 0.27%, 0.52%

LAB 62.13, -34.23, 26.81

 

CMYK 17 / 0 / 17 / 43

HEX #789178

RGB 120 145 120

HSL 120, 0.1%, 0.52%

LAB 57.66, -13.96, 10.37

 

CMYK 0 / 10 / 1 / 45

HEX #8C7E8B

RGB 140 126 139

HSL 304.29, 0.06%, 0.52%

LAB 54.41, 7.81, -5.08

 

CMYK 34 / 0 / 71 / 20

HEX #87CD3C

RGB 135 205 60

HSL 88.97, 0.59%, 0.52%

LAB 75.54, -44.43, 61.83

 

CMYK 53 / 0 / 71 / 20

HEX #60CD3C

RGB 96 205 60

HSL 105.1, 0.59%, 0.52%

LAB 73.85, -56.71, 59.57

 

CMYK 71 / 0 / 69 / 20

HEX #3CCD3F

RGB 60 205 63

HSL 121.24, 0.59%, 0.52%

LAB 72.88, -64.5, 57.12

 

CMYK 71 / 0 / 51 / 20

HEX #3CCD65

RGB 60 205 101

HSL 136.97, 0.59%, 0.52%

LAB 73.26, -59.99, 40.72

 

CMYK 71 / 0 / 32 / 20

HEX #3CCD8C

RGB 60 205 140

HSL 153.1, 0.59%, 0.52%

LAB 73.88, -53.03, 21.59

 

CMYK 74 / 0 / 72 / 43

HEX #259128

RGB 37 145 40

HSL 121.67, 0.59%, 0.36%

LAB 52.73, -50.59, 44.89

 

CMYK 74 / 0 / 72 / 30

HEX #2EB231

RGB 46 178 49

HSL 121.36, 0.59%, 0.44%

LAB 63.87, -59.28, 52.98

 

CMYK 71 / 0 / 69 / 20

HEX #3CCD3F

RGB 60 205 63

HSL 121.24, 0.59%, 0.52%

LAB 72.88, -64.5, 57.12

 

CMYK 56 / 0 / 55 / 16

HEX #5DD560

RGB 93 213 96

HSL 121.5, 0.59%, 0.6%

LAB 76.53, -56.84, 47.27

 

CMYK 43 / 0 / 42 / 13

HEX #7EDE80

RGB 126 222 128

HSL 121.25, 0.59%, 0.68%

LAB 80.87, -47.2, 37.42

 

CMYK 70 / 0 / 68 / 20

HEX #3ECD41

RGB 62 205 65

HSL 121.26, 0.59%, 0.52%

LAB 72.94, -63.97, 56.41

 

CMYK 71 / 15 / 0 / 20

HEX #3CAECD

RGB 60 174 205

HSL 192.83, 0.59%, 0.52%

LAB 66.24, -21.73, -25

 

CMYK 0 / 71 / 43 / 20

HEX #CD3C74

RGB 205 60 116

HSL 336.83, 0.59%, 0.52%

LAB 48.85, 60.7, 1.4

 

CMYK 70 / 0 / 68 / 20

HEX #3ECD41

RGB 62 205 65

HSL 121.26, 0.59%, 0.52%

LAB 72.94, -63.97, 56.41

 

CMYK 69 / 71 / 0 / 20

HEX #3F3CCD

RGB 63 60 205

HSL 241.24, 0.59%, 0.52%

LAB 35.39, 46.78, -74.13

 

CMYK 0 / 69 / 71 / 20

HEX #CD3F3C

RGB 205 63 60

HSL 1.24, 0.59%, 0.52%

LAB 48.08, 55.56, 34.1

 

CMYK 70 / 0 / 68 / 20

HEX #3ECD41

RGB 62 205 65

HSL 121.26, 0.59%, 0.52%

LAB 72.94, -63.97, 56.41

 

CMYK 71 / 15 / 0 / 20

HEX #3CAECD

RGB 60 174 205

HSL 192.83, 0.59%, 0.52%

LAB 66.24, -21.73, -25

 

CMYK 0 / 71 / 1 / 20

HEX #CD3CCA

RGB 205 60 202

HSL 301.24, 0.59%, 0.52%

LAB 52.37, 71.87, -44.11

 

CMYK 0 / 55 / 71 / 20

HEX #CD5C3C

RGB 205 92 60

HSL 13.24, 0.59%, 0.52%

LAB 52.91, 42.74, 39.65

 

CMYK 70 / 0 / 68 / 20

HEX #3ECD41

RGB 62 205 65

HSL 121.26, 0.59%, 0.52%

LAB 72.94, -63.97, 56.41

 

CMYK 71 / 37 / 0 / 20

HEX #3C82CD

RGB 60 130 205

HSL 211.03, 0.59%, 0.52%

LAB 53.31, 2.86, -45.17

 

CMYK 0 / 71 / 1 / 20

HEX #CD3CCA

RGB 205 60 202

HSL 301.24, 0.59%, 0.52%

LAB 52.37, 71.87, -44.11

 

CMYK 0 / 34 / 71 / 20

HEX #CD873C

RGB 205 135 60

HSL 31.03, 0.59%, 0.52%

LAB 62.2, 20.15, 49.81

 

Description

Color code: HEX #3ECD41 | qconv.com Color code: HEX #3ECD41 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 205 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 205 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 68 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 68% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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