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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBF5E it is the complementary color #C140A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBF5E shade: #43BF59, #54D16C, #65E37F, #76F592 and #87FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBF5E shade: #3EBF5E, #2DAD4B, #1C9B38, #0B8925 and #007712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBF5E shade: #3EC15F, #41C13E, #64C13E, #87C13E and #ABC13E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBF5E shade: #3EC15F, #3EC182, #3EC1A5, #3EB9C1 and #3E96C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBF5E shade matches the following richer shades: #3EC15F, #2AD554, #15EA4A and #01FE40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBF5E shade: #3EC15F, #53AC69, #689774, #7C837E and #916E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBF5E shade: #65C13E, #43C13E, #3EC15D, #3EC180 and #3EC1A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBF5E shade: #2A8240, #34A14F, #3EC15F, #5ECB79 and #7DD593

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBF5E shade: #3EBF5E, #3E88C1 and #C13E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBF5E shade: #3EBF5E, #5D3EC1 and #C15D3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBF5E shade: #3EBF5E, #3E88C1, #C13EA2 and #C1773E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBF5E shade: #3EBF5E, #3E61C1, #C13EA2 and #C19E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 51 / 25

HEX #3EBF5E

RGB 62 191 94

HSL 134.88, 0.51%, 0.5%

LAB 68.82, -55.67, 38.67

 

Complementary color

CMYK 0 / 67 / 17 / 24

HEX #C140A1

RGB 193 64 161

HSL 314.88, 0.51%, 0.5%

LAB 48.98, 61.32, -25.64

 

CMYK 65 / 0 / 53 / 25

HEX #43BF59

RGB 67 191 89

HSL 130.65, 0.49%, 0.51%

LAB 68.88, -55.42, 41.21

 

CMYK 60 / 0 / 48 / 18

HEX #54D16C

RGB 84 209 108

HSL 131.52, 0.58%, 0.57%

LAB 75.18, -55.79, 39.81

 

CMYK 56 / 0 / 44 / 11

HEX #65E37F

RGB 101 227 127

HSL 132.38, 0.69%, 0.64%

LAB 81.42, -55.94, 38.44

 

CMYK 52 / 0 / 40 / 4

HEX #76F592

RGB 118 245 146

HSL 133.23, 0.86%, 0.71%

LAB 87.6, -55.94, 37.12

 

CMYK 47 / 0 / 35 / 0

HEX #87FFA5

RGB 135 255 165

HSL 135, 1%, 0.76%

LAB 91.41, -52.61, 32.81

 

CMYK 68 / 0 / 51 / 25

HEX #3EBF5E

RGB 62 191 94

HSL 134.88, 0.51%, 0.5%

LAB 68.82, -55.67, 38.67

 

CMYK 74 / 0 / 57 / 32

HEX #2DAD4B

RGB 45 173 75

HSL 134.06, 0.59%, 0.43%

LAB 62.47, -54.89, 40.15

 

CMYK 82 / 0 / 64 / 39

HEX #1C9B38

RGB 28 155 56

HSL 133.23, 0.69%, 0.36%

LAB 56.06, -53.57, 41.58

 

CMYK 92 / 0 / 73 / 46

HEX #0B8925

RGB 11 137 37

HSL 132.38, 0.85%, 0.29%

LAB 49.61, -51.44, 42.73

 

CMYK 100 / 0 / 85 / 53

HEX #007712

RGB 0 119 18

HSL 129.08, 1%, 0.23%

LAB 43.12, -48.21, 43.08

 

CMYK 68 / 0 / 51 / 24

HEX #3EC15F

RGB 62 193 95

HSL 135.11, 0.51%, 0.5%

LAB 69.46, -56.25, 38.97

 

CMYK 66 / 0 / 68 / 24

HEX #41C13E

RGB 65 193 62

HSL 118.63, 0.51%, 0.5%

LAB 69.19, -59.66, 53.63

 

CMYK 48 / 0 / 68 / 24

HEX #64C13E

RGB 100 193 62

HSL 102.6, 0.51%, 0.5%

LAB 70.31, -50.85, 55.16

 

CMYK 30 / 0 / 68 / 24

HEX #87C13E

RGB 135 193 62

HSL 86.56, 0.51%, 0.5%

LAB 71.99, -39.08, 57.43

 

CMYK 11 / 0 / 68 / 24

HEX #ABC13E

RGB 171 193 62

HSL 70.08, 0.51%, 0.5%

LAB 74.28, -24.94, 60.52

 

CMYK 68 / 0 / 51 / 24

HEX #3EC15F

RGB 62 193 95

HSL 135.11, 0.51%, 0.5%

LAB 69.46, -56.25, 38.97

 

CMYK 68 / 0 / 33 / 24

HEX #3EC182

RGB 62 193 130

HSL 151.15, 0.51%, 0.5%

LAB 70.02, -50.04, 21.63

 

CMYK 68 / 0 / 15 / 24

HEX #3EC1A5

RGB 62 193 165

HSL 167.18, 0.51%, 0.5%

LAB 70.79, -42, 3.8

 

CMYK 68 / 4 / 0 / 24

HEX #3EB9C1

RGB 62 185 193

HSL 183.66, 0.51%, 0.5%

LAB 69.16, -30.63, -13.94

 

CMYK 68 / 22 / 0 / 24

HEX #3E96C1

RGB 62 150 193

HSL 199.69, 0.51%, 0.5%

LAB 58.68, -12.52, -29.95

 

CMYK 68 / 0 / 51 / 24

HEX #3EC15F

RGB 62 193 95

HSL 135.11, 0.51%, 0.5%

LAB 69.46, -56.25, 38.97

 

CMYK 80 / 0 / 61 / 16

HEX #2AD554

RGB 42 213 84

HSL 134.74, 0.67%, 0.5%

LAB 75.28, -67.41, 50.96

 

CMYK 91 / 0 / 68 / 8

HEX #15EA4A

RGB 21 234 74

HSL 134.93, 0.84%, 0.5%

LAB 81.57, -76.48, 61.95

 

CMYK 100 / 0 / 75 / 0

HEX #01FE40

RGB 1 254 64

HSL 134.94, 0.99%, 0.5%

LAB 87.61, -83.57, 71.61

 

CMYK 68 / 0 / 51 / 24

HEX #3EC15F

RGB 62 193 95

HSL 135.11, 0.51%, 0.5%

LAB 69.46, -56.25, 38.97

 

CMYK 52 / 0 / 39 / 33

HEX #53AC69

RGB 83 172 105

HSL 134.83, 0.35%, 0.5%

LAB 63.64, -41.64, 26.52

 

CMYK 31 / 0 / 23 / 41

HEX #689774

RGB 104 151 116

HSL 135.32, 0.18%, 0.5%

LAB 58.36, -23.46, 13.47

 

CMYK 5 / 0 / 4 / 49

HEX #7C837E

RGB 124 131 126

HSL 137.14, 0.03%, 0.5%

LAB 54.05, -3.59, 1.8

 

CMYK 0 / 24 / 6 / 43

HEX #916E88

RGB 145 110 136

HSL 315.43, 0.14%, 0.5%

LAB 50.63, 18.39, -8.9

 

CMYK 48 / 0 / 68 / 24

HEX #65C13E

RGB 101 193 62

HSL 102.14, 0.51%, 0.5%

LAB 70.35, -50.55, 55.21

 

CMYK 65 / 0 / 68 / 24

HEX #43C13E

RGB 67 193 62

HSL 117.71, 0.51%, 0.5%

LAB 69.24, -59.25, 53.7

 

CMYK 68 / 0 / 52 / 24

HEX #3EC15D

RGB 62 193 93

HSL 134.2, 0.51%, 0.5%

LAB 69.44, -56.54, 39.92

 

CMYK 68 / 0 / 34 / 24

HEX #3EC180

RGB 62 193 128

HSL 150.23, 0.51%, 0.5%

LAB 69.98, -50.45, 22.64

 

CMYK 68 / 0 / 16 / 24

HEX #3EC1A2

RGB 62 193 162

HSL 165.8, 0.51%, 0.5%

LAB 70.71, -42.75, 5.33

 

CMYK 68 / 0 / 51 / 49

HEX #2A8240

RGB 42 130 64

HSL 135, 0.51%, 0.34%

LAB 48.04, -41.08, 28.15

 

CMYK 68 / 0 / 51 / 37

HEX #34A14F

RGB 52 161 79

HSL 134.86, 0.51%, 0.42%

LAB 58.77, -48.71, 33.71

 

CMYK 68 / 0 / 51 / 24

HEX #3EC15F

RGB 62 193 95

HSL 135.11, 0.51%, 0.5%

LAB 69.46, -56.25, 38.97

 

CMYK 54 / 0 / 40 / 20

HEX #5ECB79

RGB 94 203 121

HSL 134.86, 0.51%, 0.58%

LAB 73.85, -49.05, 31.62

 

CMYK 41 / 0 / 31 / 16

HEX #7DD593

RGB 125 213 147

HSL 135, 0.51%, 0.66%

LAB 78.49, -40.52, 24.55

 

CMYK 68 / 0 / 51 / 25

HEX #3EBF5E

RGB 62 191 94

HSL 134.88, 0.51%, 0.5%

LAB 68.82, -55.67, 38.67

 

CMYK 68 / 30 / 0 / 24

HEX #3E88C1

RGB 62 136 193

HSL 206.11, 0.51%, 0.5%

LAB 54.54, -4.59, -36.42

 

CMYK 0 / 68 / 56 / 24

HEX #C13E54

RGB 193 62 84

HSL 349.92, 0.51%, 0.5%

LAB 46.21, 53.56, 16.93

 

CMYK 68 / 0 / 51 / 25

HEX #3EBF5E

RGB 62 191 94

HSL 134.88, 0.51%, 0.5%

LAB 68.82, -55.67, 38.67

 

CMYK 52 / 68 / 0 / 24

HEX #5D3EC1

RGB 93 62 193

HSL 254.2, 0.51%, 0.5%

LAB 37.16, 46.16, -64.15

 

CMYK 0 / 52 / 68 / 24

HEX #C15D3E

RGB 193 93 62

HSL 14.2, 0.51%, 0.5%

LAB 51.28, 37.76, 36.22

 

CMYK 68 / 0 / 51 / 25

HEX #3EBF5E

RGB 62 191 94

HSL 134.88, 0.51%, 0.5%

LAB 68.82, -55.67, 38.67

 

CMYK 68 / 30 / 0 / 24

HEX #3E88C1

RGB 62 136 193

HSL 206.11, 0.51%, 0.5%

LAB 54.54, -4.59, -36.42

 

CMYK 0 / 68 / 16 / 24

HEX #C13EA2

RGB 193 62 162

HSL 314.2, 0.51%, 0.5%

LAB 48.75, 62.23, -26.59

 

CMYK 0 / 38 / 68 / 24

HEX #C1773E

RGB 193 119 62

HSL 26.11, 0.51%, 0.5%

LAB 56.96, 23.9, 42.7

 

CMYK 68 / 0 / 51 / 25

HEX #3EBF5E

RGB 62 191 94

HSL 134.88, 0.51%, 0.5%

LAB 68.82, -55.67, 38.67

 

CMYK 68 / 50 / 0 / 24

HEX #3E61C1

RGB 62 97 193

HSL 223.97, 0.51%, 0.5%

LAB 43.39, 19.41, -54.13

 

CMYK 0 / 68 / 16 / 24

HEX #C13EA2

RGB 193 62 162

HSL 314.2, 0.51%, 0.5%

LAB 48.75, 62.23, -26.59

 

CMYK 0 / 18 / 68 / 24

HEX #C19E3E

RGB 193 158 62

HSL 43.97, 0.51%, 0.5%

LAB 66.63, 2.54, 53.19

 

Description

Color code: HEX #3EBF5E | qconv.com Color code: HEX #3EBF5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 191 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 191 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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