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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EB0D8 it is the complementary color #C14F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EB0D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EB0D8 shade: #43B0D3, #54C2E6, #65D4F9, #76E6FF and #87F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EB0D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EB0D8 shade: #3EB0D8, #2D9EC5, #1C8CB2, #0B7A9F and #00688C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EB0D8 shade: #41B1D8, #4188D8, #415FD8, #4B41D8 and #7441D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EB0D8 shade: #41B1D8, #4188D8, #415FD8 and #4141D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EB0D8 shade matches the following richer shades: #41B1D8, #2EBAEB and #1BC3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EB0D8 shade: #41B1D8, #53A8C5, #669FB3, #7896A0 and #8B8D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EB0D8 shade: #41D8AD, #41D8D5, #41B2D8, #418AD8 and #4161D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EB0D8 shade: #2282A4, #299EC7, #41B1D8, #63BFDF and #85CDE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EB0D8 shade: #3EB0D8, #8541D8 and #D8C141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EB0D8 shade: #3EB0D8, #D841B2 and #B2D841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EB0D8 shade: #3EB0D8, #8541D8, #D86641 and #94D841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EB0D8 shade: #3EB0D8, #B241D8, #D86641 and #66D841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 19 / 0 / 15

HEX #3EB0D8

RGB 62 176 216

HSL 195.58, 0.66%, 0.55%

LAB 67.3, -18.98, -29.43

 

Complementary color

CMYK 0 / 59 / 80 / 24

HEX #C14F27

RGB 193 79 39

HSL 15.58, 0.66%, 0.45%

LAB 48.36, 43.62, 45.09

 

CMYK 68 / 17 / 0 / 17

HEX #43B0D3

RGB 67 176 211

HSL 194.58, 0.62%, 0.55%

LAB 67.24, -19.88, -26.77

 

CMYK 63 / 16 / 0 / 10

HEX #54C2E6

RGB 84 194 230

HSL 194.79, 0.74%, 0.62%

LAB 73.66, -20.64, -27.23

 

CMYK 59 / 15 / 0 / 2

HEX #65D4F9

RGB 101 212 249

HSL 195, 0.93%, 0.69%

LAB 80.01, -21.23, -27.66

 

CMYK 54 / 10 / 0 / 0

HEX #76E6FF

RGB 118 230 255

HSL 190.95, 1%, 0.73%

LAB 85.84, -25.31, -21.9

 

CMYK 47 / 3 / 0 / 0

HEX #87F8FF

RGB 135 248 255

HSL 183.5, 1%, 0.76%

LAB 91.46, -30.48, -13.38

 

CMYK 71 / 19 / 0 / 15

HEX #3EB0D8

RGB 62 176 216

HSL 195.58, 0.66%, 0.55%

LAB 67.3, -18.98, -29.43

 

CMYK 77 / 20 / 0 / 23

HEX #2D9EC5

RGB 45 158 197

HSL 195.39, 0.63%, 0.47%

LAB 60.82, -17.8, -28.93

 

CMYK 84 / 21 / 0 / 30

HEX #1C8CB2

RGB 28 140 178

HSL 195.2, 0.73%, 0.4%

LAB 54.26, -16.27, -28.35

 

CMYK 93 / 23 / 0 / 38

HEX #0B7A9F

RGB 11 122 159

HSL 195, 0.87%, 0.33%

LAB 47.62, -14.26, -27.69

 

CMYK 100 / 26 / 0 / 45

HEX #00688C

RGB 0 104 140

HSL 195.43, 1%, 0.27%

LAB 40.89, -11.67, -26.91

 

CMYK 70 / 18 / 0 / 15

HEX #41B1D8

RGB 65 177 216

HSL 195.5, 0.66%, 0.55%

LAB 67.67, -19.09, -28.86

 

CMYK 70 / 37 / 0 / 15

HEX #4188D8

RGB 65 136 216

HSL 211.79, 0.66%, 0.55%

LAB 55.78, 3.9, -47.46

 

CMYK 70 / 56 / 0 / 15

HEX #415FD8

RGB 65 95 216

HSL 228.08, 0.66%, 0.55%

LAB 44.61, 29.38, -65.38

 

CMYK 65 / 70 / 0 / 15

HEX #4B41D8

RGB 75 65 216

HSL 243.97, 0.66%, 0.55%

LAB 38.26, 48.86, -75.74

 

CMYK 46 / 70 / 0 / 15

HEX #7441D8

RGB 116 65 216

HSL 260.26, 0.66%, 0.55%

LAB 41.92, 54.92, -69.59

 

CMYK 70 / 18 / 0 / 15

HEX #41B1D8

RGB 65 177 216

HSL 195.5, 0.66%, 0.55%

LAB 67.67, -19.09, -28.86

 

CMYK 70 / 37 / 0 / 15

HEX #4188D8

RGB 65 136 216

HSL 211.79, 0.66%, 0.55%

LAB 55.78, 3.9, -47.46

 

CMYK 70 / 56 / 0 / 15

HEX #415FD8

RGB 65 95 216

HSL 228.08, 0.66%, 0.55%

LAB 44.61, 29.38, -65.38

 

CMYK 70 / 70 / 0 / 15

HEX #4141D8

RGB 65 65 216

HSL 240, 0.66%, 0.55%

LAB 37.59, 47.72, -76.86

 

CMYK 70 / 18 / 0 / 15

HEX #41B1D8

RGB 65 177 216

HSL 195.5, 0.66%, 0.55%

LAB 67.67, -19.09, -28.86

 

CMYK 80 / 21 / 0 / 8

HEX #2EBAEB

RGB 46 186 235

HSL 195.56, 0.83%, 0.55%

LAB 70.66, -19.72, -34.64

 

CMYK 89 / 23 / 0 / 1

HEX #1BC3FD

RGB 27 195 253

HSL 195.4, 0.98%, 0.55%

LAB 73.78, -19.6, -39.55

 

CMYK 70 / 18 / 0 / 15

HEX #41B1D8

RGB 65 177 216

HSL 195.5, 0.66%, 0.55%

LAB 67.67, -19.09, -28.86

 

CMYK 58 / 15 / 0 / 23

HEX #53A8C5

RGB 83 168 197

HSL 195.26, 0.5%, 0.55%

LAB 64.86, -17.26, -22.62

 

CMYK 43 / 11 / 0 / 30

HEX #669FB3

RGB 102 159 179

HSL 195.58, 0.34%, 0.55%

LAB 62.4, -13.31, -16.23

 

CMYK 25 / 6 / 0 / 37

HEX #7896A0

RGB 120 150 160

HSL 195, 0.17%, 0.55%

LAB 60.2, -8.09, -8.7

 

CMYK 2 / 1 / 0 / 44

HEX #8B8D8E

RGB 139 141 142

HSL 200, 0.01%, 0.55%

LAB 58.5, -0.53, -0.8

 

CMYK 70 / 0 / 20 / 15

HEX #41D8AD

RGB 65 216 173

HSL 162.91, 0.66%, 0.55%

LAB 78.02, -49.37, 9.89

 

CMYK 70 / 0 / 1 / 15

HEX #41D8D5

RGB 65 216 213

HSL 178.81, 0.66%, 0.55%

LAB 79.06, -39.02, -9.96

 

CMYK 70 / 18 / 0 / 15

HEX #41B2D8

RGB 65 178 216

HSL 195.1, 0.66%, 0.55%

LAB 67.96, -19.62, -28.41

 

CMYK 70 / 36 / 0 / 15

HEX #418AD8

RGB 65 138 216

HSL 210.99, 0.66%, 0.55%

LAB 56.35, 2.71, -46.56

 

CMYK 70 / 55 / 0 / 15

HEX #4161D8

RGB 65 97 216

HSL 227.28, 0.66%, 0.55%

LAB 45.12, 28.11, -64.55

 

CMYK 79 / 21 / 0 / 36

HEX #2282A4

RGB 34 130 164

HSL 195.69, 0.66%, 0.39%

LAB 50.67, -15.13, -25.84

 

CMYK 79 / 21 / 0 / 22

HEX #299EC7

RGB 41 158 199

HSL 195.57, 0.66%, 0.47%

LAB 60.82, -17.54, -30.05

 

CMYK 70 / 18 / 0 / 15

HEX #41B1D8

RGB 65 177 216

HSL 195.5, 0.66%, 0.55%

LAB 67.67, -19.09, -28.86

 

CMYK 56 / 14 / 0 / 13

HEX #63BFDF

RGB 99 191 223

HSL 195.48, 0.66%, 0.63%

LAB 73.05, -18.44, -24.33

 

CMYK 42 / 11 / 0 / 10

HEX #85CDE6

RGB 133 205 230

HSL 195.46, 0.66%, 0.71%

LAB 78.67, -16.11, -19.43

 

CMYK 71 / 19 / 0 / 15

HEX #3EB0D8

RGB 62 176 216

HSL 195.58, 0.66%, 0.55%

LAB 67.3, -18.98, -29.43

 

CMYK 38 / 70 / 0 / 15

HEX #8541D8

RGB 133 65 216

HSL 267.02, 0.66%, 0.55%

LAB 43.84, 57.93, -66.4

 

CMYK 0 / 11 / 70 / 15

HEX #D8C141

RGB 216 193 65

HSL 50.86, 0.66%, 0.55%

LAB 77.95, -5.82, 64.24

 

CMYK 71 / 19 / 0 / 15

HEX #3EB0D8

RGB 62 176 216

HSL 195.58, 0.66%, 0.55%

LAB 67.3, -18.98, -29.43

 

CMYK 0 / 70 / 18 / 15

HEX #D841B2

RGB 216 65 178

HSL 315.1, 0.66%, 0.55%

LAB 53.59, 69.16, -28.18

 

CMYK 18 / 0 / 70 / 15

HEX #B2D841

RGB 178 216 65

HSL 75.1, 0.66%, 0.55%

LAB 81.27, -32.85, 66.59

 

CMYK 71 / 19 / 0 / 15

HEX #3EB0D8

RGB 62 176 216

HSL 195.58, 0.66%, 0.55%

LAB 67.3, -18.98, -29.43

 

CMYK 38 / 70 / 0 / 15

HEX #8541D8

RGB 133 65 216

HSL 267.02, 0.66%, 0.55%

LAB 43.84, 57.93, -66.4

 

CMYK 0 / 53 / 70 / 15

HEX #D86641

RGB 216 102 65

HSL 14.7, 0.66%, 0.55%

LAB 56.57, 42.23, 41.58

 

CMYK 31 / 0 / 70 / 15

HEX #94D841

RGB 148 216 65

HSL 87.02, 0.66%, 0.55%

LAB 79.49, -44.17, 64.23

 

CMYK 71 / 19 / 0 / 15

HEX #3EB0D8

RGB 62 176 216

HSL 195.58, 0.66%, 0.55%

LAB 67.3, -18.98, -29.43

 

CMYK 18 / 70 / 0 / 15

HEX #B241D8

RGB 178 65 216

HSL 284.9, 0.66%, 0.55%

LAB 49.74, 66.79, -56.56

 

CMYK 0 / 53 / 70 / 15

HEX #D86641

RGB 216 102 65

HSL 14.7, 0.66%, 0.55%

LAB 56.57, 42.23, 41.58

 

CMYK 53 / 0 / 70 / 15

HEX #66D841

RGB 102 216 65

HSL 105.3, 0.66%, 0.55%

LAB 77.47, -58.76, 61.51

 

Description

Color code: HEX #3EB0D8 | qconv.com Color code: HEX #3EB0D8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 176 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 176 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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