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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ECD2E it is the complementary color #C132D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ECD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ECD2E shade: #43CD29, #54DF3C, #65F14F, #76FF62 and #87FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ECD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ECD2E shade: #3ECD2E, #2DBB1B, #1CA908, #0B9700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ECD2E shade: #3ECC2E, #69CC2E, #93CC2E, #BDCC2E and #CCAF2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ECD2E shade: #3ECC2E, #2ECC49, #2ECC73, #2ECC9E and #2ECCC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ECD2E shade matches the following richer shades: #3ECC2E, #2EE01A and #1EF406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ECD2E shade: #3ECC2E, #4EB742, #5EA357, #6F8F6B and #7F7B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ECD2E shade: #95CC2E, #6BCC2E, #41CC2E, #2ECC46 and #2ECC70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ECD2E shade: #2A881F, #34AA27, #3ECC2E, #5BD74D and #7ADE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ECD2E shade: #3ECD2E, #2EBFCC and #CC2E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ECD2E shade: #3ECD2E, #2E41CC and #CC2E41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ECD2E shade: #3ECD2E, #2EBFCC, #B92ECC and #CC3B2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ECD2E shade: #3ECD2E, #2E8FCC, #B92ECC and #CC6B2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 78 / 20

HEX #3ECD2E

RGB 62 205 46

HSL 113.96, 0.63%, 0.49%

LAB 72.82, -65.44, 62.99

 

Complementary color

CMYK 8 / 76 / 0 / 18

HEX #C132D1

RGB 193 50 209

HSL 293.96, 0.63%, 0.51%

LAB 49.76, 73.69, -52.4

 

CMYK 67 / 0 / 80 / 20

HEX #43CD29

RGB 67 205 41

HSL 110.49, 0.67%, 0.48%

LAB 72.9, -64.79, 64.6

 

CMYK 62 / 0 / 73 / 13

HEX #54DF3C

RGB 84 223 60

HSL 111.17, 0.72%, 0.55%

LAB 79.03, -65.97, 64.71

 

CMYK 58 / 0 / 67 / 5

HEX #65F14F

RGB 101 241 79

HSL 111.85, 0.85%, 0.63%

LAB 85.12, -66.77, 64.24

 

CMYK 54 / 0 / 62 / 0

HEX #76FF62

RGB 118 255 98

HSL 112.36, 1%, 0.69%

LAB 89.98, -65.84, 62.11

 

CMYK 47 / 0 / 54 / 0

HEX #87FF75

RGB 135 255 117

HSL 112.17, 1%, 0.73%

LAB 90.76, -59.35, 54.95

 

CMYK 70 / 0 / 78 / 20

HEX #3ECD2E

RGB 62 205 46

HSL 113.96, 0.63%, 0.49%

LAB 72.82, -65.44, 62.99

 

CMYK 76 / 0 / 86 / 27

HEX #2DBB1B

RGB 45 187 27

HSL 113.25, 0.75%, 0.42%

LAB 66.66, -63.66, 62.33

 

CMYK 83 / 0 / 95 / 34

HEX #1CA908

RGB 28 169 8

HSL 112.55, 0.91%, 0.35%

LAB 60.46, -61.13, 60.3

 

CMYK 93 / 0 / 100 / 41

HEX #0B9700

RGB 11 151 0

HSL 115.63, 1%, 0.3%

LAB 54.24, -57.61, 56.36

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 70 / 0 / 77 / 20

HEX #3ECC2E

RGB 62 204 46

HSL 113.92, 0.63%, 0.49%

LAB 72.5, -65.12, 62.69

 

CMYK 49 / 0 / 77 / 20

HEX #69CC2E

RGB 105 204 46

HSL 97.59, 0.63%, 0.49%

LAB 73.8, -54.71, 64.38

 

CMYK 28 / 0 / 77 / 20

HEX #93CC2E

RGB 147 204 46

HSL 81.65, 0.63%, 0.49%

LAB 75.81, -40.4, 67

 

CMYK 7 / 0 / 77 / 20

HEX #BDCC2E

RGB 189 204 46

HSL 65.7, 0.63%, 0.49%

LAB 78.58, -23.62, 70.55

 

CMYK 0 / 14 / 77 / 20

HEX #CCAF2E

RGB 204 175 46

HSL 48.99, 0.63%, 0.49%

LAB 72.02, -2.47, 65.06

 

CMYK 70 / 0 / 77 / 20

HEX #3ECC2E

RGB 62 204 46

HSL 113.92, 0.63%, 0.49%

LAB 72.5, -65.12, 62.69

 

CMYK 77 / 0 / 64 / 20

HEX #2ECC49

RGB 46 204 73

HSL 130.25, 0.63%, 0.49%

LAB 72.39, -65.32, 52.47

 

CMYK 77 / 0 / 44 / 20

HEX #2ECC73

RGB 46 204 115

HSL 146.2, 0.63%, 0.49%

LAB 72.89, -59.37, 33.22

 

CMYK 77 / 0 / 23 / 20

HEX #2ECC9E

RGB 46 204 158

HSL 162.53, 0.63%, 0.49%

LAB 73.7, -50.44, 11.71

 

CMYK 77 / 0 / 2 / 20

HEX #2ECCC8

RGB 46 204 200

HSL 178.48, 0.63%, 0.49%

LAB 74.78, -39.38, -9.38

 

CMYK 70 / 0 / 77 / 20

HEX #3ECC2E

RGB 62 204 46

HSL 113.92, 0.63%, 0.49%

LAB 72.5, -65.12, 62.69

 

CMYK 79 / 0 / 88 / 12

HEX #2EE01A

RGB 46 224 26

HSL 113.94, 0.79%, 0.49%

LAB 78.44, -74.51, 72.84

 

CMYK 88 / 0 / 98 / 4

HEX #1EF406

RGB 30 244 6

HSL 113.95, 0.95%, 0.49%

LAB 84.48, -81.96, 80.14

 

CMYK 70 / 0 / 77 / 20

HEX #3ECC2E

RGB 62 204 46

HSL 113.92, 0.63%, 0.49%

LAB 72.5, -65.12, 62.69

 

CMYK 57 / 0 / 64 / 28

HEX #4EB742

RGB 78 183 66

HSL 113.85, 0.47%, 0.49%

LAB 66.43, -52.74, 49.05

 

CMYK 42 / 0 / 47 / 36

HEX #5EA357

RGB 94 163 87

HSL 114.47, 0.3%, 0.49%

LAB 61.01, -37.39, 32.71

 

CMYK 22 / 0 / 25 / 44

HEX #6F8F6B

RGB 111 143 107

HSL 113.33, 0.14%, 0.49%

LAB 56.17, -18.58, 15.58

 

CMYK 0 / 3 / 0 / 50

HEX #7F7B7F

RGB 127 123 127

HSL 300, 0.02%, 0.49%

LAB 52.07, 2.31, -1.64

 

CMYK 27 / 0 / 77 / 20

HEX #95CC2E

RGB 149 204 46

HSL 80.89, 0.63%, 0.49%

LAB 75.93, -39.65, 67.15

 

CMYK 48 / 0 / 77 / 20

HEX #6BCC2E

RGB 107 204 46

HSL 96.84, 0.63%, 0.49%

LAB 73.87, -54.11, 64.49

 

CMYK 68 / 0 / 77 / 20

HEX #41CC2E

RGB 65 204 46

HSL 112.78, 0.63%, 0.49%

LAB 72.57, -64.56, 62.78

 

CMYK 77 / 0 / 66 / 20

HEX #2ECC46

RGB 46 204 70

HSL 129.11, 0.63%, 0.49%

LAB 72.37, -65.64, 53.7

 

CMYK 77 / 0 / 45 / 20

HEX #2ECC70

RGB 46 204 112

HSL 145.06, 0.63%, 0.49%

LAB 72.85, -59.89, 34.68

 

CMYK 69 / 0 / 77 / 47

HEX #2A881F

RGB 42 136 31

HSL 113.71, 0.63%, 0.33%

LAB 49.74, -47.26, 45.33

 

CMYK 69 / 0 / 77 / 33

HEX #34AA27

RGB 52 170 39

HSL 114.05, 0.63%, 0.41%

LAB 61.33, -56.34, 54.03

 

CMYK 70 / 0 / 77 / 20

HEX #3ECC2E

RGB 62 204 46

HSL 113.92, 0.63%, 0.49%

LAB 72.5, -65.12, 62.69

 

CMYK 58 / 0 / 64 / 16

HEX #5BD74D

RGB 91 215 77

HSL 113.91, 0.63%, 0.57%

LAB 76.9, -60.16, 56.06

 

CMYK 45 / 0 / 50 / 13

HEX #7ADE6E

RGB 122 222 110

HSL 113.57, 0.63%, 0.65%

LAB 80.46, -50.83, 45.67

 

CMYK 70 / 0 / 78 / 20

HEX #3ECD2E

RGB 62 205 46

HSL 113.96, 0.63%, 0.49%

LAB 72.82, -65.44, 62.99

 

CMYK 77 / 6 / 0 / 20

HEX #2EBFCC

RGB 46 191 204

HSL 184.94, 0.63%, 0.49%

LAB 71.01, -32.15, -17.22

 

CMYK 0 / 77 / 37 / 20

HEX #CC2E80

RGB 204 46 128

HSL 328.86, 0.63%, 0.49%

LAB 47.43, 66.17, -8.01

 

CMYK 70 / 0 / 78 / 20

HEX #3ECD2E

RGB 62 205 46

HSL 113.96, 0.63%, 0.49%

LAB 72.82, -65.44, 62.99

 

CMYK 77 / 68 / 0 / 20

HEX #2E41CC

RGB 46 65 204

HSL 232.78, 0.63%, 0.49%

LAB 35.44, 41.8, -73.5

 

CMYK 0 / 77 / 68 / 20

HEX #CC2E41

RGB 204 46 65

HSL 352.78, 0.63%, 0.49%

LAB 45.87, 61.32, 28.45

 

CMYK 70 / 0 / 78 / 20

HEX #3ECD2E

RGB 62 205 46

HSL 113.96, 0.63%, 0.49%

LAB 72.82, -65.44, 62.99

 

CMYK 77 / 6 / 0 / 20

HEX #2EBFCC

RGB 46 191 204

HSL 184.94, 0.63%, 0.49%

LAB 71.01, -32.15, -17.22

 

CMYK 9 / 77 / 0 / 20

HEX #B92ECC

RGB 185 46 204

HSL 292.78, 0.63%, 0.49%

LAB 47.79, 72.47, -52.76

 

CMYK 0 / 71 / 77 / 20

HEX #CC3B2E

RGB 204 59 46

HSL 4.94, 0.63%, 0.49%

LAB 47.19, 56.16, 40.92

 

CMYK 70 / 0 / 78 / 20

HEX #3ECD2E

RGB 62 205 46

HSL 113.96, 0.63%, 0.49%

LAB 72.82, -65.44, 62.99

 

CMYK 77 / 30 / 0 / 20

HEX #2E8FCC

RGB 46 143 204

HSL 203.16, 0.63%, 0.49%

LAB 56.67, -6.94, -39.33

 

CMYK 9 / 77 / 0 / 20

HEX #B92ECC

RGB 185 46 204

HSL 292.78, 0.63%, 0.49%

LAB 47.79, 72.47, -52.76

 

CMYK 0 / 48 / 77 / 20

HEX #CC6B2E

RGB 204 107 46

HSL 23.16, 0.63%, 0.49%

LAB 55.63, 34.11, 49.51

 

Description

Color code: HEX #3ECD2E | qconv.com Color code: HEX #3ECD2E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 205 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 205 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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