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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBADE it is the complementary color #C14521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBADE shade: #43BAD9, #54CCEC, #65DEFF, #76F0FF and #87FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBADE shade: #3EBADE, #2DA8CB, #1C96B8, #0B84A5 and #007292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBADE shade: #3FBBDE, #3F90DE, #3F65DE, #453FDE and #703FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBADE shade: #3FBBDE, #3F90DE, #3F65DE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBADE shade matches the following richer shades: #3FBBDE and #2DC5F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBADE shade: #3FBBDE, #51B1CC, #63A7BA, #769DA8 and #889396

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBADE shade: #3FDEAC, #3FDED6, #3FBCDE, #3F91DE and #3F67DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBADE shade: #1D8DAE, #23AAD1, #3FBBDE, #62C7E4 and #86D4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBADE shade: #3EBADE, #823FDE and #DEC13F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBADE shade: #3EBADE, #DE3FBC and #BCDE3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBADE shade: #3EBADE, #823FDE, #DE623F and #9CDE3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBADE shade: #3EBADE, #B13FDE, #DE623F and #6CDE3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 16 / 0 / 13

HEX #3EBADE

RGB 62 186 222

HSL 193.5, 0.71%, 0.56%

LAB 70.47, -22.24, -27.84

 

Complementary color

CMYK 0 / 64 / 83 / 24

HEX #C14521

RGB 193 69 33

HSL 13.5, 0.71%, 0.44%

LAB 46.58, 48, 46.28

 

CMYK 69 / 14 / 0 / 15

HEX #43BAD9

RGB 67 186 217

HSL 192.4, 0.66%, 0.56%

LAB 70.4, -23.14, -25.21

 

CMYK 64 / 14 / 0 / 7

HEX #54CCEC

RGB 84 204 236

HSL 192.63, 0.8%, 0.63%

LAB 76.76, -23.9, -25.73

 

CMYK 60 / 13 / 0 / 0

HEX #65DEFF

RGB 101 222 255

HSL 192.86, 1%, 0.7%

LAB 83.04, -24.5, -26.22

 

CMYK 54 / 6 / 0 / 0

HEX #76F0FF

RGB 118 240 255

HSL 186.57, 1%, 0.73%

LAB 88.63, -30.15, -17.68

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 72 / 16 / 0 / 13

HEX #3EBADE

RGB 62 186 222

HSL 193.5, 0.71%, 0.56%

LAB 70.47, -22.24, -27.84

 

CMYK 78 / 17 / 0 / 20

HEX #2DA8CB

RGB 45 168 203

HSL 193.29, 0.64%, 0.49%

LAB 64.06, -21.07, -27.27

 

CMYK 85 / 18 / 0 / 28

HEX #1C96B8

RGB 28 150 184

HSL 193.08, 0.74%, 0.42%

LAB 57.58, -19.57, -26.63

 

CMYK 93 / 20 / 0 / 35

HEX #0B84A5

RGB 11 132 165

HSL 192.86, 0.88%, 0.35%

LAB 51.03, -17.62, -25.89

 

CMYK 100 / 22 / 0 / 43

HEX #007292

RGB 0 114 146

HSL 193.15, 1%, 0.29%

LAB 44.39, -15.13, -25.04

 

CMYK 72 / 16 / 0 / 13

HEX #3FBBDE

RGB 63 187 222

HSL 193.21, 0.71%, 0.56%

LAB 70.78, -22.62, -27.36

 

CMYK 72 / 35 / 0 / 13

HEX #3F90DE

RGB 63 144 222

HSL 209.43, 0.71%, 0.56%

LAB 58.3, 0.99, -46.82

 

CMYK 72 / 55 / 0 / 13

HEX #3F65DE

RGB 63 101 222

HSL 225.66, 0.71%, 0.56%

LAB 46.5, 27.46, -65.74

 

CMYK 69 / 72 / 0 / 13

HEX #453FDE

RGB 69 63 222

HSL 242.26, 0.71%, 0.56%

LAB 38.01, 51.19, -79.6

 

CMYK 50 / 72 / 0 / 13

HEX #703FDE

RGB 112 63 222

HSL 258.49, 0.71%, 0.56%

LAB 41.65, 56.85, -73.5

 

CMYK 72 / 16 / 0 / 13

HEX #3FBBDE

RGB 63 187 222

HSL 193.21, 0.71%, 0.56%

LAB 70.78, -22.62, -27.36

 

CMYK 72 / 35 / 0 / 13

HEX #3F90DE

RGB 63 144 222

HSL 209.43, 0.71%, 0.56%

LAB 58.3, 0.99, -46.82

 

CMYK 72 / 55 / 0 / 13

HEX #3F65DE

RGB 63 101 222

HSL 225.66, 0.71%, 0.56%

LAB 46.5, 27.46, -65.74

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 72 / 16 / 0 / 13

HEX #3FBBDE

RGB 63 187 222

HSL 193.21, 0.71%, 0.56%

LAB 70.78, -22.62, -27.36

 

CMYK 81 / 18 / 0 / 5

HEX #2DC5F1

RGB 45 197 241

HSL 193.47, 0.88%, 0.56%

LAB 74.09, -23.47, -32.59

 

CMYK 72 / 16 / 0 / 13

HEX #3FBBDE

RGB 63 187 222

HSL 193.21, 0.71%, 0.56%

LAB 70.78, -22.62, -27.36

 

CMYK 60 / 13 / 0 / 20

HEX #51B1CC

RGB 81 177 204

HSL 193.17, 0.55%, 0.56%

LAB 67.69, -20.25, -22.18

 

CMYK 47 / 10 / 0 / 27

HEX #63A7BA

RGB 99 167 186

HSL 193.1, 0.39%, 0.56%

LAB 64.83, -16.41, -16.48

 

CMYK 30 / 7 / 0 / 34

HEX #769DA8

RGB 118 157 168

HSL 193.2, 0.22%, 0.56%

LAB 62.33, -10.6, -10.05

 

CMYK 9 / 2 / 0 / 41

HEX #889396

RGB 136 147 150

HSL 192.86, 0.06%, 0.56%

LAB 60.16, -3.33, -2.95

 

CMYK 72 / 0 / 23 / 13

HEX #3FDEAC

RGB 63 222 172

HSL 161.13, 0.71%, 0.56%

LAB 79.77, -52.33, 12.89

 

CMYK 72 / 0 / 4 / 13

HEX #3FDED6

RGB 63 222 214

HSL 176.98, 0.71%, 0.56%

LAB 80.82, -41.69, -7.88

 

CMYK 72 / 15 / 0 / 13

HEX #3FBCDE

RGB 63 188 222

HSL 192.83, 0.71%, 0.56%

LAB 71.08, -23.13, -26.91

 

CMYK 72 / 35 / 0 / 13

HEX #3F91DE

RGB 63 145 222

HSL 209.06, 0.71%, 0.56%

LAB 58.58, 0.4, -46.37

 

CMYK 72 / 54 / 0 / 13

HEX #3F67DE

RGB 63 103 222

HSL 224.91, 0.71%, 0.56%

LAB 47.02, 26.2, -64.9

 

CMYK 83 / 19 / 0 / 32

HEX #1D8DAE

RGB 29 141 174

HSL 193.66, 0.71%, 0.4%

LAB 54.41, -18.13, -25.82

 

CMYK 83 / 19 / 0 / 18

HEX #23AAD1

RGB 35 170 209

HSL 193.45, 0.71%, 0.48%

LAB 64.73, -21.03, -29.58

 

CMYK 72 / 16 / 0 / 13

HEX #3FBBDE

RGB 63 187 222

HSL 193.21, 0.71%, 0.56%

LAB 70.78, -22.62, -27.36

 

CMYK 57 / 13 / 0 / 11

HEX #62C7E4

RGB 98 199 228

HSL 193.38, 0.71%, 0.64%

LAB 75.48, -21.29, -23.34

 

CMYK 43 / 9 / 0 / 8

HEX #86D4EA

RGB 134 212 234

HSL 193.2, 0.7%, 0.72%

LAB 80.79, -18.41, -18.36

 

CMYK 72 / 16 / 0 / 13

HEX #3EBADE

RGB 62 186 222

HSL 193.5, 0.71%, 0.56%

LAB 70.47, -22.24, -27.84

 

CMYK 41 / 72 / 0 / 13

HEX #823FDE

RGB 130 63 222

HSL 265.28, 0.71%, 0.56%

LAB 43.62, 59.8, -70.2

 

CMYK 0 / 13 / 72 / 13

HEX #DEC13F

RGB 222 193 63

HSL 49.06, 0.71%, 0.56%

LAB 78.48, -3.36, 65.71

 

CMYK 72 / 16 / 0 / 13

HEX #3EBADE

RGB 62 186 222

HSL 193.5, 0.71%, 0.56%

LAB 70.47, -22.24, -27.84

 

CMYK 0 / 72 / 15 / 13

HEX #DE3FBC

RGB 222 63 188

HSL 312.83, 0.71%, 0.56%

LAB 54.78, 72.65, -32.06

 

CMYK 15 / 0 / 72 / 13

HEX #BCDE3F

RGB 188 222 63

HSL 72.83, 0.71%, 0.56%

LAB 83.6, -31.79, 69.81

 

CMYK 72 / 16 / 0 / 13

HEX #3EBADE

RGB 62 186 222

HSL 193.5, 0.71%, 0.56%

LAB 70.47, -22.24, -27.84

 

CMYK 41 / 72 / 0 / 13

HEX #823FDE

RGB 130 63 222

HSL 265.28, 0.71%, 0.56%

LAB 43.62, 59.8, -70.2

 

CMYK 0 / 56 / 72 / 13

HEX #DE623F

RGB 222 98 63

HSL 13.21, 0.71%, 0.56%

LAB 56.71, 46.31, 43.05

 

CMYK 30 / 0 / 72 / 13

HEX #9CDE3F

RGB 156 222 63

HSL 84.91, 0.71%, 0.56%

LAB 81.66, -43.98, 67.25

 

CMYK 72 / 16 / 0 / 13

HEX #3EBADE

RGB 62 186 222

HSL 193.5, 0.71%, 0.56%

LAB 70.47, -22.24, -27.84

 

CMYK 20 / 72 / 0 / 13

HEX #B13FDE

RGB 177 63 222

HSL 283.02, 0.71%, 0.56%

LAB 49.71, 68.53, -60.04

 

CMYK 0 / 56 / 72 / 13

HEX #DE623F

RGB 222 98 63

HSL 13.21, 0.71%, 0.56%

LAB 56.71, 46.31, 43.05

 

CMYK 51 / 0 / 72 / 13

HEX #6CDE3F

RGB 108 222 63

HSL 103.02, 0.71%, 0.56%

LAB 79.49, -59.47, 64.37

 

Description

Color code: HEX #3EBADE | qconv.com Color code: HEX #3EBADE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 186 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 186 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 16 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 16% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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