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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EB6B6 it is the complementary color #C14949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EB6B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3EB6B6: #43B6B1, #54C8C4, #65DAD7, #76ECEA and #87FEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EB6B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3EB6B6: #3EB6B6, #2DA4A3, #1C9290, #0B807D and #006E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

Complementary color

CMYK 0 / 62 / 62 / 24

HEX #C14949

RGB 193 73 73

HSL 0, 0.49%, 0.52%

LAB 47.73, 48.1, 25.57

 

CMYK 63 / 0 / 3 / 29

HEX #43B6B1

RGB 67 182 177

HSL 177.39, 0.46%, 0.49%

LAB 67.89, -33, -7.02

 

CMYK 58 / 0 / 2 / 22

HEX #54C8C4

RGB 84 200 196

HSL 177.93, 0.51%, 0.56%

LAB 74.3, -33.35, -7.84

 

CMYK 54 / 0 / 1 / 15

HEX #65DAD7

RGB 101 218 215

HSL 178.46, 0.61%, 0.63%

LAB 80.64, -33.58, -8.59

 

CMYK 50 / 0 / 1 / 7

HEX #76ECEA

RGB 118 236 234

HSL 178.98, 0.76%, 0.69%

LAB 86.89, -33.72, -9.29

 

CMYK 47 / 0 / 0 / 0

HEX #87FEFD

RGB 135 254 253

HSL 179.5, 0.98%, 0.76%

LAB 93.07, -33.8, -9.95

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 73 / 0 / 1 / 36

HEX #2DA4A3

RGB 45 164 163

HSL 179.5, 0.57%, 0.41%

LAB 61.44, -31.68, -8.87

 

CMYK 81 / 0 / 1 / 43

HEX #1C9290

RGB 28 146 144

HSL 178.98, 0.68%, 0.34%

LAB 54.88, -30.66, -7.87

 

CMYK 91 / 0 / 2 / 50

HEX #0B807D

RGB 11 128 125

HSL 178.46, 0.84%, 0.27%

LAB 48.25, -29.21, -6.72

 

CMYK 100 / 0 / 4 / 57

HEX #006E6A

RGB 0 110 106

HSL 177.82, 1%, 0.22%

LAB 41.52, -27.2, -5.39

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 66 / 11 / 0 / 29

HEX #3EA2B6

RGB 62 162 182

HSL 190, 0.49%, 0.48%

LAB 61.86, -22.46, -18.88

 

CMYK 66 / 22 / 0 / 29

HEX #3E8EB6

RGB 62 142 182

HSL 200, 0.49%, 0.48%

LAB 55.83, -11.72, -28.13

 

CMYK 66 / 33 / 0 / 29

HEX #3E7AB6

RGB 62 122 182

HSL 210, 0.49%, 0.48%

LAB 49.88, -0.13, -37.43

 

CMYK 66 / 44 / 0 / 29

HEX #3E66B6

RGB 62 102 182

HSL 220, 0.49%, 0.48%

LAB 44.1, 12.26, -46.61

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 66 / 0 / 0 / 9

HEX #4FE9E9

RGB 79 233 233

HSL 180, 0.78%, 0.61%

LAB 84.91, -39.35, -11.84

 

CMYK 66 / 0 / 0 / 89

HEX #0A1D1D

RGB 10 29 29

HSL 180, 0.49%, 0.08%

LAB 9.25, -7.68, -2.4

 

CMYK 66 / 0 / 0 / 69

HEX #1B5050

RGB 27 80 80

HSL 180, 0.5%, 0.21%

LAB 30.76, -17.13, -5.2

 

CMYK 66 / 0 / 0 / 49

HEX #2D8383

RGB 45 131 131

HSL 180, 0.49%, 0.35%

LAB 50.01, -24.99, -7.55

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 53 / 66 / 0 / 29

HEX #563EB6

RGB 86 62 182

HSL 252, 0.49%, 0.48%

LAB 35.6, 41.68, -60.25

 

CMYK 0 / 26 / 66 / 29

HEX #B6863E

RGB 182 134 62

HSL 36, 0.49%, 0.48%

LAB 59.29, 10.86, 44.93

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 0 / 66 / 0 / 29

HEX #B63EB6

RGB 182 62 182

HSL 300, 0.49%, 0.48%

LAB 47.97, 62.65, -39.72

 

CMYK 0 / 0 / 66 / 29

HEX #B6B63E

RGB 182 182 62

HSL 60, 0.49%, 0.48%

LAB 72.06, -14.85, 58.52

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 53 / 66 / 0 / 29

HEX #563EB6

RGB 86 62 182

HSL 252, 0.49%, 0.48%

LAB 35.6, 41.68, -60.25

 

CMYK 0 / 66 / 66 / 29

HEX #B63E3E

RGB 182 62 62

HSL 0, 0.49%, 0.48%

LAB 43.86, 48.46, 26.86

 

CMYK 13 / 0 / 66 / 29

HEX #9EB63E

RGB 158 182 62

HSL 72, 0.49%, 0.48%

LAB 70.23, -24.93, 56.05

 

CMYK 66 / 0 / 0 / 29

HEX #3EB6B6

RGB 62 182 182

HSL 180, 0.49%, 0.48%

LAB 67.92, -32.38, -9.75

 

CMYK 33 / 66 / 0 / 29

HEX #7A3EB6

RGB 122 62 182

HSL 270, 0.49%, 0.48%

LAB 39.51, 48.87, -53.72

 

CMYK 0 / 66 / 66 / 29

HEX #B63E3E

RGB 182 62 62

HSL 0, 0.49%, 0.48%

LAB 43.86, 48.46, 26.86

 

CMYK 33 / 0 / 66 / 29

HEX #7AB63E

RGB 122 182 62

HSL 90, 0.49%, 0.48%

LAB 67.98, -38.97, 52.99

 

Description

Color code: HEX #3EB6B6 | qconv.com Color code: HEX #3EB6B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 182 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 182 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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