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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EBAD8 it is the complementary color #C14527. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EBAD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EBAD8 shade: #43BAD3, #54CCE6, #65DEF9, #76F0FF and #87FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EBAD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EBAD8 shade: #3EBAD8, #2DA8C5, #1C96B2, #0B849F and #00728C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EBAD8 shade: #41BAD8, #4192D8, #4169D8, #4141D8 and #6A41D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EBAD8 shade: #41BAD8, #4192D8, #4169D8 and #4141D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EBAD8 shade matches the following richer shades: #41BAD8, #2EC6EB and #1BD1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EBAD8 shade: #41BAD8, #53AFC5, #66A4B3, #7898A0 and #8B8D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EBAD8 shade: #41D8A3, #41D8CB, #41BCD8, #4194D8 and #416BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EBAD8 shade: #228BA4, #29A8C7, #41BAD8, #63C7DF and #85D3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EBAD8 shade: #3EBAD8, #7B41D8 and #D8B741

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EBAD8 shade: #3EBAD8, #D841BC and #BCD841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EBAD8 shade: #3EBAD8, #7B41D8, #D85C41 and #9ED841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EBAD8 shade: #3EBAD8, #A841D8, #D85C41 and #70D841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 14 / 0 / 15

HEX #3EBAD8

RGB 62 186 216

HSL 191.69, 0.66%, 0.55%

LAB 70.25, -24.13, -24.91

 

Complementary color

CMYK 0 / 64 / 80 / 24

HEX #C14527

RGB 193 69 39

HSL 11.69, 0.66%, 0.45%

LAB 46.63, 48.19, 43.4

 

CMYK 68 / 12 / 0 / 17

HEX #43BAD3

RGB 67 186 211

HSL 190.42, 0.62%, 0.55%

LAB 70.19, -25, -22.25

 

CMYK 63 / 11 / 0 / 10

HEX #54CCE6

RGB 84 204 230

HSL 190.68, 0.74%, 0.62%

LAB 76.55, -25.69, -22.83

 

CMYK 59 / 11 / 0 / 2

HEX #65DEF9

RGB 101 222 249

HSL 190.95, 0.93%, 0.69%

LAB 82.83, -26.22, -23.35

 

CMYK 54 / 6 / 0 / 0

HEX #76F0FF

RGB 118 240 255

HSL 186.57, 1%, 0.73%

LAB 88.63, -30.15, -17.68

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 71 / 14 / 0 / 15

HEX #3EBAD8

RGB 62 186 216

HSL 191.69, 0.66%, 0.55%

LAB 70.25, -24.13, -24.91

 

CMYK 77 / 15 / 0 / 23

HEX #2DA8C5

RGB 45 168 197

HSL 191.45, 0.63%, 0.47%

LAB 63.83, -23.05, -24.29

 

CMYK 84 / 16 / 0 / 30

HEX #1C96B2

RGB 28 150 178

HSL 191.2, 0.73%, 0.4%

LAB 57.34, -21.63, -23.59

 

CMYK 93 / 17 / 0 / 38

HEX #0B849F

RGB 11 132 159

HSL 190.95, 0.87%, 0.33%

LAB 50.78, -19.77, -22.79

 

CMYK 100 / 19 / 0 / 45

HEX #00728C

RGB 0 114 140

HSL 191.14, 1%, 0.27%

LAB 44.13, -17.37, -21.87

 

CMYK 70 / 14 / 0 / 15

HEX #41BAD8

RGB 65 186 216

HSL 191.92, 0.66%, 0.55%

LAB 70.32, -23.73, -24.79

 

CMYK 70 / 32 / 0 / 15

HEX #4192D8

RGB 65 146 216

HSL 207.81, 0.66%, 0.55%

LAB 58.64, -1.99, -42.93

 

CMYK 70 / 51 / 0 / 15

HEX #4169D8

RGB 65 105 216

HSL 224.11, 0.66%, 0.55%

LAB 47.22, 23.05, -61.17

 

CMYK 70 / 70 / 0 / 15

HEX #4141D8

RGB 65 65 216

HSL 240, 0.66%, 0.55%

LAB 37.59, 47.72, -76.86

 

CMYK 51 / 70 / 0 / 15

HEX #6A41D8

RGB 106 65 216

HSL 256.29, 0.66%, 0.55%

LAB 40.9, 53.26, -71.31

 

CMYK 70 / 14 / 0 / 15

HEX #41BAD8

RGB 65 186 216

HSL 191.92, 0.66%, 0.55%

LAB 70.32, -23.73, -24.79

 

CMYK 70 / 32 / 0 / 15

HEX #4192D8

RGB 65 146 216

HSL 207.81, 0.66%, 0.55%

LAB 58.64, -1.99, -42.93

 

CMYK 70 / 51 / 0 / 15

HEX #4169D8

RGB 65 105 216

HSL 224.11, 0.66%, 0.55%

LAB 47.22, 23.05, -61.17

 

CMYK 70 / 70 / 0 / 15

HEX #4141D8

RGB 65 65 216

HSL 240, 0.66%, 0.55%

LAB 37.59, 47.72, -76.86

 

CMYK 70 / 14 / 0 / 15

HEX #41BAD8

RGB 65 186 216

HSL 191.92, 0.66%, 0.55%

LAB 70.32, -23.73, -24.79

 

CMYK 80 / 16 / 0 / 8

HEX #2EC6EB

RGB 46 198 235

HSL 191.75, 0.83%, 0.55%

LAB 74.17, -25.84, -29.23

 

CMYK 89 / 17 / 0 / 1

HEX #1BD1FD

RGB 27 209 253

HSL 191.68, 0.98%, 0.55%

LAB 77.83, -26.71, -33.26

 

CMYK 70 / 14 / 0 / 15

HEX #41BAD8

RGB 65 186 216

HSL 191.92, 0.66%, 0.55%

LAB 70.32, -23.73, -24.79

 

CMYK 58 / 11 / 0 / 23

HEX #53AFC5

RGB 83 175 197

HSL 191.58, 0.5%, 0.55%

LAB 66.92, -20.92, -19.48

 

CMYK 43 / 8 / 0 / 30

HEX #66A4B3

RGB 102 164 179

HSL 191.69, 0.34%, 0.55%

LAB 63.86, -15.98, -14.02

 

CMYK 25 / 5 / 0 / 37

HEX #7898A0

RGB 120 152 160

HSL 192, 0.17%, 0.55%

LAB 60.77, -9.19, -7.85

 

CMYK 2 / 1 / 0 / 44

HEX #8B8D8E

RGB 139 141 142

HSL 200, 0.01%, 0.55%

LAB 58.5, -0.53, -0.8

 

CMYK 70 / 0 / 25 / 15

HEX #41D8A3

RGB 65 216 163

HSL 158.94, 0.66%, 0.55%

LAB 77.8, -51.68, 14.88

 

CMYK 70 / 0 / 6 / 15

HEX #41D8CB

RGB 65 216 203

HSL 174.83, 0.66%, 0.55%

LAB 78.78, -41.76, -5.03

 

CMYK 70 / 13 / 0 / 15

HEX #41BCD8

RGB 65 188 216

HSL 191.13, 0.66%, 0.55%

LAB 70.9, -24.74, -23.89

 

CMYK 70 / 31 / 0 / 15

HEX #4194D8

RGB 65 148 216

HSL 207.02, 0.66%, 0.55%

LAB 59.22, -3.14, -42.02

 

CMYK 70 / 50 / 0 / 15

HEX #416BD8

RGB 65 107 216

HSL 223.31, 0.66%, 0.55%

LAB 47.75, 21.78, -60.31

 

CMYK 79 / 15 / 0 / 36

HEX #228BA4

RGB 34 139 164

HSL 191.54, 0.66%, 0.39%

LAB 53.48, -20.02, -21.51

 

CMYK 79 / 16 / 0 / 22

HEX #29A8C7

RGB 41 168 199

HSL 191.77, 0.66%, 0.47%

LAB 63.84, -22.8, -25.4

 

CMYK 70 / 14 / 0 / 15

HEX #41BAD8

RGB 65 186 216

HSL 191.92, 0.66%, 0.55%

LAB 70.32, -23.73, -24.79

 

CMYK 56 / 11 / 0 / 13

HEX #63C7DF

RGB 99 199 223

HSL 191.61, 0.66%, 0.63%

LAB 75.34, -22.53, -20.84

 

CMYK 42 / 8 / 0 / 10

HEX #85D3E6

RGB 133 211 230

HSL 191.75, 0.66%, 0.71%

LAB 80.34, -19.18, -16.91

 

CMYK 71 / 14 / 0 / 15

HEX #3EBAD8

RGB 62 186 216

HSL 191.69, 0.66%, 0.55%

LAB 70.25, -24.13, -24.91

 

CMYK 43 / 70 / 0 / 15

HEX #7B41D8

RGB 123 65 216

HSL 263.05, 0.66%, 0.55%

LAB 42.69, 56.13, -68.32

 

CMYK 0 / 15 / 70 / 15

HEX #D8B741

RGB 216 183 65

HSL 46.89, 0.66%, 0.55%

LAB 75.36, -0.63, 61.64

 

CMYK 71 / 14 / 0 / 15

HEX #3EBAD8

RGB 62 186 216

HSL 191.69, 0.66%, 0.55%

LAB 70.25, -24.13, -24.91

 

CMYK 0 / 70 / 13 / 15

HEX #D841BC

RGB 216 65 188

HSL 311.13, 0.66%, 0.55%

LAB 54.04, 70.56, -33.29

 

CMYK 13 / 0 / 70 / 15

HEX #BCD841

RGB 188 216 65

HSL 71.13, 0.66%, 0.55%

LAB 81.94, -28.88, 67.48

 

CMYK 71 / 14 / 0 / 15

HEX #3EBAD8

RGB 62 186 216

HSL 191.69, 0.66%, 0.55%

LAB 70.25, -24.13, -24.91

 

CMYK 43 / 70 / 0 / 15

HEX #7B41D8

RGB 123 65 216

HSL 263.05, 0.66%, 0.55%

LAB 42.69, 56.13, -68.32

 

CMYK 0 / 57 / 70 / 15

HEX #D85C41

RGB 216 92 65

HSL 10.73, 0.66%, 0.55%

LAB 54.69, 47.06, 39.45

 

CMYK 27 / 0 / 70 / 15

HEX #9ED841

RGB 158 216 65

HSL 83.05, 0.66%, 0.55%

LAB 80.05, -40.52, 64.97

 

CMYK 71 / 14 / 0 / 15

HEX #3EBAD8

RGB 62 186 216

HSL 191.69, 0.66%, 0.55%

LAB 70.25, -24.13, -24.91

 

CMYK 22 / 70 / 0 / 15

HEX #A841D8

RGB 168 65 216

HSL 280.93, 0.66%, 0.55%

LAB 48.34, 64.74, -58.89

 

CMYK 0 / 57 / 70 / 15

HEX #D85C41

RGB 216 92 65

HSL 10.73, 0.66%, 0.55%

LAB 54.69, 47.06, 39.45

 

CMYK 48 / 0 / 70 / 15

HEX #70D841

RGB 112 216 65

HSL 101.32, 0.66%, 0.55%

LAB 77.84, -55.95, 62.01

 

Description

Color code: HEX #3EBAD8 | qconv.com Color code: HEX #3EBAD8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 186 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 186 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 14 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 14% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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