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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBECE it is the complementary color #C14131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBECE shade: #43BEC9, #54D0DC, #65E2EF, #76F4FF and #87FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBECE shade: #3EBECE, #2DACBB, #1C9AA8, #0B8895 and #007682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBECE shade: #3FBFCF, #3F98CF, #3F72CF, #3F4BCF and #5B3FCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBECE shade: #3FBFCF, #3F98CF, #3F72CF, #3F4BCF and #3F3FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBECE shade matches the following richer shades: #3FBFCF, #2CCEE2 and #18DDF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBECE shade: #3FBFCF, #53B0BC, #66A1A8, #799295 and #8D8381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBECE shade: #3FCF91, #3FCFB7, #3FC1CF, #3F9ACF and #3F74CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBECE shade: #268A96, #2EA8B7, #3FBFCF, #60CAD7 and #81D5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBECE shade: #3EBECE, #6A3FCF and #CFA43F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBECE shade: #3EBECE, #CF3FC1 and #C1CF3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBECE shade: #3EBECE, #6A3FCF, #CF4E3F and #A4CF3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBECE shade: #3EBECE, #963FCF, #CF4E3F and #79CF3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 8 / 0 / 19

HEX #3EBECE

RGB 62 190 206

HSL 186.67, 0.6%, 0.53%

LAB 71.08, -29.19, -18.17

 

Complementary color

CMYK 0 / 66 / 75 / 24

HEX #C14131

RGB 193 65 49

HSL 6.67, 0.6%, 0.47%

LAB 46.1, 50.28, 37.51

 

CMYK 67 / 5 / 0 / 21

HEX #43BEC9

RGB 67 190 201

HSL 184.93, 0.55%, 0.53%

LAB 71.03, -29.97, -15.5

 

CMYK 62 / 5 / 0 / 14

HEX #54D0DC

RGB 84 208 220

HSL 185.29, 0.66%, 0.6%

LAB 77.38, -30.54, -16.19

 

CMYK 58 / 5 / 0 / 6

HEX #65E2EF

RGB 101 226 239

HSL 185.65, 0.81%, 0.67%

LAB 83.65, -30.95, -16.83

 

CMYK 54 / 4 / 0 / 0

HEX #76F4FF

RGB 118 244 255

HSL 184.82, 1%, 0.73%

LAB 89.75, -32.05, -16

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 70 / 8 / 0 / 19

HEX #3EBECE

RGB 62 190 206

HSL 186.67, 0.6%, 0.53%

LAB 71.08, -29.19, -18.17

 

CMYK 76 / 8 / 0 / 27

HEX #2DACBB

RGB 45 172 187

HSL 186.34, 0.61%, 0.45%

LAB 64.68, -28.26, -17.42

 

CMYK 83 / 8 / 0 / 34

HEX #1C9AA8

RGB 28 154 168

HSL 186, 0.71%, 0.38%

LAB 58.21, -27, -16.58

 

CMYK 93 / 9 / 0 / 42

HEX #0B8895

RGB 11 136 149

HSL 185.65, 0.86%, 0.31%

LAB 51.67, -25.32, -15.62

 

CMYK 100 / 9 / 0 / 49

HEX #007682

RGB 0 118 130

HSL 185.54, 1%, 0.25%

LAB 45.04, -23.12, -14.52

 

CMYK 70 / 8 / 0 / 19

HEX #3FBFCF

RGB 63 191 207

HSL 186.67, 0.6%, 0.53%

LAB 71.43, -29.25, -18.18

 

CMYK 70 / 27 / 0 / 19

HEX #3F98CF

RGB 63 152 207

HSL 202.92, 0.6%, 0.53%

LAB 59.91, -8.79, -35.91

 

CMYK 70 / 45 / 0 / 19

HEX #3F72CF

RGB 63 114 207

HSL 218.75, 0.6%, 0.53%

LAB 49, 13.85, -53.17

 

CMYK 70 / 64 / 0 / 19

HEX #3F4BCF

RGB 63 75 207

HSL 235, 0.6%, 0.53%

LAB 38.89, 38.5, -69.55

 

CMYK 56 / 70 / 0 / 19

HEX #5B3FCF

RGB 91 63 207

HSL 251.67, 0.6%, 0.53%

LAB 38.35, 49.4, -70.36

 

CMYK 70 / 8 / 0 / 19

HEX #3FBFCF

RGB 63 191 207

HSL 186.67, 0.6%, 0.53%

LAB 71.43, -29.25, -18.18

 

CMYK 70 / 27 / 0 / 19

HEX #3F98CF

RGB 63 152 207

HSL 202.92, 0.6%, 0.53%

LAB 59.91, -8.79, -35.91

 

CMYK 70 / 45 / 0 / 19

HEX #3F72CF

RGB 63 114 207

HSL 218.75, 0.6%, 0.53%

LAB 49, 13.85, -53.17

 

CMYK 70 / 64 / 0 / 19

HEX #3F4BCF

RGB 63 75 207

HSL 235, 0.6%, 0.53%

LAB 38.89, 38.5, -69.55

 

CMYK 70 / 70 / 0 / 19

HEX #3F3FCF

RGB 63 63 207

HSL 240, 0.6%, 0.53%

LAB 36.21, 45.7, -73.95

 

CMYK 70 / 8 / 0 / 19

HEX #3FBFCF

RGB 63 191 207

HSL 186.67, 0.6%, 0.53%

LAB 71.43, -29.25, -18.18

 

CMYK 81 / 9 / 0 / 11

HEX #2CCEE2

RGB 44 206 226

HSL 186.59, 0.76%, 0.53%

LAB 76.17, -32.75, -21.32

 

CMYK 90 / 10 / 0 / 4

HEX #18DDF6

RGB 24 221 246

HSL 186.76, 0.93%, 0.53%

LAB 81.05, -34.87, -24.61

 

CMYK 70 / 8 / 0 / 19

HEX #3FBFCF

RGB 63 191 207

HSL 186.67, 0.6%, 0.53%

LAB 71.43, -29.25, -18.18

 

CMYK 56 / 6 / 0 / 26

HEX #53B0BC

RGB 83 176 188

HSL 186.86, 0.44%, 0.53%

LAB 66.92, -24.03, -14.51

 

CMYK 39 / 4 / 0 / 34

HEX #66A1A8

RGB 102 161 168

HSL 186.36, 0.28%, 0.53%

LAB 62.63, -17.31, -9.7

 

CMYK 19 / 2 / 0 / 42

HEX #799295

RGB 121 146 149

HSL 186.43, 0.12%, 0.53%

LAB 58.78, -8.12, -4.54

 

CMYK 0 / 7 / 9 / 45

HEX #8D8381

RGB 141 131 129

HSL 10, 0.05%, 0.53%

LAB 55.56, 3.4, 2.43

 

CMYK 70 / 0 / 30 / 19

HEX #3FCF91

RGB 63 207 145

HSL 154.17, 0.6%, 0.53%

LAB 74.65, -52.31, 20.02

 

CMYK 70 / 0 / 12 / 19

HEX #3FCFB7

RGB 63 207 183

HSL 170, 0.6%, 0.53%

LAB 75.51, -43.36, 0.91

 

CMYK 70 / 7 / 0 / 19

HEX #3FC1CF

RGB 63 193 207

HSL 185.83, 0.6%, 0.53%

LAB 72.03, -30.22, -17.28

 

CMYK 70 / 26 / 0 / 19

HEX #3F9ACF

RGB 63 154 207

HSL 202.08, 0.6%, 0.53%

LAB 60.49, -9.91, -35

 

CMYK 70 / 44 / 0 / 19

HEX #3F74CF

RGB 63 116 207

HSL 217.92, 0.6%, 0.53%

LAB 49.56, 12.6, -52.28

 

CMYK 75 / 8 / 0 / 41

HEX #268A96

RGB 38 138 150

HSL 186.43, 0.6%, 0.37%

LAB 52.72, -23.67, -14.57

 

CMYK 75 / 8 / 0 / 28

HEX #2EA8B7

RGB 46 168 183

HSL 186.57, 0.6%, 0.45%

LAB 63.35, -27.41, -17.22

 

CMYK 70 / 8 / 0 / 19

HEX #3FBFCF

RGB 63 191 207

HSL 186.67, 0.6%, 0.53%

LAB 71.43, -29.25, -18.18

 

CMYK 55 / 6 / 0 / 16

HEX #60CAD7

RGB 96 202 215

HSL 186.55, 0.6%, 0.61%

LAB 75.84, -26.86, -15.77

 

CMYK 42 / 5 / 0 / 12

HEX #81D5E0

RGB 129 213 224

HSL 186.95, 0.61%, 0.69%

LAB 80.54, -22.69, -13.43

 

CMYK 70 / 8 / 0 / 19

HEX #3EBECE

RGB 62 190 206

HSL 186.67, 0.6%, 0.53%

LAB 71.08, -29.19, -18.17

 

CMYK 49 / 70 / 0 / 19

HEX #6A3FCF

RGB 106 63 207

HSL 257.92, 0.6%, 0.53%

LAB 39.79, 51.8, -67.94

 

CMYK 0 / 21 / 70 / 19

HEX #CFA43F

RGB 207 164 63

HSL 42.08, 0.6%, 0.53%

LAB 69.59, 5.46, 56.29

 

CMYK 70 / 8 / 0 / 19

HEX #3EBECE

RGB 62 190 206

HSL 186.67, 0.6%, 0.53%

LAB 71.08, -29.19, -18.17

 

CMYK 0 / 70 / 7 / 19

HEX #CF3FC1

RGB 207 63 193

HSL 305.83, 0.6%, 0.53%

LAB 52.59, 69.89, -38.56

 

CMYK 7 / 0 / 70 / 19

HEX #C1CF3F

RGB 193 207 63

HSL 65.83, 0.6%, 0.53%

LAB 79.8, -22.64, 66.2

 

CMYK 70 / 8 / 0 / 19

HEX #3EBECE

RGB 62 190 206

HSL 186.67, 0.6%, 0.53%

LAB 71.08, -29.19, -18.17

 

CMYK 49 / 70 / 0 / 19

HEX #6A3FCF

RGB 106 63 207

HSL 257.92, 0.6%, 0.53%

LAB 39.79, 51.8, -67.94

 

CMYK 0 / 62 / 70 / 19

HEX #CF4E3F

RGB 207 78 63

HSL 6.25, 0.6%, 0.53%

LAB 50.77, 50.16, 35.63

 

CMYK 21 / 0 / 70 / 19

HEX #A4CF3F

RGB 164 207 63

HSL 77.92, 0.6%, 0.53%

LAB 77.8, -34.31, 63.55

 

CMYK 70 / 8 / 0 / 19

HEX #3EBECE

RGB 62 190 206

HSL 186.67, 0.6%, 0.53%

LAB 71.08, -29.19, -18.17

 

CMYK 28 / 70 / 0 / 19

HEX #963FCF

RGB 150 63 207

HSL 276.25, 0.6%, 0.53%

LAB 45, 60.03, -59.23

 

CMYK 0 / 62 / 70 / 19

HEX #CF4E3F

RGB 207 78 63

HSL 6.25, 0.6%, 0.53%

LAB 50.77, 50.16, 35.63

 

CMYK 42 / 0 / 70 / 19

HEX #79CF3F

RGB 121 207 63

HSL 95.83, 0.6%, 0.53%

LAB 75.48, -49.79, 60.44

 

Description

Color code: HEX #3EBECE | qconv.com Color code: HEX #3EBECE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 190 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 190 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 8 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 8% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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