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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBCAC it is the complementary color #C14353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBCAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBCAC shade: #43BCA7, #54CEBA, #65E0CD, #76F2E0 and #87FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBCAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBCAC shade: #3EBCAC, #2DAA99, #1C9886, #0B8673 and #007460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBCAC shade: #3EBBAC, #3EBB8A, #3EBB68, #3EBB46 and #58BB3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBCAC shade: #3EBBAC, #3EAABB, #3E88BB, #3E66BB and #3E45BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBCAC shade matches the following richer shades: #3EBBAC, #2AD0BB, #16E4CA and #02F8D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBCAC shade: #3EBBAC, #53A79C, #67938D, #7B7F7E and #8F6B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBCAC shade: #3EBB68, #3EBB89, #3EBBAB, #3EABBB and #3E89BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBCAC shade: #2A7E73, #349C8F, #3EBBAC, #5BC8BA and #7AD3C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBCAC shade: #3EBCAC, #473EBB and #BB793E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBCAC shade: #3EBCAC, #AB3EBB and #BBAB3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBCAC shade: #3EBCAC, #473EBB, #BB3E4F and #B3BB3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBCAC shade: #3EBCAC, #6C3EBB, #BB3E4F and #8EBB3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 9 / 26

HEX #3EBCAC

RGB 62 188 172

HSL 172.38, 0.5%, 0.49%

LAB 69.45, -37.94, -1.98

 

Complementary color

CMYK 0 / 65 / 57 / 24

HEX #C14353

RGB 193 67 83

HSL 352.38, 0.5%, 0.51%

LAB 46.94, 51.43, 18.53

 

CMYK 64 / 0 / 11 / 26

HEX #43BCA7

RGB 67 188 167

HSL 169.59, 0.47%, 0.5%

LAB 69.43, -38.46, 0.76

 

CMYK 59 / 0 / 10 / 19

HEX #54CEBA

RGB 84 206 186

HSL 170.16, 0.55%, 0.57%

LAB 75.81, -38.74, -0.22

 

CMYK 55 / 0 / 8 / 12

HEX #65E0CD

RGB 101 224 205

HSL 170.73, 0.66%, 0.64%

LAB 82.1, -38.89, -1.11

 

CMYK 51 / 0 / 7 / 5

HEX #76F2E0

RGB 118 242 224

HSL 171.29, 0.83%, 0.71%

LAB 88.32, -38.96, -1.94

 

CMYK 47 / 0 / 5 / 0

HEX #87FFF3

RGB 135 255 243

HSL 174, 1%, 0.76%

LAB 93.08, -36.69, -4.76

 

CMYK 67 / 0 / 9 / 26

HEX #3EBCAC

RGB 62 188 172

HSL 172.38, 0.5%, 0.49%

LAB 69.45, -37.94, -1.98

 

CMYK 74 / 0 / 10 / 33

HEX #2DAA99

RGB 45 170 153

HSL 171.84, 0.58%, 0.42%

LAB 63.02, -37.33, -0.92

 

CMYK 82 / 0 / 12 / 40

HEX #1C9886

RGB 28 152 134

HSL 171.29, 0.69%, 0.35%

LAB 56.51, -36.41, 0.27

 

CMYK 92 / 0 / 14 / 47

HEX #0B8673

RGB 11 134 115

HSL 170.73, 0.85%, 0.28%

LAB 49.93, -35.04, 1.63

 

CMYK 100 / 0 / 17 / 55

HEX #007460

RGB 0 116 96

HSL 169.66, 1%, 0.23%

LAB 43.26, -33.12, 3.2

 

CMYK 67 / 0 / 8 / 27

HEX #3EBBAC

RGB 62 187 172

HSL 172.8, 0.5%, 0.49%

LAB 69.14, -37.49, -2.43

 

CMYK 67 / 0 / 26 / 27

HEX #3EBB8A

RGB 62 187 138

HSL 156.48, 0.5%, 0.49%

LAB 68.31, -45.89, 14.98

 

CMYK 67 / 0 / 44 / 27

HEX #3EBB68

RGB 62 187 104

HSL 140.16, 0.5%, 0.49%

LAB 67.7, -52.59, 32.2

 

CMYK 67 / 0 / 63 / 27

HEX #3EBB46

RGB 62 187 70

HSL 123.84, 0.5%, 0.49%

LAB 67.28, -57.37, 48.13

 

CMYK 53 / 0 / 67 / 27

HEX #58BB3E

RGB 88 187 62

HSL 107.52, 0.5%, 0.49%

LAB 67.99, -51.99, 52.55

 

CMYK 67 / 0 / 8 / 27

HEX #3EBBAC

RGB 62 187 172

HSL 172.8, 0.5%, 0.49%

LAB 69.14, -37.49, -2.43

 

CMYK 67 / 9 / 0 / 27

HEX #3EAABB

RGB 62 170 187

HSL 188.16, 0.5%, 0.49%

LAB 64.45, -25.01, -17.74

 

CMYK 67 / 27 / 0 / 27

HEX #3E88BB

RGB 62 136 187

HSL 204.48, 0.5%, 0.49%

LAB 54.26, -6.64, -33.43

 

CMYK 67 / 45 / 0 / 27

HEX #3E66BB

RGB 62 102 187

HSL 220.8, 0.5%, 0.49%

LAB 44.4, 14.05, -49.04

 

CMYK 67 / 63 / 0 / 27

HEX #3E45BB

RGB 62 69 187

HSL 236.64, 0.5%, 0.49%

LAB 35.73, 35.2, -63.06

 

CMYK 67 / 0 / 8 / 27

HEX #3EBBAC

RGB 62 187 172

HSL 172.8, 0.5%, 0.49%

LAB 69.14, -37.49, -2.43

 

CMYK 80 / 0 / 10 / 18

HEX #2AD0BB

RGB 42 208 187

HSL 172.41, 0.66%, 0.49%

LAB 75.57, -45.13, -1.2

 

CMYK 90 / 0 / 11 / 11

HEX #16E4CA

RGB 22 228 202

HSL 172.43, 0.82%, 0.49%

LAB 81.8, -50.83, -0.14

 

CMYK 99 / 0 / 13 / 3

HEX #02F8D9

RGB 2 248 217

HSL 172.44, 0.98%, 0.49%

LAB 88.04, -55.57, 1.09

 

CMYK 67 / 0 / 8 / 27

HEX #3EBBAC

RGB 62 187 172

HSL 172.8, 0.5%, 0.49%

LAB 69.14, -37.49, -2.43

 

CMYK 50 / 0 / 7 / 35

HEX #53A79C

RGB 83 167 156

HSL 172.14, 0.34%, 0.49%

LAB 63.24, -28.24, -2.15

 

CMYK 30 / 0 / 4 / 42

HEX #67938D

RGB 103 147 141

HSL 171.82, 0.18%, 0.49%

LAB 57.73, -16.31, -1.65

 

CMYK 3 / 0 / 1 / 50

HEX #7B7F7E

RGB 123 127 126

HSL 165, 0.02%, 0.49%

LAB 52.84, -1.69, 0.02

 

CMYK 0 / 25 / 22 / 44

HEX #8F6B6F

RGB 143 107 111

HSL 353.33, 0.14%, 0.49%

LAB 48.89, 14.98, 3.36

 

CMYK 67 / 0 / 44 / 27

HEX #3EBB68

RGB 62 187 104

HSL 140.16, 0.5%, 0.49%

LAB 67.7, -52.59, 32.2

 

CMYK 67 / 0 / 27 / 27

HEX #3EBB89

RGB 62 187 137

HSL 156, 0.5%, 0.49%

LAB 68.29, -46.11, 15.49

 

CMYK 67 / 0 / 9 / 27

HEX #3EBBAB

RGB 62 187 171

HSL 172.32, 0.5%, 0.49%

LAB 69.12, -37.76, -1.92

 

CMYK 67 / 9 / 0 / 27

HEX #3EABBB

RGB 62 171 187

HSL 187.68, 0.5%, 0.49%

LAB 64.75, -25.52, -17.28

 

CMYK 67 / 27 / 0 / 27

HEX #3E89BB

RGB 62 137 187

HSL 204, 0.5%, 0.49%

LAB 54.56, -7.22, -32.97

 

CMYK 67 / 0 / 9 / 51

HEX #2A7E73

RGB 42 126 115

HSL 172.14, 0.5%, 0.33%

LAB 47.82, -27.71, -1.39

 

CMYK 67 / 0 / 8 / 39

HEX #349C8F

RGB 52 156 143

HSL 172.5, 0.5%, 0.41%

LAB 58.5, -32.6, -1.89

 

CMYK 67 / 0 / 8 / 27

HEX #3EBBAC

RGB 62 187 172

HSL 172.8, 0.5%, 0.49%

LAB 69.14, -37.49, -2.43

 

CMYK 55 / 0 / 7 / 22

HEX #5BC8BA

RGB 91 200 186

HSL 172.29, 0.5%, 0.57%

LAB 74.24, -34.61, -2.49

 

CMYK 42 / 0 / 6 / 17

HEX #7AD3C7

RGB 122 211 199

HSL 171.91, 0.5%, 0.65%

LAB 78.95, -29.57, -2.43

 

CMYK 67 / 0 / 9 / 26

HEX #3EBCAC

RGB 62 188 172

HSL 172.38, 0.5%, 0.49%

LAB 69.45, -37.94, -1.98

 

CMYK 62 / 67 / 0 / 27

HEX #473EBB

RGB 71 62 187

HSL 244.32, 0.5%, 0.49%

LAB 34.75, 40.78, -64.64

 

CMYK 0 / 35 / 67 / 27

HEX #BB793E

RGB 187 121 62

HSL 28.32, 0.5%, 0.49%

LAB 56.67, 20.25, 42.17

 

CMYK 67 / 0 / 9 / 26

HEX #3EBCAC

RGB 62 188 172

HSL 172.38, 0.5%, 0.49%

LAB 69.45, -37.94, -1.98

 

CMYK 9 / 67 / 0 / 27

HEX #AB3EBB

RGB 171 62 187

HSL 292.32, 0.5%, 0.49%

LAB 46.57, 60.96, -44.97

 

CMYK 0 / 9 / 67 / 27

HEX #BBAB3E

RGB 187 171 62

HSL 52.32, 0.5%, 0.49%

LAB 69.5, -7.01, 56.01

 

CMYK 67 / 0 / 9 / 26

HEX #3EBCAC

RGB 62 188 172

HSL 172.38, 0.5%, 0.49%

LAB 69.45, -37.94, -1.98

 

CMYK 62 / 67 / 0 / 27

HEX #473EBB

RGB 71 62 187

HSL 244.32, 0.5%, 0.49%

LAB 34.75, 40.78, -64.64

 

CMYK 0 / 67 / 58 / 27

HEX #BB3E4F

RGB 187 62 79

HSL 351.84, 0.5%, 0.49%

LAB 45.05, 51.26, 18.24

 

CMYK 4 / 0 / 67 / 27

HEX #B3BB3E

RGB 179 187 62

HSL 63.84, 0.5%, 0.49%

LAB 73.2, -18.65, 59.61

 

CMYK 67 / 0 / 9 / 26

HEX #3EBCAC

RGB 62 188 172

HSL 172.38, 0.5%, 0.49%

LAB 69.45, -37.94, -1.98

 

CMYK 42 / 67 / 0 / 27

HEX #6C3EBB

RGB 108 62 187

HSL 262.08, 0.5%, 0.49%

LAB 38.24, 47.25, -58.81

 

CMYK 0 / 67 / 58 / 27

HEX #BB3E4F

RGB 187 62 79

HSL 351.84, 0.5%, 0.49%

LAB 45.05, 51.26, 18.24

 

CMYK 24 / 0 / 67 / 27

HEX #8EBB3E

RGB 142 187 62

HSL 81.6, 0.5%, 0.49%

LAB 70.62, -33.71, 56.13

 

Description

Color code: HEX #3EBCAC | qconv.com Color code: HEX #3EBCAC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 188 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 188 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 9 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 9% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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