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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ECCC5 it is the complementary color #C1333A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ECCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ECCC5 shade: #43CCC0, #54DED3, #65F0E6, #76FFF9 and #87FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ECCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ECCC5 shade: #3ECCC5, #2DBAB2, #1CA89F, #0B968C and #008479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ECCC5 shade: #3ECCC5, #3ECC9E, #3ECC78, #3ECC52 and #50CC3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ECCC5 shade: #3ECCC5, #3EACCC, #3E86CC, #3E60CC and #3E3ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ECCC5 shade matches the following richer shades: #3ECCC5, #2ADFD6 and #16F3E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ECCC5 shade: #3ECCC5, #51B8B3, #65A4A1, #79908F and #8D7C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ECCC5 shade: #3ECC79, #3ECC9F, #3ECCC4, #3EADCC and #3E87CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ECCC5 shade: #26908B, #2FB1AB, #3ECCC5, #5ED4CE and #7FDDD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ECCC5 shade: #3ECCC5, #533ECC and #CC8C3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ECCC5 shade: #3ECCC5, #C43ECC and #CCC43E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ECCC5 shade: #3ECCC5, #533ECC, #CC3E45 and #B6CC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ECCC5 shade: #3ECCC5, #7E3ECC, #CC3E45 and #8CCC3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

Complementary color

CMYK 0 / 74 / 70 / 24

HEX #C1333A

RGB 193 51 58

HSL 357.04, 0.58%, 0.48%

LAB 44.25, 56.08, 30.19

 

CMYK 67 / 0 / 6 / 20

HEX #43CCC0

RGB 67 204 192

HSL 174.74, 0.57%, 0.53%

LAB 74.94, -39.08, -4.78

 

CMYK 62 / 0 / 5 / 13

HEX #54DED3

RGB 84 222 211

HSL 175.22, 0.68%, 0.6%

LAB 81.2, -39.53, -5.68

 

CMYK 58 / 0 / 4 / 6

HEX #65F0E6

RGB 101 240 230

HSL 175.68, 0.82%, 0.67%

LAB 87.39, -39.84, -6.51

 

CMYK 54 / 0 / 2 / 0

HEX #76FFF9

RGB 118 255 249

HSL 177.37, 1%, 0.73%

LAB 92.67, -38.69, -8.53

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 76 / 0 / 4 / 27

HEX #2DBAB2

RGB 45 186 178

HSL 176.6, 0.61%, 0.45%

LAB 68.67, -37.6, -6.46

 

CMYK 83 / 0 / 5 / 34

HEX #1CA89F

RGB 28 168 159

HSL 176.14, 0.71%, 0.38%

LAB 62.3, -36.49, -5.37

 

CMYK 93 / 0 / 7 / 41

HEX #0B968C

RGB 11 150 140

HSL 175.68, 0.86%, 0.32%

LAB 55.86, -34.96, -4.13

 

CMYK 100 / 0 / 8 / 48

HEX #008479

RGB 0 132 121

HSL 175, 1%, 0.26%

LAB 49.35, -32.96, -2.74

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 70 / 0 / 23 / 20

HEX #3ECC9E

RGB 62 204 158

HSL 160.56, 0.58%, 0.52%

LAB 73.98, -48.37, 12.16

 

CMYK 70 / 0 / 41 / 20

HEX #3ECC78

RGB 62 204 120

HSL 144.51, 0.58%, 0.52%

LAB 73.26, -56.19, 31.2

 

CMYK 70 / 0 / 60 / 20

HEX #3ECC52

RGB 62 204 82

HSL 128.45, 0.58%, 0.52%

LAB 72.77, -61.84, 49.05

 

CMYK 61 / 0 / 70 / 20

HEX #50CC3E

RGB 80 204 62

HSL 112.39, 0.58%, 0.52%

LAB 73.05, -60.21, 57.83

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 70 / 16 / 0 / 20

HEX #3EACCC

RGB 62 172 204

HSL 193.52, 0.58%, 0.52%

LAB 65.66, -20.74, -25.33

 

CMYK 70 / 34 / 0 / 20

HEX #3E86CC

RGB 62 134 204

HSL 209.58, 0.58%, 0.52%

LAB 54.48, 0.42, -42.74

 

CMYK 70 / 53 / 0 / 20

HEX #3E60CC

RGB 62 96 204

HSL 225.63, 0.58%, 0.52%

LAB 43.87, 24.02, -59.72

 

CMYK 70 / 70 / 0 / 20

HEX #3E3ECC

RGB 62 62 204

HSL 240, 0.58%, 0.52%

LAB 35.65, 45.19, -73.13

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 81 / 0 / 4 / 13

HEX #2ADFD6

RGB 42 223 214

HSL 177.02, 0.74%, 0.52%

LAB 80.81, -44.21, -7.94

 

CMYK 91 / 0 / 5 / 5

HEX #16F3E8

RGB 22 243 232

HSL 177.01, 0.9%, 0.52%

LAB 87.04, -48.92, -8.21

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 56 / 0 / 3 / 28

HEX #51B8B3

RGB 81 184 179

HSL 177.09, 0.42%, 0.52%

LAB 68.96, -30.87, -6.49

 

CMYK 38 / 0 / 2 / 36

HEX #65A4A1

RGB 101 164 161

HSL 177.14, 0.26%, 0.52%

LAB 63.25, -20.93, -4.85

 

CMYK 16 / 0 / 1 / 44

HEX #79908F

RGB 121 144 143

HSL 177.39, 0.09%, 0.52%

LAB 58.03, -8.36, -2.21

 

CMYK 0 / 12 / 11 / 45

HEX #8D7C7D

RGB 141 124 125

HSL 356.47, 0.07%, 0.52%

LAB 53.56, 6.69, 1.84

 

CMYK 70 / 0 / 41 / 20

HEX #3ECC79

RGB 62 204 121

HSL 144.93, 0.58%, 0.52%

LAB 73.28, -56.01, 30.71

 

CMYK 70 / 0 / 22 / 20

HEX #3ECC9F

RGB 62 204 159

HSL 160.99, 0.58%, 0.52%

LAB 74.01, -48.14, 11.65

 

CMYK 70 / 0 / 4 / 20

HEX #3ECCC4

RGB 62 204 196

HSL 176.62, 0.58%, 0.52%

LAB 74.95, -38.68, -6.94

 

CMYK 70 / 15 / 0 / 20

HEX #3EADCC

RGB 62 173 204

HSL 193.1, 0.58%, 0.52%

LAB 65.96, -21.26, -24.88

 

CMYK 70 / 34 / 0 / 20

HEX #3E87CC

RGB 62 135 204

HSL 209.15, 0.58%, 0.52%

LAB 54.77, -0.18, -42.28

 

CMYK 74 / 0 / 3 / 44

HEX #26908B

RGB 38 144 139

HSL 177.17, 0.58%, 0.36%

LAB 54.26, -30.08, -5.89

 

CMYK 73 / 0 / 3 / 31

HEX #2FB1AB

RGB 47 177 171

HSL 177.23, 0.58%, 0.44%

LAB 65.74, -35.23, -6.94

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 56 / 0 / 3 / 17

HEX #5ED4CE

RGB 94 212 206

HSL 176.95, 0.58%, 0.6%

LAB 78.42, -34.47, -7.1

 

CMYK 43 / 0 / 2 / 13

HEX #7FDDD8

RGB 127 221 216

HSL 176.81, 0.58%, 0.68%

LAB 82.48, -29.07, -6.29

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 59 / 70 / 0 / 20

HEX #533ECC

RGB 83 62 204

HSL 248.87, 0.58%, 0.52%

LAB 37.2, 47.87, -70.54

 

CMYK 0 / 31 / 70 / 20

HEX #CC8C3E

RGB 204 140 62

HSL 32.96, 0.58%, 0.52%

LAB 63.29, 17.11, 50.01

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 4 / 70 / 0 / 20

HEX #C43ECC

RGB 196 62 204

HSL 296.62, 0.58%, 0.52%

LAB 51.31, 69.55, -47.02

 

CMYK 0 / 4 / 70 / 20

HEX #CCC43E

RGB 204 196 62

HSL 56.62, 0.58%, 0.52%

LAB 77.68, -12.61, 64.77

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 59 / 70 / 0 / 20

HEX #533ECC

RGB 83 62 204

HSL 248.87, 0.58%, 0.52%

LAB 37.2, 47.87, -70.54

 

CMYK 0 / 70 / 66 / 20

HEX #CC3E45

RGB 204 62 69

HSL 357.04, 0.58%, 0.52%

LAB 47.9, 56.08, 28.56

 

CMYK 11 / 0 / 70 / 20

HEX #B6CC3E

RGB 182 204 62

HSL 69.3, 0.58%, 0.52%

LAB 78.16, -25.76, 64.67

 

CMYK 70 / 0 / 3 / 20

HEX #3ECCC5

RGB 62 204 197

HSL 177.04, 0.58%, 0.52%

LAB 74.98, -38.4, -7.44

 

CMYK 38 / 70 / 0 / 20

HEX #7E3ECC

RGB 126 62 204

HSL 267.04, 0.58%, 0.52%

LAB 41.6, 55.09, -63.17

 

CMYK 0 / 70 / 66 / 20

HEX #CC3E45

RGB 204 62 69

HSL 357.04, 0.58%, 0.52%

LAB 47.9, 56.08, 28.56

 

CMYK 31 / 0 / 70 / 20

HEX #8CCC3E

RGB 140 204 62

HSL 87.04, 0.58%, 0.52%

LAB 75.52, -42.07, 61.16

 

Description

Color code: HEX #3ECCC5 | qconv.com Color code: HEX #3ECCC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 204 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 204 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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