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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBEE3 it is the complementary color #C1411C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBEE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBEE3 shade: #43BEDE, #54D0F1, #65E2FF, #76F4FF and #87FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBEE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBEE3 shade: #3EBEE3, #2DACD0, #1C9ABD, #0B88AA and #007697

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBEE3 shade: #3FBFE4, #3F92E4, #3F66E4, #453FE4 and #713FE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBEE3 shade: #3FBFE4, #3F92E4, #3F66E4 and #3F3FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBEE3 shade matches the following richer shades: #3FBFE4 and #2DC9F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBEE3 shade: #3FBFE4, #51B5D2, #63ABC0, #74A1AE and #86989D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBEE3 shade: #3FE4B0, #3FE4DB, #3FC0E4, #3F94E4 and #3F68E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBEE3 shade: #1A93B6, #1FB0DA, #3FBFE4, #63CBE9 and #87D7EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBEE3 shade: #3EBEE3, #843FE4 and #E4C53F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBEE3 shade: #3EBEE3, #E43FC0 and #C0E43F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBEE3 shade: #3EBEE3, #843FE4, #E4633F and #9FE43F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBEE3 shade: #3EBEE3, #B53FE4, #E4633F and #6EE43F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 16 / 0 / 11

HEX #3EBEE3

RGB 62 190 227

HSL 193.45, 0.75%, 0.57%

LAB 71.82, -22.69, -28.48

 

Complementary color

CMYK 0 / 66 / 85 / 24

HEX #C1411C

RGB 193 65 28

HSL 13.45, 0.75%, 0.43%

LAB 45.91, 49.58, 47.97

 

CMYK 70 / 14 / 0 / 13

HEX #43BEDE

RGB 67 190 222

HSL 192.39, 0.7%, 0.57%

LAB 71.75, -23.62, -25.86

 

CMYK 65 / 14 / 0 / 5

HEX #54D0F1

RGB 84 208 241

HSL 192.61, 0.85%, 0.64%

LAB 78.08, -24.41, -26.39

 

CMYK 60 / 11 / 0 / 0

HEX #65E2FF

RGB 101 226 255

HSL 191.3, 1%, 0.7%

LAB 84.16, -26.47, -24.5

 

CMYK 54 / 4 / 0 / 0

HEX #76F4FF

RGB 118 244 255

HSL 184.82, 1%, 0.73%

LAB 89.75, -32.05, -16

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 73 / 16 / 0 / 11

HEX #3EBEE3

RGB 62 190 227

HSL 193.45, 0.75%, 0.57%

LAB 71.82, -22.69, -28.48

 

CMYK 78 / 17 / 0 / 18

HEX #2DACD0

RGB 45 172 208

HSL 193.25, 0.64%, 0.5%

LAB 65.45, -21.5, -27.9

 

CMYK 85 / 19 / 0 / 26

HEX #1C9ABD

RGB 28 154 189

HSL 193.04, 0.74%, 0.43%

LAB 59, -19.97, -27.26

 

CMYK 94 / 20 / 0 / 33

HEX #0B88AA

RGB 11 136 170

HSL 192.83, 0.88%, 0.35%

LAB 52.49, -18, -26.51

 

CMYK 100 / 22 / 0 / 41

HEX #007697

RGB 0 118 151

HSL 193.11, 1%, 0.3%

LAB 45.9, -15.51, -25.66

 

CMYK 72 / 16 / 0 / 11

HEX #3FBFE4

RGB 63 191 228

HSL 193.45, 0.75%, 0.57%

LAB 72.17, -22.76, -28.48

 

CMYK 72 / 36 / 0 / 11

HEX #3F92E4

RGB 63 146 228

HSL 209.82, 0.75%, 0.57%

LAB 59.17, 1.93, -48.78

 

CMYK 72 / 55 / 0 / 11

HEX #3F66E4

RGB 63 102 228

HSL 225.82, 0.75%, 0.57%

LAB 47.18, 28.98, -68.02

 

CMYK 70 / 72 / 0 / 11

HEX #453FE4

RGB 69 63 228

HSL 242.18, 0.75%, 0.57%

LAB 38.59, 53.08, -82.08

 

CMYK 50 / 72 / 0 / 11

HEX #713FE4

RGB 113 63 228

HSL 258.18, 0.75%, 0.57%

LAB 42.26, 58.61, -75.91

 

CMYK 72 / 16 / 0 / 11

HEX #3FBFE4

RGB 63 191 228

HSL 193.45, 0.75%, 0.57%

LAB 72.17, -22.76, -28.48

 

CMYK 72 / 36 / 0 / 11

HEX #3F92E4

RGB 63 146 228

HSL 209.82, 0.75%, 0.57%

LAB 59.17, 1.93, -48.78

 

CMYK 72 / 55 / 0 / 11

HEX #3F66E4

RGB 63 102 228

HSL 225.82, 0.75%, 0.57%

LAB 47.18, 28.98, -68.02

 

CMYK 72 / 72 / 0 / 11

HEX #3F3FE4

RGB 63 63 228

HSL 240, 0.75%, 0.57%

LAB 38.22, 52.51, -82.69

 

CMYK 72 / 16 / 0 / 11

HEX #3FBFE4

RGB 63 191 228

HSL 193.45, 0.75%, 0.57%

LAB 72.17, -22.76, -28.48

 

CMYK 82 / 18 / 0 / 4

HEX #2DC9F5

RGB 45 201 245

HSL 193.2, 0.91%, 0.57%

LAB 75.4, -24.19, -32.71

 

CMYK 72 / 16 / 0 / 11

HEX #3FBFE4

RGB 63 191 228

HSL 193.45, 0.75%, 0.57%

LAB 72.17, -22.76, -28.48

 

CMYK 61 / 14 / 0 / 18

HEX #51B5D2

RGB 81 181 210

HSL 193.49, 0.59%, 0.57%

LAB 69.08, -20.51, -23.37

 

CMYK 48 / 11 / 0 / 25

HEX #63ABC0

RGB 99 171 192

HSL 193.55, 0.42%, 0.57%

LAB 66.2, -16.85, -17.75

 

CMYK 33 / 7 / 0 / 32

HEX #74A1AE

RGB 116 161 174

HSL 193.45, 0.26%, 0.57%

LAB 63.56, -11.86, -11.61

 

CMYK 15 / 3 / 0 / 38

HEX #86989D

RGB 134 152 157

HSL 193.04, 0.11%, 0.57%

LAB 61.62, -5.29, -4.79

 

CMYK 72 / 0 / 23 / 11

HEX #3FE4B0

RGB 63 228 176

HSL 161.09, 0.75%, 0.57%

LAB 81.66, -53.82, 13.46

 

CMYK 72 / 0 / 4 / 11

HEX #3FE4DB

RGB 63 228 219

HSL 176.73, 0.75%, 0.57%

LAB 82.73, -42.98, -7.71

 

CMYK 72 / 16 / 0 / 11

HEX #3FC0E4

RGB 63 192 228

HSL 193.09, 0.75%, 0.57%

LAB 72.47, -23.27, -28.03

 

CMYK 72 / 35 / 0 / 11

HEX #3F94E4

RGB 63 148 228

HSL 209.09, 0.75%, 0.57%

LAB 59.74, 0.76, -47.88

 

CMYK 72 / 54 / 0 / 11

HEX #3F68E4

RGB 63 104 228

HSL 225.09, 0.75%, 0.57%

LAB 47.7, 27.72, -67.19

 

CMYK 86 / 19 / 0 / 29

HEX #1A93B6

RGB 26 147 182

HSL 193.46, 0.75%, 0.41%

LAB 56.55, -18.81, -27.09

 

CMYK 86 / 19 / 0 / 15

HEX #1FB0DA

RGB 31 176 218

HSL 193.48, 0.75%, 0.49%

LAB 66.83, -21.4, -31.31

 

CMYK 72 / 16 / 0 / 11

HEX #3FBFE4

RGB 63 191 228

HSL 193.45, 0.75%, 0.57%

LAB 72.17, -22.76, -28.48

 

CMYK 58 / 13 / 0 / 9

HEX #63CBE9

RGB 99 203 233

HSL 193.43, 0.75%, 0.65%

LAB 76.83, -21.69, -23.97

 

CMYK 43 / 10 / 0 / 7

HEX #87D7EE

RGB 135 215 238

HSL 193.4, 0.75%, 0.73%

LAB 81.8, -18.65, -18.97

 

CMYK 73 / 16 / 0 / 11

HEX #3EBEE3

RGB 62 190 227

HSL 193.45, 0.75%, 0.57%

LAB 71.82, -22.69, -28.48

 

CMYK 42 / 72 / 0 / 11

HEX #843FE4

RGB 132 63 228

HSL 265.09, 0.75%, 0.57%

LAB 44.32, 61.61, -72.45

 

CMYK 0 / 14 / 72 / 11

HEX #E4C53F

RGB 228 197 63

HSL 48.73, 0.75%, 0.57%

LAB 80.06, -2.87, 67.45

 

CMYK 73 / 16 / 0 / 11

HEX #3EBEE3

RGB 62 190 227

HSL 193.45, 0.75%, 0.57%

LAB 71.82, -22.69, -28.48

 

CMYK 0 / 72 / 16 / 11

HEX #E43FC0

RGB 228 63 192

HSL 313.09, 0.75%, 0.57%

LAB 55.94, 74.59, -32.48

 

CMYK 16 / 0 / 72 / 11

HEX #C0E43F

RGB 192 228 63

HSL 73.09, 0.75%, 0.57%

LAB 85.53, -32.99, 71.78

 

CMYK 73 / 16 / 0 / 11

HEX #3EBEE3

RGB 62 190 227

HSL 193.45, 0.75%, 0.57%

LAB 71.82, -22.69, -28.48

 

CMYK 42 / 72 / 0 / 11

HEX #843FE4

RGB 132 63 228

HSL 265.09, 0.75%, 0.57%

LAB 44.32, 61.61, -72.45

 

CMYK 0 / 57 / 72 / 11

HEX #E4633F

RGB 228 99 63

HSL 13.09, 0.75%, 0.57%

LAB 57.82, 48.03, 44.54

 

CMYK 30 / 0 / 72 / 11

HEX #9FE43F

RGB 159 228 63

HSL 85.09, 0.75%, 0.57%

LAB 83.56, -45.47, 69.18

 

CMYK 73 / 16 / 0 / 11

HEX #3EBEE3

RGB 62 190 227

HSL 193.45, 0.75%, 0.57%

LAB 71.82, -22.69, -28.48

 

CMYK 21 / 72 / 0 / 11

HEX #B53FE4

RGB 181 63 228

HSL 282.91, 0.75%, 0.57%

LAB 50.66, 70.48, -61.87

 

CMYK 0 / 57 / 72 / 11

HEX #E4633F

RGB 228 99 63

HSL 13.09, 0.75%, 0.57%

LAB 57.82, 48.03, 44.54

 

CMYK 52 / 0 / 72 / 11

HEX #6EE43F

RGB 110 228 63

HSL 102.91, 0.75%, 0.57%

LAB 81.38, -61.12, 66.3

 

Description

Color code: HEX #3EBEE3 | qconv.com Color code: HEX #3EBEE3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 190 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 190 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 16 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 16% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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